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The Classic/Retro Pop Culture Thread

Oh, that's awful. I hate even seeing the word dementia. I had a good friend who suffered from worsening symptoms for about six years before she finally passed away.

But because the two actors had different colored eyes, Stuart Perry (the drummer) became her brother instead.
Somebody thought that siblings have to have the same colored eyes? :rommie:

The Young Rascals - "A Girl Like You" & "Groovin'"
Pleasant, and seems to be actually live.

Rodney Dangerfield - "No Respect" routine includes jokes about shrinks, his car, brother, and working in tough places
Always hilarious.

Roger Ray (stand-up comedian with xylophone [marimba])
Not bad.

Topo Gigio (Italian mouse puppet) - Topo dreams dreams about Rosie being his wife and her singing to their baby
That's some deceptively good puppetry. Notice when she drops the pacifier and how smoothly she picks it back up.

Chong & Mana (Chinese circus novelty act using bricks, flowers, knives, fire, etc.)
Nice finale. :rommie:

Well, we haven't had one yet... [crosses fingers]
Good point. Credit where it's due.

Can't say I ever heard this on oldies radio, but a different recording used in The Poseidon Adventure had already earned a Best Song Oscar in 1973. I'm on the fence about whether I should get this.
There's nothing really good about it, it just sounds like childhood.

I guess I'm in for Helen's #1s, at least.
She's got a small handful of really good ones.

More likely a talent for learning the words, then, I'd think.
I'd say so. That's a lot of languages. Not impossible, of course. She could have a knack for it.

Also in 50th Anniversaryland this week...the Legion takes over!
Hey, it's Wolverine! :rommie:

:beer: And Happy 81st, Sir Paul! :beer:
That reminds me: I meant to post this.

"Brother Louie" originated with Hot Chocolate
Wow, I knew about the earlier version with dialogue, but I never realized it was Hot Chocolate.

When "Brother Louie" fell into the hands of Stories, a New York-based art-pop group, a few months after its British success, they reversed the lyric's roles: A white guy fell in love with a black girl: "She was black as the night/Louie was whiter than white."
I don't think that's right, unless there's another version of the original. The lyrics still indicate that she was Black and he was White. The dialogue did throw me off a little until I realized that he's talking to her father and she's talking to his father. They're not talking to their own parents.

Good stuff, though, when it finally arrives.

And you know, it's funny, but this is one of those cases where I'd never really listened to what the song was about, though the lyrics were right there in the opening.
Very sign-of-the-timesy for me.
 
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Post-55th Anniversary Viewing

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The Ed Sullivan Show
Season 19, episode 38
Originally aired June 11, 1967

Performances listed on Metacritic:
  • The Mamas and the Papas perform "Dedicated to the One I Love" and "Creeque Alley"
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  • Gospel Jazz Singers - medley: "Rockin' Is Our Business," "Gonna Build a Mountain" & "Tennessee Waltz"
  • Rouvaun (opera singer) - "Vesti la Giubba" and "On a Clear Day"
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  • The Kane Triplets sing "When Your Eyes Meet Mine," "Pow! Pow! Pow!" and "Mutual Admiration Society"
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  • Richard Pryor - topics includes being in the army
  • Alan King - stand-up routine includes the contents of his wife's purse
  • Topo Gigio (Italian mouse puppet) - segment includes Topo singing...with two other mouse puppets
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  • Rob Murray (juggler [and balancing])
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  • Audience bows: Rod Laver & Ken Rosewald (tennis players), Bill Collins (Australian broadcaster), and Jennifer Reinke (spelling bee champion)
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Somebody thought that siblings have to have the same colored eyes? :rommie:
Looking at the credits, the musician characters in question were uncredited...I doubt that anyone put that much thought into the casting.

Always hilarious.
Even when you can't watch him?

Kind of engagingly dry.

That's some deceptively good puppetry. Notice when she drops the pacifier and how smoothly she picks it back up.
Huh...I didn't even notice / think about that.

Nice finale. :rommie:
The Sullivan account actually had two different performances for this act listed under the same date. The one I posted better matched the Metacritic description. Here's the other.

Hey, it's Wolverine! :rommie:
Keep in mind that Timber Wolf's '70s look was first. Wolverine hasn't made his debut in The Incredible Hulk yet, and won't be seen with his mask off for over two years. I recall reading in a volume of X-Men creator interviews how there was some self-consciousness, particularly with Cockrum having done the Legion, about Wolverine--before he was a comics icon--coming off as a Timber Wolf clone. In X-Men #107, when Wolverine takes the costume of Fang from the Imperial Guard--a deliberate Timber Wolf knock-off--it was with the intent of it becoming Wolverine's new costume. I guess it was Byrne who did away with that, on the basis that it was drawing too much attention to the similarities between the characters.

The Legion story is a bit odd, too--the series had settled into a pattern of a new back-up story every other issue, and I'm not sure how long it had been since Timber Wolf had appeared in one, but the premise involved him coming back from seeming death after an unpublished previous mission...which would have been understandably confusing, potentially making readers think that they missed that story. And it doesn't deal with TW's new appearance, which goes deeper than just a costume change. (He'd previously looked like a normal human, and ended up getting in-story cosmetic surgery in the early '80s to restore that appearance.)

This site covers the Superboy 197 story in some detail, including the opening sequence in 20th century Smallville that I would have done a scan of...

Superboy 197 – Comics Archeology

"Kissing a girl--ugh! Oh good, the Legion is calling--now I can just give Lana a concussion!"


That reminds me: I meant to post this.
There's a thread about it in this forum.

Good stuff, though, when it finally arrives.
It'll be interesting to see exactly when you and popular '70s music part ways...
 
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The Mamas and the Papas perform "Dedicated to the One I Love" and "Creeque Alley"
Good stuff.

The Kane Triplets sing "When Your Eyes Meet Mine," "Pow! Pow! Pow!" and "Mutual Admiration Society"
Sounds like the 40s.

Topo Gigio (Italian mouse puppet) - segment includes Topo singing...with two other mouse puppets
Aw, Topo gets doused. :rommie:

Rob Murray (juggler [and balancing])
I always get stuck behind this guy on the links.

Even when you can't watch him?
Just thinking about him. :rommie:

Huh...I didn't even notice / think about that.
Exactly. So naturalistic.

The Sullivan account actually had two different performances for this act listed under the same date. The one I posted better matched the Metacritic description. Here's the other.
Nice. That gives a better look at how he did it.

I recall reading in a volume of X-Men creator interviews how there was some self-consciousness, particularly with Cockrum having done the Legion, about Wolverine--before he was a comics icon--coming off as a Timber Wolf clone. In X-Men #107, when Wolverine takes the costume of Fang from the Imperial Guard--a deliberate Timber Wolf knock-off--it was with the intent of it becoming Wolverine's new costume. I guess it was Byrne who did away with that, on the basis that it was drawing too much attention to the similarities between the characters.
Actually, that's exactly what I was thinking of when I said it. "Aargh, this thing itches!" :rommie:

the premise involved him coming back from seeming death after an unpublished previous mission...
Have they ever dealt with the angle that nothing can be a surprise since time travel is involved? Or why Superboy always appears in the future exactly as far ahead from when he left as the amount of time he spent in the past, rather than a little ahead or a little behind? You'd think at some point they'd start sending him a little forward in the timestream whenever somebody dies to check for resurrections. :rommie:

"Kissing a girl--ugh! Oh good, the Legion is calling--now I can just give Lana a concussion!"
"Convergent evolution doesn't mean I'm sexually attracted to some smelly alien primate, Lana!"

There's a thread about it in this forum.
I should have anticipated that. :rommie:

It'll be interesting to see exactly when you and popular '70s music part ways...
Spring-ish, 1978, after some foreshadowing. :rommie:
 
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Post-55th Anniversary Viewing

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The Ed Sullivan Show
Season 19, episode 39
Originally aired June 18, 1967

Performances listed on Metacritic:
Ed Sullivan's 19th Anniversary show
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  • Diahann Carroll (singer-actress) - "As Time Goes By" & "Running Wild"
  • The Rubin Mitchell Trio - "My Liza Jane"
  • Robert Merrill (Metropolitan Opera baritone) - "Toreador Song" (from the opera 'Carmen')
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  • Norm Crosby (comedy monologue)
  • Jack Carter (stand-up routine)
  • Peter Gennaro (dancer) - dance interpretation of "On a Clear Day"
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  • Polynesian Festival Dancers
  • Tanya The Elephant (trained animal act)
  • Audience bows: Roberta Peters (singer), Arthur Freed (lyricist & film producer), and Wendy Cox (Miss NY)
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The Ed Sullivan Show
Season 19, episode 40
Originally aired June 25, 1967
Season finale

Performances listed on Metacritic:
  • Connie Francis sings "Born Free," "Winchester Cathedral" and an Italian medley ("Chella Llà," "Scapriciatello/Do You Love Me Like You Kiss Me?" and "Ritorna A Sorriento")
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  • Ronnie Dove - "Cry"
  • Los Rebeldes (Mariachi band) with Joaquin Robles Spanish Ballet (Flamenco dancers) - "Ceilito Lindo (Ai Ai)," "Rancho Grande," "La Cucaracha" & "Mexican Hat Dance"
  • Jerry Stiller & Anne Meara (comedy team)
  • Henny Youngman (stand-up comedian with violin)
  • Flip Wilson (stand-up comedian)
  • Los Tonitos (high wire act)
  • Augspurg Jungle Wonders (trained animal act with monkey and baboon)

And that brings us full circle to when I started covering Best of installments in the '67-'68 season...though I'm sure there'd be good clips on the Sullivan account for those episodes if we were to revisit them.

