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The Classic/Retro Pop Culture Thread

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50th Anniversary Viewing (Part 1)

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Hawaii Five-O
"Good Night, Baby--Time to Die!"
Originally aired February 15, 1972
Wiki said:
McGarrett sets up an elaborate police protective system around a young woman to capture her former boyfriend who has escaped from prison.

McGarrett shows up at the hotel suite home of a Carol Rhodes (Beth Brickell) in the middle of the night and starts to inspect the place, then relates in a brief narrated flashback sequence how L.B. Barker (William Watson) has escaped from prison. She wants to pack and up and run, but he discourages her. She then gets a threatening call from him, promising she'll be dead by sunset. McGarrett challenges him from the other line.

A cadre of uniformed police arrive by day to set up camp, Carol's hotel floor is vacated, and McGarrett sets up a command post with Duke manning the phone. We learn that Barker was involved in a robbery involving jewels that were never found, and was convicted of killing his partner, Wayne McCabe. We also learn that Five-O was formed in '59 and Steve was returning from a mental health vacation in '68 (which is when the series started). Carol was Barker's mistress when she was 17 and/or in 1968. (If the character was supposed to be that age in 1968, then she's 10 years younger than the actress.) Carol ran out on Barker when a job went wrong and was taken in by an older museum curator named Alfred Townshend, who left her everything when he was found dead after the robbery of rare jewels at his museum by Barker. McGarrett gets updates regarding Barker sightings, which include that he's acquired wheels and a rifle, with accompanying visuals and ominous music. He's subsequently reported to be heading toward them on foot.

Steve has marksmen set up along the police perimeter. By this point Carol's been hitting the booze and flirts with Steve while trying to get him to join her, but he's all business. McGarrett shares that he thinks Townshend was involved in the jewel robbery; and asserts that Barker's whereabouts were known at the time of Townshend's murder...leaving Barker's partner McCabe as the likely killer. Carol 'fesses up to knowing about Alfred's involvement, and how the stones were taken from him when he was killed. Barker calls again, and Carol tries to keep him on the line so they can trace the call (which of course doesn't work), and we're shown that he was at a phone booth within sight of her hotel.

Danno reports that a cop at a delivery entrance was slugged. We're shown Barker hiding in a hamper and climbing up a chute from the laundry room. Carol starts to panic and Steve shows her all the cops stationed in the hallway outside her apartment. Continuing to go over the case, McGarrett listens to a recording by a junkie friend of McCabe's who was a witness on the night of his murder. The junkie mumblingly describes how Wayne fired at Barker; Barker killed Wayne; and an unidentified third person rushed in and grabbed Wayne's gun. Barker claimed self-defense in court, but couldn't prove it as Wayne's gun wasn't found. McGarrett believes that somebody put blanks in McCabe's gun so Barker would get put away for shooting him, and starts pressing Carol about how somebody saw to it that everyone involved in the robbery was dead or put away for life. Meanwhile, we see Barker climbing and jumping along balcony railings, then lowering himself from on a rope. As McGarrett checks the balcony for a noise, the armed Barker drops down on him and knocks him out.

Barker makes himself a drink and talks about how he's going to kill Carol. She stalls him by admitting to having killed Alfred because he was going to blow the whole thing, and claims that she intended to share the loot with him. She also confesses that she recently returned the jewels to the insurance company through a third party for half a million bucks. She wants to off McGarrett, but Barker stops her, then reveals that McGarrett was playing possum and Barker has been cooperating with Five-O...the whole affair having been staged to get Carol's confession on tape, with Barker having been making calls from an office in the hotel. Officers come in and Danno takes her to be booked.

While I had trouble following the junkie's big infodump and had to go back and rewatch that, I saw the two big twists coming a mile away--that Carol was the one Steve was after, from how things were playing between them and the revelation of a mystery person involved; and following that, that Barker's escape and pursuit was staged, and that the surrealistic flashes of his actions weren't actually happening in the story.

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Adam-12
"Sub-Station"
Originally aired February 16, 1972
Wiki said:
Malloy and Reed are temporarily assigned to a police sub-station at LAX. While there, they deal with a hostage situation between a flight attendant and a man desperate for the attention of a television producer, go undercover to intercept a drug shipment from Toledo, Ohio, and prevent a rape suspect from escaping on an outbound flight. Frank Sinatra, Jr. guest-stars as the hostage-taker.

Malloy and Reed arrive at their temporary assignment in a private vehicle, where desk sergeant Ron Carter (Sid McCoy) takes them to Lt. Tom Ashton (Robert Dowdell), who rolls off some Fridayesque statistics while describing their duties, and assigns them the temporary callsign Zebra-12.

Airport security man Noel Simmons (Joe E. Tata) takes the officers to a lounge where a passenger named Tyrone Jeffers (Frank Sinatra Jr.) is holding a stewardess (Francine York) hostage, demanding an audience with a specific producer who wouldn't see him in a previous visit. Jeffers initially stays concealed behind a corner while letting the stewardess do the talking (apparently to save the actor's reveal), but Malloy lures him out with a phone, claiming that the producer is on the line, then pounces from behind and disarms him after Reed leaves the room. As Jeffers is dragged away, all that the insanely desperate actor cares about is his fake call. In the aftermath, the stewardess, Kathy Benson, gets friendly with Malloy.

The officers are then assigned to bust an incoming pot courier. Disguised as rent-a-car workers, they stake out the baggage claim area and tail the ride of the man who picks up the bag of interest via mopeds. A black & white arrives to block the station wagon the suspect is riding in, and the undercover officers arrest a group of five couriers.

An injured woman named Sharon Wells (Lenore Stevens) is found lying on a property near the airport boundary. She reports how she was assaulted by a limo driver. A overparked limo is found that has blood in it, and the officers meet with U.S. Marshal Chuck Stanton (Jed Allan), who leads them to where the tracked-down suspect is nervously waiting for a flight. When the boarding of his flight is announced, he approaches the detector, then makes a run for it; officers run him down, cuff him, and reveal the tear in his shirt made by his victim.

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The Brady Bunch
"Cindy Brady, Lady"
Originally aired February 18, 1972
Wiki said:
When she can't do what her older sisters can, Cindy decides to act more mature than her age. Bobby tries to help by posing as a secret admirer; when Mike wants to expose him, Bobby asks his friend Tommy (Eric Shea) to reveal himself as the admirer. Cindy initially turns Tommy off with her mature airs, but then when she starts acting her age Tommy expresses true affection for her.

Well, it does seem like a while since we've had a Cindy episode, but she's got the same basic problem as Bobby. At least Jan has someone to look down on...she should focus on that more. Cindy's issue gets going from Jan and Marcia being dismissive of Cindy's maturity for things like wearing fancy hairstyles and going on dates. The parents catch Cindy with her hair teased trying on one of Carol's dresses, and try to encourage her to enjoy the age she's at, as the growing up will come soon enough. Cindy has a talk with a robe-and-curlers-clad Alice in her room--I think this may be the first good look we've gotten of it--and Alice demonstrates the cream, mud, and chin sling she has to use to keep herself looking young. Cindy ends up getting a candy bar wrapped in a note from a secret admirer. This is followed by gifts of scraggly picked flowers and a hair ribbon, and Cindy really gets into the attention. The admirer calls her...and we see that he's Bobby in a phone booth, disguising his voice. Cindy takes the opportunity to make a date.

Bobby tries to leave her a Dear Jane note with candy bar about moving to Europe, but accidentally locks himself outside, to be discovered by Mike. The parents insist that Bobby has to 'fess up to Cindy as he's setting her up for a big letdown, but he can't bring himself to do it, so at school he offers Tommy Jamison a Kennedy half-dollar to come over bearing scraggly flowers for the date. When Cindy comes downstairs all dolled up to meet her admirer, we get a brief revisit of the "Love Theme from Romeo and Juliet". But Cindy's attempt to put on mature airs proves to be a turn-off for Tommy, so Cindy lets her pigtails down and admits to still being into childish things like lizards and teeter-totters. When the parents come home to find Cindy on her date, Bobby's got some 'splainin' to do, but Tommy ends up returning the half-dollar on the basis that he doesn't need to be paid, as Cindy's pretty neat. Bobby argues to the parents that this constitutes a happy ending.

In the coda, Alice is standing on a table because a gift lizard has escaped.

As a reminder, Eric Shea is the younger brother of Christopher (Linus) Shea, and played the kid who was repeatedly crying out for outlaw Shame in that villain's Batman two-parter.

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The Partridge Family
"Promise Her Anything, But Give Her a Punch"
Originally aired February 18, 1972
Wiki said:
Danny is in love for the first time. But the 11-year-old girl he would like to ask to the sixth grade dance would rather go with Keith.

This one has no teaser on Antenna, so we pick up with Danny having bought twelve boxes of Girl Scout cookies from Gloria Hickey, whom he claims to hate, and the elder members of the family realize he's in love. Mom has a talk with him, which is interrupted mid-sentence by an ill-placed commercial. Danny tries out asking Gloria to the dance on Laurie. Being 11 (a bit younger than the actor), he thinks that a punch in the arm is a good pick-up. Danny gets all dressed up for Gloria coming over so he can ask her (I didn't catch why she was coming), but he chickens out and runs up to his room. A misunderstanding ensues when Gloria (Patti Cohoon) asks Laurie about asking her brother to the dance, she tells Gloria that he has a crush on her, and it turns out she's talking about Keith.

Shirley and Keith have to break the news to Keith. Contrary to the Brady family's policy of absolute honesty, Shirley doesn't want Danny to know...though he finds out anyway, and is mad at Keith, pulling retaliatory pranks on him. When Keith can't reason with him, Mom has another talk, in which she encourages Danny to fight for Gloria. Gloria returns and Keith answers the door. He tries to talk up Danny, but she thinks Danny is icky. Danny comes out and tries to challenge Keith, who blurts out that he's not interested in Gloria, causing Gloria to run off heartbroken. Gloria returns later to ask Danny to the dance because he was willing to fight for her. Cut to the family performing "I Would Have Loved You Anyway" in the gym for Gloria's Girl Scout troop, with Keith singing directly to Gloria while Danny glowers. After the performance, Keith gets ready to sign autographs, but the Girl Scouts mob Danny.

