Has anyone read peter Davids star trek novels or comics?is he still a active writer?
Several, and most them are very good. I particularly liked his first run on the DC Comic Star Trek in the 1980s and his TNG novels Imzadi, Vendetta, and Q-Squarred. His original ST novel series New Frontier is also quite popular.Has anyone read peter Davids star trek novels or comics?is he still a active writer?
Several, and most them are very good. I particularly liked his first run on the DC Comic Star Trek in the 1980s...
"A Rock and a Hard Place", "Q-in-Law" and "Vendetta" are unforgettable.
is he still a active writer?
I would add "Strike Zone" to this list.
Yeah, this is the correct answer.Every Star Trek book Peter David has written up to and including Stone and Anvil range from good to superb. Past that they're kinda variable.
A Rock And A Hard Place, Imzadi, Q-Squared, Once Burned, & Stone and Anvil in particular are some of the best Trek books ever written. Warning - the last two (Once Burned, Stone & Anvil) are part of the New Frontier series, and the whole series must be read in the proper published order to get the most out of them.
Feel free to stop after Stone and Anvil and pretend that's the last New Frontier book though
Do you mean Aquaman: Time and Tide? That wasn't bad (although the art wasn't great), but there are certainly other Aquaman runs I much prefer. That was actually followed by an ongoing Aquaman series not long after where Peter David wrote the first 46 issues. It's best remembered as the series where Aquaman grew long hair and a beard, lost his left hand, and had it replaced it with a harpoon (not a hook, as lots people incorrectly refer to it).Although I am not particularly into "Aquaman", his 1993–1994 mini-series for DC is also excellent.
I thought that run started out pretty well, but it swiftly got too humorous and whimsical for my tastes (PAD can go overboard on the humor A LOT, to the point where his jokes can undercut any tension in his stories. It's my biggest criticism of him as a writer). By the time that Kirk and his crew are being stalked by a bounty hunter who looked like John Cleese, I was pretty disengaged. And the interference from Richard Arnold leading to the stories actively being blanded down, along with supporting characters being redrawn and ultimately removed from the book, certainly didn't help, either.I thought his work early in the DC second run was strong. "The Trial of James T. Kirk" (#10-12) and "Once a Hero..." (#19) were really strong.
This is another personal favorite of PAD's Trek novels that I forgot to mention before. Thanks for the reminder. I was very impressed that PAD figured out a way to make Hikaru Sulu a responsible father while still working around all the adventures Sulu had in the movie era. And it was one of the few times that PAD kept one of his in-jokes relatively subtle:Peter David’s The Captain’s Daughter is a good sequel to the Enterprise-B part of Star Trek Generations. He really developed the back story on Demora Sulu and Hikaru Sulu.
Yeah, that's exactly the sort of in-joke I hate. It instantly takes me out of the story and feels like PAD is doing everything short of elbowing me in the ribs and saying, "Hey, do you get it? Do ya GET IT?? That's another part that Patrick Stewart played!! Pretty clever, huh?" Well, no, it's not.He likes his in jokes. There was one in New Frontier when Picard is telling a young Calhoun about Starfleet Academy and he asks if he’s in charge of it and he says, “me in charge of a school of gifted youngsters? I don’t think so.” A reference to a certain other franchise he’s a part of.
I thought that run started out pretty well, but it swiftly got too humorous and whimsical for my tastes (PAD can go overboard on the humor A LOT, to the point where his jokes can undercut any tension in his stories. It's my biggest criticism of him as a writer). By the time that Kirk and his crew are being stalked by a bounty hunter who looked like John Cleese, I was pretty disengaged. And the interference from Richard Arnold leading to the stories actively being blanded down, along with supporting characters being redrawn and ultimately removed from the book, certainly didn't help, either.
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