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Game The Most Disliked Majel Barrett Appearance, 2025 Edition

I do love "Haven." As objectively bad as it often is, all season 1 TNG is irresistible to me. The vibe of it is just such a warm, nostalgic blanket.

Ditto.

As much as I can be snarky, I too adore a lot of season 1. There is a freshness that does grow on one, feet-finding always means there will be clunkers, but rarely could any of it be called "stale". Add in inevitable contemporary fashion, as TOS has 60s all over it as much as TNG has 80s, and it is irresistible. Especially when remembering other 80s shows at the time, TNG still felt better than those. If nothing else, at least "The Munsters Today" tried to be a sequel and wasn't too bad... until it became too trendy for its own sake with the neon-everything, which TNG thankfully eschewed. But before I really digress:

"Haven" was going to be my next save, but I saved what I had written:

The story had some first-rate ideas, but felt smothered by some cheesy soap opera stuff that season 5-onward would embrace as the norm. Now add in a little too much 80s hairspray in the formal dress scenes and it does beg a question or two. The hairspray smell on set must have been as horrible as the spandex by day's end...

That said, as I'm itching to applaud this story as soon as possible, the Tarellians - whose backdrop told to us is sadly little more than plot fodder - is more than merely Shakespearean when it comes to their plight and tragedy. That backdrop deserved to be the forefront as there's a ton of dramatic and plotting potential that could be wrung from it, as this buildup is anything but a turnip. Plus it's as allegorical as it is open-ended in that regard. Instead, we get 40 minutes of "love triangle hokum with comedy relief sprinkled on top". This story had so much backstory and potential that deserved so much more, but pushed aside to the point that I can't help but to snark it up. We get some snippets, from multiple points of view, including Valeda, but this easily could have been so much more.

That, and Riker is referred to as "Bill", despite having been referred to as "Wil" ("Will"?) plenty of times already.

But despite all that, even that plot choice of Troi's family for the arranged marriage still had a role to play as it's what allows us to first see Majel as Lwaxana - she has indeed a strong introduction, and her comedic timing helped elevate a lot of the soap opera/Springer shlock into something that's genuinely entertaining, but this one had some real story meat and ditched it. To me, that makes "The Immunity Syndrome" a better story, despite Chapel being a secondary character in it. Had this story took a bigger risk with the plot setup, instead of slaloming into cheeseville and the Wyatt connection could still be there.



To help demonstrate The Power of The Troi, let's look up some vidz:

1. First, let's have some fun with the videorama setting the stage:

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Dang. This is an impressive setup, even with Crusher's season oneism where she's showing her fondness of "The Chris Rock Show" by namedropping "Damn Fool". Okay, "continents" could have been said instead of "land masses", but the scene is thought out really well. Considering the sentient species pretty much are biologically compatible, Crusher rightly points out that, oops, the bioweapon hurt the makers of it just as much because the cooties can't care.


2. Okay, let's see Lwaxana's introduction into the show as a person who isn't a computer voice:
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A bit corny, sure, but how can it not induce nostalgia for 1987? Plus, it makes up for all of my whiny gripes about the story choosing to coast on a love triangle thing.


3. Here comes the cheese:
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Under different circumstances, the dramatic weight of all this would be much more poignant, given what is said about the Tarellians early on in the story. They needed to have more of the story's focus for the eponymous locus, which just wasn't possible. Wyatt's journey is too clichéd, or at least unsurprising, but this is season 1 TNG and it would be more important to establish the crew early on, and this episode does help in that regard in setting up both Deanna and Lwaxana in particular. Still, I always get the feeling that so much potential with the Tarellian side plot was lost.


4. And if that hairspray wasn't quite enough, let's look at what could be mistaken as a late-80s soap opera with comedic elements:
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Nitpickery aside, Majel clearly steals the show, but a story starting out with so much potential became too tropey. If nothing else, give Data some tapes of "The Jerry Springer Show" as learning material for more of that "petty bickering" and - TBH - the acting in "Haven" feels fairly authentic, but I digress: Were there any better reality shows between "Springer" and "Desperate Housewives" as I recall the latter only because of an episode of "The Orville"?