Afterward we get an account of how awkwardly the dance went, which included Danny ignoring Gloria and exchanging punches in the arm with her.

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The Odd Couple
"A Night to Dismember"
Originally aired February 18, 1972
Wiki said:
Oscar, Blanche and Felix all remember the New Year's Eve when the Madisons split up differently.

Felix brings Oscar to Nino's Italian Restaurant (a That Girl tie-in?) for a surprise divorce anniversary date with Blanche while she's in town for a family wedding.

Oscar: Aren't you the guy that got the survivors of the Hindenburg together?​

Felix leaves them to proceed awkwardly, and they get into argumentative flashbacks about the New Year's Eve party that launched their breakup. Once again Oscar is depicted living in the current apartment set, so it seems that the Season 1 apartment has been retconned out of existence. Blanche's flashback recalls how she was completely trusting until she caught Oscar in the unusually neat bedroom fooling around with a bubbly blonde tennis champion named Trudy (Joan Van Ark). Oscar's account has him trying to spend time with Blanche while she makes a spectacle of herself being the life of the party. Trudy passes out from drinking while Blanche is leading a conga line...

Flashback Felix: Such a dusty dance...​

...and Blanche catches Oscar trying to lie Trudy down in the bedroom while Trudy half-consciously tries to make moves on him. Oscar goes after Blanche to try to straighten things out, and catches her fooling around with a football player (Arch Johnson, I think) in the kitchen (who was only in the background getting ice in Blanche's flashback). While Blanche's flashback had Oscar getting down on one knee begging forgiveness and Felix being judgmental of Oscar's behavior, Oscar's flashback has both points the other way around.

Felix returns to the restaurant and they ask him to settle the difference. Felix remembers having swooped in to save the party with his good spirits, though both of the others remember him suffering from his sinuses when he walked in the door. Oscar takes the drunken Trudy to the bedroom and Felix tries unsuccessfully to cover for him. Felix catches Blanche crying on the football player's shoulder in the kitchen, and unintentionally brings Oscar's attention to the matter. Felix tries to intervene in their argument, telling them both that they should get down on their knees. Back in the present, Felix and Blanche find common ground in disputing Felix's account and acknowledging how wrong they are for each other.

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Oddly, you seem to have gotten more out of this one than the rest of us for a change.
Heh. Possibly. I mean, I'm not about to go out and buy it or anything. :rommie:

See also the "Nutopian International Anthem" on John Lennon's 1973 album Mind Games.
Nice. I wonder if there's enough of these to do a compilation album.

Is that relatively speaking? I seem to recall a negative comment when this recently came up as a single.
Yeah, it wasn't great, but it was the most enjoyable of that batch. I don't remember it from before, but it may not have fared so well in another context-- also, I may have been in a different mood. :rommie:

We also learn that Five-O was formed in '59
I wonder if Alaska Four-9 was formed at the same time.

and Steve was returning from a mental health vacation in '68 (which is when the series started).
Okay, we need to learn more about this.

While I had trouble following the junkie's big infodump and had to go back and rewatch that, I saw the two big twists coming a mile away--that Carol was the one Steve was after, from how things were playing between them and the revelation of a mystery person involved; and following that, that Barker's escape and pursuit was staged, and that the surrealistic flashes of his actions weren't actually happening in the story.
I caught on pretty quickly, too, but I was all ready to joke about the elaborate IMF-style operation. The stylized flashbacks fix that. Good episode.

and assigns them the temporary callsign Zebra-12.
Whoa. They either just got kicked to the back of the line or promoted to the upper echelons where Starsky and Hutch reside.

Jeffers initially stays concealed behind a corner while letting the stewardess do the talking (apparently to save the actor's reveal)
Or he didn't show up for work that day. :rommie:

The officers are then assigned to bust an incoming pot courier.
Just a typical day at LAX.

the officers meet with U.S. Marshal Chuck Stanton
Conventional law enforcement at the airport seems complicated-- you've got airport security, air marshals, and LAPD all thrown in there together.

At least Jan has someone to look down on...she should focus on that more.
Everybody needs someone to feel superior to. :rommie:

Cindy has a talk with a robe-and-curlers-clad Alice in her room--I think this may be the first good look we've gotten of it--and Alice demonstrates the cream, mud, and chin sling she has to use to keep herself looking young.
No regeneration pod? I'm kind of disappointed.

and admits to still being into childish things like lizards and teeter-totters.
What's wrong with lizards?

Tommy ends up returning the half-dollar on the basis that he doesn't need to be paid
Gotta resolve that prostitution angle for the sake of standards and practices.

Bobby argues to the parents that this constitutes a happy ending.
I have to agree. His original plan may have been ill advised, but his heart was in the right place all along.

Shirley and Keith have to break the news to Keith.
It's getting harder and harder for Keith to hide his drug habit.

He tries to talk up Danny, but she thinks Danny is icky.
Keith is forced to concede.

Afterward we get an account of how awkwardly the dance went, which included Danny ignoring Gloria and exchanging punches in the arm with her.
Get a room, kids.

Felix leaves them to proceed awkwardly, and they get into argumentative flashbacks about the New Year's Eve party that launched their breakup.
I always get a kick out of these episodes that dramatize conflicting recollections. All In The Family had a great one, too.

Once again Oscar is depicted living in the current apartment set, so it seems that the Season 1 apartment has been retconned out of existence.
Perhaps a Quantum Leap tie in?

Back in the present, Felix and Blanche find common ground in disputing Felix's account and acknowledging how wrong they are for each other.
See, one of those Felixes (or Felices) has got to be Sam Beckett. :D
 
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50th Anniversary Viewing (Part 2)

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Love, American Style
"Love and the Alibi / Love and the Instant Father / Love and the Lovely Evening / Love and the Lover's Lane / Love and the Split-Up"
Originally aired February 18, 1972

I didn't have "Love and the Alibi". IMDb says that it featured Shari Lewis, Louisa Moritz, James Stacy, and John Wheeler.

"Love and the Instant Father" has Walter Motley (Corbett Monica) letting his neighbor Harry (Paul Smith) hold a Devoted Solo Parents Club meeting in his apartment. Walter's about to split when he takes an interest in a knockout of an attendee, Naomi (Pat Delaney), so he pretends to be one of the parents. Walter invites Naomi back over for a date and has to produce a fake daughter, so he borrows Harry's daughter, Eloise (Pamelyn Ferdin), who proves to be a handful to keep in line, milking him for additional money while Naomi is there. Naomi overhears Eloise talking on the phone to a friend about the cushy gig and splits...but comes back for her casserole while Walter is giving Eloise a piece of his mind. Naomi turns out to be impressed by the firm hand he shows with the spoiled girl and wants to recruit him for fatherly duties with her own daughter.

"Love and the Lovely Evening" takes place at a hotel where George (Jack Mullaney) and Mabel (Judith McConnell) are getting ready to go to class reunion dinner with room-neighbor couples Stan (Roger Perry) and Betty (Jocelyn Peters) and Bernie (James Hampton) and Jane (Francine York). Stan delays to finish watching a ball game; while Betty and Bernie have an argument over her having packed an old plaid jacket of his. While they're all out, a burglar (Herbie Faye) breaks into Betty and Bernie's room, but Bernie comes home early. The burglar grabs the plaid jacket, then slips into George and Mabel's room and only manages to nab a pair of cuff links before George comes back. The burglar then goes to Stan and Betty's place, but Betty comes back, so he drops the cuff links hastily while exiting back out the window. Stan comes back to find George's cuff links, and thinks Betty came back for a rendezvous with him, so he goes to George's room to punch him out. Afterward Stan sees the back of the burglar in the plaid jacket crawling into Bernie's room, and thinking that Bernie was trying to sneak in their window, he goes to Bernie's room and slugs him. Stan then goes over to explain things to Mabel and is slugged by George. Meanwhile, the burglar explains things to Bernie and Jane, and Bernie lets him go. All of the ladies end the evening impressed with their men for all the fighting and in the mood for romance.

"Love and the Lover's Lane" opens with Dora Bradley (Janis Hansen) making an anniversary breakfast for her husband Peter (Dick Sargent) in a very familiar-looking kitchen, which we'd associate with a large family who have a very similar surname, who had another part of their home recently pop up in another series. The breakfast is served in a dining room that looks like it's using exterior walls from the den set, but placed where the fourth wall usually is, and you can kinda tell, as there are mismatched walls layered over each other. Peter doesn't know what day it is, and Dora overhearing a phone conversation about garden work leads to a misunderstanding in which she thinks he got her a ring; but when she tries to show off what's in the little box to neighbors Harry and Grace Watkins (Paul Winchell and Mitzi Hoag), it turns out to be full of dirt. Dora ends up forgiving Peter, and wants him to take her up to Lookout Point for old time's sake.

Peter ends up being more interested in some rare ivy he spots than getting romantic. The area is being patrolled by officers O'Brien and McGillis (Mickey Shaughnessy and Jamie Farr), who walk up to bust the couple as Peter's spraying his ivy. O'Brien's skeptical of his story, though McGillis recognizes Peter as a doctor he saw at the hospital. Still suspecting hanky panky, O'Brien tries to run them off, but Peter's lost his keys. Peter calls Harry to bring the spare keys, but Harry arrives to report that he couldn't find them. Harry gets in the Bradleys' car while Peter goes to look through the bushes from which he picked the ivy for his keys, and the officers find Dora with another man, playing into O'Brien's suspicions. When Peter tries to explain, O'Brien thinks there's a threesome going on and runs them all in. A shocked Grace is at the station on behalf of a ladies' group, but the situation is explained to the police chief (Tol Avery), who takes Dora back up to Lookout Point to get her car while Peter responds to a call from the hospital. O'Brien storms up to the car to find Dora with yet another man, then sees who it is...

