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The Classic/Retro Pop Culture Thread

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50th Anniversary Viewing (Part 1)

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Hogan's Heroes
"The Dropouts"
Originally aired December 27, 1970
Wiki said:
Carter slips up and speaks English while on a sabotage job, leading two scientists and a Gestapo agent straight to Stalag 13.

The episode opens with Hogan and Carter keeping watch in German uniforms while the rest of the team is in the process of setting a bridge to blow. A car pulls up with a Gestapo officer and two civilians, and for once, our undercover heroes are actually depicted speaking German instead of English in comical accents. The Gestapo officer steps on Carter's foot, making him exclaim in English, and then pulls his gun. But he disappears with the men he's escorting while Carter and Hogan are on their knees with their backs turned. Hogan orders the mission scrubbed, but is suspicious of what the SS captain is up to, given his unusual behavior. Captain Steiner (Gordon Pinsent), Professor Bauer (John Stephenson), and Dr. Riemann (Ben Wright) subsequently arrive at Stalag 13, where Klink gives them the VIP treatment; they say that they have no business there, it's just a social call, the accommodations having been recommended by Goering. Hogan, who plans to evacuate the entire operation, is brought to Klink's quarters, and Steiner looks like he recognizes him; but Klink just asks Hogan to have LeBeau make a French meal for his guests. Next Schultz shows the guests the barracks. Steiner dismisses Schultz, after which the SS captain and scientists speak openly about the previous night's encounter. They explain that the scientists have been working on atomic research, and are carrying five flasks of heavy water, and ask for Hogan's help getting to Switzerland; he offers to get them to England instead.

Baker intercepts a call from Hochstetter ordering Klink to arrest his visitors. As Klink and Schultz search the camp for them, they disguise themselves as prisoners and go to work picking up litter outside. Hochstetter arrives and the guard around the camp is doubled. As Hochstetter will be coming and going, Hogan plans to smuggle the defectors out in the major's trunk, one trip at a time. Hogan plants evidence indicating that the defectors had been hiding in the cooler and have since moved on, and the smuggling works as planned. In the coda, Klink and Schultz are having an argument and Hogan excuses himself with a...

Dis-missed!

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The Ed Sullivan Show
Season 23, episode 15
Originally aired December 27, 1970
As represented in The Best of the Ed Sullivan Show

The only thing I have from this broadcast comes from a mixed Best of installment with segments going back to 1968: pianist Peter Nero, accompanied by an orchestra, playing "Rhapsody in Blue," while also rising from his bench and getting in some conducting between the piano parts.

Also in the original episode according to tv.com:
Music:
--Friends of Distinction - "Grazing In The Grass."
--Bobbie Gentry and the Goose Creek Symphony - "He Made A Woman Out Of Me," "Cripple Creek" and "Welcome to Goose Creek."
--Bobbie Gentry (playing piano) sings a Gospel medley.
--Peter Nero (pianist, with orchestra) - "I Got Rhythm."
--Raphael (entertainer from Spain) sings "Maybe" ("Somos"), "When My Love Is Around" ("Cuando llega mi amor"), and "The Sound of the Trumpet" ("Balada de la trompeta").

Comedy:
--Pat Cooper - stand-up routine includes motherhood and child-rearing jokes.
--Steve Rossi and Slappy White (comedians) - Rossi starts routine by singing an Italian song, then interviews Slappy White (playing a hipster/civil-rights leader).
--Billy Baxter (comedian)
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Rowan & Martin's Laugh-In
Season 4, episode 15
Originally aired December 28, 1970
The Wiki list of guest appearances said:
William F. Buckley Jr., Johnny Carson, Carol Channing, Phyllis Diller, Rich Little, Zero Mostel

A Q&A with William F. Buckley:
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Laugh-In looks back at 1970 (not the 70s):
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A bit more about 1970.

More questions for William F. Buckley.

Some last words about 1970.

A last segment of questions for William F. Buckley, including from Ernestine.

A year-closing Auld Lang Syne:
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Hawaii Five-O
"Paniolo"
Originally aired December 30, 1970
Wiki said:
The death of a real estate agent leads McGarrett to a paniolo (a Hawaiian cowboy) on the island of Maui.

The episode opens with paniolos Frank Kuakua (Frank Silvera) and Hody Linquist (Royal Dano) herding cattle when they cross paths with a bulldozer clearing the land. At Frank's ranch, real estate agent Lester Cronin (William Bigelow II) tries to talk Frank into selling his land, and as leverage bears unhappy news that Frank's friend and barkeep, Harry Pawai (Robert M. Luck), sold Cronin an $800 IOU from Kuakua. Frank shoves the agent aside down some porch steps, accidentally killing him when his head hits a tree stump. Frank sends Cronin's car over a cliff with his body in it to make it look like he died in a different type of accident, and then visits his daughter, Dorothy Owens (Marilyn Chris), and grandson, Bud (George "Keoki" Awai). Motivated to keep the ranch to pass down to Bud, Frank tries to hit Dorothy up for the $800, and asks her to support his alibi of having been visiting her the entire day without telling her what it's about.

Meanwhile, McGarrett has sent Danno to pick Cronin up on fraud and corruption charges, Danno finds that he's disappeared, and later locates his car via helicopter search (improbably holding a radio conversation via hand mic without a headset). Frank goes to Harry's bar, and when Harry nervously comes clean about the IOU, Frank and Hody claim that they never saw Cronin. Frank also finds out about Danno having gone to Harry's to ask about Cronin. A doctor's forensic analysis finds wood slivers in Cronin's head, leading to the deduction that Cronin was already dead before his car went over. McGarrett goes to question Frank after learning from Harry that Cronin was last seen heading for Kuakua's ranch, and confronts Frank with the fact that the IOU wasn't found on Cronin's body. Dorothy backs up Frank's alibi, still not knowing what it's about, but her story doesn't agree with her work schedule, so she admits to having lied for her father. She calls Frank to tell him, and he rides into the wilderness armed with a rifle on an old horse.

McGarrett and local police chief Kubota (Michael Morgan) talk to Hody at Harry's, and Hody comes clean about what happened and tips them off to where he believes Frank has headed. Chopper Danno and a horsed posse that includes McGarrett and a tracker named Charlie (Beau Van Den Ecker) search Ka Palekani Wahi (according to the closed captioning--I couldn't find a match), a scenic area of green mountains. I think they conceived the whole episode to show off this piece of landscape and give Jack Lord an excuse to model this outfit:
H540.jpg
Chopper Danno spots Frank, but loses him in a gorge. It gets dark and the posse has to camp down for the night. Frank, also camping without a fire, dreams of spending time with his grandson. In the morning Frank has to shoot his worn-down horse, which is heard by the posse. Danno and the posse find Frank mounting some high ground, and Steve calls off Danno to approach Kuakua alone and try to reason with him, appealing to Frank to choose to live for his daughter and grandson. As Frank approaches, he raises his rifle, the posse fires on him, and he wings Steve before being brought down, to Steve's clear regret.

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Ironside
"Blackout"
Originally aired December 31, 1970
Wiki said:
A blackout in San Francisco is apparently being used to cover up a crime.

The Chief on way to speaking engagement, and Ed is at the Cave watching a basketball game (which the Chief is also following in the van via a portable TV), when the lights go out in what I think they said was a four-square-mile area of San Francisco. The Chief quickly suspects sabotage, and heads for police HQ, which in this case isn't the same as his place, and has an auxiliary generator. There he touches base with an old mentor, Sgt. Spangler (Jack Albertson), and his younger, less experienced superior, Lt. Holloway (Roman Gabriel). Then HQ's power goes out, and Spangler says that he was knocked on the head by the unidentified saboteur, who then got away in a car. Out in the blacked-out portion of the city, odd drive-by fire-bombings are reported. The Chief suspects that there's a larger purpose and the bombings are a diversion. Meanwhile, we see a man with a blowtorch working at methodically breaking into something while accomplices dressed as cops and using a police vehicle keep lookout outside.

Back at HQ, somebody has broken into and ransacked a microfilm room. They bring in a plain-clothes officer named Kinney (Sandy Kenyon), who's familiar with the records department, to examine the scene and determine what's missing, though the Chief thinks that this is another diversion. Officer Brill (Myron Healey), who was supposed to be manning the room, says that he was called away by an unknown figure in the dark. The chief suspects that Kinney, Brill, or the absent Sgt. Reddick, who's in charge of records, may be complicit, and looks into their files, having deduced that whoever ransacked the room was trained, as he knew how to cover his tracks. Reddick (Bill Quinn), a uniformed officer, comes in, saying that he got a call at home, raising suspicion because they'd tried calling him there previously. Meanwhile, out in the city, Ed is scoping out a blocked-off street when he's stopped by the phony patrol officers, who have a story for the barricades.

Some missing microfilm is found thrown away in a men's room, and Reddick reports that the missing files were of routine, non-criminal investigations, confirming Ironside's suspicions. Ed returns and his report of what was going on at the blocked-off location, which includes the Federal Reserve Bank, smells fishy. Team Ironside and the local fuzz go there and apprehend the phony cop outside, following which Ed nabs the crew of the culprits' loot-hauling van when it pulls up, and the robbers are nabbed coming out. The place they've been robbing is identified as the warehouse of a company that prints foreign bank notes.

Power is restored in time for the climax, in which it looks like the Chief in pointing the finger at Spangler, but Kinney, who's also in the room, tips his hand that he's the inside man. In the coda, it's revealed that Reddick was just moonlighting.

Eve is in the episode, but sidelined from the main story again. I wonder if Barbara Anderson was pregnant or something. I noticed that she spent a lot of her on-camera time in this one sitting at a table.

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Ah, well, there's better on the way.
John could have chosen a more radio-palatable single, though I see that this one was edited down in single form...I've only owned the album version, but I imagine that they removed the funeral bells, which open the LP. And indeed, I just read that John considered issuing this as the single instead:
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Which is absolutely gorgeous, though I'm sure that DJs would have had issues with the quiet fade-in. But "Mother" is a good preview of what the John Lennon/Plastic Ono Band album has in store, and the album is John's masterpiece...one critic referred to it as "Sgt. Lennon". Recorded in the wake of John and Yoko's primal therapy, it unleashes all of John's demons in one raw, powerful package. John once said that "Imagine" was a watered-down version of upcoming non-album single "Power to the People". Along the same lines, I think that the more generally appreciated Imagine album is a watered down John Lennon/Plastic Ono Band.

Interesting. I never saw that movie.
I recommend it. The movie is reputed to have a particular appeal to guys who've been in what we now call the Friend Zone. You may already be familiar with the film's most famous scene. And if it sweetens the deal, there's a segment about Casablanca.
 
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As Hochstetter will be coming and going, Hogan plans to smuggle the defectors out in the major's trunk, one trip at a time. Hogan plants evidence indicating that the defectors had been hiding in the cooler and have since moved on, and the smuggling works as planned.
This sounds like an above-average episode with some tense situations.

A Q&A with William F. Buckley:
This was a pretty amazing episode and it really goes to show you how things have changed in fifty years.

I think they conceived the whole episode to show off this piece of landscape and give Jack Lord an excuse to model this outfit:
Love the matching hat band and kerchief. Still, it was a nice, format-breaking episode with a strong story.

The Chief quickly suspects sabotage
A little quick on the draw there. :rommie:

The place they've been robbing is identified as the warehouse of a company that prints foreign bank notes.
This is almost like a Batman episode. It seems like the scheme to stage the heist would cost more than it was worth.

Which is absolutely gorgeous, though I'm sure that DJs would have had issues with the quiet fade-in.
And ending, but I'm sure they could have made a short single out of it.

