So I was watching the "Star Trek IV: The Voyage Home" DVD last night and listening to the commentary track featuring Shatner and Nimoy. During the scene with Kirk and Dr. Taylor at the Italian restaurant, William Shatner began to describe how an actor should read his lines.
It's probably the most insight I 've ever come across into why he feels the need to speak the way he does.
He feels speaking like that is the "peak" of what an actor does. Interesting that he's the only actor on the planet that does it. If he's right, he must be the greatest actor of all time!
Here's what Shatner had to say...
"There is a line between improvisation... and the necessity of saying the words that have been written... and go through the... the progressions of what needs to be done for the story. On top of that... there is an application... of... something else... some other reality. It's hard to put into words... that... the actor can bring. Sometimes, that... at your best... it has an improvisational... it's almost... it's escaping out of you... and when you hit that... where it's almost a surprise to you the actor... as it is... to you the audience, it's like archery... where the ideal time to loose the arrow... is when it surprises you. Or the time to take a shot with a rifle is... you're on the hair trigger... and the rifle suddenly... is pressed... by... breath... almost. And so these lines... so an actor should... breathe the words out and they... happen... almost inadvertently. If you can achieve that, the inadvertency of... the artistic inadvertency, you've... gotten to the peak of what an actor does. I'm always looking for that.
To relate it even more closely, it's like... this conversation. It's like what I'm saying now. I'm not quite sure of what's coming out of my mouth. And when I hear it, I know it's right, or it needs correcting. 'What I really mean to say is...' So when I hear it, I know it's either right or wrong. And that's the way it should be as an actor with his lines... only... the lines have been written and so you know it's right. But it should have that, 'Oh, yeah, that's exactly what I meant to say... Or it isn't.'"
Genius! :thumbsup:
It's probably the most insight I 've ever come across into why he feels the need to speak the way he does.
He feels speaking like that is the "peak" of what an actor does. Interesting that he's the only actor on the planet that does it. If he's right, he must be the greatest actor of all time!

Here's what Shatner had to say...
"There is a line between improvisation... and the necessity of saying the words that have been written... and go through the... the progressions of what needs to be done for the story. On top of that... there is an application... of... something else... some other reality. It's hard to put into words... that... the actor can bring. Sometimes, that... at your best... it has an improvisational... it's almost... it's escaping out of you... and when you hit that... where it's almost a surprise to you the actor... as it is... to you the audience, it's like archery... where the ideal time to loose the arrow... is when it surprises you. Or the time to take a shot with a rifle is... you're on the hair trigger... and the rifle suddenly... is pressed... by... breath... almost. And so these lines... so an actor should... breathe the words out and they... happen... almost inadvertently. If you can achieve that, the inadvertency of... the artistic inadvertency, you've... gotten to the peak of what an actor does. I'm always looking for that.
To relate it even more closely, it's like... this conversation. It's like what I'm saying now. I'm not quite sure of what's coming out of my mouth. And when I hear it, I know it's right, or it needs correcting. 'What I really mean to say is...' So when I hear it, I know it's either right or wrong. And that's the way it should be as an actor with his lines... only... the lines have been written and so you know it's right. But it should have that, 'Oh, yeah, that's exactly what I meant to say... Or it isn't.'"
Genius! :thumbsup: