The Walking Dead
Season 11, Episode 24 - “Rest in Peace” - Series Finale
Judith narration: With Judith being the voice—or storyteller of this season, but has passed out from her gunshot wound, its fitting that there’s no opening narration.
Daryl and Judith: Dixon, carrying the limp body of Judith; makes his way to the hospital, only to find it abandoned—with the exception of Troopers stealing supplies. After laying Judith on a gurney, Daryl is knocked out by a Trooper—left for dead as walkers try to force their way into the hospital. Judith—hearing the walkers’ growls, struggles to her feet to shut, lock or block the doors with a table, until she passes out from her loss of blood.
On the streets, Jules is bitten and completely mobbed / devoured by walkers as a screaming Luke watches..and is bitten on the calf. The heroes are split up, with Luke’s original companions—Connie, Yumiko, Kelly and Magna carrying the man to the hospital, where his bitten calf is amputated, as Daryl and Carol helplessly look on. Luke—incoherent from blood loss--asks his friends to keep the music going with his harmonica--and dies, as his fiends sob uncontrollably, before putting him down.
Daryl finds an IV tube and creates a makeshift means of providing his own blood to the unconscious Judith. When Carol warns that the blood types must match, he noted that he’s a match for everyone, as Merle used to make him sell his blood for money when they were kids…
Yumiko, Magna, Connie and Kelly fight to prevent more walkers from streaming into the hospital; Carol joins the effort and notices walkers are now using rocks to break glass doors (SEE NOTES), Daryl worries over Judith, who’s in and out of consciousness, but has to help fight off walkers, but not before barricading her in the room with racks and a gurney (SEE NOTES).
Eugene, Father Gabriel and Rosita: The trio race into the ward where the children are held; more like a force of nature than a person, Rosita slaughters walkers to rescue Coco and another child. The reunion is short as they are chased outside, and forced to climb to the second story of a building. Rosita tries to make the climb, but falls into the waiting arms of a sea of walkers, apparently meeting her end…until the walkers are tossed back in every direction by Rosita with her weapon. Walkers fall as she makes her way on top of an ambulance, and eventually up a drain pipe to Gabriel and Eugene.
As Gabriel leaves to join the others in the coming fight, Rosita is finally enjoying her reunion with Coco. Eugene explains how he feared she would be bitten as she fell into the walkers, and as it turned out, she was—behind the shoulder. Although she asks Eugene not to cry, he cannot help himself. Still, she tries to reassure him as her own tears flow…
Mercer, Max and Princess: Princess and Max break into the prison, rescuing Mercer. They join Maggie (who still refuses Negan’s offer to partner up to kill Pamela), Negan, Ezekiel and the recently arrived Aaron and Lydia, all piling into a covered military van (along with more of Mercer’s Trooper loyalists) ostensibly to get Judith to a makeshift safe house where Tomi & the other doctors have set up a clinic, but Ezekiel and Aaron—hearing screams coming from their destination—plan to attempt a rescue of the abandoned citizens, now at the locked gates of Pamela’s gated community, aka The Estates.
Clinic: Minutes later, the heroes arrive at the clinic, where Tomi begins to work on Judith.
Aaron gently tells Lydia about the effects of her amputation---that on occasion, she will feel—through the nerve endings—her missing arm. Lydia (after learning what happened to Luke & Jules), believes Elijah is dead, and has lost hope in the idea of any sort of stable society.
Maggie and Negan, Pt. 1: Negan steals the rifle Maggie prepped for Pamela, but is caught by Maggie, who has had enough of Negan’s interference:
Maggie: “You were going after Pamela?”
Negan: “Yeah…look, what’s it matter as long as it gets done?”
Maggie: “Why can’t you just leave me alone? What is your angle?”
Negan: “Angle? There is no goddamn angle, Maggie! There is no angle. I am doing this for you. You take Pammy out with this thing, Hell is gonna rain down on you. And you ain’t gonna come back. And you have to come back. So I’m gonna do it.