Along the same lines, I think that the more generally appreciated Imagine album is a watered down John Lennon/Plastic Ono Band.
I guess I don't know much about either album, but I do love "imagine."

I recommend it. The movie is reputed to have a particular appeal to guys who've been in what we now call the Friend Zone.
I've never really gotten that. Aren't 99% of the people anyone knows in the Friend Zone?

You may already be familiar with the film's most famous scene. And if it sweetens the deal, there's a segment about Casablanca.
Actually, I have seen that scene, but I figured the movie was another girls-versus-boys RomCom. I'm curious about what they did with Casablanca, though.
 
This sounds like an above-average episode with some tense situations.
I wouldn't give it that much credit. The serious moment at the beginning was different, but once the prisoners knew what was going on, the scheme of the week was pretty...weak.

This was a pretty amazing episode and it really goes to show you how things have changed in fifty years.
They were definitely doing something different with those Q&A segments, for Buckley's sake. I got the impression that he was actually improvising his answers.

A little quick on the draw there. :rommie:
I had a little trouble following the characters' reasoning at times, because this episode was very tell and not a lot of show.

This is almost like a Batman episode. It seems like the scheme to stage the heist would cost more than it was worth.
The warehouse had recent gotten a shipment. I wasn't clear if this consisted of the actual notes or the paper to print them.

I've never really gotten that. Aren't 99% of the people anyone knows in the Friend Zone?
"Friend Zone" refers to (usually guys) being "stuck in the Friend Zone," which refers to unrequited love that involves maintaining a platonic friendship with the person you'd rather be having a romantic relationship with. In the film, Harry and Sally find themselves engaging in an understood-by-both-parties long-term platonic friendship, with undertones of being in a committed relationship with each other even while they're pursuing other relationships. Eventually things take a turn for the more romantic, jeopardizing their friendship.

Actually, I have seen that scene, but I figured the movie was another girls-versus-boys RomCom. I'm curious about what they did with Casablanca, though.
The Casablanca part is one of many cute vignettes in the movie, this one involving a late-night call while both are in bed, because the film is on TV, and some ensuing discussion about it.

I'm not very familiar with Woody Allen films, but once I caught a bit of Annie Hall on TV, and was struck that When Harry Met Sally seemed to have cribbed a good deal of its style from that film and/or others like it.

Fun fact: At the end of WHMS's diner orgasm scene, the woman who delivers the famous punchline is director Rob Reiner's mother.
 
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I wouldn't give it that much credit. The serious moment at the beginning was different, but once the prisoners knew what was going on, the scheme of the week was pretty...weak.
Ah, well, seemed interesting.

They were definitely doing something different with those Q&A segments, for Buckley's sake. I got the impression that he was actually improvising his answers.
I think he must have been. It seemed like he agreed to play the Laugh-In game, minus the slapstick, and he was given due respect. It's wonderful that they tried so hard for so long to get him on the show, and even more wonderful that he finally agreed.

The warehouse had recent gotten a shipment. I wasn't clear if this consisted of the actual notes or the paper to print them.
Just a McGuffin anyways, I suppose.

"Friend Zone" refers to (usually guys) being "stuck in the Friend Zone," which refers to unrequited love that involves maintaining a platonic friendship with the person you'd rather be having a romantic relationship with.
So a modern synonym for platonic relationship, which describes most of them.

In the film, Harry and Sally find themselves engaging in an understood-by-both-parties long-term platonic friendship, with undertones of being in a committed relationship with each other even while they're pursuing other relationships. Eventually things take a turn for the more romantic, jeopardizing their friendship.
But ending happily, no doubt. :D

The Casablanca part is one of many cute vignettes in the movie, this one involving a late-night call while both are in bed, because the film is on TV, and some ensuing discussion about it.
I'll see if that's on YouTube, too.

Fun fact: At the end of WHMS's diner orgasm scene, the woman who delivers the famous punchline is director Rob Reiner's mother.
That's hilarious. That must have been a fun family to grow up in. :rommie:
 
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50th Anniversary Viewing (Part 2)

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The Brady Bunch
"The Impractical Joker"
Originally aired January 1, 1971
Wiki said:
Jan starts playing practical jokes, one of which results in the escape of Greg's science project mouse, Myron.

Note: This episode sparked an argument between Reed and Schwartz over Mike's dialogue with the mouse.

Jan starts by putting a plastic ink spot on Alice's coat when she's about to leave for a day off at her aunt's; and using a fake spider to scare the other girls at the kitchen table. Greg's project is to teach Myron to run through a maze; Jan borrows the mouse to scare the girls again. The girls want the mouse out of the house, but Mike reminds them of the slumber party, and a compromise is reached that Greg can keep Myron in the garage. Jan takes an interest in helping with Myron's training. Greg wakes in the middle of the night remembering that the neighbors have a cat (named Guinevere) who might get to Myron, so he retrieves the cage to sneak it back into the boys' room...all while Jan watches from a window, smiling. When the boys are asleep again, she sneaks into their room, nabs Myron, and puts him in the girls' laundry hamper. But Myron chews his way out and runs loose.

When the boys discover that he's missing in the morning, they try to find him without tipping off the parents or girls...though Mike catches them searching for him and they confess to him. Alice, who knows nothing about Myron, sees him in the kitchen and does the standing-on-a-chair-screaming thing. She carefully makes her way across the other swiveling chairs to the phone to call an exterminator. The exterminator (Lennie Bremen) sprays his stuff under the house, then the boys find out. Greg assumes that Myron is as good as dead. Jan tells the boys what she did, thinking that Myron's still in the hamper, and they discover the hole in the back. Jan cries and promises never to play another joke again; and then everyone notices that Tiger's howling outside. It turns out that Myron's made himself at home in Tiger's doghouse...and, as was established in an earlier encounter, Tiger's afraid of the mouse.

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The Partridge Family
"The Red Woodloe Story"
Originally aired January 1, 1971
Wiki said:
During a stopover in a small town, the Partridges offer to revive the career of a folk legend who's been out of circulation for twenty years, but find that he would rather sing in church than be in the spotlight.

