ILM was not responsible for the sound effects on any Trek film.
Actually, although ILM certainly did a respectable job, I'd argue that Doug Trumbull, John Dykstra and their respective teams did a far better job with the effects on TMP than ILM did on any of their efforts.Typical of the lacking TFF effects quality. Never let anyone but ILM do your film effects!
If you look past the much-maligned (and deservedly so) visual effects, TFF actually has excellent production values. Perhaps the best of any of the TOS films.Funny thing is, TFF has got a really good sound fx mix, especially the organic breathing stuff, very expressive. I remembered a muffled sound for the torp launch, but didn't realize how off it was till reading this. Maybe the local 'weather' at the center of the galaxy drowned out the usual noise fx.
ILM was not responsible for the sound effects on any Trek film.
Actually, although ILM certainly did a respectable job, I'd argue that Doug Trumbull, John Dykstra and their respective teams did a far better job with the effects on TMP than ILM did on any of their efforts.Typical of the lacking TFF effects quality. Never let anyone but ILM do your film effects!
If you look past the much-maligned (and deservedly so) visual effects, TFF actually has excellent production values. Perhaps the best of any of the TOS films.Funny thing is, TFF has got a really good sound fx mix, especially the organic breathing stuff, very expressive. I remembered a muffled sound for the torp launch, but didn't realize how off it was till reading this. Maybe the local 'weather' at the center of the galaxy drowned out the usual noise fx.
The cinematography by Andrew Laszlo is excellent and one of the few Trek entries that's shot like a film instead of a TV show. The production design by Herman Zimmerman, particularly the bridge and the observation deck, is beautiful. The sound mix is quite good and adds a depth many of the Trek films lack. And the music by Jerry Goldsmith is, of course, masterful.
Methinks that perhaps the overall production value of TFF gets unfairly judged solely on the basis of its inept visual effects when, in fact, everything else production-wise is quite good.
TFF actually has excellent production values. Perhaps the best of any of the TOS films.
The cinematography by Andrew Laszlo is excellent and one of the few Trek entries that's shot like a film instead of a TV show. The production design by Herman Zimmerman, particularly the bridge and the observation deck, is beautiful. In fact, everything (other than the optical effects) production-wise is quite good.
ILM was not responsible for the sound effects on any Trek film.
If you look past the much-maligned (and deservedly so) visual effects, TFF actually has excellent production values. Perhaps the best of any of the TOS films.Funny thing is, TFF has got a really good sound fx mix, especially the organic breathing stuff, very expressive. I remembered a muffled sound for the torp launch, but didn't realize how off it was till reading this. Maybe the local 'weather' at the center of the galaxy drowned out the usual noise fx.
The cinematography by Andrew Laszlo is excellent and one of the few Trek entries that's shot like a film instead of a TV show. The production design by Herman Zimmerman, particularly the bridge and the observation deck, is beautiful. The sound mix is quite good and adds a depth many of the Trek films lack. And the music by Jerry Goldsmith is, of course, masterful.
Methinks that perhaps the overall production value of TFF gets unfairly judged solely on the basis of its inept visual effects when, in fact, everything else production-wise is quite good.
We know that. I was just pointing out to Praetor that ILM's responsibility for visual effects did not extend into other areas such as sound effects. He seemed to be posting the sort of knee-jerk "TFF's effects were crap because they didn't use ILM" reaction, even though we weren't talking about the visuals.I must concur.ILM was not responsible for the sound effects on any Trek film.
Not only that, but ILM didn't do the visuals for TFF. The wretched special DE-fects were created by Bran Ferren and Associates -- a New York based company that had created the visuals for Little Shop of Horrors prior to STV:TFF.
A lot of ILM's effects work was pretty shit in some of the movies, too.We know that. I was just pointing out to Praetor that ILM's responsibility for visual effects did not extend into other areas such as sound effects. He seemed to be posting the sort of knee-jerk "TFF's effects were crap because they didn't use ILM" reaction, even though we weren't talking about the visuals.
I must concur.
What concern is it of yours how he talks?
I'm sorry, was that too formal? Maybe I should have asked you to 'chillax.'
Seriously, if you've got nothing better to contribute than nitpicking how people "talk" on this board, I'd suggest you move along.
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