I really want to rewatch this one in full again, so much for a marathon of "One Day at a Time" but only by 44 minutes. :D

Also,
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Of what's left,

TOS, Season 3: "The Paradise Syndrome" (Chapel)


Ignore any nitpickery and the idea of the Preservers is pretty solid. Margaret Armen always had some cool concepts to play with and she knew Bones and Spock to a "T".

Kirk's subplot hits hard home as, under amnesia, he builds a new life that he clearly adores. But his newfound wife ends up being brutally murdered, in what is one of the most morbid endings Trek of any era ever had.

Chapel might be relegated to the tail end of this story, but she is put to great use - as well as reminding the audience that the 23rd century isn't magical with the wave of a blue beam handheld thing and all is well as their technology still had limitations, since all she could do in the end was to ease the pain Miramanee was enduring while letting her have a couple more minutes for a somber and sobering farewell with "Kirok". It truly is a powerful scene, which has fantastic emotional depth and verisimilitude, in an episode with some first-rate McCoy/Spock moments as well. It's no wonder that Armen would have become the lead script editor had the show continued into a fourth year. She gets it and, for any nitpicks that do exist from her stories, or what she was thinking or considering at the time or otherwise, the greater goods still outweigh them. True for any writer IMHO...



What's left:
TOS, Season 3: "And The Children Shall Lead" (Chapel)
TOS, Season 3: "Plato's Stepchildren" (Chapel)
TOS, Season 3: "Elaan Of Troyius" (Chapel)
TOS, Season 3: "Let That Be Your Last Battlefield" (Chapel)
TOS, Season 3: "The Lights Of Zetar" (Chapel)
TOS, Season 3: "Turnabout Intruder" (Chapel)
TAS, Season 1: "The Survivor" (Chapel, M'Ress)
TAS, Season 1: "The Magicks Of Megas-Tu" (Chapel)
TAS, Season 1: "Once Upon A Planet" (M'Ress, Queen Of Hearts)
TAS, Season 1: "The Terratin Incident" (Chapel)
TAS, Season 1: "The Ambergris Element" (Chapel, Rila, Three Aquan Females)
TAS, Season 1: "The Eye Of The Beholder" (M'Ress, Randi Bryce)
TAS, Season 2: "The Pirates Of Orion" (Chapel, Huron Lieutenant)
TNG, Season 5: "Cost Of Living" (Lwaxana)
 
I will save "The Pirates Of Orion", which until recently was just a fine middle of the road episode, but its stock has risen since Lower Decks picked up these threads and told such fun, satisfying stories with them.

TOS, Season 3: "And The Children Shall Lead" (Chapel)
TOS, Season 3: "Plato's Stepchildren" (Chapel)
TOS, Season 3: "Elaan Of Troyius" (Chapel)
TOS, Season 3: "Let That Be Your Last Battlefield" (Chapel)
TOS, Season 3: "The Lights Of Zetar" (Chapel)
TOS, Season 3: "Turnabout Intruder" (Chapel)
TAS, Season 1: "The Survivor" (Chapel, M'Ress)
TAS, Season 1: "The Magicks Of Megas-Tu" (Chapel)
TAS, Season 1: "Once Upon A Planet" (M'Ress, Queen Of Hearts)
TAS, Season 1: "The Terratin Incident" (Chapel)
TAS, Season 1: "The Ambergris Element" (Chapel, Rila, Three Aquan Females)
TAS, Season 1: "The Eye Of The Beholder" (M'Ress, Randi Bryce)
TNG, Season 5: "Cost Of Living" (Lwaxana)
 
Saving "The Magicks of Megas-Tu," partly because, as a humanist, I get a charge out of Kirk and company siding with the Satan analogue -- but mainly because its use of psychedelic colors surely makes it the most seventies cartoon ever.