Guest Star: William Schallert as Red Woodloe

Songs: "I Can Feel Your Heartbeat", "Find Peace in Your Soul"

The family catch Woodloe performing at a rural church during a stop. Shirley recognizes him by voice, though Reuben thought that he was dead. They treat him to dinner and listen to his stories, and twist his arm to accompany them back home. Keith tells Red about Woodstock, and mistakes Red's being impressed for his being interested in getting out in front of modern audiences. Reuben arranges for him to perform at the family's next gig...which seems to be to the same dinner theater audience every time. But when he sees them performing "I Can Feel Your Heartbeat," he seems clearly out of his element and slips out before Shirley announces him. He tells Shirley that having people pay to see him upfront rather than make donations in his hat isn't his style. Keith thinks that it's just stage fright and has Reuben arrange another gig for him. At the venue, Red tries to slip out again, but Tracy catches him. She repeats a lesson that he taught her earlier about not being afraid of the dark, convincing him to go through with the performance, which is at a smaller restaurant. The crowd doesn't take much interest in him until he starts playing and telling a story, which wins them over. But he turns down a longer-term gig at the venue, as he's not interested in playing on a regular schedule, which he considers to be turning music from fun into a business. Red goes back to his church, where the family performs "Find Peace in Your Soul," which I assume is supposed to be one of his songs.

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That Girl
"That Script"
Originally aired January 1, 1971
Wiki said:
Ann wants to get the movie rights for a novel whose author thinks that Ann resembles his late wife.

Ann calls Donald in the middle of the night to ask for $10,000, and he agrees while half-asleep to get her off the phone. He then wakes up and goes over and learns that Ann wants to buy the performance rights for a 1936 novel called A Woman's Story. But the author, Joseph Nelson (William Windom in age makeup; he turned 13 in 1936), turns down a $50,000 offer from her agent, Sandy (Morty Gunty). They go out to the retired author's home, where Ann feigns illness to get in and see him, but his wife, Frances (Nina Foch), sees through the charade. Joseph nevertheless takes to Ann, and tells them that he never agreed to sell the rights to that book because it was about his late first wife, Della, a subject that clearly makes Frances uncomfortable. After they leave, Joseph takes out a portrait of Della, who bears a remarkable resemblance to Ann.

Nelson agrees to sell the rights to a studio, on the condition that he write the screenplay. Sandy gets in touch with several studios who are interested even though Ann, an unknown, will be playing the lead; but he plays hardball to get more out of them. Mrs. Nelson pays Ann a solo visit, showing her a picture of Della and explaining that Joseph lost his talent for writing after Della's death. She shows Ann the script he's written, which is full of rambling that has nothing to do with the story. So Ann backs out of the deal for his sake.

"Oh, Donald" count: 10
"Oh, Mr. Nelson" count: 2
"Oh, Sandy" count: 3

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Mission: Impossible
"Takeover"
Originally aired January 2, 1971
Wiki said:
A youth organizer is hired by a political boss and his puppet mayor (Lloyd Bochner) to foment student violence in order to make their political opponents appear weak. Dana poses as a provocateur (who is the mayor's long-lost daughter) to disrupt their plans.
Dana posing as someone's long-lost daughter is starting to become a regular thing.

The episode opens with Billy Walsh (Richard Kelton) holding a student meeting, after which he calls Deputy Mayor Charles Peck (Ken Swofford) asking for his money. Heavy-drinking mayor Steve Tallman (Lloyd Bochner) exhibits doubts indicating that he isn't fully onboard with Peck's plan.

The regular-sized reel-to-reel tape in a closed fortune-telling shop said:
Good morning, Mr. Phelps. This man, boss Charles Peck, has determined to elevate his puppet, Mayor Steve Tallman, to the governorship of his state in the forthcoming election. Peck's plan calls for creating an image of Tallman as a strong man who knows how to deal with dissent, in contrast to his opponent, the incumbent governor, who is to be blamed for the violence which this young man, professional provocateur Billy Walsh, will provoke. Jim, this kind of disorder is severely damaging the prestige and influence of the United States throughout the free world. Your mission, should you decide to accept it, is to prevent bloodshed, and to destroy Charles Peck for good. This tape will self-destruct in five seconds. Good luck, Jim!

Doug gets himself arrested at a traffic stop with a trunk full of weapons. (Apparently the State of the Week isn't Texas.) Dana gets herself caught trying to burn some files. Barney gets himself a state trooper uniform, posing as a student activism expert representing the governor, who has a file on Dana, so Peck gets Walsh to recruit her by bailing her out, and she gets Walsh's plan back to the team. Horn-Rimmed Jim, posing as Doug's boss, offers to get out his checkbook for the mayor, if a personal meeting can be arranged. Paris, under the cover name Richard Jones, gets on a payphone and calls the mayor about a rendezvous desired by an Elizabeth Wilson, where he informs the mayor of his fake daughter by Elizabeth and ultimately makes a blackmail demand.

Dana gets Walsh to change his plan to target the mayor's office instead of the campus. Barney gets agoraphobic, so he gets in a utility closet where he gets to work making a secret panel into the mayor's office--everyone needs a hobby. The mayor gets to see his fake daughter at Rick Jones's pad, and she gets fake greedy, asking for money in exchange for getting out of town. Paris subsequently gets nabbed by Peck's crooked cop, Lieutenant Ross (Todd Martin). Peck gets assertive that Dana needs to get blown up in the demonstration.

Paris gets a lockpick out of his boot heel to escape from his cell, then gets a lift from Doug. The two of them get to the Barney Closet in time for Jim's meeting with the mayor, where Paris gets himself into a Lloyd Bochner mask. After Jim leaves, the mayor gets himself abducted via secret panel and replaced by Paris. In a subsequent meeting over tea, Peck gets an earful from Jim about Tallman being a disappointing weakling, and in exchange Peck gets a proposition to pull Tallman out and run for governor himself. Peck gets a call that student revolutionaries have occupied the mayor's office. Dana gets accused at gunpoint of being a spy for the pigs, and seems to get out of it, but Billy gets out of the office and gets set to blow it up with the student protestors--including Dana--inside.

