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The Least Disliked Episode 2025 - TOS Season 1

I wasn't impressed by Kirk's choices in Dagger of the Mind, like sitting in the brainwashing machine and trying it out on himself.

Where No Man Has Gone Before
The Enemy Within
The Menagerie (I)
The Menagerie (II)
Balance of Terror
The Galileo Seven
The Return of the Archons
Space Seed
This Side of Paradise
The Devil in the Dark
The City on the Edge of Forever
Operation: Annihilate!
 
Don't get me wrong, I like this one, but...

The Enemy Within

has enough nitpicks to really bring it down a few notches. There are to dislike more and least-disliked meaning the closest to being liked, this eppy still falls in the middle.

The script could have just focused on the transporter accident's ramifications, each faction stuck where they're at, and not create the contrived drama and being stranded with no shuttlecraft that would be introduced in a couple of weeks. We didn't get too many minutes on the planet with the stranded people, so why introduce danger that amounts to very little when the episode is really diving into the components of the human mind and how it works together? Why not instead say that the shuttles were out of commission and put more emphasis on the transporter repair? Or none will be in until Tuesday what with their recently having been commissioned and all? We know space is a lonely place, but the episode fighting the nonexistence of something that does exist (shuttles) strains more than a person with constipation.

Poodle with party hat on its head to show it being an alien lifeform isn't even an issue. It's more convincing than the Gorn, anyhow.


What's left:
Where No Man Has Gone Before
The Menagerie (I)
The Menagerie (II)
Balance of Terror
The Galileo Seven
The Return of the Archons
Space Seed
This Side of Paradise
The Devil in the Dark
The City on the Edge of Forever
Operation: Annihilate!
 
Taking out "THE MENAGERIE, PART II".

Only because it's mostly reused foitage of "THE CAGE". Still a very good one.


Where No Man Has Gone Before
The Menagerie (I)
Balance of Terror
The Galileo Seven
The Return of the Archons
Space Seed
This Side of Paradise
The Devil in the Dark
The City on the Edge of Forever
Operation: Annihilate!
 
"What Are Little Girls Made Of?" is just dull.

Not just dull, it's also underwhelming.

Chapel is just fawning over a long lost love, who's called "the Pasteur of archaeological medicine", which could have led to a more interesting discussion of how such archaeologists focus on what people of the distant past did to heal themselves, which involves more than a pail of fresh leeches, for which I was going to segue into the TNG clip using leeches as a comedy bit ("Q-Pid" as that's also oddly fitting).

Of course, he's an android now. And because electronics, positronics, or bstronics or whatever don't succumb to the effects of entropy ever, they can go on lasting forever, or at least 500,000 years if we tie in "I, Mudd" recognizing the issue.

Apparently, Kirk has a brother named George, who has a wife and three kids. That wouldn't be related to a tv show called "My Three Sons", now would it? Well, no...

To duplicate a person into a robot body, you put them on a gigantic turntable, leftover from that Batman production to save on costs, have it spin around, like a record, and then film it at 12fps - so when played back at normal speed, it looks like it's going zippity-quck. In real life, the person strapped in would have their innards sloshed and brain jellified.

Kirk, having read the script, knows he's going to become his own double, so he gambles that the duplicating machine will scan his brain at the wrong moment, hence strongly mentally reciting a specific key phrase. It's not PC, but it's so wild and atypical for Kirk that Spock would be the only one to notice and think it through logically. Even then, if the equipment is oh-so-perfect, then the Captain's mannerisms would have been duplicated and the ruse wouldn't have worked. I mean, most people at that point, if converted not of their own free will, then their duplicate would be as imperfect. And maybe that's the point, since Chapel does question if he's "the real Korby" or not - if that's the "show vs tell" moment that audiences have to put together.

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Aww man, free play-doh! Guess what I'll sculpt mine into? And speaking of, sheesh, how many more stalagmites have to look so naughty?! Also, there's only one Rayburn who's memorable:
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(Not Gene splicing, Gene cloning, Gane sample, etc? Oh well, no nerds allowed in this week!)

One other item, I'm sure this is the story that spawned the trope of "Kirk nags computer to self-destruct".

Ted Cassity is pretty great in this one, though.


