An interesting, if overly rambling look at the top and side view of the new E as depicted on the Eaglemoss poster.
That's certainly a viable approach if you want to go for a more "real world" approach and especially if you plan to stick to the purported 947' length of the ship. It also means that we can do away with the offset Bridge dilemma, as the only reason this happened was to optimise television the framing of scenes on our television screens. Matt Jefferies was an aviator and would have spent his career in cockpits with doors at the rear, no problem.As for the TOS sets, I take my cue of what they are intended to represent based on the limitations of 60's television. The sets had no ceilings so the walls had to go up higher to made sure the camera never showed the rafters of the studio. So I truncate the sets at 8 foot and consider the rest a necessary set error to fill in space.
I've long been aware of where Hal "slide rule" Michaelson originally wanted to put the Rec Deck and ditto for the odd sloping ceiling that puts the ceiling level at 2½ decks high at least, but I've never put two and two together this way. That does make a lot of sense! It also means that Hal got his wayThe TMP Rec Deck was originally supposed to be under the observation area where there is plenty of room for it to be as big as it needed to be. In fact the ceiling of the Rec Deck sloped up to where the view screen is.
The TOS sets were built from 10' high flats...even if it is shorter than the 9 1/2 TOS sets.
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