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Star Trek TOS Re-Watch

That aside, Scotty and Mira have absolutely zero chemistry, making any hope of their "relationship building" pointless.
Yeah, it doesn't have much chemistry, but I think that's a problem with most romantic relationships depicted in TOS, not just this one. Kirk and Ruth, for example? Or Kirk and Rayna? They're all really bland. At least the novel "Memory Prime" tried to salvage the Scotty/Romaine relationship.
 
Chekov is quick to say that the coordinates are confirmed, so is it possible he has dyslexia and by pure luck transpose the plot's key coordinates?
It I doubt. But a dyslexian navigator would make for a nice sitcom provided it's within spitting distance of the Neutral Zone.
Yeah, it doesn't have much chemistry, but I think that's a problem with most romantic relationships depicted in TOS, not just this one. Kirk and Ruth, for example? Or Kirk and Rayna? They're all really bland.
I tend to gloss over the vast majority of blonde actresses, but I would still testify that Rayna Kapec was the finest android ever to stir Kirk's utility belt.
 
"That Which Survives". So glad that TOS season 3 was spared the Batman fad that took out Lost in Space, Man From UNCLE, et al... but more on "utility belts" later, hehehehe!

There's a couple of neat ideas in a story that also has a few too many conveniences, but the whole package is not unsatisfying.

The mystery element works pretty well, only the reveal of the computer controlling it all - with duplicates of one image - is stretching things (budget limitations mostly, I'd suspect.)

The opening by having the actors all stand on an elevated platform that's shaken is pretty good.

So is the depth of field filming to shroud the shiny glitter bits behind characters - and, as always, the director and set designers had a field day with the color wheel, like this one only not driven by JavaScipt as much: https://paletton.com/

It's fun to think of Lt Uhura reaching out to each security lead in each section before she reports back to Spock.

Spock is unusually snark-driven in this episode. Maybe the writer was trying to show Spock countering anxiety over such a situation, but it doesn't quite work.

Lt Radha is suggested to be Hindi. But how to give more time to any of the crew that would blend in with the story's subplots? Or another episode... or a bunch of expanded universe works... so this story does, in with everything else, introduce new characters who do get more use later on. That never hurts.

Also, how can Losira be projected 997-point-whatever light years away? Yes, the Kalandan technology was able to push the ship that far away, but it doesn't directly follow that they can beam interactive signals that far out*. Shhh, don't think into this too much, this is still season 3 and it's not bein' renewed. There surely would be some limits, but in LTBYLB, they traverse half the galaxy then back again far quicker.

* the story describes a "molecular transporter", as much as Spock could describe it as. The door opening/closing as described by others suggests a dimensional rift/portal of some kind, which makes more sense as Losira pops up everywhere but is not recognized by any tricorder or instrument as a life form as such.

The effect of Losira disappearing is not just novel for late season 3 but is fantastic in its own right. Creeped me out as a kid and holds up well, how they horizontally squish the image and have the resultant line shrink out. And it's done at the perfect speed. Possibly to suggest she somehow is a computer generated image, if not CRT cathode tube turning off? Not sure, but it works.

Losira has her bellybutton covered, oh noes!!!!!!!!! In a season where Droxine and a buncha others already had shown theirs, oh noes!!!!! If this were "The New Laugh-In" (1978, ruh-huh!), they'd freeze-frame on the navel and have pool and/or deep sea divers climbing out of it, or something.

Along with Losira popping up everywhere, why she disappears is also telling - she either finishes her task or is "scared away". Either scared, or the projecting computer only has enough power for limited projections for any given time.

Scotty having to remind Spock that he doesn't need a cuckoo clock is on point, what with the vocal distraction keeping him from doing the useless thing of, you know, saving the ship and all.

Why does McCoy say they were led to the cave? They were following the only potential of food and water based on tricorder readings, if not where they believed Losira was coming from. She wasn't wriggling her index finger saying "Hiya honey, we've got some tater tots n' burgers over here for ya, sugar!" or anything. Could be character-driven paranoia seeping in, given McCoy's nature.

Why does Kirk ask if there are men on this planet and then asks if she's lonely? Kirk, as you'll discover, she's not out for romance, and why not leave it at "are there others on this planet?", for which she does answer.

Why the computer had to create duplicates of Losira - was it really cheaper to synchronize tripled up copies of her visage? Good direction definitely helped as our remaining heroes were no longer safe... Also consider, the Kalandan computer is impressive as it tinkles up multiple units as parallel force. It doesn't just re-send the same one in serial fashion. The Borg could learn more from the Kalandans, that's for sure...

