• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

TNG Rewatch: 7x17 - "Masks"

Trekker4747

Boldly going...
Premium Member
Masks.jpg


Sigh…. Here we go.

We open with a group of Enterprise school children working on clay sculptures in a classroom, Troi is there to give the kids advice on the day's objective; to make a sculpture that conveys an emotion. She eventually finds her way to Data (who's in primary school now?) who has formed his clay into a "sculpture" of a PADD. He says its dimensional accuracy is within a couple percent; which seems remarkably IN-accurate for someone like Data.

Troi sets him up with a new piece and challenges him to make a sculpture the represents "music." Data argues that music is an acoustical experience and not a visual one that can be represented as a sculpture and Troi says that's the point of the challenge. Data shrugs and quickly forms the clay into the form of a musical clef.

Oddly, he does this in moments as opposed to the PADD seemingly taking him some degree of time. Troi says it's a start, before Data is called to the Bridge.

The ship has come up on a rogue comet heading towards a star, the comet is not indigenous to the stellar system and has some unusual properties so they begin scanning it, they experience some odd feedback which Data compensates for. The ship will complete the scan of the comet in about a day and a half. Look, I know they're out here to explore and learn things, but scanning a damn chunk of frozen gas for nearly two days seems a bit extreme.

Meanwhile, Troi and Crusher are preparing for their Worf-Chi class and stop by Troi's quarters to put on her futuristic gi. Inside, Crusher points out a decorative obelisk on a end table; Troi isn't sure where it came from and seems unconcerned with this random piece of rock appearing in her room without explanation. They seem to chalk it up to a "secret admirer" breaking into her room and putting it there. Look, I'm not an evolved 24th century person, but I think I'd be kind of suspicious if something showed up in my home with now discernible way for it to have gotten there. And the notion of someone breaking into my home to place it there certainly wouldn't make me feel easy.

As the women leave the tip of phallus, er, obelisk glows bright blue and a symbol appears in the spot that was once blank. OPENING CREDITS!!!

Sometime within the next day and half, Troi is overseeing another art session in the classroom, when she comes up on Data he's just finishing up a sculpture of a mask; Troi notes that a symbol on the mask looks like one on the obelisk in her quarters. Data hasn't been in her room and is uncertain of why there'd be any connection. Just then a boy at a nearby terminal says he's having trouble with his schoolroom computer, a series of strange symbols are appearing interfering with his ability to use it. Ah, Windows 8.

Data goes to investigate and, with Geordi, they find the ship's computer 'infected" with a rogue program that seems to be rewriting some of the ship's software, these symbols having been appearing all over the ship's GUI. They don't know what they mean but Data seems to be able to read them, one of the symbols (which look like ancient Egyptian hieroglyphs) Data notes represents "death." Geordi shows concern that Data may be infected with the rogue program as well, he will do a diagnostic to be sure. Meanwhile Riker and Geordi work out a plan to learn more about the comet by seeing the inside/core of it.

They use the phasers at a low setting to melt away the outside of the comet, revealing an alien probe; analysis of the probe show it to be over 87 million years old. It's believed it accumulated the comet material during its travels (crystallized interstellar gases have a way of building up, I guess), the system they conclude it came from is not currently inhabited and this probe may be an archive of the civilization that once lived there. It's using the ship's sensor beam to send information into their computer, rewriting the software.

Dammit, Starfleet! Invest in a firewall!

Though they're unsure of what's happening and how or why Data seems to have an intuitive knowledge of the probe they decide to allow it to continue until it becomes a threat.

Picard looks over various artifacts that have appeared on the ship over the last few hours and the archaeologist in him comes out as he studies them and tries to decipher them. A recurring symbol he sees, in the form of a compass, and a recurring theme dealing with direction and boundaries, including "death" which he calls the "ultimate boundary."

Though the artifacts seem very primitive, it all obviously came from a very advanced society capable of building the probe.