Barney gets some fresh air in his trooper outfit, responding to the student city hall-in. The fake mayor gets to the scene to try to intervene with Peck on behalf of his fake daughter, and Dana gets on a megaphone to deliver the students' demands out a window. Fake Tallman gets a fake backbone and defies Peck to give in to the students' demands. Jim gets on Peck so that Walsh gets an order from Peck to shoot the mayor. Walsh's shot gets ruined by Barney, so the fake mayor only gets winged. Fake Mayor Tallman gets on TV and spills his guts about Peck's scheme; then Paris and Barney get in the back of the ambulance where Doug is holding the real mayor and get Tallman to cooperate in following up on what they've done when he gets his identity back. Mission: Got Accomplished.

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Adam-12
"Log 175: Con Artists"
Originally aired January 2, 1971
Wiki said:
The Johnson Family, a major con artist clan, is in town running their con schemes (including nonexistent roof repairs and phony wood delivery), with Malloy and Reed trying to stop them as well as having to catch two former plant security men-turned-arsonists, take a drunken married couple in when neither prove to be in any condition to drive, and handle a traffic accident which became a car fire after a flare set by a good samaritan rolls into a butane tank. Similar to her role as an eccentric Baldwin Sister on The Waltons, Helen Kleeb guest stars.

The officers respond to a call about a traffic accident, to find a camper truck overturned from a blowout. As thy arrive, a motorist (Jonathan Hole), attempting to be helpful to the female driver, Miss Sorenson (Mary Angela), has just set some flares. One of them rolls to the camper, causing an explosion. Following that, she acts less than grateful for his assistance.

Next the officers are sent to see a woman about a 484 report. The haughty caller, Sybil Merchant (Barbara Morrison), shows them a pile of lumber that some disreputable types leaned on her to pay after claiming that she ordered it, and left in disarray on her palatial property. She subsequently called the police after reading in the paper about the Johnson family, a group of con artists with a matching MO.

The next call is for a 459 silent; the officers arrive at the store alongside another unit, and go in through the basement / boiler room entrance, where they see a man with a gun coming down from the store...but he turns out to be the security guard (John Cliff). Continuing to search the basement, the officers separately find and arrest two suspects, one of whom is about to set a fire. The guard identifies him as a former security guard there named Thomas (Larry Barton), who'd been fired after the still-employed guard turned him in for drinking on the job.

Then the officers see an elderly man, George Sawyer (Jon Lormer), whom they find on a ladder inspecting his roof. He's despondent because of the repair job he thought he got a deal on that's now a soggy mess...the section of bad roof being over his bedridden wife's room. The MO and his description also match the Johnson family.

The officers then pull over Ira Goodrich (Jimmy Cross), a driver who's so drunk that he can't even produce the correct ID. When his wife, Winnie (Billie Bird), offers to take the wheel, she can't get around the car without almost falling over. Both are given a lift in the back of the squad car.

Finally, the officers see a woman about 484 suspects, there now...arriving at the address to find the Johnsons' truck outside. The woman who called, Emma (Irene Tedrow), quietly lets Malloy inside as one of the suspects (Judd Laurance) is frightening her sister (Helen Kleeb) by producing the latest in a series of what sound like rattlesnakes in a bag from the basement. When Malloy confronts the man, he tosses the bag at Malloy, leaving his partner, Clyde, behind as he makes a run for the truck...but it won't start because Malloy had removed a part from it. Back inside, Malloy reveals the fake snake in the bag.

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The Mary Tyler Moore Show
"Howard's Girl"
Originally aired January 2, 1971
Wiki said:
Mary's budding romance with Paul Arnell hits a roadblock—Paul's parents, who insist that Mary belongs with their favorite son, Howard.

Howard was Richard Schaal's character in the second episode, "Today I Am a Ma'am"; here he's playing brother Paul, who's a speechwriter for a congressman. It is mentioned that Mary dated Howard a couple of times and Rhoda met him. Mary brings up her interest in Paul to Murray and before she knows it, Lou brings her into his office because he's been looking into the guy. After some business at WJM in which Paul tells a story about how he got into a fight, he asks about a date. When he goes to Mary's, after some awkward preliminaries he asks her to come with him to visit his folks before they leave on a trip.

Mr. and Mrs. Arnell (Henry Jones and Mary Jackson) are outspokenly proud of Howard and his novelty business, at Paul's expense. It turns out that Howard's still talking about Mary and Mrs. Arnell brings up the subject of marriage. After leaving, Paul resolves to go back and set things straight with his parents, and persuades Mary to come with him. Howard makes it clear that Mary's his date, not Howard's girl; following which Mrs. Arnell wants to cancel her trip because she thinks Mary's being a floozy, without saying as much. In the coda, Paul reveals that he mollified his mother by buying Howard a ticket to accompany them on the trip.

_______

So a modern synonym for platonic relationship, which describes most of them.
Are you madly in love with most of your friends?

Wait, don't answer that.
 
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Greg's project is to teach Myron to run through a maze; Jan borrows the mouse to scare the girls again.
Jan seems to be unique among the ladies of the Brady household in her lack of mouse fear.

It turns out that Myron's made himself at home in Tiger's doghouse...and, as was established in an earlier encounter, Tiger's afraid of the mouse.
Myron gets an A for evading death, finding shelter, and ruling through fear.

The family catch Woodloe performing at a rural church during a stop. Shirley recognizes him by voice, though Reuben thought that he was dead.
Kinda reminds me of Sixto Rodriguez.