"Love and the Split-Up" has Derek (John Amos) bringing candy to his wife Susan (Denise Nicholas) even though their divorce is about to be finalized. They talk about custody of Heidi. who turns out to be their sheepdog. Derek clearly wants to stay together though Susan tries to stand firm. She's looking for another guy to give Heidi a more stable home life, considering Derek's visits to be disruptive. Derek starts coming over daily while she's out to share his dinners with Heidi, giving her steak, roast beef, and hot dogs. Susan comes to believe that Heidi isn't eating, so Derek recruits an actor friend (Hans Conried) to pose as an animal psychologist in order to convince Susan that Heidi needs the two of them to get back together. This actually does the trick, though Heidi sees through the phony doctor and sends him climbing up a bookshelf.

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All in the Family
"Sammy's Visit"
Originally aired February 19, 1972
Wiki said:
The Bunkers have the honor of Sammy Davis, Jr. visiting their home to retrieve a briefcase he accidentally left in Archie's cab.

In 1997, TV Guide ranked this episode #13 on its list of the 100 Greatest Episodes.

We learn that Archie's moonlighting in Mr. Munson's borrowed cab again, and he comes home to first rub it in to Michael about how he's working two jobs, then to make the family guess what famous personality rode in his cab that day.

Edith: Living or dead?​

It comes up that the celebrity is black, and the family guess various personalities. There's a lot of racial humor here that wouldn't make it on TV today, including one bit about Harry Belafonte's skin tone. Archie finally reveals that it was Sammy Davis Jr. and says that he gave Sammy his address so that he could send an autographed picture. Then Archie gets a call from Davis about the briefcase full of important documents that he left in the cab. Archie's initially beside himself, but arranges for Davis to come by the house to pick it up. To that end Archie calls Munson to bring over the case, hinting that it belongs to somebody big. Noting Archie's respect for Davis, Mike asks what the difference is between him and somebody like Lionel Jefferson...

Archie: Ten million dollars and five purple Cadillacs!​

Edith can't help spilling the beans to everyone, including Mabel Hefner via phone and Lionel when he comes over. Everyone's properly excited when Sammy arrives at the door, and when Archie introduces Davis to his daughter's husband, Sammy shakes Lionel's hand. Archie invites Davis to sit in his chair, tries to be complimentary in his racially condescending way, and accidentally blurts out something about Sammy's glass eye after making a point of warning Edith not to.

Archie has Edith serve Sammy a Twinkie, and Barney Hefner arrives with a camera (Allan Melvin in his first appearance in the recurring role that will become a regular one on Archie Bunker's Place). Then a Mrs. Haskell (Fay DeWitt) drops in to have her daughter Clarissa (Keri Shuttleton) demonstrate her tap-dancing. Archie finds himself in an awkward position when Sammy casually drinks a toast out his beer glass and then hands it back to him. Lionel brings Mrs. J, who's very excited but doesn't stay long. While Archie's out of the room, the Stivics and Lionel try to apologize for Archie's crude behavior.

Lionel: He's not a bad guy, Mr. Davis. I mean, like, he'd never burn a cross on your lawn.
Sammy: No, but if he saw one burning, he's liable to toast a marshmallow on it.​

The subject of Sammy hugging and kissing Raquel Welch on Johnny Carson comes up, and Archie tries to explain his position on the matter to Sammy...

Archie: I think that if God has meant us to be together, he'd have put us together. But look what he done--he put you over in Africa, he put the rest of us in all the white countries.
Sammy: Well, you must have told him where we were, because somebody came and got us.​

(Either Sammy or the writers seem to have gotten the pronouns mixed up here, but the delivery more than works.)

When Archie tries to argue that he isn't prejudiced, Sammy smoothly gets in some backhanded compliments and digs at Archie, referencing a couple of racial epithets along the way. (There's a good YouTube clip of the above sequences from Shout! Factory, but it includes the epithets, so I shan't post it here. See "All In The Family: The Complete Series (3/5) 1971".)

Then Mr. Munson (Billy Halop) arrives with the briefcase and his own camera, wanting to get a picture of Archie and Sammy together. Famously, Sammy counts to three, kisses Archie on the cheek as Munson snaps the picture, and promptly takes his leave as Archie stands flabbergasted.
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In the coda, Sammy's picture arrives in the mail, signed, "To Archie Bunker, the whitest guy I know."

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The Mary Tyler Moore Show
"You Certainly Are a Big Boy"
Originally aired February 19, 1972
Wiki said:
Mary knew the architect she is interested in had a son, but she did not know the son is all grown up.

Mary receives an unexpected visit from Matt Bryan (Bradford Dillman), who wants to do sketches of the interior of the house, though as an example of bad design by an infamous architect. Mary gets flirty and he sketches her instead of the apartment. Phyllis and Rhoda drop in while he's there.

Matt: I didn't realize there was a fourth floor.
Rhoda: There isn't, but I live up there anyway.​

Mary invites him back and sets a date for him to pick her up at the newsroom. Murray's heard of Matt and his interest in saving old buildings. Matt arrives to catch Mary looking through the station's file on him after Lou maneuvers her into it. Matt accidentally leaves his wallet at lunch and Mary sets a date to take it back to him. Rhoda finds a picture of Matt with a young son. Then Matt Bryan Jr. arrives to pick Mary up on his busy father's behalf, and turns out to be all grown up, age 24 (John Rubinstein). This makes the age difference between Matt Sr. and Mary a little more obvious and awkward. (The actors are only six years apart, though they're going with the conceit that Mary Richards is still only about 30. Likewise, they say that Matt Sr. is almost Lou's age, which is true of the actors, though they've established through Lou's war experience that he's at least a few years older than Asner; and Dillman was only 16 years older than 24.)

After she's been seeing Matt Sr. for a while, it comes out that Mary's frustrated by his efforts to avoid communication through always listening to tapes in the car and going to places where it's too loud to talk. Matt Jr. has lunch with Mary to tell her how he got in a fight with his father over Mary. He tells her how his father has been lying about being out of town to avoid her, because he's afraid of commitment. Then Matt Sr. drops in to explain himself, fumbling over the prematurely anticipated topic of marriage.

Beverly Sanders makes her second of three appearances as a recurring waitress.

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Emergency!
"Brushfire"
Originally aired February 19, 1972
Wiki said:
Station 51 is called up to fight an out-of-control brushfire. An elderly woman breaks her ankle, a man is injured by a horse stampede, a looter is injured in a motorcycle accident, a boy breaks his arm and loses his dog, and a firefighter is trapped and injured under a fallen tree. The out-of-control brushfire also threatens the house of a pregnant woman in labor, who cannot be moved.

The episode opens with Squad and Engine 51 responding to the titular Malibu blaze along with a large number of other stations, while Brackett and Early watch the news with anticipation at Rampart. Desoto and Gage drive up to an old home to tell an elderly woman, Emma Lenover (Edith Evanson), that she needs to evacuate and ask about a woman who's trapped on the ridge behind the house, who turns out to be the Emma's sister. They find Winifred (Lillian Bronson) lying on the ground, having gotten weak and dizzy while watching the fire and fractured her ankle in the fall. Early remote-diagnoses dehydration, but Winifred doesn't want to go to the hospital because Emma's been trying to force her out of the family home. Because the area is being evacuated, the paramedics are informed that they have to transport the woman in their vehicle. They put her on the Stokes stretcher and onto the back of the truck, with Johnny standing in the well beside her.

At Rampart, a young evacuee named Andy (Trent Lehman) is found walking around with an arm broken in multiple places. He says that he fell while looking for his dog Grover in the fire area. The paramedics arrive with Winifred after Andy's X-rays, and Dixie makes them promise to look for Grover.

We cut abruptly to the fire area at night, with the paramedics aiding a fireman who's been pinned by a falling tree (Gary Crosby). He's freed via chainsaw and loaded onto a stretcher. Back at Rampart, he's awake as Brackett operates on his leg, which the doctor credits the paramedics' field treatment for allowing him to save. Later the paramedics are treating other firefighters for smoke inhalation. An evacuee in a robe and pajamas (Bob Hastings) stumbles into the area and collapses, saying that he was stampeded by escaping horses, and is loaded into an ambulance.

Roy's catnapping in the cab of the truck as Engine 51 gets a call that the paramedics join in on. They enter a house being doused with fire hoses in which a woman named Rhonda Hughes (Ellen Moss) is going into premature labor. Brackett advises that they'll need to deliver the baby so the patients can be moved out, while the captain puts pressure on the paramedics because the engine needs to pull back. This time Roy does the midwifing and nobody wears masks; Johnny reports the successful delivery on the biophone, and Roy informs the mother that she has a healthy-looking boy.

Back at Rapmpart, and now daytime again, the paramedics get word that the fire's being brought under control, but are assigned a call to a plane-spotted motorcycle accident in the hills. They find the rider (a bearded Tony Dow) lying in a gully near the bike. The paramedics put his arm in a sling and once again have to transport their patient in the truck...this time in the cab. But when Johnny goes to load his bike into the back, he finds a pouch full of jewels, and surmises that the rider is a looter. At the advice of the plane, relayed by dispatch, the paramedics split from the area without the bike. They call in a copter to drop water on a blaze in the road that they have to drive out through. Gage calls for a deputy to meet them at the command post, which the rider gets hinky about. He tries to offer them cuts of his loot, but they turn him in to the deputy (Vince Howard), who sees him into an ambulance.

Johnny: You know, I could've used a couple of hundred.
Roy: Not me...I'm independently poor.​

The paramedics take an interest in a pound of lost dogs at the post, and identify Grover with the help of his tag. Andy's being wheeled out of Rampart in his cast when he sees Grover tied to a phone booth outside as the paramedics are about to try to find him.

The throughline of the fire story made the story threads tighter than usual in this one.

_______

Mission: Impossible
"Casino"
Originally aired February 19, 1972
Wiki said:
To take down a Syndicate casino owner (Jack Cassidy), the IMF makes his Syndicate bosses believe he's planning to rob his own vault and flee with the money to the Caribbean. The seventh season episode "Kidnap" (S07/E11) refers to this episode.

Orin Kerr (Jack Cassidy) is summoned from his casino to a warehouse meeting with Syndicate enforcer Steve Cameron (Richard Devon) to be informed that his accountant, Mel Simpson (Biff Elliot), is undercover fuzz. Kerr gives Simpson the offscreen gunshot treatment.