_______

Good stuff.
Apparently the same performance is the source of the video of "Dedicated to the One I Love" that can be found in multiple forms on YouTube, but I couldn't find one that had original Sullivan audio.
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Sounds like the 40s.
Or the '70s...when Grandma had Lawrence Welk on.

Aw, Topo gets doused. :rommie:
He's not a witch!

Have they ever dealt with the angle that nothing can be a surprise since time travel is involved? Or why Superboy always appears in the future exactly as far ahead from when he left as the amount of time he spent in the past, rather than a little ahead or a little behind?
Such questions would get asked in letter columns. The main angle that they'd deal with in stories was how Superboy couldn't go home with knowledge of his own future, so a post-hypnotic suggestion from Saturn Girl would block such memories. But if you think about it, the situation cut both ways...knowledge of the Legion's own future would have been locked up in the past, in Superman's brain.

"Convergent evolution doesn't mean I'm sexually attracted to some smelly alien primate, Lana!"
Harsh.

Spring-ish, 1978, after some foreshadowing. :rommie:
That's rather specific.
 
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Spanky & Our Gang - "Sunday Will Never Be the Same" & "Coney Island Washboard"
Nice.

Connie Francis sings "Born Free," "Winchester Cathedral" and an Italian medley ("Chella Llà," "Scapriciatello/Do You Love Me Like You Kiss Me?" and "Ritorna A Sorriento")
The Vegas version of "Winchester Cathedral." :rommie:

Henny Youngman (stand-up comedian with violin)
Like Rodney Dangerfield, just thinking of him is funny. :rommie:

Apparently the same performance is the source of the video of "Dedicated to the One I Love" that can be found in multiple forms on YouTube, but I couldn't find one that had original Sullivan audio.
That's odd.

Or the '70s...when Grandma had Lawrence Welk on.
Oh, yes, Nana loved Lawrence Welk.

He's not a witch!
He could be a familiar.

Such questions would get asked in letter columns. The main angle that they'd deal with in stories was how Superboy couldn't go home with knowledge of his own future, so a post-hypnotic suggestion from Saturn Girl would block such memories. But if you think about it, the situation cut both ways...knowledge of the Legion's own future would have been locked up in the past, in Superman's brain.
It seems that Superman and Superboy were treated as different characters, unless they specifically needed them to be the same character.

Inhuman. :D

That's rather specific.
Heh. Well, I remember being more and more irritated by the increasing quantity and decreasing quality of Disco in 77, and then in early 78 I was conscious of a lower quality in Top 40 overall, and then by the Summer of 78 I wasn't really listening to the radio at all, so sometime during that period I got pretty disillusioned with contemporary music in general. We'll see how my recollections match up to what was actually on the air.
 
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Post-55th Anniversary Viewing

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WWWs2e21.jpg
"The Night of the Brain"
Originally aired February 17, 1967
Wiki said:
Jim and Artie receive fake newspapers that predict the deaths of their friends which the agents cannot prevent from happening. Their investigation pits them against an evil super-genius.

The episode opens with a mysterious figure plotting with a doll of West on a chessboard (not a very good likeness--looks more like Alfred Ryder, who'll be next week's villain). On the train, Artie reads to Jim from a newspaper dated for the following day about comedic stage magician Almeric the Great having been killed at a performance the night before in Watertown, the article naming West and Gordon as having been in attendance. When the train then breaks down outside of Watertown, Jim decides to take in the act, in which the magician (Phil Arnold) is surprised to find what appears to be a flag-sporting gag bomb in his hat, which subsequently goes off for real.

The newspaper subsequently goes up in flames while Artie's trying to examine it for clues, but a new one is delivered at the door, predicting the death of West's former company commander, Colonel Royce Arnette, while cleaning his dueling pistol. Jim decides to go along with it again, and is assaulted by brigands outside the colonel's home; then inside while getting reacquainted, is caught off-guard by an initial gift to the colonel (John Warburton)--Napoleon brandy, which the colonel, unable to drink because of a medical condition, insists that Jim tries. The brandy temporarily paralyzes Jim as the unaware colonel receives a more expected second gift--a set of dueling pistols, one of which misfires, killing the colonel, as Jim struggles to warn him but is unable. In the meantime, we cut back to the mysterious figure a couple more time, moving the doll of West with a cane handle while being assisted by a woman named Voulee (Brioni Farrell).

A shop mark that Artie found on the last newspaper leads the agents to a print shop that they break into by night via thermite-tipped key to find the proprietor with a knife in his back. Fishing for a clue that they're sure has been deliberately left, Artie hand-cranks the press, which produces a poster advertising Voulee as a fortune-teller in Washington, while hinting at Jim's name in a double entendre. Jim goes in for a reading, evading a telegraphed trap door under his chair only for the second seat he takes to fire him up through another trap door in the ceiling. West awakens to find himself on a living chessboard in the Underground Lair of the Week, surrounded by the men of the mastermind who's been leading him along, a Mr. Braine (Edward Andrews), who uses a steam-powered mechanical wheelchair that fires rockets. Braine introduces West to his chief henchman, Leeto, who's sporting a lifelike mask that makes him appear to be Artie; then shows him what Jim takes to be a re-creation of an underground White House conference room where people who appear to be President Grant and several other world leaders sign a treaty; and then to the workshop where Voulee creates the masks from a skin-like parchment.

Artie searches the fortune-telling shop, where he discovers a door leading to the ULOTW, climbing down to find his double in the mask workshop, whom he dispenses of with a gas bomb and unmasks to reveal the face of Allen Jaffe. Over dinner on the chessboard, Braine reveals to Jim that he voluntarily uses the chair to free up energy for his probability-predicting cranium, and shares his plan to swap in his doubles of the five world leaders in the conference room to have them start a global war from which he'll emerge as the ruler of a new world order. He makes Jim an offer to be his right-hand man, then tests West by having an Artie-faced Leeto threaten to kill Voulee with a knife. Receiving a report of an intruder in the lair, Braine deduces that Leeto might actually be Gordon; and Jim takes that as a cue to make a break for it, only for Leeto to unmask and take him down.

Jim comes to chained to a table in the workshop while Voulee works on a mask, whom Jim tries to reason with while sneaking an acid-squirting syringe from him sleeve and freeing himself. Just as she's convinced to let him go, Leeto tricks his way past some guards into the workshop to unmask again, revealing that he really is Artie, who's been wearing a mask of Leeto that had been under the mask of his own face...but Braine and the real Leeto listen in via a phonograph horn as Voulee helps the agents find their way out. After Jim takes down several guards in a tunnel tussle, the trio find the two-way mirror looking in on what Artie assesses is the actual subterranean White House conference room--apparently adjacent to Braine's lair. (It's a small underworld, after all.) Braine then opens a hidden door to the chessboard hall and reveals the true motive that Jim had guessed--that he wants Jim's knowledge of a hypothetical White House security measure that he couldn't foresee. Braine then threatens Jim by springing out rows of metal spikes from the front of his wheelchair and maniacally chasing West around the room, only for Jim to steer him into a viewing stand where his doubles of world leaders are watching, resulting in an explosive end for Braine and the doubles.

In the train coda, the agents are entertaining another pair of young ladies, who find some of their hidden weapons and gadgetry, resulting in Jim and Artie confessing to actually being...international jewel thieves.

_______

It seems that Superman and Superboy were treated as different characters, unless they specifically needed them to be the same character.
Historically, they were up to a point. But more effort was made to make them part of a consistent Superman mythos in the Silver Age.

Heh. Well, I remember being more and more irritated by the increasing quantity and decreasing quality of Disco in 77, and then in early 78 I was conscious of a lower quality in Top 40 overall, and then by the Summer of 78 I wasn't really listening to the radio at all, so sometime during that period I got pretty disillusioned with contemporary music in general. We'll see how my recollections match up to what was actually on the air.
When I was initially putting together chronological playlists years back, somewhere around '76 was when things really started to come together with my first-hand recollection, in that it sounded like what I would have been hearing on the radio at a particular point in time. I'm a bit fonder of the disco era because that music was part of my childhood.
 
When the train then breaks down outside of Watertown, Jim decides to take in the act
You'd think he'd do a little investigating as to how the train broke down right then and there.

the magician (Phil Arnold) is surprised to find what appears to be a flag-sporting gag bomb in his hat, which subsequently goes off for real.
Apparently this guy is just random collateral damage.

Jim decides to go along with it again, and is assaulted by brigands outside the colonel's home
This doesn't fit into the plan in any way, we just needed an action sequence. :rommie:

The brandy temporarily paralyzes Jim as the unaware colonel receives a more expected second gift--a set of dueling pistols, one of which misfires, killing the colonel, as Jim struggles to warn him but is unable.
It seems to me that the Mad Thinker could have easily kidnapped the colonel and lured in West that way, rather than go through all the subsequent rigamarole.

Fishing for a clue that they're sure has been deliberately left, Artie hand-cranks the press, which produces a poster advertising Voulee as a fortune-teller in Washington, while hinting at Jim's name in a double entendre.
The Mad Thinker needs a Mad Efficiency Expert. :rommie:

Jim goes in for a reading, evading a telegraphed trap door under his chair only for the second seat he takes to fire him up through another trap door in the ceiling.
That's a good one. :rommie:

West awakens to find himself on a living chessboard in the Underground Lair of the Week
We could convert all these lairs into condos and solve the housing problem. :rommie:

Mr. Braine (Edward Andrews)
Yes! :D

who uses a steam-powered mechanical wheelchair that fires rockets.
This show practically invented Steampunk, really.

Artie searches the fortune-telling shop, where he discovers a door leading to the ULOTW
How did Mr Braine not foresee this?

to find his double in the mask workshop, whom he dispenses of with a gas bomb and unmasks to reveal the face of Allen Jaffe.
"This mask technology will come in handy in the future, as missions become more and more impossible."