They treat him to dinner and listen to his stories, and twist his arm to accompany them back home.
Ouch. I bet Danny did the actual twisting.

which seems to be to the same dinner theater audience every time.
They've imprinted on Shirley Partridge so they follow her around the country.

he's not interested in playing on a regular schedule, which he considers to be turning music from fun into a business.
"You say that like it's a bad thing," reply all of the Partridges.

Ann calls Donald in the middle of the night to ask for $10,000, and he agrees while half-asleep to get her off the phone.
Donald has apparently come a long way from eating at hot dog stands.

She shows Ann the script he's written, which is full of rambling that has nothing to do with the story.
Something about a Faustian bargain and a picture that stayed young while his wife aged, until it all came to a bad end.

So Ann backs out of the deal for his sake.
But pays ten thousand bucks for the picture.

Dana posing as someone's long-lost daughter is starting to become a regular thing.
She was an orphan. She's looking for something that was missing in her life.

Doug gets himself arrested at a traffic stop with a trunk full of weapons. (Apparently the State of the Week isn't Texas.)
They have fictional countries in that universe, so maybe they have fictional states too.

Barney gets agoraphobic, so he gets in a utility closet where he gets to work making a secret panel into the mayor's office--everyone needs a hobby.
"Okay, Barney-- if you think we really need a secret panel in the closet."

Fake Tallman gets a fake backbone and defies Peck to give in to the students' demands. Jim gets on Peck so that Walsh gets an order from Peck to shoot the mayor. Walsh's shot gets ruined by Barney, so the fake mayor only gets winged.
This could have been a great Room 222 crossover.

One of them rolls to the camper, causing an explosion. Following that, she acts less than grateful for his assistance.
Guess he's going home alone after all.

The guard identifies him as a former security guard there named Thomas (Larry Barton), who'd been fired after the still-employed guard turned him in for drinking on the job.
Drinking too much to know about the silent alarm, apparently.

Back inside, Malloy reveals the fake snake in the bag.
I suspect Jan was involved somehow.

Mr. and Mrs. Arnell (Henry Jones and Mary Jackson) are outspokenly proud of Howard and his novelty business, at Paul's expense.
When will that congressional speechwriter make something of himself?

Paul reveals that he mollified his mother by buying Howard a ticket to accompany them on the trip.
I think Mary needs to move on from this bunch. :rommie:

Are you madly in love with most of your friends?
Well....

Wait, don't answer that.
Okay.

But what I mean is, if 99% of the women I know came on to me (not all at once), I wouldn't be interested. I guess that puts my friends in the Friend Zone.
 
Jan seems to be unique among the ladies of the Brady household in her lack of mouse fear.
If Marcia's afraid of mice, then Jan can't allow herself to be!

ruling through fear
We sure got a lesson in that today.

Kinda reminds me of Sixto Rodriguez.
Can't say I'm familiar.

Ouch. I bet Danny did the actual twisting.
No, actually...this was a refreshingly Danny-light episode.

Donald has apparently come a long way from eating at hot dog stands.
Guess they felt the need to make him look like a better catch this season.

"Okay, Barney-- if you think we really need a secret panel in the closet."
:D

So...no M:I ending about how afterward, Paris was lured by an image of William Shatner to a secret cave where he found a pair of shiny wristbands?

When will that congressional speechwriter make something of himself?
This episode seemed to be in large part about setting this character up as a likeably quirky catch for Mary. But it looks like Schaal's follow-up will be a return appearance as Howard in Season 2.
 
If Marcia's afraid of mice, then Jan can't allow herself to be!
True. :rommie:

We sure got a lesson in that today.
From a bunch of rats this time.

Can't say I'm familiar.
Ah, it's a fascinating story. He was practically unknown at home, but famous abroad, where he was thought dead-- and he was completely unaware of it until recently. Pretty good music, too.

Guess they felt the need to make him look like a better catch this season.
I guess it would make sense that he's upwardly mobile.

So...no M:I ending about how afterward, Paris was lured by an image of William Shatner to a secret cave where he found a pair of shiny wristbands?
I thought vaguely of someone else using the alias Bruce Banner, but I guess I didn't get to it. But your version would make for an interesting alternate outcome to "The Tholian Web." :rommie:
 
55 Years Ago This Week

Wiki said:
January 10
  • Pakistani–Indian peace negotiations end successfully with signing of the Tashkent Declaration. Indian prime minister Lal Bahadur Shastri dies the next day.
  • The French paper L'Express publishes a story by Georges Figon, who took part in the kidnapping of Mehdi Ben Barka.
  • Georgia House of Representatives refuses to seat Julian Bond.
  • Home of civil rights activist Vernon Dahmer in Hattiesburg, Mississippi, is firebombed. Dahmer's family escapes but he dies the next day from severe burns. (White Knights of the Ku Klux Klan Imperial Wizard Samuel Bowers will be unsuccessfully tried for this murder on four occasions, and then convicted in 1998.)
  • Commonwealth Prime Ministers' Conference convenes in Lagos, Nigeria.
January 11
  • A conference on Rhodesia begins in Lagos, Nigeria.
  • The first SR-71 Blackbird goes into service at Beale AFB.
January 12 – United States President Lyndon Johnson states that the United States should stay in South Vietnam until Communist aggression there is ended.


Holy timeline omission!
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January 13 – Robert C. Weaver becomes the first African-American Cabinet member, by being appointed United States Secretary of Housing and Urban Development.
January 15 – A bloody military coup is staged in Nigeria, deposing the civilian government and resulting in the death of Prime Minister Abubakar Tafawa Balewa.