There's one symbol on one of the artifacts Picard is unable to decipher, though it should be clear to anyone looking at of what it is. (It's a straight line with a semi-disc over/under it the disc adorned with a semi-circle with several lines jutting perpendicularly out from it. Basically looking like a child's drawing of a sunset.)

The diagnostic on Data so far isn't turning any results up but when Geordi goes to a deeper system Data seems to have a reaction, but is unable to describe it. He asks Geordi what it feels like to "lose [your] mind." Concerned, Geordi disconnects Data from the diagnostic and shortly afterwards there's an odd noise from Data and…

Look, up until now the episode is okay and interesting. But, for me, this is an episode I find to be incredibly tedious and dull, and aspects of it are very, very, dumb and that's all set to begin now. As I've been doing these recaps I've struggled to do certain episodes, often taking a long time to get myself to do them, because for me they're a chore to watch and this episode is one of them. I can watch "Sub Rosa" over and over again because at least it's a sort-of FUN dumb. This episode is just bad.

Now, there's certain things I'm willing to accept and wave my hand at when it comes to Treknology, and matter and energy manipulation is one of them. It's theoretically possible and in a society with massive resources and energy at their disposal it's entirely conceivable they have the equipment and technology to make food and tools out of stored energy and basic matter reserves.

But this episode breaks that willing suspension by having incredible changes occur with little justification as to not just where the energy is coming from, how it's manipulating matter in such a way, or why the matter change as no real impact on other things. Which we'll get to.

Right now, we're with Data. When Geordi returns the part of Data's circuitry exposed by the removed panel has changed to something different, and here's a big problem. Over and over again throughout the series we're told how unique and special Data is and how he's a delicate balance of technology that somehow works dues to the genius of Noonian Soong. And here that's all just replaced by something else.

Data turns to Geordi with a wide grin, the "compass" symbol is now on Data's forehead and there's a strange artifact on his chest. Yes, these things were somehow replicated/materialized out of nowhere. Unless Data has an *incredible* amount of dormant energy in him and this rogue program built within him a replicator the show is now breaking that suspension of disbelief I'm willing to give it when it comes to technology and matter/energy manipulation. Data says to Geordi in his best Golem voice: "Masakah (sp?) is waking."

Back from commercial Data has mounted the "nose" of the warp core with his feet propped on the railing as Picard enters the room, "Data" repeats his line and Picard begins questioning him on what's going on.

Data has been… "possessed" by some alien being called Ihad (?) who fears Masakah and feels everyone should fear her.

He's unwilling to give too many more answers or details on what is going on, instead he hams up the room.

Which is the other problem I have with this episode, it's mostly just an excuse for Brent Spiner to chew scenery. And MAN does he get his calories in with this one. Way too many calories. So many calories During-the-Olympics Michael Phelps would tell him to maybe cut it back some.

Spiner is a good actor. I wouldn't say great, but he's good. He did a lot of good with Data in the show and movies and he did a lot of good with the other characters he portrayed during the series and the other times Data was taken over or possessed.

Here? Not so much. Here he eats so much scenery I'm surprised *this* wasn't the final episode and they just used him to strike the sets.

Data as Ihad or whatever reacts to Troi entering the room as if she's Masakah (ugh, I've got to come up with better names here) and bows to her. When he lifts his head his demeanor has changed, along with the stone on his chest, and in a deep, breathy, voice he reveres her. Saying every part of him is hers. Troi sighs because she just heard this at a convention that past weekend.

Picard recommends confining Data to quarters.

Geordi exposits that the alien program is rewiring Data's personality nodes, installing several different personalities in the same way the probe is using the replicators to create/change objects without any replication effects. Data has "Android Multiple Personality Syndrome" brought on by alien malware.

Picard goes to Data in order to learn more from these personalities and finds Breathy Fanboy still there saying he's all "hers" (which, again, Troi likely dealt with this a LOT in the 90s) and Picard wants to talk to… Loki. I'm going with Loki.

The show doesn't even give us the "benefit" of watching the plate on Data's chest change to represent the new personality instead we cut away and cut back when Loki comes back to talk to Picard.

