In TOS, they were Starships, everything else just a spaceship. This would hold meaning only if the Enterprise could do something the Discovery and the other DSC ships (or even NX-01) couldn't.
Alas, same shit, different container.
I'm not sure we're talking about the same thing, here. The terminology used in-universe, and the fact that it changed later out-of-universe, is ultimately irrelevant. Kirk tells us there are only twelve ships like the
Enterprise in the fleet in "Tomorrow Is Yesterday" (TOS), and this loses no meaning,
whatever term those ships or any others are or aren't called by. If the "shit" is the same, as you say, then it only makes all the
more sense for the
container to be the rare and special thing.
The Romulan ship had cylindrical nacelles. If that ship was based of stolen designs then it would stand to reason that cylindrical nacelles were fairly common. Also if you consider TAS canon or the remastered then there are many more examples of round nacelled ships. They seem to be pretty common.
I don't think nacelles HAVE to be a certain shape, becasue we can clearly see a lot of variety in Warp technologies. However, cylindrical nacelles are probably (and if not, then SHOULD be) part of the same Federation design philosophy. The general look of the Constitution Class is probably the same general look of other Starfleet ships of the same era.There's a lot of variation that can come with that. But the Discovery as she is now, sits too far outside that for my taste.
You do raise a few good points in this, to be sure. I'm so used to people refusing to accept any evidence from TAS, and so averse to the "remastered" TOS myself, that I sometimes completely forget to consider those designs. So let's do so...
None but the
Bonaventure from "The Time Trap" (which doesn't exactly have
totally round nacelles, but close enough I suppose) explicitly predates the
Enterprise, whose design—intended to be the
specific source for the Romulan BoP, though that angle never made it into the episode in any form as aired—dates back "about forty years" (mid 2220s by today's reckoning) per
The Making Of Star Trek (1968), even if she herself only dates to 2245, as suggested by later materials. (Incidentally, this means that even if there are only a dozen left in Kirk's era, there
could have been more of them in the past, considering the rate at which we see them lost!)
The
Huron from "The Pirates Of Orion" (TAS) readily might or might not:
The cargo drones from "More Tribbles, More Troubles" (TAS) are identical to the
Woden from the remastered "The Ultimate Computer" (TOS), and to the
Antares from the remastered "Charlie X" (TOS) sans crew module:
The age and origins of other "remastered" designs such as Mudd's "class J cargo ship" from "Mudd's Women" (TOS)—which is identical, or nearly so, to the remastered
Aurora from "The Way To Eden" (TOS), yet need not (and IMO really
ought not) be the same as the unseen "old class J starship" aboard which Pike was injured in "The Menagerie" (TOS)—are unlcear:
Pegging them as being of Federation origin
does seem reasonable, though, and was indeed the stated
intent in at least the case of the Medusan vessel from the remastered "Is There No Truth In Beauty" (TOS):
But of course, TAS gives us examples of other craft of similar extraction that instead have cigar-shaped nacelles, in the form of Carter Winston's from "The Survivor" and Cyrano Jones' from "More Tribbles, More Troubles" (TAS):
We should also be generous and not forget to throw in the Franz Joseph designs shown fleetingly (no pun intended) on background monitors in STII and STIII as well:
But again, did they come about before, during, or after TOS? In any case, they appear to co-exist right alongside the movie-era designs of TMP onward, despite the latter's quite different aesthetics, ones which are also similar in notable ways to some of the DSC ships. The
Discovery herself has her origins in a design that was specifically devised to follow on from the TOS
Enterprise (which again, is decades old there). So I don't really see the cause for discomfort.
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MMoM