Isn't it funny that a cheap and formulaic show from the 80's(?) is more fondly regarded than two multi-million dollar,studio blockbusters?
Well, it wasn't cheap; it was one of the most expensive productions on television at the time thanks to the extensive location work, lack of permanent sets, prosthetic makeup, and elaborate stunt/FX sequences. As for formula, aside from the two-Hulkouts-per-episode requirement, the show was structured more as an anthology drama in the vein of
The Fugitive, telling a wide range of different stories about different people and situations. Today we consider serialization to be the quintessence of good drama, but back then only soap operas, comic strips, and some sitcoms were serialized, and the classy shows in the '50s and '60s had been anthologies, so that standalone episodic storytelling was considered the classy way to go. It wasn't until
Dallas and
Hill Street Blues that serial drama began to become respectable.
So by the standards of the late '70s and early '80s,
The Incredible Hulk was an exceptionally adult, sophisticated interpretation of a comic-book superhero. It was certainly better-made and more intelligent than its contemporary live-action superhero shows
Wonder Woman and
The Amazing Spider-Man.