Last night, when I was down on my knees, about to lose my wife…my—I was about to lose everything. And I finally understood what you must’ve felt. Look, I know I probably owe you more than this, but I am so sorry for what I took from you, and what I took from your son.”
Maggie is speechless, then manages to take the rifle and ask Negan if he’s coming along.
Clinic: Judith has come through the surgery, and admits to something she never told Daryl before: during her last radio call with Michonne, she learned her mother believed Rick was alive and was trying to find him. Daryl and Carol exchange looks…
The Estates: Pamela, flanked by Vickers, and a large number of Troopers, stand guard at the gated entrance to The Estates, as dozens of “lower class” residents are at the gates, begging to get in before they are killed by an advancing horde or walkers. From a nearby building, Mercer sees residents shot as they try to climb the gates, pushing him into action. He tells the others to take the gassed-up trucks and head for home, as the fight with Pamela is not theirs. Ezekiel disagrees, and vows to help the innocent fight—a promise verbally supported by all in the room.
Its not long before Mercer, his Troopers and the rest of the heroes confront Pamela, who orders Vickers to arrest Mercer (just as Maggie aims at Pamela’s head).
Pamela (to Mercer):
“Traitor!”
Mercer: "No, you are Governor. You disappeared hundreds of citizens…led the dead to our doorstep. You shot a child. And now you’ve left thousands out there to die.”
Father Gabriel cannot take much more of the pleading crowds essentially left to feed the dead, so he marched to the gates—
Father Gabriel: “We’re opening the gate and letting these people in. I’ll kill anyone who tries to stop me.”
Vickers aims her gun at Gabriel, trying to order him to stand down or she will shoot, but Carol promises
they will fire back. As Gabriel begins to work on the gate’s lock, a Trooper points his gun at the back of Gabriel’s head...
Daryl (to Pamela): “Stop! What the Hell you doing? We all deserve better than this. You built this place to be like the old world. That was the fuckin’ problem--”
Pamela: “If I open the gates, the dead will get in, not just the living!”
Daryl: “If you don’t, you’re gonna lose everything anyway. We got one enemy. We ain’t the walkin’ dead.”
Vickers—struggling with Pamela’s plans all along—lowers her gun, orders someone to give Gabriel the key to the locks, then relinquishes her authority, now recognizing Mercer as the general.
Mercer arrests Pamela for high crimes against the people of the Commonwealth, placing her in cuffs; Negan sees this, asking Maggie (ready to shoot Pamela) to wait, saying for a person like Pamela, her fate is worse than death.
Gabriel and Daryl open the gates, letting the panicked citizens into The Estates; among their numbers are Jerry (who learns his family is safe at Alexandria) and Elijah, who runs straight to a relieved Lydia. Although the gates are locked again, the problem of dealing with so large a group of walkers remain. Pamela, all of her bravado drained from her, stares at one walker, and realizes it is the reanimated Hornsby, violently snapping, staring at her alone. The deposed governor is both shocked and broken, to the point she inches toward walker-Hornsby with the intent to let him bite her. Judith—knowing it was Pamela who shot her—still asks Pamela to help the rest of the citizens she left behind, but Pamela is not listening, but ready to die, but walker-Hornsby is stopped by Maggie’s bullet.
Mercer quickly devises a plan to eliminate the entire walker horde…and bring a physical / symbolic end to Commonwealth’s caste system: ordering groups to rig music to attract the walkers into The Estates, while others wire dynamite and fuel tanks (pouring gallons into the sewers). The population wrangles the walkers into the heart of the Estates, and once all survivors are clear, the explosives are detonated, causing a massive inferno on the surface and beneath the streets, destroying the walkers, and every property at the Estates.
Now in her prison cell, Pamela warns Carol and Daryl about the price of leadership:
Pamela: “It’s not easy having so many lives in your hands. There are decisions you’ll have to make that are ugly. How do you pick who does the jobs no one wants? Who gets the nicer house?”
