I don't think I necessarily want gritty Trek, but I do want serious, deep Trek. It just so happens that most of the more serious and deep shows recently - nuBSG, The Sopranos, Game of Thrones to name a few - happen to be gritty.
The problem is, there's no place on TV that does that.More Galaxy Quest, less nuBSG.
Agreed. The viewer should never feel like throttling the protagonists (or the writers).Not for Trek. The most gritty it should go was DS9.
Trek can be gritty and it can work. Undiscovered Country was gritty in nuBSG terms. Kirk was WRONG and he was kind of a dick about. Spock was slightly wrong, in that he let the IDEA get ahead of his friendship. Starfleet officers conspired to do the wrong thing in the Klingon Empire's darkest hour.
The difference between nuBSG and Star Trek VI is that nuBSG had character be relentlessly wrong. Mistake piled atop other mistakes with no one seeming to ever learn a lesson from it. Trek VI was a movie. It had to be resolved within it's allotted run time.
In the end, Trek VI reaffirmed the core optimistic message of Star Trek. Even when we make mistakes, we can learn and redeem ourselves. BSG was relentlessly dismal to the very end, with Tyrol doing the wrong thing at exactly the wrong moment. Good story, but beyond gritty. BSG was dystopian.
Trek can be gritty and it can work. Undiscovered Country was gritty in nuBSG terms. Kirk was WRONG and he was kind of a dick about. Spock was slightly wrong, in that he let the IDEA get ahead of his friendship. Starfleet officers conspired to do the wrong thing in the Klingon Empire's darkest hour.
They learned, sometimes. Kira was a very different person by the end of the series, feeling bad for mouthing off to Damar just when he'd just been hit by personal tragedy. The peace ceremony that ended the war suggested that the whole thing had been a tragic misunderstanding and that things would be better from now on (which doesn't really jibe with how the war was portrayed but oh well.)You'd have to have people make bad choices and learn from them, without the whole thing devolving into a constant morality play. Trek has enough trouble with that in optimistic mode. I think it would become overwhleming if they tried to play it too dark. In fact, I think it happened on DS9 despite the efforts of the producers. The bad choices main characters made in the name of expediency never came back to haunt them. They didn't learn from them.
I think there's a market out there for a military sf series, on cable and more violent than you'd see on broadcast, but I don't see why Star Trek would be the best topic. Maybe adapting the Honor Harrington series would work.
Trek can be gritty and it can work. Undiscovered Country was gritty in nuBSG terms. Kirk was WRONG and he was kind of a dick about. Spock was slightly wrong, in that he let the IDEA get ahead of his friendship. Starfleet officers conspired to do the wrong thing in the Klingon Empire's darkest hour.
Here's the fundamental difference between Star Trek and nuBSG grittiness:
-Star Trek's writers always save their characters' butts from having to really deal with the consequences of their actions. Even in the furthest-out-there example of grittiness - "In the Pale Moonlight" - Sisko and Garak's schemings didn't cause the Federation to lose the war.
If that were a nuBSG episode, the Romulans would have found out, switched sides, and the Federation would have become enslaved vassals of the Dominion, because they're corrupt and deserve it, bwahaha!
-OTOH, nuBSG wallowed in self-loathing to a degree that ended up being simply absurd and rendered its "message" moot. Fundamentally, the fight with the Cylons is a fight for species survival. When you ratchet up the stakes that high, morality no longer counts. All that counts is survival. You can wallow in guilt later, assuming there's anyone left alive to do the wallowing, in which case you've won, so what are you wallowing about, really?
So both approaches have their absurd aspects, but I think Star Trek wins by virtue of being slightly less annoying.
They learned, sometimes. Kira was a very different person by the end of the series, feeling bad for mouthing off to Damar just when he'd just been hit by personal tragedy. The peace ceremony that ended the war suggested that the whole thing had been a tragic misunderstanding and that things would be better from now on (which doesn't really jibe with how the war was portrayed but oh well.)You'd have to have people make bad choices and learn from them, without the whole thing devolving into a constant morality play. Trek has enough trouble with that in optimistic mode. I think it would become overwhleming if they tried to play it too dark. In fact, I think it happened on DS9 despite the efforts of the producers. The bad choices main characters made in the name of expediency never came back to haunt them. They didn't learn from them.
I don't know if others share this opinion, but one of the things that drew me to Trek (TOS) was that it was bright, shiny, and hopeful
That's certainly what I like about it.
I enjoyed DS9 for the characters and the fact that the hopefulness and desire to be better persisted in the face of war, but I don't need another DS9 because we already have one. I also enjoyed BSG, but again I don't need Trek to become BSG.
I have no strong desire for a new show, but hopefully it will be something I recognise as Star Trek.
Because it would be fun to watch.Why must we wish to resurrect Star Trek?
If I take an empty bottle that held wine and is still clearly labelled "wine," but fill it with chocolate milk, I can call it wine.
It WOULD be fun, a gritty sci fi series, especially if it were actually science fiction. But why call it Star Trek?
Of course, even if one creates chocolate milk, it still is milk. Even if that one kid is kind of upset that he didn't get plain milk.
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