Loki says he was only momentarily fooled by Troi/Masakah and gives a few more details of the alien queen and that she can only be defeated by another alien god, king, whatever. Picard wants to talk to it and, (cut and a cut back!) we do, this time seemingly as a frightened child. Before Picard can get much information the ship is rocked and suffers a power loss.

On the bridge, we find out a tractor beam and energy beam has locked onto the ship and now parts of the ship seem to be transforming into various things like rocks, twigs and palm fronds. Geordi explains that the materials aren't being beamed to the ship but are made up of their own matter, reconfigured. The living beings, including snakes, made up from their own DNA…. Which… What? So it turns tables and such in Ten Forward into obelisks and cubical rocks and turns, what, the microorganisms around the ship into palm fronds and snakes? Flakes of skin? Stray hairs? I mean, no people are missing so where's the living matter coming from?!

Picard decides to put his foot down (here a tip, Jean Luc, next time an alien probe locks onto your ship unexpectedly, how about cutting the cord right away instead of waiting to see what happens. Because when shit gets deep, it might be then too late to do anything about it) and wants Geordi to look into a way to sever the connection before the ship is entirely transformed. (And earlier attempt to use a torpedo, they stupidly thought Main Engineering was a good place to reconfigure, was thwarted by the changes.) Picard believes one of Data's personalities, namely Masakah is a route to go for more info.

Picard talks with Data more to find a withering old man voice by a firepit in Data's quarters, there's something of a conversation not to much unlike talking to your great-grandfather in the 14th inning of a Mets/Phillies game. He talks with Loki and the frightened child some more and is described yet another symbol, said to represent the only thing that can stop Mesakah, Loki offers the symbol at the cost of his life.

They input the symbol into the artifact's matter manipulation program and it changes part of the ship into a two-story tall temple. That's two stories of conduits, wiring, circuitry, gravity plates, computer nonsense all just whisked away to make a temple.

Picard, Worf and Troi explore the temple some, and find two symbols that they've not seen together before, one symbol representing Mesakah (a large sun-like symbol) and another, smaller, half-circle/crescent-like symbol. Picard thinks this is significant and uses his Indian Jones hat to speak about how ancient culture used the idea of balance and order to form their mythology.

Data sits in his quarters, no forehead symbol or chest plate piece, and opens his eyes. He slowly rises and heads out of the room, on his way picking up the pottery mask he made earlier. He knocks out the two inept guards on his way out.

Back in the "temple" Troi and the others find a more significant example of the crescent symbol with a smaller sun symbol. They conclude that the "mythology" of this battle is that of the sun and the moon chasing one another in a fight for power. Troi, points out that "like the sun and the moon, only one can be in ascendance at a time." Which…. Err…. Troi?

Okay, okay, maybe that might be true on Betazed. Maybe. But Picard and Worf both seem to accept this even though both have lived on/are from Earth where the sun and the moon very much can be in the sky at the same time. Happens ALL of the time in fact. Moreover, if we go meta here, if this episode is supposed to "mean something" in a greater sense we're supposed to accept Troi's line as absolute rule.

Meaning whomever wrote this episode has never seen… the sky.

Data appears at the top of the temple posing as Mesakah and doing his best, I dunno, Adam Sandler Lunch Lady voice, refuses to speak with Picard.

On the bridge, they have less than two hours left before the ship is completely transformed (again, this means that most of the ship has now been transformed into an alien temple or some other, conduits, power systems, antimatter pods, torpedoes and so on is now unrecognizable yet the ship hasn't exploded yet. There's also over 1000 people chilling it on the ship. Another example of the problem I had with Braga. Writing these big ideas without considering the "grander" things going on on the ship and what certain things happening really means.

Anyway, they access the crescent symbol in the program and a crescent-symbol based mask appears on the console. Picard proposes to wear it to pose as… Gorgon or whatever in order to convince Mass-caca to go away. Everyone is unsure how Picard will do this given what little they know, but Picard is sure as a archaeological hobbyist he'll figure it out.

