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Star Trek: Triangle (#9) by Sondra Marshak and Myrna Culbreath

Damian

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I just finished re-reading this novel as part of my re-readings of older novels from the 1980s. This book was published in 1983 and according to Memory Alpha, takes place in 2274. The book makes clear this is a post-TMP novel. After reading the M&C novels published by Bantam my expectations for this novel were pretty low. Overall it's marginally better than their earlier novels. But I still found it a bit of a slog to get through.

It features two competing factions that believe in a sort of collective consciousness will bring civilizations to a higher being, in this case the Totality and the Oneness. The Enterprise is sent to escort an Ambassador, Gailbraith, who belongs to the Oneness to a human colony who had left Earth during the wars of the 21st century to form a new collective but who have been subjugated by the Totality. They are supposedly the 'New Humans' that Gene Roddenberry touched on in his novelization of TMP. On the way they pick up a half Zaran named Thane who catches the attention of both Captain Kirk and Spock creating a love triangle. The problem is once Thane mates with another being they become permanently entangled (in some ways similar to TNG episode "The Perfect Mate), and Spock may die if he does not become one with her. They become embroiled in a final battle between the Totality and the Oneness and Kirk, Spock and Thane must find a way to defeat both. They manage to solicit Gailbraith's help and the implication is that while they succeed, one day the Oneness may come calling.

Like many M&C novels I have read, they do actually bring up some interesting concepts. Such as the whole collective consciousness idea and the "new humans." But they don't really develop it any further. The new humans are barely mentioned in the latter half of the book as it becomes a love triangle story more or less. Christopher would develop the 'new human' idea further in his Ex Machina continuity, in particular The Higher Frontier, though his novel takes it in a completely different direction. This novel, like so many M&C novels, seems to take great pleasure in making Kirk appear weakened and a shadow of himself while making Spock dominant. Unlike some earlier novels, however, this one doesn't really show any romantic or sexual overtones between the two. In this case they are essentially vying for the attention of the same woman.

Another complaint I had is this novel seems to abandon everything Spock had learned about himself by the end of TMP. He appears much more like the Spock that first arrived at the Enterprise in the film. An almost total lack of emotion and almost hostile stoicism towards the crew. While the novel was released after TWOK had come out, it appears likely M&C had written it prior to the film's release based on how the characters unfold. That film interestingly enough does a better job of developing Spock's newfound appreciation of his human half that he had discovered at the end of TMP (whether accidentally or not--that was one element that seemed a natural development between the two films). Triangle, however, does not. It puts Spock firmly back into his Kolinahr mentality. Of all the original series characters in the novel, only McCoy seems to be written with the right characterizations. His felt the most consistent with the TV series and TMP. The other characters, Scotty, Sulu, Chekov and Uhura, don't really have much to do here.

I'd rate it as 'fair.' It was better than the Phoenix novels, though that isn't saying a whole lot. There are some interesting elements that are brought up that if developed could have made this a better novel IMO. But they seem obsessed with this Spock dominating Kirk idea that it seems they can't get that out of their way. Sometimes it becomes downright annoying. Like again? :rolleyes: But the narrative is a bit easier to follow. It's ironic to think they were once editors for The New Voyages collections that Bantam had put out in the 1970s. I probably would not recommend this novel unless you were a completist like myself. And this was also the final Star Trek novel to be written by the pair so I am finished with M&C books.

Next up for me will be the 6th novel, The Abode of Life by Lee Correy, his only novel. I've been trying to read the novels from the 1980s written in published order by the same author since it appeared back then many authors carried on ideas they had begun in their prior novels (sort of like a mini-continuity). After that I will re-read the 2 novels written by Gene DeWeese that he loosely based on this novel--my favorite Star Trek novel of all time Chain of Attack, then The Final Nexus.
 
I do so love these weird, ultra-slashy novels. They're so bad they're good. And they tend to have lofty ideas, even if they don't tend to go deep on them.
 
Yeah, Marshak & Culbreath were K/S writers. Which would explain why this was their last official Pocket Books novel.
 
I just re-read The Abode of Life and the two Gene DeWeese novels Chain of Attack and The Final Nexus. I liked The Abode of Life, but I really found the DeWeese novels exciting. They were good Star Trek and good science fiction, too!

Don't know if I could read the M&C books again.
 
I just re-read The Abode of Life and the two Gene DeWeese novels Chain of Attack and The Final Nexus. I liked The Abode of Life, but I really found the DeWeese novels exciting. They were good Star Trek and good science fiction, too!

Don't know if I could read the M&C books again.

I liked most of DeWeese's Star Trek novels. But Chain of Attack remains my all-time favorite. First of all, since the Enterprise is flung to a far-off galaxy there is no cavalry to call. One of the things that sometimes annoyed me about Star Trek is how many times was the Enterprise the 'only ship in the sector,' especially around Earth. Whoever plans ship deployments for Starfleet really needs to find a new job, LOL. But here, they literally are the only Starfleet ship. And I love eerie stories and it's almost downright creepy as the Enterprise finds planet after planet of desolation. Trying to find out the mystery of what happened centuries ago. And you get to see Kirk, the diplomat, as he tries to get the two sides to negotiate some sort of peace after centuries of warfare. Perhaps the ultimate resolution isn't all rainbows and sunshine, but in real life we are rarely left with a totally happy ending. Sometimes the best we can do is make things slightly less bad.