Over dinner on the chessboard
"Can I have a refill, please? No, this way. Over here. No, come back. Why does the waiter have to be a knight?!"

Braine reveals to Jim that he voluntarily uses the chair to free up energy for his probability-predicting cranium
That's odd.

his plan to swap in his doubles of the five world leaders in the conference room to have them start a global war from which he'll emerge as the ruler of a new world order.
Why not just have them take charge? A world war would just destabilize evertying.

Jim tries to reason with while sneaking an acid-squirting syringe from him sleeve and freeing himself.
Good thing she didn't take his shirt.

Leeto tricks his way past some guards into the workshop to unmask again, revealing that he really is Artie, who's been wearing a mask of Leeto that had been under the mask of his own face...
A likely story. Well, no, actually it's not.

Braine then threatens Jim by springing out rows of metal spikes from the front of his wheelchair and maniacally chasing West around the room
Nice. :rommie:

In the train coda, the agents are entertaining another pair of young ladies, who find some of their hidden weapons and gadgetry
Hmm. Better check for masks, boys.

When I was initially putting together chronological playlists years back, somewhere around '76 was when things really started to come together with my first-hand recollection, in that it sounded like what I would have been hearing on the radio at a particular point in time. I'm a bit fonder of the disco era because that music was part of my childhood.
Disco was fine when it was one of a zillion genres on the radio. Some of my favorite songs of the mid-70s are technically Disco ("Lady Marmalade" and "Jive Talkin'" spring to mind). Then along came Saturday Night Fever, which I hated. Within about a year, everything was Disco-- and it was awful Disco. :rommie:
 
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Post-55th Anniversary Viewing

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Hogan's Heroes
"The Crittendon Plan"
Originally aired September 9, 1967
Season 3 premiere
IMDb said:
Bumbling British Colonel Crittendon again disrupts Hogan's plans...

Hogan is incredulous when he's told over wireless by Major Shawcross (Laurie Main) in London that the genius with a plan to blow a convoy tunnel is Colonel Crittendon, who has to be freed from Stalag 16. The prisoners stage an escape by Carter as an excuse for Schultz to take Hogan out in a truck to retrieve him, and Hogan maneuvers Schultz into taking them to Stalag 16. (Nobody notices that Newkirk is also missing from lineup--Richard Dawson isn't in the episode.) Meanwhile, Shawcross calls back to inform Kinch that he got his Crittendons mixed up--the one they want is in Stalag 2. Dressed as German officers, Hogan and Carter spring their Crittendon, and start to get the idea that something's amiss when the titular operation he thinks they're talking about is one he submitted to plant geraniums along RAF runways.

Nevertheless, they take Crittendon to a beer hall rendezvous with suspicious underground contacts Marko (Cliff Osmond), Nadya (Naomi Stevens), and the gorgeous but forbidden Carla (1968 Playmate of the Year Angela Dorian)...the latter of whom comes on to Crittendon to learn and expose his actual plan. But Hogan has come up with his own plan, and Nadya decides to go with it. It involves stopping the lead truck of the rocket fuel convoy for an inspection so Crittendon can place a bomb under it, timed to blow when the convoy is in the tunnel. The plan is complicated because a captured Marko is sitting in the cab of the German truck, and the others think that he may have betrayed them. He's wounded trying to make a break for it and the plan is carried out successfully.

In the coda, Klink wants to know why Schultz and Hogan were gone for three days, and Carter gets time in the cooler. (Is Newkirk in there to keep him company?)

_______

Hogan's Heroes
"Some of Their Planes Are Missing"
Originally aired September 16, 1967
IMDb said:
The Germans have whipped up a plot to send German pilots in RAF fighters to shoot down British bombers.

The prisoners (including Stewart Moss reprising his pilot role as Olsen for the second time, in Richard Dawson's absence) take interest in Klink receiving a group of Luftwaffe officers for an operation that he's not in on. The prisoners subsequently see British fighters flying freely overhead--well out of range of England--while the officers are gone; and later listen in via bug as Burkhalter and Col. Leman (John Doucette) visit to brief the officers about their mission to serve as wolfs among the sheep. Hogan gets intel about the airfield where the British planes are parked from a contact named Conrad (uncredited Rick Traeger) so the team can blow them...but he needs an alibi for the prisoners, so he decides to attend a party being held for the officers in Klink's quarters.

Hogan gets in by buttering Leman up, and makes himself the life of the party, regaling everyone with stories and jokes; then he feigns crashing in Klink's bed from too much drinking, and switches Olsen into his place so he can go on the mission dressed as a Luftwaffe officer, with Carter and LeBeau as soldiers. They pick up a group of underground operatives in their truck, then force their way past the airfield gate guards to do their dee-molitions job (as Bob Crane pronounces it). Afterward, having heard that one of the saboteurs looked like Hogan, Burkhalter checks Klink's bed to find Hogan back in it.

Hermann Göring's birthday is mentioned as being on the 12th, which is accurate, and would make the month January. It also comes up that the Allies have not invaded Europe yet.

_______

You'd think he'd do a little investigating as to how the train broke down right then and there.
What, and not do exactly what the villain wants?

Apparently this guy is just random collateral damage.
Yep.

This doesn't fit into the plan in any way, we just needed an action sequence. :rommie:
Yep.

It seems to me that the Mad Thinker could have easily kidnapped the colonel and lured in West that way, rather than go through all the subsequent rigamarole.
What, and not string along the mystery?

How did Mr Braine not foresee this?
He wasn't portrayed as being completely computer-like.

"This mask technology will
self-destruct in five seconds. Good luck, Artie!"

"Can I have a refill, please? No, this way. Over here. No, come back. Why does the waiter have to be a knight?!"
:D

WWW06.jpg
 
(Nobody notices that Newkirk is also missing from lineup--Richard Dawson isn't in the episode.)
Hmm. Sickness? Family issues? Negotiating?

Shawcross calls back to inform Kinch that he got his Crittendons mixed up--the one they want is in Stalag 2.
Good grief, two of them. :rommie:

the titular operation he thinks they're talking about is one he submitted to plant geraniums along RAF runways.
Not that it's a bad plan. :rommie:

Carla (1968 Playmate of the Year Angela Dorian)...
I'm tired of time travel stories, but I'll allow this.

He's wounded trying to make a break for it and the plan is carried out successfully.
I wonder what ever happened to the other Crittendon. Did they just leave him there in Stalag 2?

In the coda, Klink wants to know why Schultz and Hogan were gone for three days
Just a little R&R in Paris.

(Is Newkirk in there to keep him company?)
We'll find out in Untold Tales of Newkirk #1. Coming real soon.

The prisoners subsequently see British fighters flying freely overhead--well out of range of England--while the officers are gone
Any mention of how they got the planes? Airplanes aren't as easy to capture as tanks. It makes me wonder if any planes were ever captured and used in real life.

their dee-molitions job (as Bob Crane pronounces it).
Yee-hah!

Hermann Göring's birthday is mentioned as being on the 12th, which is accurate, and would make the month January. It also comes up that the Allies have not invaded Europe yet.
It looks like it's going to be a long Winter.

What, and not do exactly what the villain wants?
True, no fun in that.

What, and not string along the mystery?
Right! This isn't one of those dinky half-hour shows! :rommie:

I love this guy. :rommie: From this angle it looks like he's driving a Statue of Liberty head.
 
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Post-55th Anniversary Viewing

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Hogan's Heroes
"D-Day at Stalag 13"
Originally aired September 23, 1967
IMDb said:
To help the Allied invasion at Normandy, Hogan convinces the Germans that Klink has been promoted to Chief of Staff.

Yes, it's exactly what it says it is--Hogan's Heroes, as with 12 O'Clock High before it, does an episode that officially puts the Allied invasion of Europe on the table...though as the longer Wiki description points out, the stalag gang's usual attire is rather unseasonable for June.

Hogan is brought to a London heavily under blitz (which, as discussed previously, would be historically inaccurate at this point) to be filled in on the impending invasion by a British general (J. Pat O'Malley), who wants him to sew some discord at a meeting of the German general staff that's being held at the bomb-free stalag. Hogan is told that the wife of General von Scheider, Hitler's chief of staff, is a mole, but has been necessarily out of contact for so long that she may not be trustworthy. Oddly, when Hogan gets back to camp, he has to ask who does the best Hitler, and has Kinch do him over the phone in a call to Klink in which the fake Fuhrer announces that he plans to undermine his generals by making the most incompetent colonel in the Wehrmacht his chief of staff. After General von Scheider (Harold Gould) arrives, Hogan sneaks into Klink's quarters to pay a visit to Lilli von Scheider (Gail Kobe) to enlist her aid. She's embittered at having been isolated from her minders for three years, and incredulous at Hogan's scheme, but agrees to help by getting the rumor to her husband.

Carter is demoted to posing as a Gestapo major who visits the stalag to check out Klink. Barging in on a meeting of the general staff, which includes General Bruner (John Hoyt) and General von Katz (Ivan Triesault), Carter announces that Klink's record inefficiency rating qualifies him for the promotion. As the prisoners intercept calls, Lilli visits the tunnel and Hogan tells her about the invasion and his orders to extract her to England. Kinch calls Klink as Hitler again and has von Scheider put on to announce that the general will be taking Klink's place as kommandant of Stalag 13. The other generals are kissing up to Klink when he gets a call informing him that the invasion has begun--at night. Klink doesn't know what to do and tries to ask von Scheider for help, but von Scheider is preoccupied with Lilli's disappearance. Klink is unable to get Hitler on the phone, as he's in bed and the general he's talking to knows nothing of Klink's fake promotion.