But the best bit is Losira's speech:

LOSIRA [on screen]: My fellow Kalandans, welcome. A disease has destroyed us. Beware of it. After your long journey, I'm sorry to give you only a recorded welcome, but we who have guarded the outpost for you will be dead by the time you take possession of this planet. I am the last of our advanced force left alive. Too late the physicians discovered the cause of this sickness that kills us. In creating this planet, we have accidentally produced a deadly organism. I have awaited the regular supply ship from home for medical assistance, but I doubt now whether it will arrive in time. I will set the outpost controls on automatic. The computer will selectively defend against all life forms but our own. My fellow Kalandans, I, Losira, wish you well.
MCCOY: The previous ships probably spread the disease all through their people. The supply ship that she was waiting for never came. All these thousands of years, she's been waiting to greet people who were dead.
SPOCK: To do the job of defence, the computer projected a replica of the only image available. Losira's.
KIRK: The computer was too perfect. It projected so much of Losira's personality into the replica that it felt regret, guilt, at killing. That bought us the time we needed to destroy it. She must have been a remarkable woman.
MCCOY: And beautiful.
SPOCK: Beauty is transitory, Doctor. However, she was evidently highly intelligent.

Poetic. Ouch. A shame Losira didn't include the known research more deeply to expedite finding a cure from.

But then, recalling earlier in the episode now that I've had my fifth cup of coffee:

MCCOY: Sulu's picked up an organism that's almost a virus, like a plant parasite. It's the nearest biological form of life I can find.

Ouch, but poetic. The equipment readout being what it is created to find prevailing, whatever killed the Kalandans mimicked what set off the tricorder as a "plant parasite", but was clearly far more.

Shades of the Tarellians from TNG's "Haven", only TNG's referred-to species were hunted down and murdered. For the Kalandans, they just offed themselves by accident, oops, and thankfully the biological fritter didn't attack any other species (not zoonotic, but there was no sign of any life, we don't know if the Kalandans had brought over any animals or not). But it's interesting, how much of the plot is devoted to the exploration leading to this reveal, solely from the part of the crew. But there are no historians and likely no logs left by any Kalandan, so the Federation will never know. And that's as poignant as it is possible. A very grim ending, for which season 3 often has quite a few of - in one form or another.

Plus, Spock - with snark mode turned off - makes a good comment about beauty. All in all, it's a fair ending, just not as good as one might have wanted.

At the same time, wouldn't other Kalandan technicians or builders be used just like Losira? And why project only three copies, not six or twelve and make it easier? How limited was the computer system, or of their entire computer system that still worked, only enough electric and processing power existed for these three copies?

If nothing else, the planet - once the remaining systems are disabled - could be rendered usable as class C or whatever. Is this the first planet that the crew find that is synthetic? (Well, second, if you count "Shore Leave", but by now the planetary designation chart would have been more formalized.)

All in all, 6.75 as a score somehow fits. The show misses a few marks but wins a few back, thanks in part to keeping the tension and mystery going as long as it had before telling the how/why, which is where it starts to waver. But I do wonder if that really is the point, leaving it as much a mystery for the audience as it had Kirk and crew. Does the story work enough on its own? I'd say "yes", but just about. Season 3 did better with ease.
 
"The Lights of Zetar" by Jeremy Tarcher and Shari Lewis

Enterprise is traveling to Memory Alpha, the Federation's central library. A storm-like phenomenon is also on course to the planetoid. The Enterprise intercepts the storm and Lieutenant Mira Romaine, who has been assigned to Memory Alpha, reflects the lights in her eyes and faints. When McCoy examines her, she makes strange, guttural sounds. It affected different parts of other people's brains, paralyzing eyes, voices, hands, etc.

"A man of Scotty's years"? How old is he supposed to be? I figured him for his late 30s.

Mira seems awfully grumpy with McCoy!

I like Chapel teasing Scotty with a Scottish accent. :)

Scotty's so condescending with Mira. It annoys me.

The lights proceed to Memory Alpha and destroy the station's computer core. Romaine has visions of corpses at Memory Alpha. Kirk, Spock, McCoy, and Scotty beam down to inspect the damage. They find the staff dead, except for one who makes the same guttural noises as Romaine, and then dies from what McCoy determines to be a brain hemorrhage. Kirk has Romaine beamed to the station. She warns that the lights are returning.

Scans of the storm determine it is actually a group of life forms, and Kirk tries to communicate with them, but gets no response. After firing phaser warning shots, Kirk resorts to a full attack, and as the beams strike the storm, Romaine seems to react in pain. Scott, noticing this, begs Kirk to stop the attack. The lights move in front of the ship and move closer.

Romaine's brain wave pattern has been altered, and the new pattern matches sensor data from the storm. They conclude that the alien life forms are attempting to take control of Romaine's body. Scotty admits that she tried to tell him what was going on but he thought it was just space sickness. The lights get into the ship. The aliens enter Romaine's body, and begin to speak through her, identifying themselves as survivors from the long-dead planet of Zetar. They intend to live out their remaining existence using Romaine's body. She manages to fight for her life. Scotty gets her into the pressure chamber, and the aliens are eventually driven out and apparently destroyed.

A decent enough episode. There's a nice level of creepiness, almost edging into horror. I don't think Scotty and Romaine have zero chemistry, but he seems far more besotted by her than she is with him. Jan Shutan gives a good performance, especially when she's fighting for her right to live her life.
 
While the creepiness of "THE LIGHTS OF ZETAR" helps the episode, I just find it pretty boring overall. Definitely lower tier TOS because of that.

(As a Scotty fan, I am loathed to admit that.)
 