The reel-to-reel tape on the catwalk of a marina lighthouse said:
Good morning, Mr. Phelps. This man, Orin Kerr, runs one of the West's most popular resort cities for the Syndicate, channeling millions of dollars into the underworld every year from unsuspecting tourists. Conventional law enforcement agencies could clean up the town if a new bill presented by the governor ending county control of gambling passes. Undercover agent Mel Simpson was killed trying to gain evidence of Syndicate involvement to place before the state legislature. Your mission, if you decide to accept it, is to get that evidence in time to ensure passage of the bill. This tape will self-destruct in five seconds. Good luck, Jim.

While Jim rigs some wiring in a utility closet at the casino, Willy, with references from Chicago, auditions his card sharp skills at blackjack for Kerr. Barney arrives to see Kerr, posing as a representative from a Caribbean organization. A doctored tape with an actor playing Kerr is piped through to Cameron's man Joe Logan (Eddie Ryder), who's listening in and taping via a bug, making it sound like Kerr's conspiring with Barney. Casey's taken back to see Kerr for passing bad checks at the casino, while another doctored tape is played for the benefit of Cameron's listener. Casey brings boyfriend Jim to see Kerr, while another tape is played giving an alternate version of the meeting. Kerry questions Jim about a picture in a planted old paper that identifies him as an ex-con involved in a robbery from which the loot was never recovered. The doctored tapes give the impression that Kerr's planning a heist on the vault.

Cameron and Logan go to confront Jim and Casey and end up tied up. Kerr has Willy make Jim lose bad at the blackjack table. Jim confronts Willy about cheating him and is dragged out while Willy uses the distraction to switch cash boxes under the table. Barney parks his van in the garage under the casino's vault and sets up a device in the ventilation shaft overhead. The fake cash box turns out to be a remote-operated robotic device of Barney's, with camera, which Barney uses to blow the vault's alarm system so his other device can torch a hole into the vault floor, via which Barney vacuums down the loosely slotted bills through a hose into the van.

Kerr strongarms Jim for the money he now owes, then Kerr and his henchman Bill Wicks (Frank Christi) tail Jim and Casey as they head for a ghost town named Sandsville where the baddies have bene led to believe Jim has the loot from his old heist stashed. Meanwhile, an anonymous call from Willy gets Cameron and Logan freed, and they check the vault to find the money gone. A map planted in Kerr's office leads them to Sandsville, where Barney brings the loot from the vault. Kerr catches Jim digging into his bag of loot and confiscates it...just as Cameron arrives to catch Kerr with it. Jim gives the impression that he's Kerr's accomplice, and the dates on the bills confirm that they aren't from the 1959 job that Jim's supposed to have been involved in. Barney busts in, in character, gets the drop on everyone, and persuades Kerr to invest the money from the vault in his organization. Cameron, Logan, and Wicks are locked in a room, while Kerr is met outside by Peter Wiley (Walker Edmiston) from the state AG's office, and decides under the circumstances to take Wiley up on a previous offer to testify against the Syndicate.

_______

Nice. I wonder if there's enough of these to do a compilation album.
Very avant-garde.

Conventional law enforcement at the airport seems complicated-- you've got airport security, air marshals, and LAPD all thrown in there together.
I'm assuming that one guy was airport security...he was plainclothes and friendly with the marshal, but wasn't himself identified as a marshal.

It's getting harder and harder for Keith to hide his drug habit.
Oops.

ETA: One of the guests on tonight's Hawiian Eye is a pre-DVD MTM.
 
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Walter invites Naomi back over for a date and has to produce a fake daughter, so he borrows Harry's daughter
He doesn't seem to be thinking long term here. :rommie:

Naomi turns out to be impressed by the firm hand he shows with the spoiled girl and wants to recruit him for fatherly duties with her own daughter.
But she is. :rommie:

Meanwhile, the burglar explains things to Bernie and Jane, and Bernie lets him go. All of the ladies end the evening impressed with their men for all the fighting and in the mood for romance.
Quintessential LAS.

Peter (Dick Sargent)
A Darren.

a very familiar-looking kitchen, which we'd associate with a large family who have a very similar surname, who had another part of their home recently pop up in another series.
Another pleasant Brady Sunday-ay.... rows of houses that are all the same....

Jamie Farr
Max Klinger.

O'Brien thinks there's a threesome going on and runs them all in.
Come on, O'Brien, there's a Sexual Revolution going on. Get with the 70s.

O'Brien storms up to the car to find Dora with yet another man, then sees who it is...
This is the origin of the term "Dora the Explorer."

Susan (Denise Nicholas)
Miss MacIntyre from Room 222.

She's looking for another guy to give Heidi a more stable home life, considering Derek's visits to be disruptive.
Derek may want to take a step back and think things through. :rommie:

an actor friend (Hans Conried)
Character actor with a great face who turned up pretty much everywhere, including The Night Stalker.

Edith: Living or dead?
This being a sitcom, that's a valid question.

Archie: Ten million dollars and five purple Cadillacs!
Which raises the question of what he was doing in Archie's cab.

Archie invites Davis to sit in his chair
Whoa. :eek:

Lionel: He's not a bad guy, Mr. Davis. I mean, like, he'd never burn a cross on your lawn.
Sammy: No, but if he saw one burning, he's liable to toast a marshmallow on it.​
But no, as we'll learn.

(There's a good YouTube clip of the above sequences from Shout! Factory, but it includes the epithets, so I shan't post it here. See "All In The Family: The Complete Series (3/5) 1971".)
Found it, and it's notable for a couple of reasons. :rommie:

Famously, Sammy counts to three, kisses Archie on the cheek as Munson snaps the picture, and promptly takes his leave as Archie stands flabbergasted.
I wonder if that got censored in the South. :rommie:

who wants to do sketches of the interior of the house, though as an example of bad design by an infamous architect.
Not Mike Brady!

Matt: I didn't realize there was a fourth floor.
Rhoda: There isn't, but I live up there anyway.​
They're not even trying to hide it.

(The actors are only six years apart, though they're going with the conceit that Mary Richards is still only about 30. Likewise, they say that Matt Sr. is almost Lou's age, which is true of the actors, though they've established through Lou's war experience that he's at least a few years older than Asner; and Dillman was only 16 years older than 24.)
TV writers seem to pay scant attention to the details I obsess over. :rommie:

Then Matt Sr. drops in to explain himself, fumbling over the prematurely anticipated topic of marriage.
Sounds like a purely physical relationship to me. :rommie:

The episode opens with Squad and Engine 51 responding to the titular Malibu blaze along with a large number of other stations
These days a wildfire could be a season-long arc.

They find Winifred
My Mother's name, although spelled a bit different.

Winifred doesn't want to go to the hospital because Emma's been trying to force her out of the family home.
Starting a wildfire was a step too far, but we'll let Adam-12 worry about that.

An evacuee in a robe and pajamas (Bob Hastings)
Another popular character actor.

the rider (a bearded Tony Dow)
Wally.

They call in a copter to drop water on a blaze in the road that they have to drive out through.
Okay, that's exciting.

Andy's being wheeled out of Rampart in his cast when he sees Grover tied to a phone booth outside as the paramedics are about to try to find him.
Awww.

The throughline of the fire story made the story threads tighter than usual in this one.
Yeah, it sounded more like Irwin Allen than Jack Webb.

Orin Kerr (Jack Cassidy)
Another character well suited to playing sleazy (and who came to a particularly sad end in real life).

A doctored tape with an actor playing Kerr
An actor in a magic mask or just a lookalike?

Barney vacuums down the loosely slotted bills through a hose into the van.
Hmmm....

they head for a ghost town named Sandsville where the baddies have bene led to believe Jim has the loot from his old heist stashed.
Guarded by Jim Backus.

and decides under the circumstances to take Wiley up on a previous offer to testify against the Syndicate.
Well, that was non violent.

ETA: One of the guests on tonight's Hawiian Eye is a pre-DVD MTM.
Nice. That's a sadly all-too-rare occurrence.
 
55 Years Ago This Week

February 26
  • Mario Andretti, the defending United States Auto Club champion in open-wheel car racing, won the crown jewel of stock car racing, the Daytona 500. Andretti, driving the #11 Ford, finished 22 seconds ahead of 1965 Daytona winner Fred Lorenzen in front of a crowd of 94,255 fans. The 1966 Daytona champion, Richard Petty, was forced to drop out of the race after 193 laps.
  • A Soviet nuclear test is conducted at the Semipalatinsk Test Site, Eastern Kazakhstan.

February 27 – The Dutch government supports British EEC membership.

February 28 – President Johnson sent a message to the U.S. Senate, asking for the introduction of what would become the Public Broadcasting Act of 1967. "I am convinced," the President said, "that a vital and self-sufficient noncommercial television systerm will not only instruct, but inspire and uplift our people." The creation of the Corporation for Public Broadcasting would be signed into law on November 7 and would create public funding for the existing National Educational Television network. On October 5, 1970, the corporation would be sufficiently funded to for the Public Broadcasting Service (PBS) to be created.

March 1
  • Clay Shaw, the former director of the International Trade Mart in New Orleans, became the first person since 1963 to be arrested on accusations of the assassination of U.S. President John F. Kennedy. The New Orleans District Attorney Jim Garrison had ordered that Shaw be charged with conspiracy to commit murder. After posting a bond of $10,000 Shaw was released. Garrison told reporters, "There will be more arrests," and added, "If you want to bet against me, you will lose.
  • The city of Hatogaya, Saitama, Japan, is founded.
  • Brazilian police arrest Franz Stangl, ex-commander of Treblinka and Sobibór extermination camps.
  • The Red Guards return to schools in China.
  • The Queen Elizabeth Hall is opened in London.
  • Óscar Gestido is sworn in as President of Uruguay after 15 years of collegiate government.