Picard, as the moon god or whatever, goes to talk to Data they talk about fighting and how much they need the other and yadda, yadda. Eventually, Picard is able to get Data to submit and allow himself to fall asleep, this seems to undo and reverse the changes caused on the ship and return everything back to normal.

For me this episode is just painful and hard to watch, there's too much silliness and too much boredom in it to really hook me well. There's some tiny interesting parts but when it decided to become a Data Hams It Up show it became too much and then there's the ignoring any internal logic when it came to the show's technology and universe.

I know some like this episode, fine. But I don't. This episode, for me, just plain sucks.
 
Last edited:
I love this episode. I love Spiners multiple personality acting and the mysticism of the temple. Also, it features archeology which made Picard more passionate.

I know it is widely disliked but I love it and don't feel guilty admitting that.
 
I like this episode for 2 reasons.

1.It's hilariously awful.
2.Picard wearing that mask.

And okay Brent Spiner was great despite the material.
 
I also love "Masks" and am not ashamed to admit it!

It's not my favorite of TNG, far from it. But it's an enjoyable piece of fluff with great performances from Spiner and a wonderful atmosphere.
 
I am so inbetween on this episode that I think most criticism and most praise is usually accurate about it.
I would however point out that the whole moon ascendant when sun is not thing makes perfect sense when compared to existing mythology, and even when you look at the sky.
By mistaking Troi for the moon aspect, it even demonstrates how the moon is in the sky in the day, to an extent, but she is not ruling the sky (as in glowing). The failure here is that it really should have been Troi as the moon (feminine, and already taken to be the aspect by Masaka)
That aspect, was all rather nice.

The ship not going boom... Yes...Though one gets the impression from the lack of fatalities, and the high technological advancement of the replicator tech the probe is using, that it was all meant to be a benign experience anyway....sort of like The Inner Light, only not confined to the inside of Picard's head.
In many ways that is the lazy aspect of this episode....it's just the inner light, and for some unknown reason it's decided to focus purely on Picard and data, when using the rest of the cast to be aspects would work better (and make it sonething like TOS Day of the Dove, rather than the outer version of The Inner Light)
 
Absolutely love Masks. One of my top 25 episodes. Beautifully shot, conceived and acted. I still have a clipping somewhere of TV Guide's notice of Brent Spiner's Emmy worthy performance. Also a nice development episode for Picard, who uses his knowledge of archaeology/anthropology to good use.

There is an old thread here where I believe I answer many questions and speculate on answers that people have about this episode.(found it)

http://www.trekbbs.com/threads/masks-why-all-the-hate.140025/
 
Which, sorry, I don't get. As I said, I find Spiner's acting in this episode to be over-the-top and hammy. He's done much better acting in other episodes. And there's so much of the episode that are just so *tedious*, the archeology/anthropology stuff with Picard is interesting but the scenery-chewing from Spiner I think over shadows so much in the episode it sort of takes over and makes the episode hard to watch. And this alien probe thing and this entire series events is all over some ham-fisted sun/moon metaphor that doesn't even entirely work since the sun and moon *can* both be in the sky at the same time?
 
Which, sorry, I don't get. As I said, I find Spiner's acting in this episode to be over-the-top and hammy. He's done much better acting in other episodes. And there's so much of the episode that are just so *tedious*, the archeology/anthropology stuff with Picard is interesting but the scenery-chewing from Spiner I think over shadows so much in the episode it sort of takes over and makes the episode hard to watch. And this alien probe thing and this entire series events is all over some ham-fisted sun/moon metaphor that doesn't even entirely work since the sun and moon *can* both be in the sky at the same time?

Yes they can. They cannot both provide light at the same time as such, and have featured in plenty of earth's mythology as a result. That is not not really something to get ones knickers in a twist over. One rules the the day, one rules the night, yin yang etc etc.
 
I like this episode, because of its weirdness. Doesn't hold up to scrutiny, though.(Then again, how many episodes really do ? Though I must admit this is a worse offender than most.)
 
I was going to respond with a point by point counter to your opinion(not trying to change your mind, just responding to specific criticism), but after reading the old thread, I'm satisfied with most of the explanations I give (go me), and don't feel the need to do so.