Oh yeah, I forgot that other digressive referencial tangent:
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I will remove Galileo because Boma and McCoy should have been tossed out of Starfleet. Also, the yukyukyuk ending (not as bad as remembered, actually) grates when poor Latimer and Gaetano were brutally killed. Great Scotty material, though, nice plot and outstanding action. Shatner is terrific. We're thinning the cream of the crop here, folks.


Where No Man Has Gone Before
The Menagerie (I)
Balance of Terror
The Return of the Archons
Space Seed
This Side of Paradise
The Devil in the Dark
The City on the Edge of Forever
Operation: Annihilate!
 
I'm taking out Operation -- Annihilate! because of its deus ex ending where Spock's permanent blindness just goes away on its own.

Where No Man Has Gone Before
The Menagerie (I)
Balance of Terror
The Return of the Archons
Space Seed
This Side of Paradise
The Devil in the Dark
The City on the Edge of Forever
 
I'll remove "Where No Man Has Gone Before" for basically the same reason that I eliminated "The Corbomite Maneuver." I more or less like it, but just not baked as well as the later episodes where they've worked out more what they're doing.

The Menagerie (I)
Balance of Terror
The Return of the Archons
Space Seed
This Side of Paradise
The Devil in the Dark
The City on the Edge of Forever
 
I'll remove "Where No Man Has Gone Before" for basically the same reason that I eliminated "The Corbomite Maneuver." I more or less like it, but just not baked as well as the later episodes where they've worked out more what they're doing.


Beat me to it!

Many can be hit or miss depending on issue, but

Where No Man Has Gone Before

which is the second pilot for the series, and later aired because of budget issues, is next.

Imagine, in 1966, you've seen a handful of Kirk episodes with the color-explosion sets, only to tune in a week later and now it's a bit more austere in some sets, viewscreen looks quite different, weird briefing room never to be seen again, and so on. Then a week later, it's all back to "normal" until "The Menagerie".

The old chestnut of ESP and Esper ability is omnipresent, and caused to flourish if one passes through a great galactic barrier that's the same color as the bismuth subsalicylate used to treat stomachache with, which most of the crew were doing after passing through the barrier.

I love how the staunch reality of space travel is a major plot point. Voyages that took days are now far longer, if at all. Stuff like this makes TOS so much more enduring and endearing. Unable to find a clip of that scene, but other fun clips exist, including nitpick-worthy ones, here they are, and this episode is far less ripable than others. no matter hour many beans I'd eaten an hour prior to posting (it's like exercise):


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Ah yes, those pesky Earth emotions since, when I look outside, I see clouds yelling at old people and trees spitting on everyone. And Spock's ancestor (a dispassionate nod to his... father?!! Whoops!!) Also, caution, someone used editing software to interpolate adjacent frames to create a new frame between with averaged values, which in turns gives it that vomit-inducing look. "Studio Edition", indeed, what hubris as the real studio only had 24FPS 35mm to play with at the time. Go ride a Tilt-a-Wheel instead, whine whine whine whine whine!

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Will somebody time travel and fix the script so Spock doesn't scream like a human for dramatic reasons? It's out of character as the other bridge crew aren't feeling pain from any noise permeating from the barrier and other humans speak at normal cadence, but it's also a pilot and not canonical in a conventional sense. Unlike "The Cage" thanks to "The Menagerie"...

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One of the better set-piece moments in the story, though many exist.


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No angled sideburns? Oh wait, can't make audiences think that the humans are Spock now... also, I forgot that Sally Kellerman was Hot Lips in M*A*S*H (the movie, not the tv show, or the upcoming movie based on the tv show but not the movie. (Thank for "The Critic" for one of the best visual gags ever put on screen!) And, of course, unexpectedly in that episode of "The Big Bang Theory".)

Lastly,
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Because reasons, and maximum power is cool.
 
It's the weakest of what's left:

The City on the Edge of Forever

Harlan Ellison wasn't fan of the revisions and while the attempt at juxtapose "one you love at least for this week must die so everyone lives, versus save the one you love for this week and everyone suffers a fate worse than death" is conceptually robust, it just doesn't work for me in its execution, and I don't see much chemistry between Edith and Jim. And, from what I recall, Edith's predicting the future as a little too corny, on the nose.

