I hear people say this (and full disclosure I didn't care for the episode) but I'm not really feeling this. Is this shorthand for the kiddie appeal because it doesn't feel particularly "Disney" to me, if anything maybe more Universal/Dreamworks kind of thing. What makes it feel like Disney in particular?Definitely feeling the Disney influence.
Maybe a little bit of the kiddie appeal. The sets and CGI are more in their style, which is to say better than the Beeb is capable of. There's a "grander" feel to everything.I hear people say this (and full disclosure I didn't care for the episode) but I'm not really feeling this. Is this shorthand for the kiddie appeal because it doesn't feel particularly "Disney" to me, if anything maybe more Universal/Dreamworks kind of thing. What makes it feel like Disney in particular?
Your perpetual reminder that RTD's first season in 2005 had burping wheelie bins, farting aliens and jokes about John Barrowman hiding a gun up his arse. RTD's second season in 2006 featured a woman merged with a paving slab and a joke about how she was still able to give her boyfriend a blow job. RTD's fourth season in 2008 featured cute creatures made out of human body fat...
NO ONE HAS EVER REIGNED IN RTD'S EXCESSES!
To be clear, I don't object to people not liking these episodes, hell anyone who's been on this forum since back in the day no doubt remembers that I've never been RTD's greatest fan (Team Moffat all the way) but I do object to people somehow reinventing RTD's first era as a bastion of serious science fiction.
And if you somehow argue that episodes like Rose and Aliens of London/World War III were different then I would respectfully contest that maybe you've just got older, and that in fact it isn't RTD who's changed, it's you.
Yeah, no. If RTD were "just in it for the money" than he would have stayed back in 2009 when BBC offered a dump truck full of cash in an attempt to get him to stay. And RTD has had no shortage of work in the years between leaving Doctor Who and coming back, so there's no financial incentive for him to come back.It’s like he’s just there for the money now,
Space Babies might not be the best of Doctor Who, it wasn't even the best episode of Doctor Who to air last week. But it's by no means so bad that it's comparable to what has a reputation of being the worst of that particular TV show.I’m being polite, too. Space Babies made Spock’s Brain look like a Hugo-worthy masterpiece.
That's interesting, since by Moffat's own admission the Capaldi run was when he was creatively spent, and he even tried leaving after Capaldi's second season because of that.im also far more of a Moffat fan. I think the Capaldi era is probably NuWho’s creative peak.
Besides, nothing in the Tennant specials or Gatwa's episodes so far is particularly different for RTD. Indeed, his premieres often have been rather silly premises in the past. RTD's previous premieres have included the aforementioned burping wheelie bin, cat nuns breeding zombies, an alien who drinks peoples blood by sticking a straw to their necks, and alien babies made from human fat. Space Babies is perfect in line both in story content and tone with Rose, New Earth, Smith and Jones, Partners in Crime.
Space Babies might not be the best of Doctor Who, it wasn't even the best episode of Doctor Who to air last week. But it's by no means so bad that it's comparable to what has a reputation of being the worst of that particular TV show.
That's interesting, since by Moffat's own admission the Capaldi run was when he was creatively spent, and he even tried leaving after Capaldi's second season because of that.
Capaldi's final season was the best of Capaldi's run, but that had more to do with the cast, particularly the interplay between Capaldi himself, Pearl Mackie and Matt Lucas. The writing of that season was all over the place. While there were some good episodes that year, the stinkers were really bad. Like the Monk trilogy.
I'll agree that the first two episodes of the season were awful. Space Babies in particular is one of the worst ever.The problem is, for all his lapses in taste and judgement, Davies still managed to churn out some extremely good material and there were so many strong episodes it counterbalanced the clunkers.
I’m not seeing that now. From almost the moment he returned I sensed a steep drop in the quality of writing I’d have expected. It’s like he’s just there for the money now, content to fire out poorly realised first drafts that barely seem to be thought through. There’s a sloppiness about the writing and so many of the concepts just…don’t hang together from me. The bi-regeneration was misconceived from the start, and makes absolutely no sense when you think about it.
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