March 2
  • U.S. President Lyndon Johnson announced that Soviet Union Prime Minister Alexei Kosygin had agreed to discussions between the two nations to limit the number of offensive and defensive nuclear missiles that each side would possess. The Americans and Soviets would sign the Treaty on the Non-Proliferation of Nuclear Weapons on July 1, 1968, and commence the Strategic Arms Limitation Talks (referred to in the U.S. as SALT and in Russia as ogranichenii strategicheskikh vooruzheniy or OSV).
  • Two U.S. Air Force planes mistakenly bombed the South Vietnamese village of Lang Vei in the Quang Tri Province with napalm, killing 135 men, women and children who were part of the Bru minority group. Another 213 civilians survived their burns. Less than a year later, the unfortunate hamlet would be the scene of the bloody Battle of Lang Vei between South Vietnamese and North Vietnamese troops.

March 4
  • The first North Sea gas is pumped ashore at Easington, East Riding of Yorkshire.
  • Queens Park Rangers become the first 3rd Division side to win the English Football League Cup at Wembley Stadium, defeating West Bromwich Albion 3–2.
  • A U.S. presidential commission recommended a reform to the American selective service system, in what was described as a "youngest first by random selection procedure". While the existing method was for local draft boards to fill their quotas starting with 26-year-old men, the new system would eliminate the 4,100 community draft boards and randomly select registered 19-year-old men. "If a man is not drafted at 19," a reporter noted, "chances are good under the new proposal that he would never be drafted short of total war."


Selections from Billboard's Hot 100 for the week:
1. "Ruby Tuesday," The Rolling Stones
2. "Love Is Here and Now You're Gone," The Supremes
3. "Kind of a Drag," The Buckinghams
4. "Baby I Need Your Lovin'," Johnny Rivers
5. "Georgy Girl," The Seekers
6. "The Beat Goes On," Sonny & Cher
7. "Gimme Some Lovin'," The Spencer Davis Group
8. "Then You Can Tell Me Goodbye," The Casinos
9. "Sock It to Me, Baby!," Mitch Ryder & The Detroit Wheels
10. "I'm a Believer," The Monkees
11. "Mercy, Mercy, Mercy," Cannonball Adderley
12. "(We Ain't Got) Nothin' Yet," The Blues Magoos

14. "It Takes Two," Marvin Gaye & Kim Weston
15. "Pretty Ballerina," The Left Banke
16. "Go Where You Wanna Go," The 5th Dimension
17. "I Had Too Much to Dream (Last Night)," The Electric Prunes
18. "You Got to Me," Neil Diamond
19. "The Hunter Gets Captured by the Game," The Marvelettes
20. "For What It's Worth (Stop, Hey What's That Sound)," Buffalo Springfield
21. "Happy Together," The Turtles
22. "Darling Be Home Soon," The Lovin' Spoonful
23. "There's a Kind of Hush," Herman's Hermits
24. "Epistle to Dippy," Donovan
25. "98.6," Keith
26. "Dedicated to the One I Love," The Mamas & The Papas
27. "Let's Fall in Love," Peaches & Herb
28. "I've Been Lonely Too Long," The Young Rascals
29. "So You Want to Be a Rock 'n' Roll Star," The Byrds
30. "Niki Hoeky," P.J. Proby
31. "Green, Green Grass of Home," Tom Jones
32. "California Nights," Lesley Gore

34. "Everybody Needs Somebody to Love," Wilson Pickett
35. "Music to Watch Girls By," The Bob Crewe Generation
36. "Penny Lane," The Beatles
37. "Ups and Downs," Paul Revere & The Raiders

41. "I Think We're Alone Now," Tommy James & The Shondells
42. "Tell It Like It Is," Aaron Neville

45. "Strawberry Fields Forever," The Beatles
46. "Pushin' Too Hard," The Seeds

48. "Sit Down, I Think I Love You," The Mojo Men
49. "Snoopy vs. The Red Baron," The Royal Guardsmen
50. "The Love I Saw in You Was Just a Mirage," Smokey Robinson & The Miracles

54. "The 59th Street Bridge Song (Feelin' Groovy)," Harpers Bizarre
55. "Let's Spend the Night Together," The Rolling Stones

58. "The Return of the Red Baron," The Royal Guardsmen

65. "It's Now Winter's Day," Tommy Roe

68. "Jimmy Mack," Martha & The Vandellas

77. "Dry Your Eyes," Brenda & The Tabulations

80. "I Never Loved a Man (The Way I Love You)," Aretha Franklin
81. "Western Union," The Five Americans

83. "Beggin'," The Four Seasons


85. "With This Ring," The Platters

90. "This Is My Song," Petula Clark


Leaving the chart:
  • "Bring It Up," James Brown (8 weeks)

Recent and new on the chart:

"The Return of the Red Baron," The Royal Guardsmen
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(Feb. 25; #15 US; #37 UK)

"I Never Loved a Man (The Way I Love You)," Aretha Franklin
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(#9 US; #1 R&B; #186 on Rolling Stone's 500 Greatest Songs of All Time [2004])

"Western Union," The Five Americans
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(#5 US)

"This Is My Song," Petula Clark
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(#3 US; #2 AC; #1 UK)


And new on the boob tube:
  • The Ed Sullivan Show, Season 19, episode 25
  • Gilligan's Island, "High Man on the Totem Pole"
  • The Monkees, "Monkees à la Mode"
  • The Rat Patrol, "The Wild Goose Raid"
  • The Invaders, "Doomsday Minus One"
  • Batman, "A Piece of the Action"
  • Batman, "Batman's Satisfaction"
  • Star Trek, "This Side of Paradise"
  • That Girl, "Leaving the Nest Is for the Birds"
  • The Green Hornet, "Hornet Save Thyself"
  • The Wild Wild West, "The Night of the Surreal McCoy"
  • Tarzan, "Jungle Dragnet"
  • The Time Tunnel, "The Death Merchant"
  • Hogan's Heroes, "Reverend Kommandant Klink"
  • The Man from U.N.C.L.E., "The Matterhorn Affair"
  • The Avengers, "The Living Dead"
  • Mission: Impossible, "Action!"
  • Get Smart, "The Expendable Agent"

_______

Timeline entries are quoted from the Wiki pages for the month or year.

_______

55th Anniversary Fly-on-the-Wall Listening

Take 7 of "Being for the Benefit of Mr. Kite!," the basis for the final master, was recorded on February 17; Anthology 2 includes a bit of business at the end that was recorded on February 20.
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_______

A Darren.
And for context, they were late in the final season of the show at this point.

Max Klinger.
Coming this fall!

Derek may want to take a step back and think things through. :rommie:
I could relate to this one, have become the de facto daddy figure of my ex's pooch.

Which raises the question of what he was doing in Archie's cab.
Now that you mention it...

But no, as we'll learn.
Indeed--a striking moment in the series that I remember seeing first-run.

Found it, and it's notable for a couple of reasons. :rommie:
What was the other?

Not Mike Brady!
Frank Reich. Not to be confused with...

They're not even trying to hide it.
They're making a joke of it--what we'd come to call "meta".

These days a wildfire could be a season-long arc.
I think I've seen a later episode in the background that was based on an actual wildfire happening around the time.

Another popular character actor.
Who pops up frequently on the Mark VII shows.

An actor in a magic mask or just a lookalike?
Soundalike...he was Fake Kerr for the misleading tapes being piped through the bug. We never actually saw him, it was Cassidy's voice.

Guarded by Jim Backus.
:D Now I want a portfolio scene in which Jim flips through the whole GI cast...

Nice. That's a sadly all-too-rare occurrence.
And you'd think I'd know how to spell "Hawaii(an)" by now...
 
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On October 5, 1970, the corporation would be sufficiently funded to for the Public Broadcasting Service (PBS) to be created.
Wow, I thought PBS was older than that.

"The Return of the Red Baron," The Royal Guardsmen
Some sequels should just never have been made.

"I Never Loved a Man (The Way I Love You)," Aretha Franklin
Sounds like Aretha, but not very memorable.

"Western Union," The Five Americans
This is a good one. Kind of borders on a novelty number.

"This Is My Song," Petula Clark
I didn't realize she did this. It's not great, but likeable.

Indeed--a striking moment in the series that I remember seeing first-run.
One of the show's high points.

What was the other?
It was still wrong to call people "colored."

Frank Reich. Not to be confused with...
Hmm. I don't think I get that reference.

They're making a joke of it--what we'd come to call "meta".
Hide in plain sight. :rommie:

Soundalike...he was Fake Kerr for the misleading tapes being piped through the bug. We never actually saw him, it was Cassidy's voice.
Ah, okay. I was picturing it as video for some reason.

:D Now I want a portfolio scene in which Jim flips through the whole GI cast...
That would be fantastic. :rommie:

And you'd think I'd know how to spell "Hawaii(an)" by now...
I didn't even notice that one.
 
50 Years Ago This Week

February 28
  • Before departing the People's Republic of China following an historic visit, President Nixon of the United States signed the Shanghai Communiqué with and Premier Zhou of China, setting out agreements to improve diplomatic relations and to prevent the hegemony of any nation (including the Soviet Union) over the "Asia-Pacific Region".
  • The Asama-Sanso incident ends in a standoff between 5 members of the Japanese United Red Army and the authorities, in which two policemen are killed and 12 injured.

February 29
  • "We now have evidence that the settlement of the Nixon administration's biggest antitrust case was privately arranged between Atty. Gen. John Mitchell and the top lobbyist for the company involved", was the opener to Jack Anderson's syndicated column. "We have this on the word of the lobbyist herself, crusty, capable Dita Beard of the International Telephone and Telegraph Co. She acknowledged the secret deal after we obtained a highly incriminating memo, written by her, from ITT's files." The subsequent investigation by the Nixon Administration into the source of leaked information was one of seven improper activities cited by the Watergate Committee in its final report.
  • John Lennon and Yoko Ono's US visitors' visas expire and they are granted routine 15-day extensions.

March 1 – Juan María Bordaberry is sworn in as President of Uruguay amid accusations of electoral fraud.