TOS, Season 3: "And The Children Shall Lead" (Chapel)
TOS, Season 3: "Plato's Stepchildren" (Chapel)
TOS, Season 3: "Elaan Of Troyius" (Chapel)
TOS, Season 3: "Let That Be Your Last Battlefield" (Chapel)
TOS, Season 3: "The Lights Of Zetar" (Chapel)
TOS, Season 3: "Turnabout Intruder" (Chapel)
TAS, Season 1: "The Survivor" (Chapel, M'Ress)
TAS, Season 1: "Once Upon A Planet" (M'Ress, Queen Of Hearts)
TAS, Season 1: "The Terratin Incident" (Chapel)
TAS, Season 1: "The Ambergris Element" (Chapel, Rila, Three Aquan Females)
TAS, Season 1: "The Eye Of The Beholder" (M'Ress, Randi Bryce)
TNG, Season 5: "Cost Of Living" (Lwaxana)
 
Well, I'm not going to make a big huge list seeing that I'm at work, but my least favorite Majel Barrett appearance would have to be TNG's "Manhunt".

I didn't really care for that episode where she was the computer voice, either.;)
 
I'm doing it. I'm saving "The Way to Eden." C'mon. How can you not end up loving it? We reach.

I've a soft spot for it as well. As with "Haven" and others, it's got a lot of interesting plot/story ideas that don't or can't get explored but deserve to be. "Eden" is just chock full of too many ideas, where too few get a chance to be explored because of time constraints, rewrites, and/or other issues. It isn't the worst story by any stretch, IMHO, but there's more thought put into Adam's song's lyrics than in 95% of "The Alternative Factor". To be fair, that story was wrought with production problems so much that it's amazing any of it got made at all.
 
It's amazing, an era more often associated with peace and love and hippies would also happen to create:

TOS, Season 3: "Plato's Stepchildren" (Chapel)

High-concept horror prevailing, it's a genuinely disturbing story that innovates on the psi power trope that was a staple of early-TOS.

Okay, while Chapel is drooling over Spock again, she's forced to do so under duress by mental torture by the Platonians.

Kirk's speech and discussion with Alexander is an absolute highlight for this episode and is one of THE best in TOS as well. A shame he didn't take Shahna aboard, but at least we got Alexander.

KIRK: Alexander, where I come from, size, shape, or colour makes no difference, and nobody has the power.

That right there is Star Trek.

As usual, McCoy has to put in a comment on Spock, and this time it's out of compassion and fear for who is indeed is his best friend. Parmen's and Philana's responses, of course, are chilling and the acting by all in this scene deserved a lot of awards, regardless of context or context removed:

MCCOY: He's a Vulcan. You can't force emotion out of him!
PHILANA: You must be joking, Doctor.
MCCOY: You'll destroy him!
PARMEN: We can't let him die laughing, can we?
(Now Spock cries.)
MCCOY: I beg you!
KIRK: Spock. Spock. Don't let them break you. Hold on. Don't--

Yeah, one has to roll with the concept that's been set up as the plot has progressed, but it shows a very dangerous situation indeed. What elements out there could turn people into monsters? We've occasionally seen this, as far back as WNMHGB, but there's been nothing quite like this and TBH, another retread is not what TOS needed to remain fresh. Indeed, PS does a better job at selling the breadth and depth of this type of psi horror, even if Gary Mitchell gives hints at what he could do.

Okay, some of the mental torture scenes do go on a little too long, but - dang - the actors are never anything less than perfect in understanding the scenes and characters. Indeed, Michael Dunn's performance is easily the best and the screen chemistry between him and the other actors just ensures some great memorable moments.

Emergency Ward 10, a BBC show in 1964, did an interracial kiss long before Trek had. Actually, the BBC production of Othello from 1955 had. Neither needed Platonians to force the issue, but Shatner ensuring that there'd be locked lips by fumbling a retake is positively noteworthy.

As usual, Kirk and co find a new technology/tool, only to forget about it afterward. Then again, the moral play of abusing these psi powers, this one makes sense. Amazed there's not a sequel or story based on someone else figuring this out and escaping - the ending is waaaaaaaaaaaaaay too open-ended for a sequel, and if the Platonians - who are virtually ageless - figure out FTL travel, they would wreak havoc across the galaxy. But, go figure, "Star Trek II - The Wrath of Parmen" was not in the cards. Khan was still a stronger villain and "Space Seed" was a more acclaimed story to begin with, especially with Trek II needing to bounce back from TMP's mixed bag approach.

