You're assuming there will be a spin-off, but there's no evidence of this, yet.I meant writing wise, so that the next Trek series is ready for fall 2024.
Wait until one is actually announced.
Also I apologize about that other part of my post.
You're assuming there will be a spin-off, but there's no evidence of this, yet.I meant writing wise, so that the next Trek series is ready for fall 2024.
People should note a trend. This is what I've observed over the last 15 years from various reactions...
Kelvin Films --> "That's not Star Trek!"
Discovery --> "What have they done to Star Trek?!"
Picard --> "What have they done to MY Star Trek?!"
Strange New Worlds --> "That's Star Trek!"
There's been a gradual trend towards shifting back to you getting your way. When PIC Season 3 is done, you'll get more Star Trek that's done your way. So much of it that you'll eventually get sick of it again, just like you did last time during the Berman Era.
You're assuming there will be a spin-off, but there's no evidence of this, yet.
Wait until one is actually announced.
People should note a trend. This is what I've observed over the last 15 years from various reactions...
Kelvin Films --> "That's not Star Trek!"
Discovery --> "What have they done to Star Trek?!"
Picard --> "What have they done to MY Star Trek?!"
Strange New Worlds --> "That's Star Trek!"
There's been a gradual trend towards shifting back to you getting your way. When PIC Season 3 is done, you'll get more Star Trek that's done your way. So much of it that you'll eventually get sick of it again, just like you did last time during the Berman Era.
I was observing that the reactions to each successive version of Star Trek since 2009 have become less intense instead of more, and they've been feeling less alienated than before. I'll bring it into sharper focus.It's not just the last 15 years. It's every Star Trek. TNG is an abomination to TOS. Now I like TNG and DS9 is an abomination to TNG. Now I like DS9 and VOY is an abomination to DS9. A few more Star Trek shows that subvert expectations or go against the norm, the Discovery and Picard haters will suddenly be saying these shows are an insult to Discovery and Picard.
I agree, I’m worried about viewing this show on my phone screen now.
I asked:
“Was it a creative decision to film Picard season 3 with so much darkness and shadow, or at least what we have seen of it in the trailer.
My phone screen is not very good at displaying low contrasting dark colours.
Will we see more brightness, light and colour?”
Sometimes he replies, sometimes he does not, but I guess that he is a very busy man.![]()
Discovery --> "What have they done to Star Trek?!" = "I recognize this as Star Trek, but it's not my Star Trek and I think it sucks!"
Picard --> "What have they done to MY Star Trek?!" = "TNG actually was my Star Trek and they mangled it up! This hits closer to home than it did with Discovery!"
Strange New Worlds --> "That's Star Trek!" = "It looks different, but it feels like the Star Trek I remember, just updated!"
So the reaction to DSC and PIC won't become more positive until they shake things up again. I don't see that happening any time soon if things continue in this direction. They won't shake things up again -- to the degree they did before -- until someone else besides Alex Kurtzman takes over.
And that makes me nervours more than anything else. Declaring how Trek "should be" is a recipe for disaster, in my humble opinion. Star Trek is a multifaceted variety setting that can accommodate a wide variety of styles. Saying there is only one way, or limited number of ways that it should be, is too short sighted.He was there when Trek was "as it should be" and seems to understand the weight of responsibility on his shoulders with this final season.
Me too, I actually don’t mind watching on my phone. It would be nice to watch a new film in the cinema one day though on a super sized screen.I watched almost the entire SNW on my phone and it was fine.
And that makes me nervours more than anything else. Declaring how Trek "should be" is a recipe for disaster, in my humble opinion. Star Trek is a multifaceted variety setting that can accommodate a wide variety of styles. Saying there is only one way, or limited number of ways that it should be, is too short sighted.
For me, a whole season. For others, probably less.You can do different settings, but they often wear out their welcome within an episode or two. How long would a show on one of the tiny border stations work, or a science vessel on long range research missions?
Which is a sad commentary on the predictable nature of TV shows more than anything else. I don't want the "Trek formula." I want them to explore strangeness, and newness and the like.Trek at its heart is very formulaic to truly work and you have to be damnably good to be able to change that.
But surely he must have tea breaks? Also, Matalas should be working on the new Star Trek spin-off by now never mind this Witch Mountain. Unless ‘Witch Mountain’ is the new Star Trek series production code name?![]()
Trek at its heart is very formulaic to truly work and you have to be damnably good to be able to change that. DS9 managed it, by proving longform storylines can work in the Trek setting, but it needs streaming services to really work and it only seems to have been since the series got put onto Netflix, then Paramount+ to truly be appreciated, same with the new wave of appreciation of Enterprise, even though that tries to follow an amalgam of the TOS and DS9 "formula".