Carol: “We already had to make an ugly decision…we kept you alive, after everything you’ve done, ‘cause we’ve all done things. We’ll figure it out. I’ll make sure of it. And at least we don’t have worry about who gets your house.”
Maggie, and Negan, Pt 2.: The following day, Negan sits alone, tossing his Whisperer mask into a fire. Maggie approaches him…
Maggie: “I’ve been thinking about what you said. I want to thank you. I can stop wondering if you’ll ever say those words. And if I can ever forgive you. ‘Cause I know now, I--I can’t. Glenn was beautiful. I’ll never love anyone like that again. I remember his smile. His goodness. And the way he made me feel. But when I look at you…all I see is that bat coming down on his head…blood running down his face. I hear him. I hear him calling for me, and I hear you mocking him while he’s dying.
So, I—I can’t forgive you. Even though I’m grateful that you saved my son. Even though I know you’re trying. I’m trying too. Because I don’t want to hate you anymore. I don’t want to hurt like that. And I don’t want my son to see that anybody has that kind of hold over me. If you ad Annie want to stay, you have earned your place. But if I can’t look at you some days, if I can’t work with you, and if I can’t move on…that’s why. Because all I have are my memories. And I don’t want to remember Glenn like that. “
Maggie walks off, leaving Negan a very broken figure.
Celebration: Back at the main housing area of the Commonwealth, the heroes finally have a moment of peace, eating, and laughing (even Dog is there, being fed by Judith). Eugene is lost in thought glancing at Rosita, who whispers what has happened to a devastated Gabriel.
Negan is outside, knowing he’s still not exactly welcome, but he looks up to a window to see Daryl watching him; both acknowledge the other—perhaps what they’ve overcome—with a nod.
Rosita: Carol and Maggie walk the ailing Rosita to a bed, where Coco rests. Each woman gives her a loving, tight embrace, with no words needed. Daryl stands by, watching, also remaining silent.
Father Gabriel sits by his tearful wife’s side for the last time, holding her hands up to his face and prays for her soul as she nears the end of one life, to start the eternal one:
Father Gabriel: “
Receive her into your arms of mercy, into the blessed rest of everlasting peace, and into the glorious company of the saints and light. May her soul and the soul of all those departed, through the mercy of God, rest in peace. Amen.”
Rosita listens, while caressing her daughter. She kisses Coco goodbye, with Gabriel—forcing a sad smile--promising Rosita:
“We’ll see you again, someday.”
Gabriel picks up Coco and leaves the room, as Eugene enters. Sitting beside her, he reminds her:
Eugene: “I wouldn’t be the man I am today if I hadn’t met you.”
Rosita tells him she’s glad he was there in the end, then dies. Expectedly, Eugene breaks down.
The New Commonwealth II: Eugene kisses his fingers, which he places against a memorial plaque bearing Rosita’s name. Walking over to Max and their daughter “Rosie” (obviously his nickname for Rosita), the family join a seated crowd, listening to the new leaders of the Commonwealth: Governor Ezekiel and Lieutenant Governor Michael Mercer (that announcement much to Princesses’ delight), with an emphasis on the community’s bond as a family.
Judith receives the compass she once gave to Negan, with his note—a hope that the compass will guide her to her dreams.
Returning to Alexandria, Aaron did not believe they would ever be able to have a thriving community again, but Gabriel (with a now walking Coco) observes that it was their effort—the family’s effort which made the restoration possible.
Daryl meets with Maggie, the latter setting up her spin-off by saying
”There’s a lot out there to find out about.”….
Sitting by a lake, Daryl and Carol are in a semi-somber mood because Daryl is preparing to leave, albeit temporarily. Carol has taken Hornsby’s job, and according to Daryl, made it her own—which will
”..make everything better.”. Carol cannot help but feel heartbroken that her best friend is leaving.
Daryl says his goodbyes to Ezekiel and the Grimes children, asking Judith to keep an eye on Carol, and promising if he sees or hears anything about her parents, he will find them and bring them home.