March 2
  • The Club of Rome presents the research results leading to its report The Limits to Growth, published later in the month.
  • Pioneer 10 was launched from the Cape Kennedy at 8:49 p.m. Bearing a 6-by-9-inch gold anodized plaque that contained a message for alien civilizations, the American probe attained a record speed of more than 30,000 m.p.h. on its way to the planet Jupiter, which it would reach on December 3, 1973. Pioneer 10 became, on June 13, 1983, the first man-made object to depart the Solar System, moving toward the star Aldebaran. The last transmissions from Pioneer 10 were received on March 31, 1997, and the last signal was received on January 22, 2003.

March 3
  • After more than 48 years, the carving of the bas relief sculpture on Stone Mountain (near Atlanta) was completed under the direction of Walker Hancock. The 90 foot high representation of Jefferson Davis, Robert E. Lee and Stonewall Jackson had been started on June 23, 1923, by Gutzon Borglum.
  • Mohawk Airlines Flight 405 crashed into a house on Edgewood Avenue in Albany, New York, killing 16 of the 47 persons on board, and one person in an upstairs apartment. The impact happened at 8:48 pm after the commuter plane lost power during a snowstorm.
  • Thick as a Brick by Jethro Tull is released, a concept album supposedly written by an 8-year-old boy, Gerald Bostock.
  • Yoko's custody of Kyoko is again proven in the US court but Anthony Cox flees with her and cannot be found.

March 4
  • "About 1.1 million young people reached adulthood at midnight", as the New York Times described it, when a law took effect in California to lower the age of majority from 21 to 18.
  • Libya and the Soviet Union sign a cooperation treaty.
  • The Organisation of the Islamic Conference Charter is signed (effective February 28, 1973).


Selections from Billboard's Hot 100 for the week:
1. "Without You," Nilsson
2. "Hurting Each Other," Carpenters
3. "Precious and Few," Climax
4. "Down by the Lazy River," The Osmonds
5. "Everything I Own," Bread
6. "The Lion Sleeps Tonight," Robert John
7. "Heart of Gold," Neil Young
8. "Let's Stay Together," Al Green
9. "Sweet Seasons," Carole King
10. "Bang a Gong (Get It On)," T. Rex
11. "The Way of Love," Cher
12. "American Pie," Don McLean
13. "Joy," Apollo feat. Tom Parker
14. "Mother and Child Reunion," Paul Simon
15. "Don't Say You Don't Remember," Beverly Bremers
16. "My World," Bee Gees
17. "Floy Joy," The Supremes
18. "Never Been to Spain," Three Dog Night
19. "Jungle Fever," The Chakachas
20. "A Horse with No Name," America
21. "I Gotcha," Joe Tex

23. "Rock and Roll Lullaby," B. J. Thomas
24. "Anticipation," Carly Simon
25. "Ain't Understanding Mellow," Jerry Butler & Brenda Lee Eager
26. "Day After Day," Badfinger
27. "Runnin' Away," Sly & The Family Stone
28. "Black Dog," Led Zeppelin

30. "Talking Loud and Saying Nothing, Part 1," James Brown

32. "Fire and Water," Wilson Pickett

34. "Stay with Me," Faces
35. "Footstompin' Music," Grand Funk Railroad

38. "Puppy Love," Donny Osmond
39. "Roundabout," Yes
40. "In the Rain," The Dramatics

52. "Taurus," Dennis Coffey & The Detroit Guitar Band
53. "Do Your Thing," Isaac Hayes
54. "Feeling Alright," Joe Cocker

57. "Iron Man," Black Sabbath

59. "A Cowboy's Work Is Never Done," Sonny & Cher
60. "Betcha By Golly, Wow," The Stylistics

62. "Take a Look Around," The Temptations
63. "Slippin' into Darkness," War
64. "Diamonds Are Forever," Shirley Bassey

77. "The First Time Ever I Saw Your Face," Roberta Flack

85. "Tiny Dancer," Elton John
86. "Nice to Be with You," Gallery


Leaving the chart:
  • "Brand New Key," Melanie (18 weeks)
  • "Clean Up Woman," Betty Wright (14 weeks)
  • "Sunshine," Jonathan Edwards (16 weeks)

Recent and new on the chart:

"Do Your Thing," Isaac Hayes
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(Feb. 26; #30 US; #3 R&B)

"A Cowboy's Work Is Never Done," Sonny & Cher
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(Feb. 26; #8 US; #4 AC)

"Tiny Dancer," Elton John
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(#41 US; #35 AC; #387 on Rolling Stone's 500 Greatest Songs of All Time [2004])

"Take a Look Around," The Temptations
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(#30 US; #10 R&B; #13 UK)

"The First Time Ever I Saw Your Face," Roberta Flack
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(#1 US the weeks of Apr. 15 through May 20, 1972; #1 AC; #4 R&B; #14 UK; Billboard's number-one single of 1972; 1973 Grammy Awards for Song of the Year and Record of the Year)


And new on the boob tube:
  • Hawaii Five-O, "Follow the White Brick Road"
  • Adam-12, "Who Won?"
  • The Brady Bunch, "My Fair Opponent"
  • The Partridge Family, "The Partridge Papers"
  • The Odd Couple, "Psychic, Shmychic" (season finale)
  • All in the Family, "Archie Is Jealous"
  • The Mary Tyler Moore Show, "His Two Right Arms" (season finale)
  • Emergency!, "Nurse's Wild"

_______

Timeline entries are quoted from the Wiki pages for the month or year and Mark Lewisohn's The Beatles Day by Day, with minor editing as needed.

_______

Some sequels should just never have been made.
But we'll indulge them in order to get "Snoopy's Christmas" and "Snoopy for President," right?

Sounds like Aretha, but not very memorable.
Evidently her breakout single on the pop chart, though it'll be quickly overshadowed.

This is a good one. Kind of borders on a novelty number.
Lightweight but distinctive oldies radio classic of yore.

I didn't realize she did this. It's not great, but likeable.
Eh.

It was still wrong to call people "colored."
Part of the same exchange as the other epithets, or are you remarking on how it was considered wrong by this point?

Hmm. I don't think I get that reference.
When Mark would drop his name, the characters would initially think he was talking about Frank Lloyd Wright.
 
Tom Petty Hello CD Listeners... - YouTube

If you're going to do a compilation album, this has to be included between the two tracks.
That's great. We'll also need a track that fades out and in like an 8-Track switching tracks. :rommie:

"Do Your Thing," Isaac Hayes
Right on!

"A Cowboy's Work Is Never Done," Sonny & Cher
I forgot about this one. Cute.

"Tiny Dancer," Elton John
Classic Elton.

"Take a Look Around," The Temptations
I don't remember this one. And I probably won't again.

"The First Time Ever I Saw Your Face," Roberta Flack
This is just incredibly beautiful.

But we'll indulge them in order to get "Snoopy's Christmas" and "Snoopy for President," right?
Okay. :rommie:

Part of the same exchange as the other epithets, or are you remarking on how it was considered wrong by this point?
Yeah, it was considered wrong, just like the other epithets.

When Mark would drop his name, the characters would initially think he was talking about Frank Lloyd Wright.
Ah, I see.
 
Right on!
This one's new to me...it's the single edit of a 19-minute track that took up the bulk of the fourth side of the Shaft soundtrack, though I don't recall the song from the film offhand.

I forgot about this one. Cute.
It ain't got me, babe. An awkward choice to use Eastern European-style music in a song about the American West.

Classic Elton.
A definite improvement over "Levon". I was surprised to find that this one charted so low, but reportedly the single release being full-length and the "Jesus freaks" line got it problems being played unedited on the radio.

I don't remember this one. And I probably won't again.
Another one on ol' Hobby, but maybe I'll get used to it on the playlist.

This is just incredibly beautiful.
This one is maybe a little too soft and low-key for me...I like her next big one (which will win the same Grammies in 1974) better.

Yeah, it was considered wrong, just like the other epithets.
It may have been on the way to becoming considered offensive at this point, but I think that in this case it was more of a context thing; Archie used what might have been considered a more acceptable euphemism at the time, but he still felt the need to make the distinction.
 
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This one's new to me...it's the single edit of a 19-minute track that took up the bulk of the fourth side of the Shaft soundtrack, though I don't recall the song from the film offhand.
Interesting. I remember this one being big, but I see it only got to 30. I don't associate it with Shaft at all.

It ain't got me, babe. An awkward choice to use Eastern European-style music in a song about the American West.
Definitely quirky.

A definite improvement over "Levon". I was surprised to find that this one charted so low, but reportedly the single release being full-length and the "Jesus freaks" line got it problems being played unedited on the radio.
Yes, I remember that line jumping out at me.

It may have been on the way to becoming considered offensive at this point, but I think that in this case it was more of a context thing; Archie used what might have been considered a more acceptable euphemism at the time, but he still felt the need to make the distinction.
I remember it being wrong in the late 60s, the 70s, and well into the 80s. To this day, whenever I hear somebody say it the first thing I think of is EG Marshall in Creepshow: "People like you... people of color..." :rommie: For one thing, there was the association with old signs like "No Colored" and "Colored Only" and so forth. But the main thing was demographics. Even still when I was young, forms still gave you two choices, White or Colored, which basically set up Caucasians versus everybody else, which is something the Left Wing wanted to fix. It wasn't until identity politics started to replace liberalism in the early 90s that it became kewl.
 
_______

50th Anniversary Viewing (Part 1)

_______

ABC Movie of the Week
Kung Fu: The Way of the Tiger, The Sign of the Dragon

Originally aired February 22, 1972

Gosh, I did super-short review posts in those days.

_______

Hawaii Five-O
"Didn't We Meet at a Murder?"
Originally aired February 22, 1972
Wiki said:
A wealthy young widow is one of the victims in an intricate blackmail plot that leads to the murder of a Chicago mobster (Simon Oakland).
Didn't he just play a mobster?

