Yet another reminder:
To clarify some details on our
2015 Star Trek New Voyages Kickstarter, we specified to what the donated money was to be applied:
"FIRST GOAL: $20,000
"$20,000 covers the basic costs (very basic) of our July 2015 Shoot, such as electricity, equipment rental and other filming expenses. So, making our base goal allows us to cover our basic expenses, and leaves covering the rest of the shoot expenses up to our production team.
"$50,000 STRETCH GOAL
"With your help in reaching this goal, the rest of our expenses for our July 2015 "Torment of Destiny" shoot will be met, and this will also allow us the funding necessary to complete more of our standing sets including realize a fully completed Medical office/Lab and Exam Room! So Please help the good Doctor McCoy get his digs!"
Since we (just barely) hit the $50,000 Stretch Goal ($50,001!) we seem to be obliged to provide the following things:
- Basic production costs for our June 2015 shoot ("Torment of Destiny") DONE
- Post-production costs (editing, color timing, music, sound effects, etc.) necessary to get "Torment of Destiny" released IN PROCESS
- Completion of more of our standing sets--including McCoy's medical office/laboratory/examination room Sick Bay suite. DONE
So, to make good on this Kickstarter campaign, and to make good on the one and only deliverable that remains outstanding still, we've been working on trying to complete "Torment of Destiny" as time allows. Much time, energy, money, and resources are being sunk into our new
"Star Trek: The Original Set Tour" project, of course. But we continue to get work done in dribs and drabs on "Torment of Destiny;" I'm optimistic that we'll finally get it out the door eventually.
I don't know what James' plans are for "Origins: The Protracted Man," and for "Bread and Savagery." (I knew at one time, but it's all a new ball game since CBS' Fan Film Guidelines were released and whatever fan film prohibitions there might now be placed on James under the
Star Trek: The Original Set Tour licensing arrangement. I don't know what James' thinking is now; much post-production work remains on these two episodes.)