Judith tells her uncle that he deserves a happy ending, too.
At long last, Daryl and Carol proclaim their (platonic) love for each other, and with that, Daryl races off to parts unknown on his motorcycle.
Epilogue: Rick and Michonne
The couple are writing to loved ones—at different periods of time: Rick to Michonne sometime in the past, Michonne to Judith & R.J. in the present. Michonne has Rick’s boots & the leather satchel he once used. In the past, we see Rick had the satchel, and is barefoot (while walking on the shoreline).
In alternating shots of the couple (and dozens of characters from across the series’ run), Rick and Michonne share similar thoughts about the strength they—and everyone in their group—have gained from the living and those long gone. In Michonne’s timeline, she gathers Rick’s belongings, and heads off on her search, but she will need to get through what appears to be thousands of walkers in the short distance ahead of her.
Rick rolls up a letter, stuffs it in a bottle and hurls out to sea. At that moment, a helicopter’s P.A. system addresses an instantly tense Rick, who throws his satchel aboard a derelict boat—
Voice: “Consignee Grimes! You have been located and are instructed to surrender! Remain in place and put your hands up! Come on, Rick. It’s like he told you, there’s no escape for the living.”
As the helicopter lands, Rick’s angry expression turns to a knowing smile as his voice over says,
”We’re the ones who live.”
We are treated to various voices all repeating that same affirmation--
”We’re the ones who live”--against a montage of almost every major character (living and dead) ever to appear on the series, with said statement representing their lives and what they were striving to accomplish (SEE NOTES).
The final shot of
The Walking Dead is of Judith, who tells her brother:
”We get to start over. We’re the ones who live.”
NOTES:
So it ends--the most significant fantasy TV series of this century comes to a close, yet there were the expected narrative doors left open the spinoffs.
Undoubtedly, over time, general and social media will play host to endless series assessments--what impact
The Walking Dead had in the categories of:
- horror (not specifically televised horror)
- drama
- the handling of characters
- how its changed the perception of quite a number of genres to the average viewer
- legacy
- Where does adult TV fantasy go post TWD-franchise
Nice callbacks were dropped into the episode—a gift to those viewers who were following the series since the beginning, such as Daryl blocking Judith’s hospital door (protecting her from walkers), just as Shane did the same to protect Rick from the soldiers arbitrarily executing the living as seen in the pilot. Of course the walker using a rock to break into a glass window mirrors the walker who committed the same, deliberate act in the department store scene from season one.
Rosita was a candidate for the chopping block throughout the past two seasons, but when her time had come, Christian Serratos rose to the occasion, exploring every emotional angle she could with Rosita’s swan song—from the heroism a mother displays to protect her child, to her solemn demeanor when dealing with her mortality, to her quiet, final moments. At the end of it all, she left a memorable impression.
That most rare gem for fantasy TV—great, mature scripting—was not in short supply in this episode, particularly every scene between Maggie and Negan. The raw truth all laid out, with such a sober approach to the subjects of guilt, hatred, and murder. Lauren Cohan and JDM crafted a powerful, believable coda to their characters’ long conflict, and more than justifies how they could end up traveling together in the forthcoming
Dead City.
The
”We’re the ones who live” montage’s message was clear, but its highly doubtful Shane shared the sentiments expressed in the repeated statement, considering he cared little for anyone other than Lori, Carl, and the then-unborn Judith.
Innumerable viewers believed Eugene—a man who had turned his life around and found true love—was in the series executioner’s sight, as his death would have been quite tragic—essentially, fate pulling its cosmic run out from under his feet when things were looking up for him. Thankfully, that did not happen; Eugene was never one of my favorite WD characters, but the showrunners did put the work into making him stand up not only for himself, but others, and despite fearing the threat of death, accepted it.
Next: In 2023, the spin-off series make their debut:
Rick and Michonne,
Dead City (with Maggie and Negan), and
Daryl Dixon.
The only returning series—
Fear the Walking Dead—heads into its eighth season.
GRADE: A+.