A man posing as a carpet salesman (Kwan Hi Lim) goes around to various individuals to give them guns and show them pictures of the people they'll be working with, as well as their target, Marty Mauritany (Oakland). The mobster is on Five-O's radar because he's arriving on the islands with muscle. On Mauritany's plane, one of the operatives, Bonnie Soames (Joanna Barnes), makes an excuse to help herself to the empty aisle seat next to him and chats him up. On the ground, McGarrett hops into the mobster's limo to question him about what his business is and let him know the heat's on. We see a couple of the other operatives--TV repairman Clem Brown (Morgan Upton) and businessman Frank Wellman (Bill Edwards)--makes excuses to take their respective leaves from their wife and secretary. Mauritany's entertaining Bonnie in his suite--having sent his bodyguards out for the occasion--when Brown and Wellman each arrive under professional pretenses. The trio get themselves into surrounding positions and confuse Mauritany with overlapping questions for him, then pull their silenced pistols--actually automatics for once, with the barrels enclosed in plastic tubes to catch the shell casings--and all fire on him.

The trio leave in a staggered fashion, and McGarrett has them brought in for questioning. Brown and Wellman each have practiced stories and answer questions about the other parties who'd been in the victim's room. Soames, a wealthy widow, refuses to come in for trivial reasons, so Steve pays a visit to her shoreside estate. Che finds that the bullets don't have the usual identifiable grooves, which means the chambers were filed, greatly reducing range and indicating a professional hit, which doesn't seem to fit with any of the suspects. Brown meets the carpet salesman on a rocky shoreline to return the guns, which the salesman puts back in his case before tossing it into the surf.

At her home, Bonnie has an argument with her boy toy, Rick Marlow (John Hansen), in which we learn that they were previously involved in something shady together that they're afraid of coming back to haunt them. Steve and Chin visit the carpet company to question the salesman, Chang, whose establishment Mauritany has recently attempted to buy. Chang shows them the business and lets them look around. Steve talks to an ex-con he recognizes who's driving a forklift, Charlie Saunders (uncredited)--a former PI who was involved in extortion. While Five-O stakes out the business, Chang meets Brown on a fake service call to extort him into additional work. Meanwhile, Wellman is seen picking up an envelope at the carpet shop, so Danno pursues him and starts to arrest him. Wellman makes a break for it into his apartment building and Danno loses him. As Danno's calling it in outside, Wellman jumps from a balcony.

Wellman's place is searched and Steve finds the remains of some hastily burned glossy photos in the sink. He reveals to Danno that the framed photos of what appear to be beautiful women that adorn his walls are actually of cross-dressing men. At Brown's home, his wife, Doris (Josie Over), pleads with him to tell her what's been bothering him. He shares a story about how he tried to abandon his unit during the war, causing the death of his superior officer, which he's now being blackmailed about. It also comes out that Bonnie's husband died in an accident after his car had been tampered with by Marlow. McGarrett hypothesizes that Saunders and Chang were using Wellman's lifestyle to blackmail him, and that the trio were all coerced into the hit on a Mauritany, who was trying to horn in on Chang and Saunders's operation, whatever it was. When Steve learns that there's a bank behind the carpet company, he realizes that the operation was about tunneling into it, and Mauritany wanted to take it over.

The bank job goes off, with boxes being loaded from the carpet company into Brown's repair van as Chin watches from a roof. The van is intercepted, and it turns out the boxes are full of dirt--a decoy. Believing the heat is off, Chang and Saunders try to leave with the actual loot, to find the establishment surrounded--which includes Steve and Danno in the basement tunnel. Finally, Steve nabs Bonnie and Marlow on a plane about to leave for Singapore, which is awkwardly mostly conveyed with some voiceover of a long shot of McGarrett's car--apparently added in as an afterthought.

_______

Adam-12
"Backup 1L-20"
Originally aired February 23, 1972
Wiki said:
Malloy tries to prove Sgt. MacDonald's innocence when he accidentally hits and kills a jaywalker while driving his police cruiser. Every witness on the sidewalk claims she was in the crosswalk, and the burglary suspect MacDonald is transporting is unmotivated to testify on his behalf. The truth proves to be far more complicated than the officers realized.

Malloy and Reed get the titular call concerning a 459, but when they arrive, Mac has already apprehended his suspect, Victor Lamson (Buddy Lester). After some teasing banter about the bust, Malloy sits in back with the suspect as Mac takes him in. At an intersection, a woman walks out from between two parked cars and Mac hits her with the side of the vehicle, while three witnesses watch on the corner. Lamson tries to use his testimony as a bargaining point to be let off the hook. At this point, the woman, identified as a Mrs. Hostetler, is hospitalized, not dead. A pair of sergeants from IA, Powers and McCall (Edward Faulkner and Chuck Bowman), question Malloy over his account, which conflicts with the witnesses, and press him about whether he's covering for Mac. Mac admits to Pete in private that things look bad and he could get stuck with this.

Malloy and Reed go to check out a report of Lamson's apartment being broken into and catch a couple of suspects attempting to escape out a window. Hostetler dies, and Mac is taken off-duty pending arraignment. Malloy and Reed go to unofficially scope out the site of the accident and realize that a shoeshine attendant, identified as Billy Fuller, must have seen the accident but didn't come forward. He turns out to be a former convicted bookie who's gone missing since the accident. At HQ, Powers shares that Hostetler turns out to have been an alias for a bunco artist known for jumping in front of cars. With only minutes left in the episode, Reed knows that things have got to get moving, so he puts in for a seven and the officers are assigned to rendezvous with Powers, who's staking out Fuller's house. One of the witnesses from the accident goes in and shots are fired inside. The cops bust in to nab Fuller (Walter Burke) and the witness, with Fuller claiming self-defense as the other man was trying to kill him for blackmailing the witnesses over their operation--the witnesses turning out to have been con-artist accomplices of Hostetler. Mac goes back on duty and back to riding Malloy and Reed, but thanks them.

_______

The Odd Couple
"Oscar's Promotion"
Originally aired February 25, 1972
Wiki said:
Felix persuades a champion Chinese wrestler to give up the sport, causing turmoil with Oscar. Jack Soo guest stars.

Oscar comes home in a good mood because he's going to be editor of a new weekly sports supplement. His first story is about a Chinese wrestler visiting the states, and Felix thinks that he's the best choice for photographer, not having a high opinion of Oscar's first choice, sports photographer Buzzy Allen. Felix tries to show Oscar photos that he thinks capture his talent for action photography, like one of an old man chasing his hat...

Felix: Well, use your imagination. That could be Mickey Mantle chasing a fumble!​

Oscar's choice is made when he learns that Buzzy's on a bender. At a press reception for Chuk Mai Chin (Jack Soo) in a gym locker room, Felix so impresses the wrestler with his ability to interpret and speak a Chinese dialect (Has this come up before?) and his knowledge of Chinese cuisine that, when Felix helps Chin with an arm pain during practice and opines that Chin should give up wrestling because of the issue, Chuk announces before the assembled members of the press that he'll never wrestle again.

This endangers Oscar's job because it's such a big deal that it has the president calling Oscar's boss. (Did Oscar get on Nixon's infamous enemies list?) When Chuk drops by the apartment for someplace to think, Felix reluctantly gives him a false second opinion, telling him he can wrestle again. Felix feels horrible about it afterward, and though he's not supposed to be anywhere near Chuk, sneaks into the gym to tell Chuk that he lied. Chuk already knows that Felix did this to help Oscar, and declares that he intends to continue wrestling because he has friends back home whom he feels similarly responsible for. Felix ends up having to cover for Buzzy (Bobby Baum) at the last minute when the still-drunk photographer passes out in the locker room. In the coda, it turns out that Felix got too arty with his sports shots, taking pictures of everything but the wrestlers. Chuk and Miss Hong Kong (Virginia Ann Lee), who was at the reception, drop by the apartment with Italian food.

There's a good sight gag when Oscar's drinking beer out of a can, Felix sits a mug in front of him, and Oscar puts the can in the mug.

_______

Love, American Style
"Love and the Television Set / Love and the Newscasters"
Originally aired February 25, 1972
Season finale

Our first segment has to be the most noteworthy thing to come out of LAS--an initially rejected full pilot that eventually went on to become one of the most iconic hit shows of the decade, such that the LAS segment was retitled "Love and the Happy Days" for syndication. According to the Happy Days Wiki page, it was seeing Ron Howard (still being billed as Ronny at this point) in "Love and the Television Set" that caused George Lucas to cast him in American Graffiti; and that role, in turn, got the series picked up.

Shots of memorabilia and an opening narration by our protagonist, 16-year-old Richie Cunningham (Hey, look, Opie's all grown up now!), establish that it's the 1950s, and that Richie's family is about to become the first one on the block with a television set. The Cunninghams include father and hardware store proprietor Howard (Harold Gould here), mother Marion (Marion Ross), infamously-to-disappear older brother Chuck (Ric Carrott here, with two other actors to play him in the early seasons of the series, before Fonzie offs him), and younger sister Joanie (Susan Neher here). Richie's best friend, Potsie (Anson Williams)--not yet the subject of one of TV's most famous catchphrases--thinks that television will be a great way to pick up chicks. At a drive-in that seems like more of a soda shop than Arnold's, the girl Richie's trying to pick up, Arlene Nestrock (Tanis Montgomery), doesn't show any interest in him until he mentions the television...and Richie ends up having to uninvite Potsie over to watch a fight so Arlene can be his guest instead.

The Cunningham living room (which looks pretty much the same) is packed with guests to watch the fight on a seven-inch tabletop set. In a sign-of-two-times moment relevant to our discussion of the previous week's All in the Family, Joanie has invited the Cunninghams' black mailman as her guest, and Howard asks Marion in the kitchen why there's a [C-word] man sitting in his chair! Richie ends up having to hold the rabbit ears in the back of the room while Howard opens the back of the set to try to fix the picture, and the set eventually shorts out. Richie walks Arlene home and awkwardly attempts to initiate some first-date romance at her door, motivating her to reveal that she's already going steady with someone, and to admit that she only blew in Richie's ear at the drive-in because she wanted to see television. (Arlene's mother is the ubiquitous Virginia Gregg.) Richie walks home downtrodden, and Howard goes up to his room to give him a good, fatherly talk (though he's no Andy Taylor). A forgiving Potsie crawls through Richie's window (as is his habit) to tell Richie that he watched the fight at a bar that his brother's ID got him into...and gives Richie a bottle of beer that he smuggled out. Back in the living room, Howard is transfixed with a test pattern, and as programming ends for the night, he and a pajama-clad Richie stand in front of the TV with their hands on their hearts for the singing of "God Bless America".