I still remember the first time I read it I read it over a weekend I was so into the book. Usually it takes me 2 to 3 weeks to read a book I really like so that's saying a lot.

I really liked his Engines of Destiny book as well. The consequences of changing the timeline are especially highlighted well. No matter our intentions, changing a significant event in time, however careful we are, can have drastic consequences. And the way he did it in that story made sense.

So I'm looking forward to diving into this next 'trilogy' of novels. It's interesting that DeWeese decided to pick up the thread for The Abode of Life. Back then it seemed authors generally did not pick up things from other authors. I don't know if this was the first time a different author did this or not, but it's certainly an early example in Star Trek novels.
 
I liked most of DeWeese's Star Trek novels. But Chain of Attack remains my all-time favorite. First of all, since the Enterprise is flung to a far-off galaxy there is no cavalry to call. One of the things that sometimes annoyed me about Star Trek is how many times was the Enterprise the 'only ship in the sector,' especially around Earth. Whoever plans ship deployments for Starfleet really needs to find a new job, LOL.

That's why the original intent in TOS was that the ship was usually far out on the frontier, nowhere remotely near Earth or even the Federation borders. Being the only ship in range to deal with a crisis was built into its mission parameters; that was why it was such a large, multipurpose capital ship with such a large crew. That was a key part of its purpose, to provide aid, expertise, or force when nobody else could. There were occasional episodes where the ship visited established Federation worlds, like Vulcan in "Amok Time" or "Journey to Babel," but usually it was way out in the deep unknown.

This didn't change until the movies, where they shifted the focus more toward Earth, yet still perpetuated the convention of the E being the only ship in range. The premise that made perfect sense for a frontier explorer made little sense in proximity to Earth.



So I'm looking forward to diving into this next 'trilogy' of novels. It's interesting that DeWeese decided to pick up the thread for The Abode of Life. Back then it seemed authors generally did not pick up things from other authors. I don't know if this was the first time a different author did this or not, but it's certainly an early example in Star Trek novels.

Not the first. Shadow Lord referenced elements of Vonda McIntyre's Sulu backstory from The Entropy Effect. And Dwellers in the Crucible referenced a lot of earlier stuff -- Duane's Rihannsu, Ford's Klingons, the concept of t'hy'la and the portrayal of Deltans from Roddenberry's TMP novelization, Sulu's first name from Entropy, Uhura's first name from Star Trek II Biographies, possibly more. Dwellers was the first novel to tie together elements from multiple earlier novelists' works, making it a linchpin of the loose shared continuity of the '80s novels.
 
This didn't change until the movies, where they shifted the focus more toward Earth, yet still perpetuated the convention of the E being the only ship in range. The premise that made perfect sense for a frontier explorer made little sense in proximity to Earth.

Definitely in the movies. It seemed ridiculous that Earth would have so few ships to protect it. At least in TFF they added a line about there being 'other ships' but not other experienced commanders. It still seems a bit implausible that Captain Kirk was the only one that could really do the job but at least they acknowledged there were actually other ships. And then the later shows seemed to go to the 'only ship in the sector' well a bit too many times.

Dwellers was the first novel to tie together elements from multiple earlier novelists' works, making it a linchpin of the loose shared continuity of the '80s novels.

Looking forward to reading some of those novels by Duane and Ford. And of course Dwellers as well though that will be a bit down the road. After I'm done this trilogy there's a couple standalone novels that feature one time Star Trek authors. Not sure how much continuity world building will be done with some of those.

But one nice thing about re-reading them with some order in mind is I can better follow what internal continuity there was at the time, at least before Richard Arnold came into the picture. When I read them the first time I was still largely a new fan just reading novels as I was able to pick them up, in no particular order.

It is interesting reading these early novels, before there was a TNG, or even more than one or two movies. Even Triangle, as mediocre as it was overall, was interesting to read in the sense that it was a post-TMP that was likely written before TWOK had been released. I loved TNG and future spinoffs, and the novels that tied into that, in particular the relaunch continuity as I've noted many times. It was a great run, especially considering for years the novels were pretty much it for a continuing storyline after Enterprise left the air. But it's interesting to read some of these earlier stories and continuities. And I guess those authors had a bit more freedom in some ways because they didn't have as much on screen continuity to work from. A shame Arnold crushed that, though thankfully that was only temporary at least.
 
"Engines of Destiny" had a lot of shortcomings, but the core story about changing the timeline and the unforeseen ramifications of doing so brought me back to the book more than once.
 
For whatever reason, every time I see this book, or even just the title, I think of a cartoon illustration (possibly clip-art, possibly the author's own illustration) in my graphic arts textbook from CSULB (Broekhuizen, Graphic Communications [Bloomington: McKnight, 1979], page 6), a woman holding a drafting triangle, grinning, and shouting "TRIANGLE!"
 
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