Lastly, Liam has lovely legs, as had Barbara, but that's not important right now.


What's left:
TOS, Season 3: "And The Children Shall Lead" (Chapel)
TOS, Season 3: "Elaan Of Troyius" (Chapel)
TOS, Season 3: "Let That Be Your Last Battlefield" (Chapel)
TOS, Season 3: "The Lights Of Zetar" (Chapel)
TOS, Season 3: "Turnabout Intruder" (Chapel)
TAS, Season 1: "The Survivor" (Chapel, M'Ress)
TAS, Season 1: "Once Upon A Planet" (M'Ress, Queen Of Hearts)
TAS, Season 1: "The Terratin Incident" (Chapel)
TAS, Season 1: "The Ambergris Element" (Chapel, Rila, Three Aquan Females)
TAS, Season 1: "The Eye Of The Beholder" (M'Ress, Randi Bryce)
TNG, Season 5: "Cost Of Living" (Lwaxana)
 
Saving "Cost Of Living".

While the episode is not that great, I have to say that the Parallax colony was imaginative.

And when Lwaxana talks to Alecander about the loneliness of being old... you can tell there was a lot of Majel herself there, since Gene died only a couple months before she filmed this. I thought that was one of her best scenes ever.


TOS, Season 3: "And The Children Shall Lead" (Chapel)
TOS, Season 3: "Elaan Of Troyius" (Chapel)
TOS, Season 3: "Let That Be Your Last Battlefield" (Chapel)
TOS, Season 3: "The Lights Of Zetar" (Chapel)
TOS, Season 3: "Turnabout Intruder" (Chapel)
TAS, Season 1: "The Survivor" (Chapel, M'Ress)
TAS, Season 1: "Once Upon A Planet" (M'Ress, Queen Of Hearts)
TAS, Season 1: "The Terratin Incident" (Chapel)
TAS, Season 1: "The Ambergris Element" (Chapel, Rila, Three Aquan Females)
TAS, Season 1: "The Eye Of The Beholder" (M'Ress, Randi Bryce)
 
I've a soft spot for it as well. As with "Haven" and others, it's got a lot of interesting plot/story ideas that don't or can't get explored but deserve to be. "Eden" is just chock full of too many ideas, where too few get a chance to be explored because of time constraints, rewrites, and/or other issues. It isn't the worst story by any stretch, IMHO, but there's more thought put into Adam's song's lyrics than in 95% of "The Alternative Factor". To be fair, that story was wrought with production problems so much that it's amazing any of it got made at all.
Absolutely! "Spock's Brain" and "The Way to Eden" are often cited among the worst of TOS, but I'd rather watch either of those any day than "The Alternative Factor."
 
There's not a ton of gems left, but I'll save "The Lights of Zetar." Nothing more to say, really, except that I don't hate it.

TOS, Season 3: "And The Children Shall Lead" (Chapel)
TOS, Season 3: "Elaan Of Troyius" (Chapel)
TOS, Season 3: "Let That Be Your Last Battlefield" (Chapel)
TOS, Season 3: "Turnabout Intruder" (Chapel)
TAS, Season 1: "The Survivor" (Chapel, M'Ress)
TAS, Season 1: "Once Upon A Planet" (M'Ress, Queen Of Hearts)
TAS, Season 1: "The Terratin Incident" (Chapel)
TAS, Season 1: "The Ambergris Element" (Chapel, Rila, Three Aquan Females)
TAS, Season 1: "The Eye Of The Beholder" (M'Ress, Randi Bryce)
 
"Let That Be Your Last Battlefield" is distinctly preachy -- but I remember the era it came out in, and its message is what TV Tropes used to call an Anvil That Needed to be Dropped.

TOS, Season 3: "And The Children Shall Lead" (Chapel)
TOS, Season 3: "Elaan Of Troyius" (Chapel)
TOS, Season 3: "The Lights Of Zetar" (Chapel)
TOS, Season 3: "Turnabout Intruder" (Chapel)
TAS, Season 1: "The Survivor" (Chapel, M'Ress)
TAS, Season 1: "Once Upon A Planet" (M'Ress, Queen Of Hearts)
TAS, Season 1: "The Terratin Incident" (Chapel)
TAS, Season 1: "The Ambergris Element" (Chapel, Rila, Three Aquan Females)
TAS, Season 1: "The Eye Of The Beholder" (M'Ress, Randi Bryce)
 
"Once Upon A Planet" is an unusual example in early Trek of returning to a place previously visited and a traditional Trek trope of a computer getting out of hand.


