The standard version is complete!
Looking forward to seeing the finished product!The standard version is complete!
Hii. Yeah, It´s been complete for a month or so and since then I fixed some small issues and improved the 5.1 audio so It´s now absolutely ready.The standard version is complete!
Thanks¡ The merit there goes to Chris AKA Hardwire who did the amazing score for the deleted scenes. He had to make a new theme but also needed a good transition for the previous scene and also to the ending credits at the end of the scene. Once he had it, I did the mix with the music from the actual movie and everything worked smoothly after a few tries. I did cut the Alternate Ending before the ending credits so it was a bit difficult to mix the deleted scene music with the 5.1 track from the BluRay ending credits. So that two tacks and the new theme ended up becoming a single theme for the ending scenes.That’s a great music edit cutting short the original ending cue and transitioning to the deleted ending.
Did you consider putting the original ending where it was in the script, i.e. straight after the Picard/Riker goodbye scene in the ready room, with the Picard/B4 scene placed before them both?
Just curious more than anything else. This looks good.![]()
It´s already finished, but only the "Standard Version" which is the main version indeed.Looking forward to seeing the finished product!
I just did copy the way they move in Worf´s close-up during the "briefing about Shinzon" scene .Is it just me or are the stars going in the wrong direction in the "...Romulans live only for conquest..." shot?
Your new Worf shot is not filmed from the same angle as his close-up during the briefing. The camera is closer to the position used for the wide shot of the table with Picard at the head. By having the stars moving in that direction from that angle, you effectively now have the ship traveling backwards at warp.I just did copy the way they move in Worf´s close-up during the "briefing about Shinzon" scene .
I don´t know why the stars movement is different in Worf closeup than in Riker´s closeup in the theatrical scene. But the wide shot is parallel to the window while the "Federation Protocols" is shot from near the briefing room´s door towards the window. Honestly I don´t think the stars are moving in the wrong direction in the "Federation Protocols". I think they are moving different in almost every shot in that scene.Your new Worf shot is not filmed from the same angle as his close-up during the briefing. The camera is closer to the position used for the wide shot of the table with Picard at the head. By having the stars moving in that direction from that angle, you effectively now have the ship traveling backwards at warp.
Unrelated: I still can't believe they left that shot of the greenscreen reflected in the computer screen in the finished film.![]()
Because it depends on where the camera is and what it is pointed at.I think they are moving different in almost every shot in that scene.
I understand, you´re right but fixing that would requiere to redoing the Green Screen work and that´s beyond my resources at the moment. It´s something barely noticeable, as only you has mentioned it for now so I wouldn´t bother. Anyway thanks you for warning about it as one never knows if I might be able to fix it at some point.Because it depends on where the camera is and what it is pointed at.
Edit: This is an awful graphic, but hopefully it shows what I'm talking about.
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Red dot is the camera, I'm simplifying by pretending it doesn't alter location, although that's not the case. When it turns to our left, the starts will be traveling left to right (off into the distance, of course). When the camera faces our right, the stars will be streaking right to left.
That's exactly what I did for the Standard Version. I meant I'd like to avoid using any of those two versions, so there wouldn´t be a mind rape.I'm not sure what would need to be done other than to put the "turbolift event" in a different place to the "bedroom event". If you remove the bedroom one completely and the insert the turbolift one right after the scene of Jean-Luc and Beverly in his ready room (where he shows her a photo of himself at the academy) then everything should line up okay?
Ah, I see.That's exactly what I did for the Standard Version. I meant I'd like to avoid using any of those two versions, so there wouldn´t be a mind rape.
Can I ask why?
If it's an aversion to seeing it actually happen, could you simply have it happen offscreen? Everything we need to know for the plot happens in the scene when Deanna explains the attack to Beverly anyway.
If you don't like the entire concept and want it gone, that sounds like a very difficult extraction.![]()
As you know, my edit doesn't remove it but rather replaces it with the Alternate version. Main issue is the fact the mental rape is connected with both Picard's kidnapping and Deanna's finding the Scimitar scenes.
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