Plus, while the McCoy/Spock banter where both throw racial epithets at one another is in one context (friendly banter where they know each other and it's deemed mutually okay to them), Kirk finding an excuse for Spock's ears to a complete stranger and in a time they have no familiarity in is pretty bad (and was a reeeeeeally good guess too, sigh...), even by season 1''s standards. Had I read the thread title right, this would have been removed earlier as season 1 has so much better that it offers.


What's left:
The Menagerie (I)
Balance of Terror
The Return of the Archons
Space Seed
This Side of Paradise
The Devil in the Dark
 
Taking out "THE MENAGERIE, PART I".

Same reason as part two, though there are many more new scenes filmed. (Love both parts, and great use of "THE CAGE".)

It's so very hard to eliminate season 1 TOS episodes... with the exception of 3 or 4, it was just fantastic.


Balance of Terror
The Return of the Archons
Space Seed
This Side of Paradise
The Devil in the Dark
 
I am going to eliminate "Space Seed". For some reason, this episode made no impression on me at my first watch. Asa result, when it came to TWOK, the back story was meaningless (and I dislike TWOK anyway). Rewatching has improved things but it still contains one of my most disliked tropes "the professional woman who meets A MAN and promptly becomes completely unprofessional and a drip to boot"

Balance of Terror
This Side of Paradise
The Devil in the Dark
 
I also nearly eliminated "Space Seed" a few times. TWOK is near the bottom of my movies list, I am immune to it's apparent charms.

I'll eliminate "Balance Of Terror." I love it! But I looooooove "This Side Of Paradise" more, and I have a sentimental connection to "The Devil In The Dark", someone in my family was obsessed with the Horta and we loved to watch that one together.

Also, so much of modern Trek has done a lot to elevate the stock of what came before. Lower Decks in particular is always picking up threads from old trash episodes, and doing something brilliant with them, and then I like the old trash episode more. "Balance Of Terror" is maybe the only ep that comes to mind whose stock has been lowered by it's treatment in Modern Trek.
I loved the production work in "A Quality Of Mercy", but I hate the story it was telling. Very un-Trek-y values. And I hate that so much of Pike's arc is about him realizing he needs to get out of the way for the true heroes, and that is never foregrounded more than it is here. Every other Trek series has believed in it's main character above all others, and the only time that didn't work out so well was Enterprise, where Archer was often a jackass and the show should have either been more skeptical of him, or made him less of a jackass.
But in any event, it's not fair to "Balance Of Terror", but Modern Trek's unsatisfying usage of this story has somewhat taken the shine off the original for me.

This Side of Paradise
The Devil in the Dark
 
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I am crushed that "BALANCE OF TERROR" was taken out. Farscape One... his heart saddened and eyes watery.


Of the two left, "THE DEVIL IN THE DARK" is the better story. Superb classic, and such an excellent mind meld scene. The Horta wins season 1.
 
My favourite episode in TOS ( and possibly my favourite in all Star Trek) won so I'm happy.

I find this version of the elimination game - choosing the worst rather than the best at each stage - much harder than the other way round. It's easier to think of good things about most ST than it is bad.
 
My favourite episode in TOS ( and possibly my favourite in all Star Trek) won so I'm happy.

I find this version of the elimination game - choosing the worst rather than the best at each stage - much harder than the other way round. It's easier to think of good things about most ST than it is bad.
"THE DEVIL IN THE DARK" is definitely in the group of best of the best... I don't think I've ever heard a negative review about it. It's in my top 5 of TOS.

It does make you think harder, doesn't it? No matter the outcomes, it's a fun set of games.
 
I'm not sad to see Devil in the Dark winning this. Good episode, good choice! Though really they were all good episodes by this point.
 
I am crushed that "BALANCE OF TERROR" was taken out. Farscape One... his heart saddened and eyes watery.


Of the two left, "THE DEVIL IN THE DARK" is the better story. Superb classic, and such an excellent mind meld scene. The Horta wins season 1.

"Devil" is the more original story, taking a cue or two from Twlight Zone about "the baddie that isn't", whereas "Balance" - while excellent - has a few cliches going against it, being elevated more by pace and production tone.

But the last 10 or so on the list are all pretty well-rounded regardless!
 
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