TOS, Season 3: "And The Children Shall Lead" (Chapel)
TOS, Season 3: "Elaan Of Troyius" (Chapel)
TOS, Season 3: "The Lights Of Zetar" (Chapel)
TOS, Season 3: "Turnabout Intruder" (Chapel)
TAS, Season 1: "The Survivor" (Chapel, M'Ress)
TAS, Season 1: "The Terratin Incident" (Chapel)
TAS, Season 1: "The Ambergris Element" (Chapel, Rila, Three Aquan Females)
TAS, Season 1: "The Eye Of The Beholder" (M'Ress, Randi Bryce)
 
Saving "THE SURVIVOR".

It had similarities to "THE MAN TRAP", but with a twist. I liked it.


TOS, Season 3: "And The Children Shall Lead" (Chapel)
TOS, Season 3: "Elaan Of Troyius" (Chapel)
TOS, Season 3: "Turnabout Intruder" (Chapel)
TAS, Season 1: "The Terratin Incident" (Chapel)
TAS, Season 1: "The Ambergris Element" (Chapel, Rila, Three Aquan Females)
TAS, Season 1: "The Eye Of The Beholder" (M'Ress, Randi Bryce)
 
I'm surprised "The Survivor" made it so long, I almost saved it many times but something else always edged it out.

The story is no great shakes, but I do love the imagery in "The Eye Of The Beholder."

TOS, Season 3: "And The Children Shall Lead" (Chapel)
TOS, Season 3: "Elaan Of Troyius" (Chapel)
TOS, Season 3: "Turnabout Intruder" (Chapel)
TAS, Season 1: "The Terratin Incident" (Chapel)
TAS, Season 1: "The Ambergris Element" (Chapel, Rila, Three Aquan Females)
 
The Terrarin Incident is a fun example of how TAS could have more ambitious visuals than they were allowed on TOS, here having the crew shrink.

TOS, Season 3: "And The Children Shall Lead" (Chapel)
TOS, Season 3: "Elaan Of Troyius" (Chapel)
TOS, Season 3: "Turnabout Intruder" (Chapel)
TAS, Season 1: "The Ambergris Element" (Chapel, Rila, Three Aquan Females)
TAS, Season 1: "The Eye Of The Beholder"
 
The TOS episodes that are left are bad not because of Majel… they are just bad. It’s really hard to choose.

The TAS episodes are probably the best bet, but I can’t really remember the two that are on the list right now.
 
I know "And The Children Shall Lead" is frequently considered to be one, if not THE worst episode in Star Trek but it was an episode that I really liked on first watching and still don't find as bad as other people seem to do.



TOS, Season 3: "Elaan Of Troyius" (Chapel)
TOS, Season 3: "Turnabout Intruder" (Chapel)
TAS, Season 1: "The Ambergris Element" (Chapel, Rila, Three Aquan Females)
TAS, Season 1: "The Eye Of The Beholder"
 
I know "And The Children Shall Lead" is frequently considered to be one, if not THE worst episode in Star Trek but it was an episode that I really liked on first watching and still don't find as bad as other people seem to do.

It's lower-tier, certainly, definitely trying to be bigger than the small scale afforded but not quite pulling it off. It's also aimed too much at kids, which probably means it's less likely to hold up to adults as the years go by. Melvin Belli is not as dreadful as reputation claims, but a couple scenes could have benefitted from retakes to sell a little more inflection. He's the baddie. The use of translucence to shroud a silver shower curtain with flowery adornments around the neck, for which careful examination on a production photo reveals the flowery bits are actually given the Star Trek primary colors, is also hit or miss, and are the colors symbolic of Gorgon's intended target, or just a design choice? Being so small, and not visible on most home televisions of the time due to being semi-opaque, but production photos without the translucence clearly revealing it...

