Black Lightning
SEASON THREE / Episode 12 - "The Book of Markovia: Chapter Three - Motherless ID"
Jefferson Pierce/Black Lightning: Standard of late, Jefferson is trying to be strong, but that's not working out with his concerns going in every direction. We see Anissa is more understanding with him (in regards to Lynn's plight) and becoming a bit more level-headed in getting him to accept working with Sara Gray, but he is losing his attempt to be that pillar of unwavering strength to those he loves. It would be terrible to see him have some kind of a breakdown (moral, physical, etc.) while Lynn's future is clouded.
Jennifer / Brandon: She might be upset that Khalil being alive was not shared with her, but she's proving she is slowly growing up in the way she was so nurturing to him in the safe space of his mind.
Gambi: Enjoying Gambi's faith in T.C., but i'm starting to think all things are not going to go well for the kid.
He's had business in Markovia even Jefferson was not aware of...interesting. I wonder if he will be recognized by Mosin….
Colonel Yuri Mosin / Helga Jace: Jace could not believe Odell made Lynn an addict? How naïve could she be? Her own work took a total lack of scruples to carry out, so getting someone hooked would be a walk in the immoral park for a man like Odell. Besides, whether she was playing Tobias or not (about his being on schedule for a lobotomy), she seems to genuinely enjoy screwing with his mind, and Mosin's, it would seem.
Khalil/Painkiller: T.C.'s infiltration of the chip proves--once again--that Khalil was not lost, or some "bad" person. Khalil's creation of a safe space--his room, filled with his medals and photos of loved ones--was the reaction a child would have, which was sad, but not as heartbreaking as his own history as Painkiller playing out on the "walls" of his mind, including the murder of his own mother. As I thought, he did not want to live after realizing what he was forced to do. If that was not tragic enough, he's alive--awake and is--as he put it--poison.
I would hate to see a character who was designed to represent the struggle of a young black male to lift himself out of poverty just end up a meat puppet on the strings of one user after another (Tobias & Odell). There has to be some justice for him...some sense of hope.
Tobias: The black Markovian associate's
"You know, I cannot stand a self-hating black man. But then again, you're not that black." At last--someone giving Tobias a dose of his own racial abuse.
NOTES: Excellent pacing with the Markovian invasion plan not going into effect overnight (as in taking place in this episode). The highlights were the fates of Khalil and Lynn, with both having an uncertain future. Even if Lynn is rescued, as Jace pointed out, there's still no true understanding of Green Light addiction, and the formula she used was tweaked on Odell's orders, so right now, she might be
"shit out of luck" as the expression goes.
In the next episode, the war is on, and there are hints that this will bring an end to the Markovian plot, and the effects of Green Light on Freeland, which will not be so easy to sweep away, because there's still...
- Brandon with his vendetta with Jace, and a "revenge is not good" talk won't ease the pain of losing his mother.
- Tobias--is he a free man once he's rescued? Will Major Gray simply "reclaim" him as ASA property? And what of Jefferson--will he work to rescue the man who murdered his father?
- The teaser has Jefferson embracing the idea of killing, when non-lethal action was one of his strongest tenets. If renounces that belief, what kind of man will that make him--and in the eyes of his family?
- Whether Tobias escapes or is set free, he's still obsessed with that infamous briefcase now in Lala's possession. Further, Lala muscling in on Lady Eve's brothel is part of his continued rise as the city's new crime lord, which means the series' original narrative of a predominantly black city under siege (from drugs) is far from over.
In other words,
Black Lightning should continue to be the mature, grim series with a message, as it needs to be, instead of suddenly becoming just another unstructured and/or thinly plotted superhero show.
GRADE: A+