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The Wrath of Khan: A Tale of TERROR

SidneyIsTheKiller

Lieutenant
Red Shirt
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One of the peculiar things about Star Trek II that I think often goes overlooked is that it features at least two full-on horror movie sequences, arguably the only movie in the series to do so.

Of course the two I'm thinking of are Chekov and Terrell's introduction to "Khan's pets," and the boarding party investigating the eerie, deserted interiors of Space Station Regula 1. It's not even that they're necessarily that gruesome (though they're both pretty gnarly for a Star Trek movie), but both scenes stretch out the tension for all it's worth, using highly suggestive camera angles and framing, along with Horner's score going all-in on the horror vibe, not holding back the creepiness or startling chords at all. The Regular 1 scene even ends with a jump scare!

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It's something I've always been a little curious about because "charismatic sci-fi villain seeks revenge via flashy futuristic spaceship battles" isn't a plot you'd necessarily expect to lean that far into horror. Was it something the filmmakers were conscious of, ie. "hmm, you know this would make a pretty killer sequence if we play it like a horror flick?" Did it just sort of develop organically, partly because 'Alien' and slasher movies were popular at the time? I don't think I've ever heard anyone in the production comment on this aspect, which is funny because it's not something you get from Star Trek every day, especially from the movies.

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What's also funny is that despite these scenes and arguably a higher level of gruesomeness and chilling atmosphere in general, TWOK's never struck me as a particularly dark film, though maybe I'm just used to 80s movies being more hardcore than usual.

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But whatever the inspiration was, one thing's for sure:

In space no one Khan hear you scream!

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(I'm so sorry)
 
You must have missed the transporter accident in Star Trek 1

Though some on this Board wish they had missed the whole movie, methinks!

I never thought of STII as a Horror movie, but now that I think of it, it kinda is.
I do agree that the elements @Smellmet mentions add much to the movie.

Malevolent and Terrifyingly Charismatic...Khan Noonien Singh
 
What's also funny is that despite these scenes and arguably a higher level of gruesomeness and chilling atmosphere in general, TWOK's never struck me as a particularly dark film, though maybe I'm just used to 80s movies being more hardcore than usual.
I will freely admit that those elements are one of the big reasons why I can regard TWOK lesser. Yes, TOS had some horror elements, but TWOK was dark.
 
The picture of Scotty carrying his nephew to the bridge his horrific, only in that he chooses to take his seriously injured nephew to the bridge instead of sickbay. How many times have people who are supposed to be dead revived (even today), but no Scotty decides to go walk about, probably called in the equivalent of 10 forward for a whisky or two before getting to the bridge, maybe had a snooze too.
 
I find it both horrible and hilarious that the eel eats its way back out through the upper part of the ear, when it went in through the lower part, apparently the existing canal. Horrible cause it made two paths through the head, and hilarious cause it seems to be a mistake :D
 
I find it both horrible and hilarious that the eel eats its way back out through the upper part of the ear, when it went in through the lower part, apparently the existing canal. Horrible cause it made two paths through the head, and hilarious cause it seems to be a mistake :D
I'm assuming you're talking about the quick shot of Koenig with blood in the wrong spot on his ear? As far as (oversized) close-ups go, the eel enters and exits through the ear canal.
 
Regula 1, not Regular 1
Regulus in some versions, I think the novelisation
I'm assuming you're talking about the quick shot of Koenig with blood in the wrong spot on his ear? As far as (oversized) close-ups go, the eel enters and exits through the ear canal.
In my headcanon, it entered through one ear and came out of the other. McCoy can shine a light through Chekov's head
 
The other obvious example of a Trek film purposefully leaning into horror at times is First Contact. I'd say even that film plays it more tongue-in-cheek, like with the engineering ensign's big wide-eyed expression checking after "Paul?" while slowly poking her head into a jeffrey's tube, or the sequence of lurking Borgs that look like they're a minute away from chanting "Braaains!" It's a lot of fun.

You could argue TWOK isn't always 100% serious with the horror, either (Bones gets startled by a rat, and I think that's only because throwing a shrieking cat at him might've been too on the nose), but I'll say it doesn't flinch at all when delivering the payoffs.
 
Looking at the way the script describes the scene on Regula, they definitely had it mind pretty early that it would be a spooky scene.

112 EXT. SPACE - SPACE STATION REGULAR I 112
CLOSER ANGLE now. The silence is ominous.

113 INT. SPACE STATION REGULAR I - CAROL'S LAB 113
empty, except for the hums and crackles of abandoned
equipment. With a FAMILIAR SOUND, BONES, KIRK and
SAAVIK MATERIALIZE. All have phasers, communicators
and tricorders.

For a moment they look around, seeing emptiness. Like
being in a haunted house.

KIRK
Hello...! Anybody here?

A WEIRD ECHO reverberates his cries.

SAAVIK
(raises tricorder)
Indeterminate life signs.

KIRK
Phasers on stun. Move out.

They separate. Each begins to search.

114 ANGLE WITH SAAVIK 114
She moves to the electronic and data area, examines the
consoles, the equipment, then settles for the data bank.
She starts keying sequences with the computer.

115 INT. SPACE STATION - BONES 115
He shows signs of fear as he walks through the deserted
place, like a scuba diver exploring a cave. We want
him to go back.

A NOISE. Bones reacts with brave apprehension.

Rounding a corner, he starts: A RAT scuttles right in
front of him.

Bones sighs with relief and moves forward. We think
he's safe.

SUDDENLY SOMETHING FALLS RIGHT ON HIS FACE: an upside
down human ARM.
 
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