In the coda, we learn that the ruse has been successful in preventing reinforcements from being moved, and Lilli says goodbye in the tunnel, embarking on her journey.

_______

Hogan's Heroes
"Sergeant Schultz Meets Mata Hari"
Originally aired September 30, 1967
IMDb said:
A Gestapo female operative tries to lure secrets out of Sergeant Schultz.

In advance of a new factory being built in the area, Major Hochstetter (uncharacteristically in a suit rather than uniform) visits to thoroughly search the stalag on suspicion that the prisoners are involved in the high concentration of sabotage and officers gone missing in the area. A search of the barracks only turns up red herrings meant to frustrate Hochstetter, so he enlists a spy, Eva Mueller (Joyce Jameson), to get close to Schultz for information. After she makes his acquaintance at the hofbrau, the sergeant is so on cloud nine that pays no mind to the tunnel entrance being wide open (not that he hasn't seen it before) or a visiting informant named Kurt (Sidney Clute), causing Hogan to ask Schultz what's up, and subsequently send Carter to the hofbrau in disguise to look into the woman who's been asking the sergeant lots of questions about his job.

Carter tails her after a date with Schultz to find that she's reporting to Gestapo HQ. Hogan then gives Schultz the idea to gain ground with her by claiming to be a Gestapo counterintelligence officer. He's just told her this on their next date when Kurt enters posing a Gestapo agent to arrest Eva on suspicion that she's been trying to get military information from Schultz. While Eva is being held in the tunnel, a prisoner team heads out to blow the factory, and Hogan helps Schultz as he reports--under orders from the faux Gestapo agent--to Klink about his having been compromised by Eva. Hochstetter reveals that Eva's one of his spies, and learns of her false arrest. Klink is informed of the sabotage of the factory, and of how Eva's handbag was found at the scene, causing Hochstetter to believe that she was a double agent.

In the coda, Kurt is taking Eva out of Germany and Hogan calls Schultz "hot lips".

_______

Hmm. Sickness? Family issues? Negotiating?
Game show appearance?

Good grief, two of them. :rommie:
But the other one was said to be competent.

I wonder what ever happened to the other Crittendon. Did they just leave him there in Stalag 2?
Apparently. I trailed off the IMDb description with ellipses because it erroneously indicated that Crittendon was disrupting Hogan's plan to get out the other Crittendon, which was never a plot point.

Just a little R&R in Paris.
:D

Any mention of how they got the planes? Airplanes aren't as easy to capture as tanks. It makes me wonder if any planes were ever captured and used in real life.
Not that I recall. 12OCH used a similar method to kill off General Savage, with a German crew flying a captured B-17.

I love this guy. :rommie:
I didn't recognize him in this, but he's a familiar actor. Looking him up, I was reminded that I'd just this past week seen him as a general in Tora! Tora! Tora!
From this angle it looks like he's driving a Statue of Liberty head.
I was thinking that as well. There was another row of spikes that sprung down, both rows having been part of what appeared to be a pattern on the front of the chair. Here's a better look at the contraption:
WWW07.jpg
WWW08.jpg
 
Yes, it's exactly what it says it is--Hogan's Heroes, as with 12 O'Clock High before it, does an episode that officially puts the Allied invasion of Europe on the table...
They should have saved it for a premiere or finale.

Hogan is brought to a London heavily under blitz (which, as discussed previously, would be historically inaccurate at this point)
And we also have to ask not just "how," but "why?" Seems like a blitz is entirely the wrong place to put important people.

a British general (J. Pat O'Malley)
That's unusual casting.

a meeting of the German general staff that's being held at the bomb-free stalag.
That's the way you do it: Meet where the bombs are not falling. :rommie:

Oddly, when Hogan gets back to camp, he has to ask who does the best Hitler, and has Kinch do him over the phone
Poor Kinch doesn't get a lot to do. You can't really ask him to impersonate Germans.

In the coda, we learn that the ruse has been successful in preventing reinforcements from being moved, and Lilli says goodbye in the tunnel, embarking on her journey.
That probably didn't make any sense whatsoever, but it is kind of cool that the boys were in on D-Day, and it definitely should have been an anchor episode.

"Sergeant Schultz Meets Mata Hari"
Wrong war, Schultz. :rommie:

After she makes his acquaintance at the hofbrau, the sergeant is so on cloud nine
....that he forgets his wife. :rommie:

causing Hogan to ask Schultz what's up
Does Schultz only talk to the prisoners and never his own men? You'd think they'd be suspicious too.

Klink is informed of the sabotage of the factory, and of how Eva's handbag was found at the scene, causing Hochstetter to believe that she was a double agent.
Apparently this will allay his suspicions, even though the sabotage and disappearances will continue. :rommie:

In the coda, Kurt is taking Eva out of Germany and Hogan calls Schultz "hot lips".
He should have let Schultz have a Casablanca scene with her. :rommie:

Game show appearance?
Or a job interview. You have to think about what you're going to do after the war.

But the other one was said to be competent.
The Mirror Universe is canon in Hogan's Heroes/

Not that I recall. 12OCH used a similar method to kill off General Savage, with a German crew flying a captured B-17.
I Googled a bit. Apparently they did manage to capture a few aircraft, by capturing airfields.

I didn't recognize him in this, but he's a familiar actor. Looking him up, I was reminded that I'd just this past week seen him as a general in Tora! Tora! Tora!
He was everywhere in those days. He had a fantastic part in "Third From The Sun," one of my favorite Zones.

I was thinking that as well. There was another row of spikes that sprung down, both rows having been part of what appeared to be a pattern on the front of the chair. Here's a better look at the contraption:
Ah, that's a fantastic Steampunkish contraption. I think the reason you didn't recognize him is that he's missing his signature glasses.
 
50 Years Ago This Week

June 24
  • Leonid Brezhnev became the first Soviet leader to address the American people on television. Brezhnev's 47-minute speech was pre-recorded the afternoon before at President Nixon's estate, and then broadcast the next evening at 6:00 p.m. in each of the U.S. time zones. Among other things, he declared that "Mankind has outgrown the rigid 'cold war' armor which it was once forced to wear. It wants to breathe freely and peacefully."
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June 25
  • Former White House lawyer John Dean began his testimony before the Senate Watergate Committee. Granted immunity from prosecution by vote of the Committee, Dean implicated U.S. President Nixon in accusations of obstruction of justice. After some opening remarks, Dean began his testimony by reading aloud a 245-page statement "in a clipped monotone" over six hours.
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June 26
  • In the Soviet Union, the explosion of a Kosmos-3M rocket killed nine people at the Plesetsk Cosmodrome. The disaster would be revealed in 1989 when the Plesetsk center ended decades of secrecy and invited the Western press to visit.

June 27
  • In testimony before the Senate Watergate Committee, John Dean revealed the existence of an "enemies list" of 20 people. The list had been maintained in the White House for the purpose of using "the available federal machinery to screw our political enemies," including the use of tax audits by the Internal Revenue Service and manipulating federal contracts and grants.

June 28
  • Algerian terrorist Mohamed Boudia, a senior member of the Popular Front for the Liberation of Palestine, was assassinated in Paris by Israel's intelligence agency, the Mossad. Boudia had parked his car outside the Faculty of Scientists building at the University of Paris early in the morning. At 11:00 a.m., the sat down in the driver's seat and started the car, triggering explosives under the seat were detonated.
  • Allen Klein and ABKCO sue John Lennon for $508,000 over allegedly unrepaid loans. John and Yoko Ono participate in public demonstrations outside the South Vietnam Embassy in Washington DC.

June 29
  • By a vote of 73 to 16, the U.S. Senate passed the Case–Church Amendment, an attachment to a funding bill for the U.S. Department of State, prohibiting any further U.S. military activity in Indochina (North Vietnam, South Vietnam, Laos or Cambodia) without advance Congressional approval. The bill had passed the U.S. House of Representatives, 325 to 86, on June 26. After Nixon had vetoed the initial measure and cited national security as a factor, the House and Senate reached a compromise with the White House, allowing bombing of Cambodia to continue until August 15, 1973, rather than to halt immediately. The compromise passed 236 to 169 in the House and 63 to 26 in the Senate. President Nixon signed the measure into law on July 1.
  • John and Yoko attend one of the daily public Watergate hearings.

June 30
  • A very long total solar eclipse was seen over most of the continent of Africa, lasting seven minutes and four seconds, the longest since June 20, 1955 (7 minutes, 8 seconds). During the entire 2nd millennium (1001 CE to 2000 CE), only seven total solar eclipses exceeded 7 minutes of totality. Another total eclipse of more than seven minutes will not occur until June 25, 2150.