The only addition I'd make is after viewing the episode again, the only real mention of the sun and moon in the context you mention is when Troi says they can't be in "ascendance at the same time"..which could still technically be correct, as one does not "ascend" at the same time as the other(obviously on their planet either, or the myth wouldn't exist), and regardless, this could still be taken as a metaphor for a day and night, making this criticism moot.

I stand by the opinion that the episode is an excellent exploration of myth that deals with ST's overarching theme of exploring cultures using the scientific method even if it's in one of the "softer sciences".

RAMA



Which, sorry, I don't get. As I said, I find Spiner's acting in this episode to be over-the-top and hammy. He's done much better acting in other episodes. And there's so much of the episode that are just so *tedious*, the archeology/anthropology stuff with Picard is interesting but the scenery-chewing from Spiner I think over shadows so much in the episode it sort of takes over and makes the episode hard to watch. And this alien probe thing and this entire series events is all over some ham-fisted sun/moon metaphor that doesn't even entirely work since the sun and moon *can* both be in the sky at the same time?
 
The archeology, anthropology and myth exploration stuff in the episode is good; and it's fun to see Picard using that side of his character but, for me, it's muted or negated by the goofiness of the episode. The myth exploration could have been done without the nonsense of the probe changing all of the matter of the ship to the point they get to being "2 hours away from being unrecognizable" even though the exterior of the ship looks perfectly fine and the interior still seems mostly intact too, not to mention the ship is still operating and no mention is made of any danger of losing life support, antimatter containment or any other critical system so I guess it was going to be *rough* two hours.

And the archeology/anthropology aspects *certainly* could have been explored without feeding Brent Spiner so much scenery.

I read the old thread too, and I think I was a little harsh on Spiner's skills as an actor back then. I think he's actually a fine actor.... When he's in check. In that thread I criticized his performances as Soong and Lore and now, I think they're fine and not too over done; though Lore flirts with that edge some. But in this, he's just chowing down on the scenery and there's almost no need for it. Does it even add that much to the story and plot to have Data behaving as these various personalities?

Picard says Data has now had the experience of "being an entire civilization" since he has all of the memories/whatevers of the aliens..... But hasn't this always been the case with Data? Hasn't he had within him this entire time the journals, logs, and other aspects of the colonists of Omicron Theta? And this is supposed to "mean" something, I guess. But it ultimately doesn't since Data doesn't have emotions so the "impact" and weight of "being an entire civilization" means almost nothing to him and nothing is ever used of it.

It'd been more interesting if this old civilization was explored in some other manner that was a little less ham-fisted and, I dunno, "literal." I think of a Season 2 episode where they deal with the Iconians (?). The ship is being taken over by some alien program and Picard and Data deal with parts of it in an ancient alien control room. Data and Picard work together on this as Picard marvels at the ancient civilization.

It would have been more interesting had they had Data, Picard, and perhaps one or two of the others beam over to the alien probe (Picard citing Captain's privilege since the age of the alien probe (80,000 years) present s a remarkable opportunity) and then have to deal with this alien sun/moon thing. The "multiple personalities" from Data manifesting from guest actors, the early mistaking of Troi as the Sun Goddess, and the crew having to figure out the various symbology they see in otder to get out of the situation, similar to what happens here. Using a tricorder to interact with the program and create the masks and such. Hell, have Toir get "possessed" or whatever and behave as this Sun Goddess.

They board the ship/whatever to find a village and aliens the look being somewhat reminiscent of Ancient Egypt in an alien-esque way. They find a "temple" and as Troi examines the throne she begins behaving oddly and then someone reveres her as their Goddess and Troi seems to "snap" into the change and she wishes the peasant well. She looks to another peasant and strikes him down with "finger bolts" for not revering her and sits at her throne. She orders the rest of the away team to leave her presence or suffer a similar fate.

