I think if you put any kind of creative work out there, it is bound to be criticized and that level of criticism is up to the eye of the beholder of the creative work. For something like Hidden Frontier which had terrible green screen special effects and an okay story at best (admittedly, I did only watch a few seasons of that just because I wasn't interested in the story), I was a little more forgiving. But as others have said, when you bring in the likes of Walter Koenig, George Takei, Denise Crosby (okay, maybe not her), Tim Russ, Gary Graham, etc., etc., etc., when you claim your fan film is going to be pitched as a pilot to CBS, when you compare it to and think you can do better than the current film franchise, yeah, I'm going to judge it a lot more harshly.
And yes, as someone else mentioned, I'm going to take the personalities of those involved into play too. Just like I do for actors in professional productions. Is it right? Probably not. But as a human being, sometimes its hard to disconnect the two.
So yeah, I judged Renegades more harshly than I did Hidden Frontier. And I'm sure going to judge Axanar on the same level I do the JJ films because they have made some pretty steep claims to the quality of their production. Don't mistake me. As much disdain as I have for some of those who say Axanar is the saving grace of "True Trek", I would like to see it succeed in what the producers want it to do.
I understand this position. As much as I try not to buy in to publicity and hype, if the production staff are putting claims out there, I find it difficult to to not to allow that to influence my judgement. Not that I'm keeping a record of their perceived promises, so much as that is in the back of my mind.
I want to see Axanar, because, as a concept, because it explores a facet of Star Trek lore that I find enjoyable. Beyond that, anything else makes me cautious.
I review on the notion that these productions want to improve their product on the next round. When I critique, I try to balance praise for what was done well with opportunities that can be improved upon in the next venture.
This is my point of view as well. Thank you for putting it succinctly.
My main frustration is criticism that is unbalanced with no love or recognition of what was done well. This is true of professional productions, but fan productions suffer from the same as well. The trouble is that such discouragement can mean that those production companies simply stop with no desire to continue on because of lack of support.
Regardless of personal feelings towards production teams, I do want to see fan productions succeed in their goals.