Selections from Billboard's Hot 100 for the week:
1. "Give Me Love (Give Me Peace on Earth)," George Harrison
2. "My Love," Paul McCartney & Wings
3. "Will It Go Round in Circles," Billy Preston
4. "I'm Gonna Love You Just a Little More Baby," Barry White
5. "Kodachrome," Paul Simon
6. "Pillow Talk," Sylvia
7. "Playground in My Mind," Clint Holmes
8. "Long Train Runnin'," The Doobie Brothers
9. "Right Place, Wrong Time," Dr. John
10. "Shambala," Three Dog Night
11. "One of a Kind (Love Affair)," The Spinners
12. "Bad, Bad Leroy Brown," Jim Croce
13. "Yesterday Once More," Carpenters
14. "Natural High," Bloodstone
15. "Daniel," Elton John
16. "Frankenstein," The Edgar Winter Group
17. "Smoke on the Water," Deep Purple
18. "Boogie Woogie Bugle Boy," Bette Midler
19. "I'm Doin' Fine Now," New York City
20. "Behind Closed Doors," Charlie Rich
21. "Diamond Girl," Seals & Crofts
22. "Daddy Could Swear, I Declare," Gladys Knight & The Pips

24. "So Very Hard to Go," Tower of Power
25. "Tie a Yellow Ribbon Round the Ole Oak Tree," Dawn feat. Tony Orlando
26. "Money," Pink Floyd
27. "Drift Away," Dobie Gray

31. "Monster Mash," Bobby "Boris" Pickett & The Crypt-Kickers

33. "Wildflower," Skylark

37. "Hocus Pocus," Focus
38. "No More Mr. Nice Guy," Alice Cooper

40. "Time to Get Down," The O'Jays

42. "You Are the Sunshine of My Life," Stevie Wonder

44. "Touch Me in the Morning," Diana Ross

47. "Stuck in the Middle with You," Stealers Wheel

50. "Why Me," Kris Kristofferson
51. "Where Peaceful Waters Flow," Gladys Knight & the Pips

53. "Steamroller Blues" / "Fool", Elvis Presley

61. "Get Down," Gilbert O'Sullivan

63. "Feelin' Stronger Every Day," Chicago

71. "Funky Worm," Ohio Players

73. "Are You Man Enough," Four Tops

75. "I Believe in You (You Believe in Me)," Johnnie Taylor
76. "Brother Louie," Stories
77. "Delta Dawn," Helen Reddy
78. "If You Want Me to Stay," Sly & The Family Stone

81. "Over the Hills and Far Away," Led Zeppelin
82. "Tequila Sunrise," Eagles

84. "Uneasy Rider," The Charlie Daniels Band

86. "The Morning After," Maureen McGovern


Leaving the chart:
  • "Little Willy," The Sweet (23 weeks)
  • "The Night the Lights Went Out in Georgia," Vicki Lawrence (20 weeks)
  • "Reelin' in the Years," Steely Dan (16 weeks)
  • "The Right Thing to Do," Carly Simon (13 weeks)
  • "Thinking of You," Loggins & Messina (13 weeks)

Recent and new on the chart:

"I Believe in You (You Believe in Me)," Johnnie Taylor
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(June 23; #11 US; #1 R&B)

"Feelin' Stronger Every Day," Chicago
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(June 23; #10 US)

"Uneasy Rider," The Charlie Daniels Band
(#9 US; #37 AC; #67 Country)


And new on the silver screen:
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_______

Timeline entries are quoted from the Wiki page for the month and Mark Lewisohn's The Beatles Day by Day, with minor editing as needed.

_______

They should have saved it for a premiere or finale.
Maybe that was the intent.

And we also have to ask not just "how," but "why?" Seems like a blitz is entirely the wrong place to put important people.
Nothing says "Jolly Ol'" like an establishing shot of Big Ben lit up by AA fire.

That's the way you do it: Meet where the bombs are not falling. :rommie:
Well, it's not like Hogan is Roosevelt's chief of staff...

Poor Kinch doesn't get a lot to do. You can't really ask him to impersonate Germans.
Yet I think they ended up having him do that on an odd occasion or two.

That probably didn't make any sense whatsoever, but it is kind of cool that the boys were in on D-Day
Or D-Night, in this case...

Wrong war, Schultz. :rommie:
In this case, the title wasn't literal.

....that he forgets his wife. :rommie:
Who?

Does Schultz only talk to the prisoners and never his own men? You'd think they'd be suspicious too.
Those extras aren't paid to talk. What, is he going to confide in that stock shot of the guard manning the searchlight in the tower from the opening credits that they try to use to establish tension when the prisoners are sneaking out of camp, even though we know the stock shot will remain unawares as usual?

I Googled a bit. Apparently they did manage to capture a few aircraft, by capturing airfields.
I suppose Africa would be a possibility, then...though the Germans were out of the picture there by mid-1943.

Ah, that's a fantastic Steampunkish contraption.
An additional shot of the back:
WWW10.jpg
I think the reason you didn't recognize him is that he's missing his signature glasses.
Indeed...he was wearing them in TTT, though.
 
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Among other things, he declared that "Mankind has outgrown the rigid 'cold war' armor which it was once forced to wear. It wants to breathe freely and peacefully."
Historians still debate the wisdom of broadcasting the speech without a laugh track.

After some opening remarks, Dean began his testimony by reading aloud a 245-page statement "in a clipped monotone" over six hours.
To date, no one has stayed awake through the entire thing.

In testimony before the Senate Watergate Committee, John Dean revealed the existence of an "enemies list" of 20 people.
Come on, Dean, there's a couple more than that. :rommie:

Another total eclipse of more than seven minutes will not occur until June 25, 2150.
Dang. I may not make it.

"I Believe in You (You Believe in Me)," Johnnie Taylor
I don't recognize this one. It's kind of meh.

"Feelin' Stronger Every Day," Chicago
Chicago at their peak.

Classic. :rommie:

And new on the silver screen:
My favorite Bond film, and the first one I saw in a theater. These facts are possibly connected.

Maybe that was the intent.
Yeah, that could be.

Nothing says "Jolly Ol'" like an establishing shot of Big Ben lit up by AA fire.
It's dramatic, for certain.

Well, it's not like Hogan is Roosevelt's chief of staff...
Yeah, but he's somebody they're counting on for the success of the mission. Presumably the other members of the meeting were of high importance as well.

Yet I think they ended up having him do that on an odd occasion or two.
That's a bit extra dangerous.

Those extras aren't paid to talk. What, is he going to confide in that stock shot of the guard manning the searchlight in the tower from the opening credits that they try to use to establish tension when the prisoners are sneaking out of camp, even though we know the stock shot will remain unawares as usual?
Plus, it could turn out to be Newkirk, which would be really awkward.

An additional shot of the back:
It also makes tea, which is a selling point for me.

He's English. :shrug:
Well, yeah, but not very military. I wouldn't recommend him as James Bond, either. :rommie:
 
_______

Post-55th Anniversary Viewing

_______

Hogan's Heroes
"Funny Thing Happened on the Way to London"
Originally aired October 7, 1967
IMDb said:
The Germans plot to send an impostor of a captured English officer to kill Winston Churchill. Hogan plots how to foil the plan and keep the real officer alive.

Klink allows the officers to watch as Hochstetter (back in uniform) brings in RAF Group Captain James Roberts (Lloyd Bochner), an old friend of Hogan's, and has him put in quarters. Listening in on the coffee pot, the prisoners hear Hochstetter toasting to "the elimination of the number one enemy of the Third Reich, Winston Churchill". (Roosevelt and Stalin should try harder.) Hogan demands to see Roberts and is surprised to be allowed without resistance. Roberts tells Hogan of how he was questioned--particularly about his access to Churchill--photographed, and had his voice recorded. The prisoners subsequently listen in as Hochstetter gives Roberts his assignment to let Hogan help him escape and assassinate Churchill. Then the real Roberts is brought into Klink's office for the obligatory split-screen moment, and the Roberts who was assigned the mission is revealed to be a Lt. Baumann.

Roberts is taken to the cooler and Baumann is assigned a concealed, wrist-mounted gun to use on Churchill. Hogan is taken to see Fake Roberts, who wants to escape using wire cutters. Hogan plays up how canny Klink is and escape-proof the stalag is for the benefit of a bug that he discovered on his previous visit. Newkirk and Carter use the cooler tunnel to spring Roberts and replace him with a dummy. Then, as Hogan and Baumann are making their escape, LeBeau enables Schultz to discover Roberts's escape and catch Hogan and Baumann--whom he doesn't know about--in their escape attempt. Meanwhile, the real Roberts is taken to a rendezvous with a Gestapo car meant for Baumann, the first stage in a Luftwaffe-protected escape to England. In the coda, Hochstetter and Klink discover that Schultz caught Baumann, and Hogan takes the opportunity to set off his wrist gun, putting a hole in Klink's hat.

_______

Hogan's Heroes
"Casanova Klink"
Originally aired October 14, 1967
IMDb said:
General Burkhalter comes to Stalag 13 determined to marry off his sister to Klink. Hogan has to find a planted German agent in the Underground.

With some help from Schultz, Hogan learns that Klink is holed up in his office in a secret meeting. The prisoners listen in to find that Klink's guests are Burkhalter and a Gestapo agent named Hindmann (Woodrow Parfrey), who's infiltrated the German underground and asks to put documents in Klink's safe. The next day, Burkhalter has his sister, Gertrude Linkmeyer (Kathleen Freeman, reprising her role from Season 1), to serve as a substitute secretary while Hilda's away. As Frau Linkmeyer takes charge of the office, Burkhalter again gets the idea of hooking her up with Klink.

The prisoners learn that Linkmeyer plans to pull an all-nighter in the office the night that they plan to sneak in, crack the safe, and photograph the documents, so Hogan convinces Klink that she's a Gestapo agent sent to spy on him and that he needs to wine and dine her to win her over. The initial attempt at the safe is botched by a series of wrong-number calls to Klink's office, thwarting Newkirk's stethoscope; but after a second attempt, enabled by a second Klink/Linkmeyer date, the prisoners develop the photos to discover that Hindmann plans to entrap the Underground when they try to blow up an oil refinery. Hogan gets on the radio to the underground and asks to speak to a series of agents so Newkirk can identify Hindmann by voice. Hogan then tells the next agent put on that "Friedlaw" is Gestapo, and has the underground switch targets to an ammo dump, which the prisoners hear going up during an after-lights-out card game (paralleling a similar moment at the beginning of the episode).

In the coda, Hogan helps Klink out of the noose he's put himself in by spilling the fake beans to Gertrude that Klink's been having an affair with Hilda.

_______

MeTV has repeatedly skipped "How to Win Friends and Influence Nazis" (October 21, 1967), so I don't have it.