That said, the overall plot of evil using children as steppingstones is not exactly a common trope and some of the things done by them are quite sinister, getting the crew to imagine any sorts of things. (Yup, more psi power fun, but this time it's channeled by a malevolent entity and not a direct power, which does lend itself some mystery - even if the execution doesn't pay it off as much as it could.)

Plus, a malevolent being, designed to manipulate events indirectly, is interesting. Most shows just have the baddie being the baddie. This one and "Day of the Dove" don't, though "Dove" did it better and mostly because the entity required the energy for survival. If Gorgon won and conquered all, wouldn't he get a bit bored afterward? On a generic level, could the "Dove" entity be what evolved from creatures like Gorgon? Or am I thinking waaaaaaaaaaaaaaaaaaaaaaay* too much into this?

* not enough emphasis added to the "aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa"
 
As it's harder to balance Majel's involvement, I'm going by overall story ideas and execution (inevitably a subjective flair):


An episode that inspired some of TNG's "The Perfect Mate",

TOS, Season 3: "Elaan Of Troyius" (Chapel)

is still the more watchable one as TOS didn't have a holodeck for Riker to take a cold shower in, since the infamous scene otherwise hints at only one action and that ranks right up there with his being pi-- oops, wrong spinoff:

I like how the Klingons are conspiring Elaan's people as means to infiltrate to ultimately take over both Elas and Troyius.

Yes, the costumes for Elaan's guards came partially from inexpensive microplastic-hoarding placemats. Still tailored to good effect and, for all we know, delayed and/or assisted in the development of shoulder pads that would be all the rage nigh on 17-or-so years later. The Federation pants clearly inspiring bellbottoms by a much shorter period of time, especially once the Federation's go-go boots are removed, letting the fabric flow freely.

France Nuyen is awesome as the Dohlman of Elas. Jay Robinson is also fantastic as Petri. Tony Young as Kryton is no less watchable and the Klingon espionage tactics are a refreshing inverted reuse of the same trope to when Kirk infiltrated the Romulan ship in "The Enterprise Incident" (based loosely on "The Pueblo Incident", in part because no ship in 1968 had cloaking technology, but I digress.)

John Meredith Lucas writes a fairly solid script. The biggest downer is this the largely cool dogfight sequence, which loses luster a tad as the Klingon ship making multiple passes at various and arguably stupidly fast warp speeds (yep, warp four, warp seven, etc, would have their ship swoosh past Enterprise way too fast). If the goal was to not raise suspicion and let the ship destroy itself without anyone knowing, and not the plan failed, the moment the Klingons fired there'd be residual marks on the hull that contains treknobabble to ensure Starfleet that the ship didn't self-destruct, in which case they then could have finished off Enterprise ASAP as the last hit before the surrender order did breach the #4 shield. But plot armor is always better than deflector shields. Worse, had the Klingons succeeded and they just about did, Kirk would have let the Klingons get away with an act of war by not informing Starfleet even seconds beforehand. Kirk's gambit is still pretty nifty, but the Klingon ship still had more firepower at its disposal. I'm probably missing something, will do a rewatch. Something about it seems great but I recall on last viewing that it seemed underwhelming at the same time.

That, and Kirk (of all instructors in all things horndog) overcomes an irresistible biological substance by sheer willpower. The next time one's bitten by a rattlesnake, don't rely on willpower as it'd do Kirk in just as much. But this is Star Trek, TOS, where a mountain could land on Kirk and he'd walk away without a bruise. That said, despite the handwaving of his predicament, it's surprisingly not as risible as all that either.



What's left:
TOS, Season 3: "Turnabout Intruder" (Chapel)
TAS, Season 1: "The Ambergris Element" (Chapel, Rila, Three Aquan Females)
TAS, Season 1: "The Eye Of The Beholder"
 
I quite enjoyed Turnabout Intruder the last time I rewatched - Shatner was entertaining playing Lester.

I think Janice was insane, and the idea this episode is sexist isn't quite right. Quite. ;)

TAS, Season 1: "The Ambergris Element" (Chapel, Rila, Three Aquan Females)
TAS, Season 1: "The Eye Of The Beholder"
 
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