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re: How do you get paid if you sell a ST book?

Cheapjack,

Sorry not to respond to your email yet. Our dog had surgery on Monday and my girlfriend and I have been taking turns nursing her while trying to keep with up with our respective deadlines. As a result, I've fallen a bit behind in my emails . . . .

The short answer: no, you can't live on Trek novels alone. I need to write at least six to eight books a year to make ends meet and there aren't enough TREK slots available to keep me busy full-time. Right now, for instance, I'm working on projects for DC Comics, C.S.I. and Zorro, while keeping a close eye on the Underworld franchise. Meanwhile, I also work as a Consulting Editor for Tor Books, and write plenty of freelance advertising copy for Tor, Nightshade, Pocket Books, and other publishers.

Hope that answers your question!

What does that mean, consulting editor?
 
In terms of Tor, being a "Consulting Editor" means that I'm not on the payroll, but handle certain editorial projects for Tor on a freelance basis. These days I'm mostly focusing on Richard Matheson, whom I've been working with for some fifteen years now. Recently, this involved working with Warner Bros. to coordinate efforts on I AM LEGEND, and I'm now doing the same for THE BOX, an upcoming movie based on one of Matheson's short stories.

Hope that's not more than you wanted to know!
 
I seem to recall Marco mentioning that one or both of the Mirror Universe books went into multiple printings, so it's possible the three authors in each of those books have earned out as well. Not sure on that, though for the sake of my story in Shards and Shadows, I sure hope so. I'd like to see what happens to my bi-annual S&S statement when a book actually starts to earn out. :D

This is interesting. I'm actually curious now, though how would that one work, say for the first volume. Where there were three stories but six authors? Do they all split it evenly 1/6 or would say Mack and Cox get 1/3 each where Ward, Dilmore, and Sussman split the last third thereby getting 1/9 each? I would think it'd be the latter, but I suppose I could see an argument for the prior too.
 
Actually, you get paid by the weight of the finished product. This is why David R. George III is a very rich man. It's also why hardcovers cost more (proof!) and hardcover authors are always rich! (double proof!)
 
I can say that the royalties for the three stories in Myriad Universes: Echoes and Refractions are to be split evenly, 1/3rd each. Yes, I would be earning just as much as Keith.

<Garth_Algar> I'm not worthy!!! </Garth_Algar>
 
But the question is, what if two novel are by solo authors and the third is a collaboration of three people? Is it split solely by number of authors (i.e. they all get 1/5), or is it an equal royalty per novel (i.e. the solo authors get 1/3 each but the collaborators get 1/9 each)?
 
I can say that the royalties for the three stories in Myriad Universes: Echoes and Refractions are to be split evenly, 1/3rd each.

Indeed. Where it gets entertaining, and why contracts people get good money, is for Glass Empires. A third goes to Dave. A third goes to Greg. And a third goes to (combined) Dayton, Kevin, and Mike, and I have no frapping clue how that third gets split among the three of them.


Yes, I would be earning just as much as Keith.

<Garth_Algar> I'm not worthy!!! </Garth_Algar>
Damn freakin' skippy.... ;)
 
In terms of Tor, being a "Consulting Editor" means that I'm not on the payroll, but handle certain editorial projects for Tor on a freelance basis. These days I'm mostly focusing on Richard Matheson, whom I've been working with for some fifteen years now. Recently, this involved working with Warner Bros. to coordinate efforts on I AM LEGEND, and I'm now doing the same for THE BOX, an upcoming movie based on one of Matheson's short stories.

Hope that's not more than you wanted to know!

Nope. That's great. Sounds like fun.

So, when, in this fantasy world, we do eventually get royalties, do they come with the statement or separately?
 
This thread just made me think of another question...

For you freelancers (*looks towards KRAD's direction*), what do you do for health insurance? As I keep working on my craft, I keep wondering if, someday, I went freelance, how I would handle health insurance with two children and a wife?

Again, thanks.
 
I pay for a personal health insurance plan. It's expensive, but since I'm self-employed, I can list it as a business deduction on my taxes.
 
For you freelancers (*looks towards KRAD's direction*), what do you do for health insurance? As I keep working on my craft, I keep wondering if, someday, I went freelance, how I would handle health insurance with two children and a wife?

I'm on TerriO's health insurance, since her company allows domestic partners to be covered (and we'll be married this summer anyhow...). Prior to that, I was on my ex-wife's health insurance.

(Honestly, one of the main reasons why I felt comfortable going freelance in 1998 was because I was covered by my ex's insurance. In fact, I was covered by it anyhow even before that, since my employer at the time had incredibly shitty insurance....)
 
I had to go the private insurance route, too, and I admit that sometimes I miss my old Tor dental plan . . . .

"What do you mean I need another root canal?"
 
amazing you can still keep shit straight, spinning around that many different projects at once! Especially with books in various stages of development, gotta be some late nights where the CSI investigator accidently investigates phaser burns, or Zorro chases the Klingons out of the town, etc.
Now you know how all those non Trek cameos ended up in Greg Cox's Khan trilogy!
 
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