_______

Hogan's Heroes
"Nights in Shining Armor"
Originally aired October 28, 1967
IMDb said:
The Heroes need to get both a member of the French resistance and some bullet-proof vests out of Stalag 13.

The prisoners intercept an air drop of a crate of bulletproof vests and bury them on the spot because this week they have issues transporting heavy objects. The next day, a Lt. Maurice Dubois (Felice Orlandi) approaches the gate to surrender, and in exchanging some conversation en francais, tells LeBeau that he's there for the vests. Dubois's story to Klink is that he was a member of the French air force who's been on the run since his country surrendered...which would have happened somewhere in the neighborhood of four years prior, though when Hogan verifies his identity, he's said to have been in the French Resistance for two. (There's also another reference to the prisoners having been at the stalag for two years...which, if the show takes place from early to mid-1944, is pretty much historically impossible.) Helping Hilda with office work, Carter intercepts Klink's report to the Gestapo; and Hogan gets into the cooler to talk with Dubois. Back in the barracks, Hogan gets the idea to take advantage of the camp's plumber having been sent to the Russian front to have Kinch sabotage Klink's bathroom sink so they can pass Dubois off as one.

After Dubois has been pretending to work on the pipes under Klink's quarters for a while with Kinch's assistance, the prisoners let Klink discover the retrieved vests through Schultz, which Dubois claims to have been secretly developing while not in the cooler. (Um, yeah...) Dubois pretends to want to sell out his special treatment to Klink, who calls Burkhalter, who arranges for an aide, Captain Franz (Chris Anders), to transport Dubois and the vests to Berlin. Carter posing as a checkpoint guard helps the prisoners to hijack the staff car, they take Franz prisoner, and Dubois takes Franz's uniform and the car.

In the coda, Hogan convinces Klink that Dubois was conspiring with Burkhalter to cut him out of the deal, and Klink's faucet is still spraying him in the face.

_______

Hogan's Heroes
"Hot Money"
Originally aired November 4, 1967
IMDb said:
The Germans have set up a money-counterfeiting operation in the camp, and Hogan is planning on destroying it.

A truck arrives at the stalag with civilians and a heavily guarded mystery cargo. Schultz subsequently shows up for some gambling in the barracks, using American and British currency that's identified by Kinch as counterfeit. Hogan questions the sergeant to learn that a counterfeit printing press has been set up in a camp building, and the prisoners deduce that the Germans are planning to use the funny money to destabilize Allied economies. They use a pilfered signature of Klink's to post a phony notice and pass it off as Newkirk's handiwork. Upon questioning, he propositions Klink and SS Major Bock (Sandy Kenyon) to help them with the counterfeiting, but trick questions from Bock expose him as a phony. Afterward, Bock persuades Klink not to report the incident because the major would be held responsible for any breach of security and executed.

Having been listening and recording via the sewing kit deck, Hogan decides to make the German printing expert, Stoffel (Jon Cedar), think that Bock's planning to execute him once he's done his job. They pass a warning note to Stoffel to get him to come to the barracks, where Hogan plays a doctored recording of Bock ordering Stoffel's execution. Stoffel cooperates in faking a fire in the press building so that the prisoners can slip in pretending to aid in fighting the fire to smash up the equipment and plates.

We've been seeing some background prisoners lately whom I suspect might be the actors' doubles, as they resemble the regulars. The resemblance of one of them to Larry Hovis is particularly striking.

_______

Historians still debate the wisdom of broadcasting the speech without a laugh track.
Cynical.

Come on, Dean, there's a couple more than that. :rommie:
I thought that number sounded low, but it seems the shorter list was a thing, and later a longer list was disclosed.
Nixon's Enemies List - Wikipedia

I don't recognize this one. It's kind of meh.
Yeah, and I already had it.

Chicago at their peak.
Oldies radio classic.

I have this as well, though I wasn't particularly familiar with it.

My favorite Bond film, and the first one I saw in a theater. These facts are possibly connected.
First one I saw in the theater was Octopussy. But LALD on TV played a key role in piquing my interest in Bond. I popped on an airing in the middle of the film and was blown away by the boat chase sequence.

Yeah, but he's somebody they're counting on for the success of the mission. Presumably the other members of the meeting were of high importance as well.
It was just the general and Hogan.
Well, yeah, but not very military. I wouldn't recommend him as James Bond, either. :rommie:
HH04.jpg

It also makes tea, which is a selling point for me.
At first I was wondering what caused the explosion at the end...then I remembered Roger Daltrey telling us in an episode about the history of the NYC Fire Department how in the steam engine era, firefighters were more likely to die from their equipment blowing than the fires.
 
Last edited:
"Funny Thing Happened on the Way to London"
A Funny Thing Happened On The Way To The Forum must have come out around this time.

the prisoners hear Hochstetter toasting to "the elimination of the number one enemy of the Third Reich, Winston Churchill". (Roosevelt and Stalin should try harder.)
A little competition is good. Keeps standards high. :rommie:

The prisoners subsequently listen in as Hochstetter gives Roberts his assignment to let Hogan help him escape and assassinate Churchill.
So he was good enough to fool Hogan?

Roberts is taken to the cooler and Baumann is assigned a concealed, wrist-mounted gun to use on Churchill.
19th-century Secret Service technology. Goes to show how far behind the Nazis were.

Meanwhile, the real Roberts is taken to a rendezvous with a Gestapo car meant for Baumann, the first stage in a Luftwaffe-protected escape to England.
Cute.

Hogan takes the opportunity to set off his wrist gun, putting a hole in Klink's hat.
Careful, Hogan, you almost lost a useful asset. :rommie:

Hogan gets on the radio to the underground and asks to speak to a series of agents so Newkirk can identify Hindmann by voice.
Nice.

Hogan then tells the next agent put on that "Friedlaw" is Gestapo, and has the underground switch targets to an ammo dump
Although I'd be a little suspicious that a double agent needed to keep incriminating documents in the safe of a Stalag commandant.

MeTV has repeatedly skipped "How to Win Friends and Influence Nazis" (October 21, 1967), so I don't have it.
What are they trying to hide?

Dubois's story to Klink is that he was a member of the French air force who's been on the run since his country surrendered...which would have happened somewhere in the neighborhood of four years prior, though when Hogan verifies his identity, he's said to have been in the French Resistance for two. (There's also another reference to the prisoners having been at the stalag for two years...which, if the show takes place from early to mid-1944, is pretty much historically impossible.)
Alternate universe. Whatcha gonna do?

Dubois pretends to want to sell out his special treatment to Klink
Okay, so Dubois is the inventor of a new kind of bullet proofness. I wondered why they were bothering with the vests. Even so, why bother with the vests when you've got the inventor?

and Klink's faucet is still spraying him in the face.
Better than bullets. :rommie:

the prisoners deduce that the Germans are planning to use the funny money to destabilize Allied economies.
They'll need a lot more than a printing press in a stalag to do that.

Stoffel cooperates in faking a fire in the press building so that the prisoners can slip in pretending to aid in fighting the fire to smash up the equipment and plates.
What happened to Stoffel? They'll just have him recreate the plates if the Heroes don't emigrate him.

We've been seeing some background prisoners lately whom I suspect might be the actors' doubles, as they resemble the regulars. The resemblance of one of them to Larry Hovis is particularly striking.
They're still working on perfecting the cloning technology. :rommie:

<--- Idealistic Cynic. :rommie:

I thought that number sounded low, but it seems the shorter list was a thing, and later a longer list was disclosed.
Nixon's Enemies List - Wikipedia
Wow, Nixon's list gets two separate Wiki entries. :rommie:

I have this as well, though I wasn't particularly familiar with it.
Cracks me up every time. :rommie:

First one I saw in the theater was Octopussy.
Which was kind of a return to form after a couple of bad ones.

But LALD on TV played a key role in piquing my interest in Bond. I popped on an airing in the middle of the film and was blown away by the boat chase sequence.
Another thing I recall piquing my interest was the parody in Crazy. :rommie:

It was just the general and Hogan.
Even so, it hardly seems appropriate, especially given their radios and couriers. It seems that the purpose of the scene, story wise, was just to emphasize Hogan's stature for the occasion-- which is fine.

See that lovable face? I just don't buy it. :rommie: Of course, if I watched the scene, I may feel differently....

At first I was wondering what caused the explosion at the end...then I remembered Roger Daltrey telling us in an episode about the history of the NYC Fire Department how in the steam engine era, firefighters were more likely to die from their equipment blowing than the fires.
Damn. That's something I didn't know.
 
_______

Post-55th Anniversary Viewing

_______

WWWs2e22.jpg
"The Night of the Deadly Bubble"
Originally aired February 24, 1967
Wiki said:
West and Gordon, investigating a series of mysterious tidal waves off the coast of San Francisco, encounter a fanatical marine environmentalist bent on eco-terrorism.

At a lighthouse, the agents answer the summons of weather-watching Prof. McClennon (Nelson Welch), who feels that a rash of tidal waves hitting separate cities in the past 36 hours is an unnatural phenomenon. Before he can continue, a blind beggar (Lou Krugman) enters with a message from the professor's associate, Dr. Pringle, and as McClennon nears the red light to read it, the professor is shot through the window. The agents don't seem suspicious enough of the beggar's obvious set-up role. Jim visits a wharf-side, fish-themed cantina to keep the meeting with Pringle, but only finds a tussle with the bartender and a quartet of cutthroats...the beggar coming out of hiding after he leaves. While Artie uses his ahead-of-the-times forensics skills to examine the spent bullet, Jim searches McClennon's room, where he finds himself at the point of a gun with the safety on courtesy of bespectacled Dr. Abigail Pringle (Judy Lang), who's defensive of Jim's charms and there to take custody of reports that McClennon conditionally entrusted to her, but have been stolen. Both find themselves at the point of a gun that fires a warning shot, courtesy of Captain Horatio Philo (Alfred Ryder).