Even DS9 knew to stay in space when they could've just as easily dumped a bunch of Federation People onto Bajor somewhere as a kind of liason, helping co-ordinate relief efforts and offer a free clinic service and to discourage Cardassian military action. Sisko could've easily connected with the prophets on the planets surface (and does, several times). Not like there weren't enough orbs and religious sites, it could've just as easily been in some street in a pedestrianised part of Ashalla and still worked for a good 90%+ of the plots we saw involving the people.
But they knew, Star Trek = Space.
For me, a whole season. For others, probably less.
Which is a sad commentary on the predictable nature of TV shows more than anything else. I don't want the "Trek formula." I want them to explore strangeness, and newness and the like.
Again, differences. I freaking loved the MU and have enjoyed it since reading comics on it's origin. Everything about it in the TOS/Discovery era appeals.I'm thinking stuff like "Exploring the Mirror universe" which felt like it dragged on for way, way too long despite being what oh-so-many of us have wanted to see and explore since the very idea came about. Sometimes NOT getting what you want is a better move.
It can, if used correctly.Just because it follows "a formula" doesn't mean it can't innovate withing the bounds. If anything restrictions can lead to far greater creativity than going "Do anything you like!"
I understand that you love SNW. I think SNW is okay. And I'm okay with one SNW. We don't need five SNWs. Which I get the impression is what you want.The problem is SNW is what they should have done which is take the forumula, give it a full new coat of paint, update the visuals, bring in a consistent watch order to allow for natural character growth, have a cast which cares or used to watch any flavour of prior Trek as a kid and here. We. Go.
We didn't get that with Discovery, what we got was an achingly GIRLBOSS protagonist (since when have Trek shows ever had THAT? It's always been about the ensemble cast problem solving together) and its written the usual horrible way Hollywood writes "strong women" which is just the tropes of "toxic male with boobs" to the point Burnham was verging on obnoxious marysue ism. She knew better than everyone else, could solve better than nearly everyone else and the rest of the cast, such as they were developed, mainly hung about to be a foil to Burnham. Oh and she's SPOCKS HUMAN SISTER! REMEMBER SPOCK TREKKIES? YOU LIKE SPOCK DONT YOU? Pleastunein.
The character as written (zero disrespect to Sonequa Martin-Green, she's a fine actress) either shouldn't be anywhere near a star ship unless its enjoying the walls of a brig, or needed a lot more of her hubris beaten out of her by the rest of the crew before being even allowed to come clean the coffee cups off of the bridge. She hasn't had the kind of character arc that even Tom Paris got in Voyager to get rid of his arrogance, and that show was written in such a way to be ruthlessly syndicated in any order.
Now I've got that slightly annoyed rant over, what we do know is they ARE shaking up the formula for Discovery Season 5 (there's a lot less reviewers of Season 4 and the audience score is abysmal on Rotten Tomatoes) to the point they're going to be looting SNW's clothes and it will be in a similar format. Problem of the week, planet of the week, plucky crew goes to fix the problem and make friends along the way. No more galatic ending events, and hopefully a lot less sobbing.
So we kind of know there are shakeups happening, Goldsman doesn't have to pull double duty where he clearly focused on SNW. While over on Picard Matalas has written several very good TV shows himself, is a huge Trekkie and was even production assistant on the final two seasons of Voyager which most people say are the best seasons. He was there when Trek was "as it should be" and seems to understand the weight of responsibility on his shoulders with this final season.
Strange New Worlds --> "That's Star Trek!"
It's a reference to the movies.Blowing things up, opening fire and crash landing all the time?
YesDid the writers even watch TNG?
We didn't get that with Discovery, what we got was an achingly GIRLBOSS protagonist (since when have Trek shows ever had THAT? It's always been about the ensemble cast problem solving together) and its written the usual horrible way Hollywood writes "strong women" which is just the tropes of "toxic male with boobs" to the point Burnham was verging on obnoxious marysue ism. She knew better than everyone else, could solve better than nearly everyone else and the rest of the cast, such as they were developed, mainly hung about to be a foil to Burnham. Oh and she's SPOCKS HUMAN SISTER! REMEMBER SPOCK TREKKIES? YOU LIKE SPOCK DONT YOU? Pleastunein.
The character as written (zero disrespect to Sonequa Martin-Green, she's a fine actress) either shouldn't be anywhere near a star ship unless its enjoying the walls of a brig, or needed a lot more of her hubris beaten out of her by the rest of the crew before being even allowed to come clean the coffee cups off of the bridge. She hasn't had the kind of character arc that even Tom Paris got in Voyager to get rid of his arrogance, and that show was written in such a way to be ruthlessly syndicated in any order.
Season 5 is still an overarching story based on the trailer and what we know of the story. They're not following SNW.to the point they're going to be looting SNW's clothes and it will be in a similar format. Problem of the week, planet of the week, plucky crew goes to fix the problem and make friends along the way. No more galatic ending events, and hopefully a lot less sobbing.
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