While admittedly VERY different from Wells' novel, I've loved the George Pal version ever since I first saw it. To be honest, I can't say when, but most likely on TBS shortly after Ted Turner obtained the films of MGM. If I find it listed, usually on Turner Classic Movies, I'll park the "clicker" there and kick back to relish.
If asked to describe it, I want to call it a "gentle" production, but I realize that's not accurate. I mean, we see the blitz of London, an atomic bombing in 1966 that, in turn, triggers volcanic activity (which probably killed Jamie Filby and the others in the bomb shelters). There's the near drowning of Weena, the discovery that the Morlocks are cannibalistic, the on screen immolation of a Morlock and later the rapid rotting of one as George accidentally nudges the machine's control lever forward. And yet, those dynamics events are offset by the warm and caring discussions between George and his understandably concerned friend Filby.
Which makes me wonder why I've never gotten around to purchasing a particular DVD package. In this set there is a short scene recorded decades later, both in real life and maybe 15 years after the events of the movie. Both Rod Taylor and Alan Young reprise their roles with George returning to his home where (and when) Filby happens to be. As of yet, I don't know what transpires because my (admittedly "modest") searches online have not found the "follow-up" Turner (the company) likely has it yanked as soon as someone uploads it.
The point being, I find it "comforting", like a favorite quilt or a homemade savory stew. It probably comes from Rod Taylor's performance.
The image I've poste was one I was composing the week Rod Taylor died. TCM changed its schedule to air "The Time Machine" in tribute. Learning of his passing gave me the drive to complete the piece. (To clarify, I mainly staged and illuminated the composition. A digital creator named Morpheus made the machine and the basic lab.)
Sincerely,
Bill