Putting away his piece, Philo acts surprised at the news of McClennon's death and extends an invitation meant for the professor to Jim and Abigail, which a suspicious West accepts. Jim digs the warning shot out of the wall so Artie can verify that it was fired by the same gun. An telegraph check identifies Philo as a philanthropist dedicated to the preservations of sea life. Artie joins Jim and Abigail for dinner and drinks at Philo's seaside castle, where they find that he's outspoken regarding the value of kelp as a food source; and a quickly tipsy Pringle lets loose that she knows all of McClennon's findings...though she claims afterward that it was a ruse to shake Philo up. Jim snoops around on Philo's estate to find the obligatory secret panel in an outdoor wall, leading to an express elevator that takes him down to a dripping wet Obligatory Underground Lair, where a cell door closes behind him before another secret panel and a steel door open to reveal an inner sanctum. Meanwhile, Artie tries to keep an eye on the unconscious Abigail in McClennon's room, but is distracted from her abduction by the murder of the desk clerk (Nacho Galindo), then knocked out by an unseen figure, following which the beggar enters.

Jim finds himself with Philo in the nerve center where he has a magnifying aquarium window and a steam-powered compressor that creates the tidal waves.
WWW09.jpg
Pringle is brought down, now unspectacled and with her hair down, and Philo demonstrates in a fish tank how he pumps air into seabed pockets to stir things up; and reveals that he has some poison for the air as backup...all in the name of saving the whales and seals. Jim tries to make a break for it, getting in a tussle with Philo's men, but Philo gets him back at gunpoint and puts him and Pringle in the compressor chamber, which has a valve for excessive steam release that threatens to cook them. Jim plugs it up with his jacket but it blows. Jim is unable to light plastique from his heel because of the moisture, and Pringle starts to try to have a last moment with him, but Jim gets the idea to use a chain to attach the pump to the pipe, bending the pipe shut.

Meanwhile, Artie has followed the not-blind beggar from the bar to the entrance of Philo's lair and disguises himself as the beggar to go down and report to Philo, find out where Jim and Abigail are, and free them. Jim sneaks back into the nerve center dressed as one of Philo's technicians and messes with a compressor valve. (Elements of this episode seem more than a little similar to Dr. No.) As the place threatens to blow, Philo gets in a cat-and-mouse gunfight with Philo, who's let his men out only to blow the corridor they were in with a switch. Jim shoots Philo, whose body ends up in a wheel of the compressor machinery. As the pressure rises, Jim gets in a pneumatic capsule meant to deliver the poison and it shoots him up to the surface.

In the train coda, Abigail announces that having been reminded of the advantages of being a woman, she's going back to Boston to marry her fellow. After she leaves, Jim reveals to Artie that her left-behind glasses aren't prescription, she just wore them to keep men at arm's length.

_______

A Funny Thing Happened On The Way To The Forum must have come out around this time.
Yep...the film was late '66.

So he was good enough to fool Hogan?
Via coffee pot audio. The one that was initially brought in and that Hogan met with the first time was apparently the real McCoy, hence the imposter not knowing that Hogan knew about the bug.

19th-century Secret Service technology. Goes to show how far behind the Nazis were.
Not even that advanced...it was just a barrel mounted at the top the wrist.

Although I'd be a little suspicious that a double agent needed to keep incriminating documents in the safe of a Stalag commandant.
Beg pardon?

What are they trying to hide?
It just came to my attention that HH is on Freevee...but the skipped episodes aren't on there, either. It's possible that Me is airing the skipped episodes on broadcast outlets. An interesting thing that I discovered with getting Frndly is that the Weigel networks have separate streaming schedules, which sometimes involve switching out entire programs; and in the cases of shows like The Brady Bunch and The Odd Couple where, for whatever reason, some episodes aren't available via streaming, they swap in other episodes when those come up.

That said, a couple of HH Season 2 episodes that I'd previously missed apparently for a different reason will be coming up again this week, so I'll be circling back to those.

Okay, so Dubois is the inventor of a new kind of bullet proofness. I wondered why they were bothering with the vests. Even so, why bother with the vests when you've got the inventor?
Him developing the vests was just a ruse. I wasn't clear on how they were able to pass the vests off as being demonstrably advanced...apparently the Allied vests were just better than the Germans knew.

What happened to Stoffel? They'll just have him recreate the plates if the Heroes don't emigrate him.
I would have thought that he defected via tunnel, but they didn't show that.

<--- Idealistic Cynic. :rommie:
Ah, yes...

Which was kind of a return to form after a couple of bad ones.
Most Bond fans and critics considered FYEO to be a return to form. Octopussy doesn't tend to be as well regarded.

Even so, it hardly seems appropriate, especially given their radios and couriers. It seems that the purpose of the scene, story wise, was just to emphasize Hogan's stature for the occasion-- which is fine.
I think it was meant to emphasize how super-top-secret the invasion plan was, that Hogan had to be brought to England and told in person.

Damn. That's something I didn't know.
You can learn a lot from Roger Daltrey.
 
Last edited:
At a lighthouse
Off to a good start. :rommie:

a rash of tidal waves hitting separate cities in the past 36 hours is an unnatural phenomenon.
That sounds like it would be a catastrophe of epic proportions-- a bit much for an episode of WWW.

Jim visits a wharf-side, fish-themed cantina to keep the meeting with Pringle, but only finds a tussle with the bartender and a quartet of cutthroats...the beggar coming out of hiding after he leaves.
So the Evil Mastermind must have known that Jim and Artie would be there at the time of the assassination.

Jim digs the warning shot out of the wall so Artie can verify that it was fired by the same gun.
That's a long shot-- pun intended. The assassin would have used a rifle.

Artie joins Jim and Abigail for dinner and drinks at Philo's seaside castle
Not bad, but I would have preferred they stick with the lighthouse. Although now I'm wondering what the professor was doing at the lighthouse and where the lighthouse keeper was. Unless the professor was the lighthouse keeper, which would be weird.

where they find that he's outspoken regarding the value of kelp as a food source
"Geez, Artie, look at the time. We really should be going."

Obligatory Underground Lair
Lighthouses can have underground lairs too.

Jim finds himself with Philo in the nerve center where he has a magnifying aquarium window and a steam-powered compressor that creates the tidal waves.
More groovy Steampunk technology.

...all in the name of saving the whales and seals.
What about dolphins, Philo? And octopuses? They're intelligent, too, y'know!

As the pressure rises, Jim gets in a pneumatic capsule meant to deliver the poison and it shoots him up to the surface.
I can think of several health-related issues that could arise from this.

In the train coda, Abigail announces that having been reminded of the advantages of being a woman, she's going back to Boston to marry her fellow.
No dates for Jim and Artie this week. So what happened with all those tidal-waved cities? Was Philo planning on making any demands? Was he just going to keep relocating his equipment up and down the coastlines of the world until the human race had to move inland? :rommie:

Via coffee pot audio. The one that was initially brought in and that Hogan met with the first time was apparently the real McCoy, hence the imposter not knowing that Hogan knew about the bug.
Ah, okay.

Beg pardon?
The Gestapo has infiltrated the underground with the goal of entrapping them. Conveniently leaving the plans in Klink's safe where Hogan can find them sounds suspiciously like an attempt to entrap the prisoners-- it wasn't, but you'd think Hogan would wonder about it.

It just came to my attention that HH is on Freevee...but the skipped episodes aren't on there, either. It's possible that Me is airing the skipped episodes on broadcast outlets. An interesting thing that I discovered with getting Frndly is that the Weigel networks have separate streaming schedules, which sometimes involve switching out entire programs; and in the cases of shows like The Brady Bunch and The Odd Couple where, for whatever reason, some episodes aren't available via streaming, they swap in other episodes when those come up.
Why do they have to make it so complicated? :rommie:

Him developing the vests was just a ruse. I wasn't clear on how they were able to pass the vests off as being demonstrably advanced...apparently the Allied vests were just better than the Germans knew.
Then I don't get the plot. Where did the vests come from, why were they dropped deep in German territory so that somebody would have to smuggle them out. And why a whole crateful, instead of just one or two?

Most Bond fans and critics considered FYEO to be a return to form. Octopussy doesn't tend to be as well regarded.
Maybe. I don't even remember For Your Eyes Only. I just remember thinking "That's more like it," when I saw Octopussy.

I think it was meant to emphasize how super-top-secret the invasion plan was, that Hogan had to be brought to England and told in person.
That makes sense.

You can learn a lot from Roger Daltrey.
YEAHHHH!!! :D
 
_______

Post-55th Anniversary Viewing

_______

Hogan's Heroes
"One in Every Crowd"
Originally aired November 11, 1967
Frndly said:
A GI turncoat plans to trade information on Hogan's underground for safe passage to Berlin.

The episode opens with Newkirk getting into a fight with guest POW Jack Williams (Paul Picerni) for cheating at cards. Williams subsequently dons civilian clothes and attempts an unauthorized solo escape through the tunnel, but is actually caught by Schultz fair and square. Klink sentences him to a harsh punishment, including cooler time, noting that under the circumstances, he'd be within his rights to have Williams shot as a spy. Williams asks for Hogan to be dismissed so he can make Klink an offer of valuable intel in exchange for being put up in a non-prison until the end of the war. The others listen in on this via coffee pot, so Hogan has Carter visit Williams in the cooler to keep an eye on him. He eavesdrops as Klink makes a visit in which Williams teases him with information about a recent bridge-blowing.

