Thanks, Harvey. I'll be sure to keep everyone updated!
And don't worry too much about the sound.
And don't worry too much about the sound.
At the risk of sounding like Shia LaBeouf ... no no no no no no no no no no no no no NO!
An audience can forgive weak video, particularly when we're dealing with a 20-year-old director. Weak audio will destroy any project.
Messianni, we shot digitally with Canon. I wanted a filmic look without having to spend the outrageous costs to go with film, so my cinematographer recommended a camera package that he just used on a short he just shot and it worked out really well.
Thank you very much for the kind words, and I'm really glad you enjoyed the piece. However I know this is going to sound pretentious, but I don't want to reveal the "spoiler" since I wanted audiences to figure out that for themselves and let them (you) draw their own conclusions.
I don't have a trailer for my next short yet but I will soon. It's taking me some time to finish that one because of the special effects work required. But it'll be available soon. Thanks for the interest.
And I'll never forget you, exodus.![]()
Minimal stuff. We're trying to create a post-apocalpytic Chicago so we're just visually augmenting scenes to show off more destruction. More debris, some fire, that sort of stuff.
And I posted images from the film on here before, so that's maybe where you've seen the stills.
Minimal stuff. We're trying to create a post-apocalpytic Chicago so we're just visually augmenting scenes to show off more destruction. More debris, some fire, that sort of stuff.
And I posted images from the film on here before, so that's maybe where you've seen the stills.
Matte paintings then?
Minimal stuff. We're trying to create a post-apocalpytic Chicago so we're just visually augmenting scenes to show off more destruction. More debris, some fire, that sort of stuff.
And I posted images from the film on here before, so that's maybe where you've seen the stills.
Matte paintings then?
Not for the film. Possibly for the trailer.
Haha, thanks. I actually wasn't that impressed with the outcome of the RED camera -- and neither was my DP -- but the image is certainly very, very crisp. I'll admit that.
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