Good Will, good post... and I agree, except: I'm not versed in this, but I'd say yes to ST's devotion to pulp SF, but to written SF in other words, by great authors, as opposed to the fantasy space serials you mention.
Some of Next Gen season 3 is insufferable owing to simplistic preachiness (the terrorism one or two they did come to mind), which appeared thought-provoking without actually provoking thought... but inbetween those season 3 episodes there's some of the best Trek ever done. My opinion of course, but they really did seem to care in season three, and they were pushing things farther and taking risks... culminating in the BoBW cliffhanger, which they wrote without knowing how to resolve it. That's a good decision, but trying to write part 2 frustrated and scared the hell out of them, as I understand it, and they decided not to take any further risks after that, i think.
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Hey, Good Will, just read your next post here, and had to come back and edit to applaud you. Well said! With every year, ST has been fighting the battle between being "science-fiction" (as in the literary genre) and "TV", starting with season two of the original, actually.
ST can't be produced by a network or by non-SF-believers. It's a rebel program that suits have to be tricked into funding and accepting, with cornball one-liners such as "wagon train to the stars", which of course it wasn't. Someone has to champion ST like Roddenberry did, and fight against resistance to have it done correctly as genuine SF, not have ST assigned to him by Paramount.
I'm wandering a little from what you posted, I guess.
Some of Next Gen season 3 is insufferable owing to simplistic preachiness (the terrorism one or two they did come to mind), which appeared thought-provoking without actually provoking thought... but inbetween those season 3 episodes there's some of the best Trek ever done. My opinion of course, but they really did seem to care in season three, and they were pushing things farther and taking risks... culminating in the BoBW cliffhanger, which they wrote without knowing how to resolve it. That's a good decision, but trying to write part 2 frustrated and scared the hell out of them, as I understand it, and they decided not to take any further risks after that, i think.
**********
Hey, Good Will, just read your next post here, and had to come back and edit to applaud you. Well said! With every year, ST has been fighting the battle between being "science-fiction" (as in the literary genre) and "TV", starting with season two of the original, actually.
ST can't be produced by a network or by non-SF-believers. It's a rebel program that suits have to be tricked into funding and accepting, with cornball one-liners such as "wagon train to the stars", which of course it wasn't. Someone has to champion ST like Roddenberry did, and fight against resistance to have it done correctly as genuine SF, not have ST assigned to him by Paramount.
I'm wandering a little from what you posted, I guess.