Meanwhile, a Captain Hermann (John Crawford) has left a prototype field gun in safekeeping at the stalag during a breakdown, so Hogan decides to play the Williams situation in a way that enables the mission to blow the gun. Newkirk fake-summons Klink to Berlin, to be replaced by underground operatives posing as a Luftwaffe major and his secretary (John Stephenson and Barbara Babcock), who will be in charge of negotiating with Williams. Williams tells the fake major what he knows, and the fake major leaves documentation for Klink's return of planted false intel about a sabotage operation. While Klink rushes out with guards to deal with the false alarm, the prisoners simultaneously blow Williams out of the cooler and blow the gun. Williams is taken out through the tunnel to face a court martial. Hogan plants false evidence that Williams busted himself out and blew the gun.

_______

The other Season 3 episode that Me skips: "Is General Hammerschlag Burning?" (November 18, 1967).

_______

Hogan's Heroes
"A Russian Is Coming"
Originally aired November 25, 1967
IMDb said:
A disagreeable Russian pilot wants to escape, but refuses to go first to London. He wants to head east to Mother Russia.

Felice Orlandi returns as Dubois (according to IMDb, he was in the previous episode as well) with a present--a tied-up Russian pilot who was downed. (I have to wonder how late in the war Russians would have been flying air missions over Germany. What I was able to find with a quick search would indicate very late.) When the prisoners untie him, the suspicious Lt. Igor Piotkin (Bob Hastings) takes a gun from LeBeau, but is convinced that the prisoners are on the same side.

Kinch: Do I look German to you?​

Igor's continued suspicion makes Hogan suspicious of his motives, so Hogan tests him by getting him to go all Chekov about who invented the telephone. Nevertheless, the pilot insists upon heading back to the Russian front--which Hogan notes is "getting closer every day"--and takes the first opportunity to slip out via the tunnel.

Burkhalter has Klink searching for the downed pilot, so Hogan gets involved by convincing Klink that the Russian will head west to England. Igor is brought in by Dubois again, and while the Russian is kept preoccupied by being encouraged to extol the virtues of the motherland for the prisoners, Hogan plays a telephone game with Klink, posing as the bossy aide of a field marshal to get under the kommandant's skin...the drama coming to a climax when Kinch puts in a call as the field marshal himself, wanting to punish his wayward nephew. (For some reason Kinch has to string a phone line from Klink's office to enable the calls, when they routinely use a switchboard in the tunnel for this sort of thing. Perhaps because Klink has extra phones in his office for the search, but they don't get into that.) In the coda, Igor comes to Klink's office posing as the aide, and Klink has the pleasure of sending him to the Russian front on behalf of the field marshal.

_______

Hogan's Heroes
"An Evening of Generals"
Originally aired December 2, 1967
IMDb said:
Posing as waiters, the heroes want to get rid of a room full of German generals.

The prisoners listen in as Burkhalter informs Klink of a conference in Hammelburg of the top military minds in Germany, and places the kommandant in charge of holding a banquet for them the night before in his absence. The prisoners need to photograph the list of attendees before it's destroyed, so they arrange a diversion outside of Klink's office as the general is leaving. The prisoners are subsequently assigned to off the German brass who'll be attending, which they object to on the basis that such a mission would be suicide. Hogan has an operative named Jacques Mornay (Maurice Marsac) dropped in to pose as a Gestapo man sent to oversee the banquet, and maneuvers Klink into having LeBeau act as chef.

After the disguised bombs are in place at the banquet, Hogan is informed by London that one of the generals, Felix Mercer (Ben Wright), is a British spy, and that the mission is therefore called off. Even though the prisoners are acting as waiters, they can't just remove the bombs for some reason, so they try to stage a diversion to get Mercer out; but when he finds out what's up, he informs them that it's more important to nab the plans for a German counteroffensive, as they're of vital intelligence value. So they switch gears and have Mercer discover one of the bombs and have the room cleared, so LeBeau can sneak in via dumbwaiter from the kitchen to nab the plans. LeBeau gets back just as the blast goes off upstairs, only for Carter to inform him that the bombs went off a minute late. In the coda, Mornay is belatedly identified as a saboteur.

John Hoyt appears several times over the course of the series, but this one is his only reprised role: General Bruner from "D-Day at Stalag 13". This episode is conspicuously lacking a laugh track, though comments on IMDb indicate that this varies according to the source. It's bizarre, because you can tell where they were pausing to allow for one.

_______

Hogan's Heroes
"Everybody Loves a Snowman"
Originally aired December 9, 1967
Frndly said:
The POWs build a new escape tunnel---and a snowman---to confound the Gestapo and free a bomber crew.

It's extra wintry as the prisoners escort a downed bomber crew led by Captain Morgan (If I were Hogan, I wouldn't trust any guest characters played by Noam Pitlik.) through the woods, trying to find the tunnel entrance among piles of fake snow. Once they've succeeded, Hochstetter arrives at the stalag, convinced that the crew is hiding in the camp and intent on searching every inch of it. Hogan has the bomber crew hide in the tunnel and LeBeau start to dig a new one under the sink meant to be found in the search. But this has the unintended consequence of the men being moved to Barracks 4--the one out of twenty barracks in the camp that doesn't have a connecting tunnel. The prisoners are so unsupervised that they manage to bring the crew with them somehow. (Apparently the tunnel isn't heated, as the crew has to keep coming up for warmth. I recall that they had a sauna down there in the pilot.)

The solution is to build a new tunnel outside the barracks, under the cover of building a hollow snowman. When Schultz finds Newkirk and Carter sweating in undershirts from the work, they have to convince him that the barracks are overheated; then, when Klink and Hochstetter come to assess the situation, the prisoners act like it's chillier than it is. As the crew are snuck out the door and into the snowman one by one, Schultz sees too much and goes to report. The prisoners move the snowman a few feet over, to what Hogan assesses is perhaps the only spot in the camp without a tunnel under it, so that when Hochstetter finds the opening in the snowman and crawls in, it just collapses on him.

_______

Not bad, but I would have preferred they stick with the lighthouse. Although now I'm wondering what the professor was doing at the lighthouse and where the lighthouse keeper was. Unless the professor was the lighthouse keeper, which would be weird.
Seemed like he was.

"Geez, Artie, look at the time. We really should be going."
They'd already endured the unseen dinner when Philo had his outburst.

I can think of several health-related issues that could arise from this.
True...and it didn't look pressurized. OTOH, it was meant to carry gas.

So what happened with all those tidal-waved cities? Was Philo planning on making any demands? Was he just going to keep relocating his equipment up and down the coastlines of the world until the human race had to move inland? :rommie:
My impression was that he was trying to wipe out the entire human race, hence the gas as well. Whether or not he had the means to actually do this is dubious.

Then I don't get the plot. Where did the vests come from, why were they dropped deep in German territory so that somebody would have to smuggle them out. And why a whole crateful, instead of just one or two?
In actuality, the vests were equipment meant for the underground.

YEAHHHH!!! :D
:p
 
is actually caught by Schultz fair and square.
You go, Schultz!

has left a prototype field gun in safekeeping at the stalag
He obviously didn't check the Stalag 13 Yelp reviews.

the prisoners simultaneously blow Williams out of the cooler and blow the gun. Williams is taken out through the tunnel to face a court martial.
His new prison will be nicer than a Stalag, but his fellow prisoners will be less friendly.

Hogan plants false evidence that Williams busted himself out and blew the gun.
Now that definitely ruins Klink's reputation.

Felice Orlandi returns as Dubois
I wonder why. It seems like the regular guys don't get enough to do.

Nevertheless, the pilot insists upon heading back to the Russian front--which Hogan notes is "getting closer every day"--and takes the first opportunity to slip out via the tunnel.
Another successful escape from Stalag 13, since they never see him again as himself.

In the coda, Igor comes to Klink's office posing as the aide, and Klink has the pleasure of sending him to the Russian front on behalf of the field marshal.
Putting him behind enemy lines. He'll do a lot of damage before dying a messy death.

Burkhalter informs Klink of a conference in Hammelburg of the top military minds in Germany
They plan to discuss improvements to the wrist gun. :rommie:

The prisoners are subsequently assigned to off the German brass who'll be attending, which they object to on the basis that such a mission would be suicide.
It doesn't seem any worse than most of their missions.

After the disguised bombs are in place at the banquet, Hogan is informed by London that one of the generals, Felix Mercer (Ben Wright), is a British spy
Sometimes London seems a little disorganized.

LeBeau gets back just as the blast goes off upstairs, only for Carter to inform him that the bombs went off a minute late.
Ouch. :rommie:

This episode is conspicuously lacking a laugh track, though comments on IMDb indicate that this varies according to the source. It's bizarre, because you can tell where they were pausing to allow for one.
I'd like to know the story behind that. Did it have the laugh track on the original broadcast? Maybe an unfinished copy was accidentally sent out. Didn't they send out copies to individual markets in those days, or even individual stations?

(If I were Hogan, I wouldn't trust any guest characters played by Noam Pitlik.)
:rommie:

Hochstetter arrives at the stalag, convinced that the crew is hiding in the camp and intent on searching every inch of it.
But only above ground.

Barracks 4--the one out of twenty barracks in the camp that doesn't have a connecting tunnel.
Is that the one for the antisocial prisoners? :rommie:

I recall that they had a sauna down there in the pilot.
That's members only.

Schultz sees too much and goes to report.
He's forgotten that he's in on the whole thing.

Seemed like he was.
Maybe it was his day job to finance his weather hobby. I assumed he worked for the government.

My impression was that he was trying to wipe out the entire human race, hence the gas as well. Whether or not he had the means to actually do this is dubious.
Yeah, that's pretty ambitious. He'd have to set up franchises.

In actuality, the vests were equipment meant for the underground.
Oh, okay. Now I get it.
 
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