They then spend some time in the episode talking to the aliens and such about her, gaining similar information, studying the alien symbols and stuff, they find the replication program (or whatever) and eventually work out the solution, particularly as everyone's moods seem to change as the day goes on and Picard and co. notice everyone grows more and more tense and the "sun" has moved in the sky but appears "stuck" at around a dusk level and has been for several hours. As Picard takes on the roll of the Moon God, the alien "sun" sets the rest of the way and they see the moon beginning to rise on the horizon.

The villagers all seem to retreat to their homes and the place grows quiet, finally the ship is able to contact them again to ask what's happening.

There's potential for something interesting in this episode but, again, for me it's sort of ruined by the breaking my SoD with the matter changes and the OTT acting from Spiner.
 
Eh finger bolts? I don't know, your idea sounds a little to ordinary and mainstream. I like how the alien program starts taking over the computer slowly, showing symbols, and re-wiring Data. Some viewers seem to want a big Ragnarok event at the end of the episode and even if they had the budget, having Picard solve the problem intellectually is a more unusual and Trek-like way to wrap up the issue. It's more satisfying to me.

I was discussing the episode with my wife. I asked her to watch it with me and I didn't tell her what to look for, but to make up her own mind what she thought of the episode. She wasn't sure if the alien program was "possessed" in some way, interpreting it a little differently than I did. She did make one observation I hadn't considered..that Masaka not only enjoyed the hunt, she acted the way she did in the mythology in order to get Korgano's attention, like a spurned woman who's mate was ignoring her. She also liked it a lot.

I'm still sticking with the idea that the archive used advanced technology to tell a story to preserve the culture from the far past, much like the probe in Inner light, but with whatever it could transmute at hand. Maybe at one time it was planned and needed permission, but 87 million years later the program was corrupted and it co-opted the Enteterpirse computer and ship. It may have been linked to other archives that told different stories from that culture's wars or great sagas like cultures from Earth's past. In this case, the symbols were distinctly Mayan or Aztec flavored. The computer probably knew enough to keep the ship intact, but eventually would have overtaken the Enterprise piece by piece. Again, the technology here isn't unusual at all for Trek--even the Enterprise displays a less advanced version of such technology--much less for a society that was millions of years older.

According to what I've read, Joe Menosky came up with the idea and then left the staff so he couldn't be consulted on re-writes. Originally, archetypes were considered but were too cryptic so they resorted to having the cultural figures represented in Data. Yes, Data had some colonists inside him, but they rarely spoke of that, and they were still of the same Earth based culture, not a totally different and unique civilization. Unlike the Soong scientists, Data "lost" and did not store the civilizations information so he couldn't go back and access them after being disconnected from the link.

I see nothing ham-fisted in the episode especially Spiner, who apparently gave this wonderful performance with almost no lead-in time to prepare. Like I said in the other thread, when telling tales of mythology, you go big! The gods had to have big personalities, the old man and child who played a part less so..but if you have gods you also need worshipers or those who are differentiated from gods to play off of hence the
numerous personalities.

Solar deities from Earth, some who literally war with each other for day or night.
https://en.wikipedia.org/wiki/Solar_deity
https://en.wikipedia.org/wiki/List_of_solar_deities

Mayan sun god symbol:
nDvFoEf.jpg

Masaka
CiNOEJQ.jpg

The original archive maquette by Dan Curry:
LuK8BBY.jpg

The original and remastered D-Arsay archive.
aDaeLr2.jpg

N2I7set.jpg


RAMA
 
Do I remember correctly or was more than 50% of the ship transmorphed into objects from the alien culture? The crew was pretty lucky that for example the antimatter containment system was spared... And everything else that kept the ship running and in one piece.
 
I think this is one of the best episodes of Season 7of the show. Of course the one thing that really gets me with the episode is, why do Worf and La Forge feel the need to work on the torpedo in engineering, right next to the warp core? I realize that the producers probably didn't have money to build a torpedo room, but really, they couldn't have repurposed another set, like the nacelle room from Eye Of The Behold (which I believe was aired just a week before). With the torpedo, apparently the library has the capability to set a fire in engineering, so how do they know that it wouldn't just detonate the torpedo? Goodbye ship!
 