Selections from Billboard's Hot 100 for the week:
1. "We Can Work It Out," The Beatles
2. "The Sound of Silence," Simon & Garfunkel
3. "She's Just My Style," Gary Lewis & The Playboys
4. "Five O'Clock World," The Vogues
5. "Ebb Tide," The Righteous Brothers
6. "Day Tripper," The Beatles
7. "Flowers on the Wall," The Statler Brothers

9. "As Tears Go By," The Rolling Stones
10. "No Matter What Shape (Your Stomach's In)," The T-Bones
11. "A Must to Avoid," Herman's Hermits
12. "You Didn't Have to Be So Nice," The Lovin' Spoonful
13. "Over and Over," The Dave Clark Five
14. "Fever," The McCoys
15. "Let's Hang On!," The Four Seasons
16. "Just Like Me," Paul Revere & The Raiders
17. "The Duck," Jackie Lee

19. "Turn! Turn! Turn! (To Everything There Is a Season)," The Byrds
20. "I Got You (I Feel Good)," James Brown & The Famous Flames
21. "Jenny Take a Ride!," Mitch Ryder & The Detroit Wheels
22. "Attack," The Toys

24. "My Love," Petula Clark
25. "It's My Life," The Animals
26. "Lies," The Knickerbockers
27. "Thunderball," Tom Jones
28. "A Well Respected Man," The Kinks
29. "A Sweet Woman Like You," Joe Tex
30. "Sandy," Ronny & The Daytonas
31. "Barbara Ann," The Beach Boys

33. "Crying Time," Ray Charles

36. "Don't Think Twice," The Wonder Who?
37. "It Was a Very Good Year," Frank Sinatra

43. "Zorba the Greek," Herb Alpert & The Tijuana Brass
44. "Puppet on a String," Elvis Presley

46. "Uptight (Everything's Alright)," Stevie Wonder

48. "Going to a Go-Go," The Miracles
49. "I Can Never Go Home Anymore," The Shangri-Las

52. "Lightnin' Strikes," Lou Christie

54. "Like a Baby," Len Barry
55. "Don't Mess with Bill," The Marvelettes

58. "The Little Girl I Once Knew," The Beach Boys

67. "I Ain't Gonna Eat My Heart Out Anymore," The Young Rascals
68. "Call Me," Chris Montez
69. "Michelle," David & Jonathan

71. "I See the Light," The Five Americans

74. "California Dreamin'," The Mamas & The Papas

78. "My World Is Empty Without You," The Supremes

85. "Night Time," The Strangeloves

98. "My Generation," The Who


Leaving the chart:
  • "Hang On Sloopy," Ramsey Lewis Trio (8 weeks)
  • "Sunday and Me," Jay & The Americans (8 weeks)
  • "Taste of Honey," Herb Alpert & The Tijuana Brass (16 weeks)

New on the chart:

"My Generation," The Who
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(#74 US; #2 UK; #11 on Rolling Stone's 500 Greatest Songs of All Time)

"Night Time," The Strangeloves
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(#30 US)

"My World Is Empty Without You," The Supremes
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(#5 US; #10 R&B)


And new on the boob tube:
  • Branded, "The Wolfers"
  • 12 O'Clock High, "The Slaughter Pen"
  • Batman, "Hi Diddle Riddle" (Holy series premiere!)
  • Batman, "Smack in the Middle" (Same Bat-Time! Same Bat-Channel!)
  • Gilligan's Island, "You've Been Disconnected"
  • The Wild Wild West, "The Night the Dragon Screamed"
  • Hogan's Heroes, "The Gold Rush"
  • Get Smart, "Kisses for KAOS"

_______

Ah, it's a fascinating story. He was practically unknown at home, but famous abroad, where he was thought dead-- and he was completely unaware of it until recently. Pretty good music, too.
Ah, now that you describe it, that sounds familiar...I think I heard about that somewhere.
 
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50 Years Ago This Week

Wiki said:
January 12 – The landmark television sitcom All in the Family, starring Carroll O'Connor as Archie Bunker, debuts on CBS.
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January 14 – Seventy Brazilian political prisoners are released in Santiago, Chile; Giovanni Enrico Bucher is released January 16.
January 15 – The Aswan High Dam officially opens in Egypt.



Selections from Billboard's Hot 100 for the week:
1. "My Sweet Lord" / "Isn't It a Pity", George Harrison
2. "Knock Three Times," Dawn
3. "One Less Bell to Answer," The 5th Dimension
4. "Black Magic Woman," Santana
5. "I Think I Love You," The Partridge Family
6. "Lonely Days," Bee Gees
7. "Groove Me," King Floyd
8. "Stoned Love," The Supremes
9. "Stoney End," Barbra Streisand
10. "The Tears of a Clown," Smokey Robinson & The Miracles
11. "Your Song," Elton John
12. "It's Impossible," Perry Como
13. "Pay to the Piper," Chairmen of the Board
14. "River Deep - Mountain High," The Supremes & Four Tops
15. "Rose Garden," Lynn Anderson
16. "For the Good Times," Ray Price
17. "Does Anybody Really Know What Time It Is?," Chicago
18. "Love the One You're With," Stephen Stills
19. "If I Were Your Woman," Gladys Knight & The Pips
20. "Immigrant Song," Led Zeppelin
21. "Domino," Van Morrison
22. "We Gotta Get You a Woman," Runt
23. "One Man Band," Three Dog Night
24. "Born to Wander," Rare Earth
25. "I Really Don't Want to Know" / "There Goes My Everything", Elvis Presley
26. "Remember Me," Diana Ross
27. "Stop the War Now," Edwin Starr

29. "(Don't Worry) If There's a Hell Below We're All Going to Go," Curtis Mayfield
30. "No Matter What," Badfinger
31. "I Hear You Knocking," Dave Edmunds
32. "He Aint Heavy...He's My Brother," Neil Diamond
33. "Mr. Bojangles," Nitty Gritty Dirt Band
34. "Amazing Grace," Judy Collins
35. "Amos Moses," Jerry Reed
36. "Watching Scotty Grow," Bobby Goldsboro
37. "Gypsy Woman," Brian Hyland

39. "Be My Baby," Andy Kim

41. "(Do the) Push and Pull (Part 1)," Rufus Thomas
42. "If You Could Read My Mind," Gordon Lightfoot

