Relationships that work, whether it's for one episode, a season, or forever.
^^this
Trek's been notoriously bad with those. Granted, Starfleet life isn't really conducive to functional family relationships, which is why most Starfleet officers and crew don't have kids.
IMHO, TNG deserves kudos for at least trying the "whole families in space" idea, setting it up in the premiere episode and using the trope only occasionally. New ideas have to be tried to see if they work, aka "Throw everything at the wall and see if it sticks", which season 1 of a new show regarding a show that could never be "remade" (the term of the time, even though it was involving a sequel placed 80 years in the future and not an actual reboot). And, yep, season 1 TNG could be surprisingly tactless at times, and usually in the more reviled stories ("Justice", et al), regardless of any good ideas they were also trying to play with ("prime directive and the limitations therein" regarding that story).
But, even in TNG's latter half where it had the highest ratings, it still fumbled with the "focus on the kids" trope too often. I was too old to appreciate the lessons taught to kiddies in "Hero Worship" for example, even if it's a partial retread of "The Bonding" (a story that oddly holds up despite it also being kid-centric, IMHO, because all art - regardless of venue, whether business and/or hobby and/or other - is still invariably and inevitably subjective. That condition also seems interestingly inveterate.)
Or did it fumble? How many adults can really sit through a show aimed
solely at 10-year-old kids without it throwing out a proverbial bone*? Or kids as they become adults revisiting and all of a sudden finding it "beneath them", "hokey", "stupid", other pejoratives ending in "d" or "y", etc, because it didn't have anything else in the story to keep it engaging as an adult? That's one definition of "family friendly", LOL!
* "kids show" is too glossy and glossover a term to describe shows; many that were never just kid shows get called that as well, erroneously so/ Or a bizarre mishmash of kid stuff with kid-inappropriate stuff, for which I could argue a handful of shows across the last five decades could be all over the proverbial map in that regard (and to varying extents), but before I digress...
Now I say all that as an occasional fan of the contentious-between-fans story "Imaginary Friend" as well, as that mixes the old Trek trope of "alien fritter appears in the form of a person to learn more about humanity, misunderstands, and now wants to destroy 'em all as a result". If I were a parent, that would be an episode I'd have no qualms letting the kid(s) watch and I don't find it jarring enough to go wash dishes while letting them have 47 minutes of gawk-time. If they tried rewatching it 25 years later, their reactions might be interesting.
I've always felt sorry for Geordi who was (it's at least implied) shuttled from one parent to the other while he was growing up and they were on assignment. No wonder he has such problems with relationships himself!
Great point. It's possible. Or he may have been socially isolated, or he was a "late bloomer", or had a disability (e.g. Autism, et al). It's all left open to interpretation, which isn't always a bad thing.
Neither Keiko nor O'Brien are among my favorite characters, but their marriage worked for me. They had fights and misunderstandings but there was also love and a genuine will by both to get past whatever it was.
Great point. They weren't the most frequently shown, and were put into a lot of sci-fi situations, but the acting and scripting definitely felt authentic. DS9 definitely found a terrific balance for them and the actors had great chemistry.
We haven't seen much of it, but Riker and Troi seem to have worked out their issues and are happy together post-Nemesis.