Yeah, I forgot to mention that in my recap, Worf and Geordi working on torpedo in the Main Engineering just 10 feet from the freakin' warp core. Yeah no matter where the torpedo exploded the ship would be fucked, but why make it easier and more likely for you to be *completely* fucked by working on the damn thing right next to the warp core?

If it weren't for the "temple" set and all of the set-dressing changes this would pretty much be a "bottle episode." Thus no new set for a torpedo room. Though there's always the standing swing set used for a shuttle bay or cargo bay and the always versatile Enterprise-A/Battle Bridge set and the set often used for a lab, I think there's also a brig set but some or all of those may be mixed into a swing set. (Which, I guess, could have been used for the temple.) But you'd think one way or another they could've have "phoned in" a torpedo room or something so it doesn't look like they worked on the torpedo in freaking engineering.

One thing I forgot to mention, I think with this episode is when Trek became more "dedicated" to using CGI effects which would be used more and more during DS9's war arc and on Voyager. Here the alien probe and the comet where CGI creations.

And, to give them credit, the work on the recovered alien probe is good, I like how on it there's still clumps of comet material laying in various corners of the probe.
 
The use of Spiner's acting abilities in Masks was better than A Fistful of Datas, I think. Masks was certainly a little goofy, mainly an excuse for Picard to go into archaeology mode again (we did look weird in that mask), but there are way goofier and more awful episodes than this one. I thought Spiner did a good job overall. Besides, when it comes to over the top acting, I don't think anyone can touch Shatner.
 
Spiner is having fun in this episode. It's like Contagion redux. In both episodes, the ship is experiencing some heavy duty malfunctions, Picard is in his element as archaeologist and Data, as the resident robot, is malfunctioning in a quirky and amusing way that's unique to him. Sure, it's not exactly high acting from Spiner were Data is grappling with the idea of his father, mourning his dying daughter, contemplating the meaning of sentience or anything of that sort. But it is fun and interesting stuff nevertheless. So, yeah, I do think it's a cool episode.
 
Do I remember correctly or was more than 50% of the ship transmorphed into objects from the alien culture? The crew was pretty lucky that for example the antimatter containment system was spared... And everything else that kept the ship running and in one piece.
I'll expand on what I said: I theorized the computer program is just independent enough of an AI--even if it's not working properly--- that it knows it needs to preserve whatever substrate/computer it is using from destruction to play the history.

Yeah, I forgot to mention that in my recap, Worf and Geordi working on torpedo in the Main Engineering just 10 feet from the freakin' warp core. Yeah no matter where the torpedo exploded the ship would be fucked, but why make it easier and more likely for you to be *completely* fucked by working on the damn thing right next to the warp core?

If it weren't for the "temple" set and all of the set-dressing changes this would pretty much be a "bottle episode." Thus no new set for a torpedo room. Though there's always the standing swing set used for a shuttle bay or cargo bay and the always versatile Enterprise-A/Battle Bridge set and the set often used for a lab, I think there's also a brig set but some or all of those may be mixed into a swing set. (Which, I guess, could have been used for the temple.) But you'd think one way or another they could've have "phoned in" a torpedo room or something so it doesn't look like they worked on the torpedo in freaking engineering.

One thing I forgot to mention, I think with this episode is when Trek became more "dedicated" to using CGI effects which would be used more and more during DS9's war arc and on Voyager. Here the alien probe and the comet where CGI creations.

And, to give them credit, the work on the recovered alien probe is good, I like how on it there's still clumps of comet material laying in various corners of the probe.
It's funny this is even brought up, because there are at least a couple of dozen episodes or more where the crew bring in machines or experiments to work on in main engineering to test them, yet you only think of critiquing it here?? Obviously as you say, this is a cost saving measure so they don't have to build or dress a set.

The other thing that is obvious is that the warhead on the torpedo is not ARMED while they are working on it, and is not likely to explode no matter WHERE they worked on it in the ship.
 
Last edited:
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top