In "Love and the Newscasters," rival titular characters Rex Bickers (John Astin) and Darby Digby (Ken Mars) both try to impress visiting network bigwig Louise Freeman (Ruta Lee). Darby, who's married to Rex's sister Thelma (Reva Rose), invites her to his home for dinner...but when he learns that Mrs. Freeman appreciates a more down-to-earth atmosphere, he has to hastily hide all of the efforts he had planned to impress her, which includes pretending that their maid Gloria (Lillian Hayman) is a friend who lives in the neighborhood. The newscasters subsequently sabotage each other's efforts when Freeman sits in on a newscast, but the man she ends up picking to promote up to a network position is costumed children's show host Chicken Little (Carl Ballantine). Carol Wayne also appears as a new weather girl who wasn't hired for her professional credentials. This one was hard to get into after watching the pilot for Happy Days.

_______

It wasn't until identity politics started to replace liberalism in the early 90s that it became kewl.
I think I finally see what you've been getting at, but as fine a semantic point as it may seem, "person(s) of color" is considered acceptable these days; "colored people" is not.
 
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Malloy and Reed get the titular call[...]

I just read that Shaaron Snead (formerly Claridge), the LAPD employee who provided the dispatcher voice for Adam-12, died last September at 82. It was always cool to hear her voice pop up on other shows when I was a kid.
 
Didn't he just play a mobster?
He makes a good mobster, but a better Vincenzo.

A man posing as a carpet salesman (Kwan Hi Lim) goes around to various individuals to give them guns and show them pictures of the people they'll be working with, as well as their target
He's an evil Jim Phelps.

The trio get themselves into surrounding positions and confuse Mauritany with overlapping questions for him, then pull their silenced pistols
Damn, why hire Simon Oakland just to kill him off? It reminds me of Police Squad!. "This week's special guest victim-- Simon Oakland."

with the barrels enclosed in plastic tubes to catch the shell casings--
Clever. I wonder why we don't see that more often.

Brown meets the carpet salesman on a rocky shoreline to return the guns, which the salesman puts back in his case before tossing it into the surf.
Would have been smarter to get a boat and throw them in the drink.

When Steve learns that there's a bank behind the carpet company, he realizes that the operation was about tunneling into it, and Mauritany wanted to take it over.
Well, that plot certainly took a sharp turn.

Finally, Steve nabs Bonnie and Marlow on a plane about to leave for Singapore, which is awkwardly mostly conveyed with some voiceover of a long shot of McGarrett's car--apparently added in as an afterthought.
Thank goodness for post production. :rommie: That was certainly a jam-packed episode, so maybe it went into overtime.

A pair of sergeants from IA, Powers and McCall (Edward Faulkner and Chuck Bowman), question Malloy over his account, which conflicts with the witnesses, and press him about whether he's covering for Mac.
I'm sure he took that well.

The cops bust in to nab Fuller (Walter Burke) and the witness, with Fuller claiming self-defense as the other man was trying to kill him for blackmailing the witnesses over their operation--the witnesses turning out to have been con-artist accomplices of Hostetler.
Nice. I'm sure Mac would have gotten off just on the fact that Hostetler was a scam artist, but that's a good plot.

Mac goes back on duty and back to riding Malloy and Reed, but thanks them.
Maybe this will teach him to stay in the office and not be out gallivanting all day. :rommie:

Oscar comes home in a good mood because he's going to be editor of a new weekly sports supplement.
Did that stick or was it just a plot device? It seems unnecessary.

Oscar's choice is made when he learns that Buzzy's on a bender.
Well, I don't think it was his mother who named him Buzzy. :rommie:

Felix so impresses the wrestler with his ability to interpret and speak a Chinese dialect (Has this come up before?)
Not that I know of, but he may have served in China, given his wartime backstory.

This endangers Oscar's job because it's such a big deal that it has the president calling Oscar's boss.
Seems like just a bigger headline to me.

(Did Oscar get on Nixon's infamous enemies list?)
If so, he was in good company. :rommie:

Chuk already knows that Felix did this to help Oscar, and declares that he intends to continue wrestling because he has friends back home whom he feels similarly responsible for.
Sounds like a heartwarming moment.

In the coda, it turns out that Felix got too arty with his sports shots, taking pictures of everything but the wrestlers.
Mostly Miss Hong Kong. :rommie:

Chuk and Miss Hong Kong (Virginia Ann Lee), who was at the reception, drop by the apartment with Italian food.
Nice touch.

There's a good sight gag when Oscar's drinking beer out of a can, Felix sits a mug in front of him, and Oscar puts the can in the mug.
Just watching these two guys interact is funnier than most other sitcoms. :rommie:

an initially rejected full pilot that eventually went on to become one of the most iconic hit shows of the decade
I don't think I knew that. So they tried to burn off a failed pilot and it turned into a hit. Whoever rejected it must feel smart.

establish that it's the 1950s
Is this the only period piece that they did, aside from blackouts? I can't remember any others.

before Fonzie offs him
:rommie: It was during the "Body Snatcher" incident, so he had no choice.

Joanie has invited the Cunninghams' black mailman as her guest, and Howard asks Marion in the kitchen why there's a [C-word] man sitting in his chair!
Very interesting. I don't remember that at all. Although I do recall the show addressing the burgeoning Civil Rights movement in later years.

Howard opens the back of the set to try to fix the picture, and the set eventually shorts out.
There goes the warranty.

Howard goes up to his room to give him a good, fatherly talk
This is actually the only part I even vaguely remember.

...and gives Richie a bottle of beer that he smuggled out.
This and the mailman are probably what got it rejected. :rommie:

Back in the living room, Howard is transfixed with a test pattern, and as programming ends for the night, he and a pajama-clad Richie stand in front of the TV with their hands on their hearts for the singing of "God Bless America".
Actually, I kind of remember that too.

Rex Bickers (John Astin)
Gomez! Did I ever mention that I once saw John Astin perform his one-man Edgar Allan Poe tribute at a local theater? He was so great. :rommie:

Louise Freeman (Ruta Lee)
Another ubiquitous character actor.

Chicken Little (Carl Ballantine)
And yet another ubiquitous character actor, and also one of the guys in McHale's Navy.

This one was hard to get into after watching the pilot for Happy Days.
Yeah, they should have switched them up.

I think I finally see what you've been getting at, but as fine a semantic point as it may seem, "person(s) of color" is considered acceptable these days; "colored people" is not.
They were used interchangeably back in the day, with the prepositional phrase being a bit more condescending.
 
He makes a good mobster, but a better
General Moore!

Damn, why hire Simon Oakland just to kill him off? It reminds me of Police Squad!. "This week's special guest victim-- Simon Oakland."
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Clever. I wonder why we don't see that more often.
Yeah, I was wondering what they were for at first. Probably affects concealability and draw, for a couple of things.

Would have been smarter to get a boat and throw them in the drink.
I was wondering if they were meant to be found...and we didn't see / hear about them being found, that I caught.

Maybe this will teach him to stay in the office and not be out gallivanting all day. :rommie:
I thought his acting / the writing was a bit weak in the multiple scenes of him at his desk talking to the officers about angles he'd been looking into.

Did that stick or was it just a plot device? It seems unnecessary.
Who knows? But we probably won't hear about it again.

Seems like just a bigger headline to me.
But it was endangering fragile US/Chinese diplomacy.

Mostly Miss Hong Kong. :rommie:
One was a reaction shot of Oscar's face; another was a close-up of a fly flying off the bell as it was being rung.

I don't think I knew that.
That it was initially rejected? You knew about there being a Happy Days pilot segment on LAS, right?

Is this the only period piece that they did, aside from blackouts? I can't remember any others.
Do you mean that LAS did? Because all of HD was supposed to be a period piece.

Gomez! Did I ever mention that I once saw John Astin perform his one-man Edgar Allan Poe tribute at a local theater? He was so great. :rommie:
Not that I recall.
 
General Moore!
Okay, he was good at everything he did. :rommie:

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Ah, I loved that show. :rommie:

I thought his acting / the writing was a bit weak in the multiple scenes of him at his desk talking to the officers about angles he'd been looking into.
I don't know if he's a particularly good actor, but he has a very likeable presence.

But it was endangering fragile US/Chinese diplomacy.
Nixon goes to China, Felix screws it up.

One was a reaction shot of Oscar's face; another was a close-up of a fly flying off the bell as it was being rung.
That last one sounds good. :rommie:

That it was initially rejected? You knew about there being a Happy Days pilot segment on LAS, right?
Yeah, like I said I vaguely remember watching it (in re-runs, because it had the "Happy Days" title).

Do you mean that LAS did? Because all of HD was supposed to be a period piece.
Well, yeah. :rommie: But LAS was very contemporary, so I don't think they did anything else like that. Aside from vaguely historical components in some of the blackouts, like Old West gunfighters or something.
 
I don't know if he's a particularly good actor, but he has a very likeable presence.
You could tell that they filmed all those little scenes in Mac's office in one go...it was like watching variations of the same scene. "Y'know, I was just looking into..."

Nixon goes to China, Felix screws it up.
It's noteworthy that they wouldn't even have known about that when the episode was being shot; I assume the premise was based on ping pong diplomacy.

Aside from vaguely historical components in some of the blackouts, like Old West gunfighters or something.
Ah...I was wondering what you meant by "blackouts"...I think they call those interstitials.
 
You could tell that they filmed all those little scenes in Mac's office in one go...it was like watching variations of the same scene. "Y'know, I was just looking into..."
He should have tried to look increasingly haggard. :rommie:

Ah...I was wondering what you meant by "blackouts"...I think they call those interstitials.
I've always called them blackouts for some reason. I must have read it in TV Guide or something.
 
I've always called them blackouts for some reason. I must have read it in TV Guide or something.

Yeah I think that's a pretty standard term. A blackout is a short scene that's basically one joke. My high school drama class recollection is that on stage they were often used to give time for set or costume changes, and the name comes from the lights being cut right after the punchline.
 
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