I have some impressions about "Zetar," an episode I like a lot:

• The reuse of music from WNMHGB is highly effective, as is the climactic stinger from "Spock's Brain" that comes in when Kirk discovers the dead bodies on Memory Alpha. There's terrific drama and atmosphere in the score.

• The color palette in this episode is especially vivid. Scenes on the bridge are bright and sharp, with dazzling saturation. And I'm pretty sure Jan Shutan is wearing a brand new uniform that was tailor made for her. The fit and color are outstanding, and she looks damn good in it. [In her Starlog interview, she recalls thinking her thighs were too chubby. No man alive thought that, then or now.]

• Jan Shutan knows it's a ghost story with some light demonic possession, what we now call discrete horror, and she plays it with an eerie inner awe, almost serene at times. Mira has something under the surface. You could say it crowds out any chemistry with Scotty, creating the impression that she's humoring his crush, but a longer episode could have fixed this with an early scene of them enjoying their time unselfconsciously.

• While coming to a woman's rescue, Scotty gets flung across the room in "Who Mourns," "The Changeling," and now "Zetar." And he probably got flung across the Engine Room when he pushed the explosion-causing woman to safety before "Wolf in the Fold." That's four times! After Mira hit it and quit it, because she's a baller, Scotty probably said "That's it. I'm done with the lasses. Except, I did enjoy the Hit It part, so maybe I'll look a wee bit more."

• After "Zetar," when Mira is stationed on Memory Alpha, Scotty texts her to get together. She texts back, "New phone. Who dis?"
 
"A man of Scotty's years"? How old is he supposed to be? I figured him for his late 30s.
Without any other evidence, I usually assume the character's age is similar to the actor's age; in this case, I put Scotty at ~48 years old (birthday March 3, 1920. I could argue for a few years younger, but not in his 30's.

Per Memory Alpha, in TNG Relics, Picard says, "Other than a few bumps and bruises, I'd say you feel fine for a man of 147." If Relics occurs in 2369, then Scotty's birth was in 2222 making him ~46 in The Lights of Zetar. YMMV :)
 
I love this last batch of episodes, even though some of them are really below par - the atmosphere is great. This is still one of the best after Justman left. Funny how five of the remaining episodes of the series all start with the same music cue from Spock's Brain - "Awakening."

From my review much earlier in the thread:

The Lights of Zetar ***

I always had a soft spot for this one. Back when I would watch Star Trek in the wee hours in syndication, this episode was doubly creepy. Herb Kenwith, a new director to the series, uses some interesting angles. The lighting and the casting of Jan Shutan helps a lot. Shutan had a unique look about her and, while given some iffy dialog here and there, was a very talented actress. Even when she was being belligerent (for which I blame the Zetarians), she wasn't unlikeable. The music, much of it lifted from "Where No Man Has Gone Before", is wonderfully spotted and gives the episode that grim horror quality.

Whatever faults he may have had, Fred Freiberger's Star Trek was a deadly serious affair and space was dangerous place. He went for spooky quite often. The garbled speech was terrifying to me as a kid and Shutan's blank stares were chilling.

I do wish Scotty was less soupy, but since it was already established in "Who Mourns for Adonais?" that he was a sap around women, it's not out of character. But it is kind of annoying. And man, does Kirk really have to comment on it in his official log? He's really bad that that sort of thing this year.

The whole cast is on deck for this one, even Kyle in his only appearance this season. Even Chapel has a great moment of levity when she mimics Scotty's accent. The sequence where Kirk is giving orders quietly to Sulu as the Zetarians attack is a nice change. He's thinking it out as he goes. Everyone gets to contribute and some moments really land. Like when the computer confirms that Mira's brain pattern and the Zetarians are identical still gives a chill thanks to Kenwith's rapid zoom and effectively spotted Alexander Courage score.

Watching this episode and the repeated close ups of Mira's eye really makes me think Freiberger had this episode in mind when he was deciding how to show Maya's transformations in the later Space: 1999.

The invasion scene is good and the crowded corridor bit is nice and tense (nice to see so many people on board again). The climax is fun but I feel like 20 atmospheres worth of pressure would be, if not fatal, messy and painful. But the sequence is well shot. Mira's floating was well done.

The end has a nice humorous coda that actually works because it's mildly amusing as it is meant to be. After a very grim hour, the release is well done. Points off for the newspaper on the floor behind McCoy in the final scene.

Honestly, my only issue is Scotty and his super sweet, and sometimes condescending, manner with Mira. Had he been seen as more mature and less handsy, I would have been totally fine with a Scotty romance. At least she didn't die at the end. For all I know, they were together until Scotty got trapped in the transporter in TNG's "Relics." Yeah, yeah, but tie-in fiction doesn't count.

Really good episode by Lambchop and her husband! Shari Lewis was also a legit actress and hoped to play Mira herself. I had a MAJOR crush on Jan Shutan as a kid, thanks to this episode, so I was happy with the final choice. She's gorgeous and really owned the character. I loved the subtle hint that she loved Scotty because he reminded her of her own father, a retired engineer. Good character, excellent actress, fine episode.
 
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