Only if they were made out of carbon fibers, I suppose. I think it was the same kind of deal where the Flash kept his costume compressed in his ring.
Beats me. I think it was just one of those magical things that Superman could do.The Flash costume was especially made.
Did Clark buy off the rack, or was even his civilian wardrobe highly specialized?
[Puts on geek hat.]The Flash costume was especially made.
Did Clark buy off the rack, or was even his civilian wardrobe highly specialized?
I did wonder about the automat inside the diner, but there'll be plenty of time to dissect every nitpicky thing in every scene later on. Maybe when I retire.![]()
I did wonder about the automat inside the diner, but there'll be plenty of time to dissect every nitpicky thing in every scene later on. Maybe when I retire.![]()
I assumed that had to be a period-authentic thing, that they'd put something so conspicuous onscreen. It may have been an earlier fast food option.
So you made it look 'better' according to you? Big freakin' woopsie-doopsie; it still defeats the purpose already stated (and explained) to you.![]()
I think it looks better.So you made it look 'better' according to you? Big freakin' woopsie-doopsie; it still defeats the purpose already stated (and explained) to you.![]()
I don't appreciate the "better" quote when I didn't actually use the word.
I think colours are nice. :/
Also of note was Guggenheim announcing his desire to write the Black Panther movie.Butters: We have connections to the Marvel Cinematic Universe.
Fazekas: Peggy Carter was obviously in Cap 1 and Cap 2, Howard Stark [Dominic Cooper], who's in Cap 1, is in this series. Jarvis [James D'Arcy], whom people have seen in the Iron Man movies, is the voice of Howard Stark, sorry, Tony Stark — that's going in the "Stark Jar" Tara has for if you mess up somebody's name, your name goes in the jar and at the end of the season, whoever gets picked out of the Stark Jar has to buy lunch for everybody.
Guggenheim: On Arrow, we have Ray Palmer and Roy Harper and if you call Roy "Ray" and Ray "Roy," you have to put money into the jar. But because we have a different budget than you guys, the money in that jar actually goes to produce the episode — usually in its entirety. (Laughs.) So are there other characters from the Marvel cinematic universe that we might expect to see on your show?
Fazekas: Yes.
Guggenheim: Do you want to say who they are?
Fazekas: I cannot. This is actually an interesting question I would ask you: You've worked in the Marvel comic universe and I've never had such a high level of security. I understand why they do it in this day and age — even when Tara and I worked as assistants on The X Files where, when they did the first X Files movie, they were printing script pages out on red paper so you couldn't photocopy it and they were stamping everyone's name on the script. The level of security here is really high — because they don't want any spoilers out there — and as little as you can say, the better it is. They don't want anyone to know anything about it other than what they have to disclose. You're always literally looking to someone saying, "Can I say this or not?"
Butters: What is DC Entertainment like?
Guggenheim: DC is actually pretty chill. I will say [Arrow and Flash showrunner] Andrew Kreisberg and I tend to be the gatekeepers in terms of what's a secret or trying to keep spoilers from leaking out. DC never really dictates stuff to us. We're self-policing, and we always apply a story that I had heard about Star Trek III: The Search for Spock. Spoiler alert: In Star Trek III: The Search for Spock, the Enterprise was blown up, and when Paramount cut the trailer, that scene was in the trailer. [Producer] Harve Bennett and [director-star] Leonard Nimoy went to Sherry Lansing — the head of Paramount at the time — saying, "That's a huge moment for us, we don't want that in the trailer." And Lansing replied, "Well, do you want people to be surprised or do you want them to go to the movie?" We use that as a barometer [on Arrow and Flash]. We're not militant but there are certain things that are absolutely secret. There was a pilot printed on red paper, and I read everything on my iPad and have a scanner on my desk for these purposes. I scanned in the script and red paper script scans in perfectly fine.
Because the answer to those questions are exactly the same as the ones previously asked.^What of it, indeed, and (in the context of this show's setting) who really cares?
Live + 3 Day Data for Tuesday, 1/6/15
· ABC's series debut of Marvel's Agent Carter grew to a 2.7 rating among Adults 18-49 (from a 1.9 in L+SD) in the L+3 numbers, spiking by +42% (+0.8 rating points) over its L+SD rating.
· The L+3 Adult 18-49 gain for Agent Carter (+42%) was higher than the L+3 lift of the debut telecast of Agents of S.H.I.E.L.D. (+38%).
· Agent Carter added another +2.3 million Total Viewers after just 3 days of TV playback, building to 9.2 million viewers (from 6.9 million in L+SD).
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