44. "One Bad Apple," The Osmonds

49. "Let Your Love Go," Bread

56. "Temptation Eyes," The Grass Roots

60. "Mother," John Lennon / Plastic Ono Band

70. "Sweet Mary," Wadsworth Mansion

76. "Superstar," Murray Head w/ The Trinidad Singers

79. "Paranoid," Black Sabbath

81. "Theme from Love Story," Henry Mancini, His Orchestra and Chorus

83. "Jody's Got Your Girl and Gone," Johnnie Taylor
84. "Don't Let the Green Grass Fool You," Wilson Pickett

98. "Help Me Make It Through the Night," Sammi Smith


Leaving the chart:
  • "5-10-15-20 (25-30 Years of Love)," The Presidents (15 weeks)
  • "Only Love Can Break Your Heart," Neil Young (12 weeks)

New on the chart:

"Jody's Got Your Girl and Gone," Johnnie Taylor
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(#28 US; #1 R&B)

"Don't Let the Green Grass Fool You," Wilson Pickett
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(#17 US; #2 R&B)

"Theme from Love Story," Henry Mancini, His Orchestra and Chorus
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(#13 US; #2 AC)

"Help Me Make It Through the Night," Sammi Smith
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(#8 US; #3 AC; #1 Country)


And new on the boob tube:
  • Hogan's Heroes, "Easy Come, Easy Go"
  • Rowan & Martin's Laugh-In, Season 4, episode 17
  • All in the Family, "Meet the Bunkers" (series premiere)
  • Hawaii Five-O, "To Kill or Be Killed"
  • The Odd Couple, "The Hideaway"
  • The Brady Bunch, "Will the Real Jan Brady Please Stand Up?"
  • The Partridge Family, "Old Scrapmouth"
  • That Girl, "A Limited Engagement"
  • Love, American Style, "Love and Operation Model / Love and the Sack"
  • Mission: Impossible, "The Missile"
  • Adam-12, "Log 26: LEMRAS"
  • The Mary Tyler Moore Show, "Just a Lunch"

_______

It does have lyrics!
And will be the source of a couple of charting singles in our future...Holy hit parade!

One of the uberest of classics. They didn't get their wish, though.
Nor did most of the rest of their g-g-g-generation.

This is okay.
This week's selections are like a sandwich in which the bread is far better than whatever was placed between its slices.

Another classic.
I like this one better than some of their chart-toppers (looking at you, "The Happening").
 
"Jody's Got Your Girl and Gone," Johnnie Taylor
I don't think I ever heard this one before, but it's definitely got that early 70s sound.

"Don't Let the Green Grass Fool You," Wilson Pickett
This is pretty good.

"Theme from Love Story," Henry Mancini, His Orchestra and Chorus
This is not pretty good. :rommie:

"Help Me Make It Through the Night," Sammi Smith
This is always nice.

And will be the source of a couple of charting singles in our future...Holy hit parade!
A pop-culture phenomenon!

Nor did most of the rest of their g-g-g-generation.
Live and learn. :rommie:

This week's selections are like a sandwich in which the bread is far better than whatever was placed between its slices.
Some good simile action there. :bolian:

I like this one better than some of their chart-toppers (looking at you, "The Happening").
I think "The Happening" is pretty catchy.
 
I don't think I ever heard this one before, but it's definitely got that early 70s sound.
This is pretty good.
Neither of these really grabs me as a noteworthy example of early-'70s soul.

This is not pretty good. :rommie:
I'm considering getting this, though I'm not actively planning to catch the film, which appears to have been quite a hit, though I'd reconsider if it came up on one of the channels.

My sister had a music box that played the theme around the turn of the '80s...at the time, not being familiar with it, I was struck by the resemblance to "The Lonely Man Theme" from The Incredible Hulk...perhaps based on the theme from Love Story?

This is always nice.
This I am not getting.

A pop-culture phenomenon!
The Three B's of the '60s: The Beatles, Bond, and Batman.

I think "The Happening" is pretty catchy.
But is it #1 material by the standards of their previous #1's, or '60s music in general? It strikes me as being the Supremes' equivalent of "Paperback Writer"...the single that topped the chart based on the overwhelming popularity of the group at that point rather than based on its own merits.

Archie Bunker said:
What about me, ya meathead?
 
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Neither of these really grabs me as a noteworthy example of early-'70s soul.
No, but they've got the sound.

I'm considering getting this, though I'm not actively planning to catch the film, which appears to have been quite a hit, though I'd reconsider if it came up on one of the channels.
Oh, yeah, it was big. It wasn't really my cup of tea. :rommie:

My sister had a music box that played the theme around the turn of the '80s...at the time, not being familiar with it, I was struck by the resemblance to "The Lonely Man Theme" from The Incredible Hulk...perhaps based on the theme from Love Story?
I don't know. That never occurred to me until now.

The Three B's of the '60s: The Beatles, Bond, and Batman.
Now there would have been a crossover: A Hard Day's Knight Is Forever.

But is it #1 material by the standards of their previous #1's, or '60s music in general? It strikes me as being the Supremes' equivalent of "Paperback Writer"...the single that topped the chart based on the overwhelming popularity of the group at that point rather than based on its own merits.
Probably, but a lot of chart positions are pretty inexplicable. :rommie:
 
_______

50th Anniversary Viewing (Part 1)

_______

The Ed Sullivan Show
Season 23, episode 16
Originally aired January 3, 1971
As represented in The Best of the Ed Sullivan Show

Ed said:
And NOWWWWW, here is recording star O.C. Smith...
From a mixed Best of, Smith does a medley consisting of "Friend, Lover, Woman, Wife," a 1969 single that didn't make the Top 40, but was a modest hit on the easy listening and soul charts; a slow, soulful rendition of "Can't Take My Eyes Off You"; and his signature 1968 hit, "Little Green Apples".

Also in the original episode according to tv.com:
Music:
--O.C. Smith sings "What the World Needs Now."
--Sergio Franchi sings a medley of "All of My Life," "Mi Cuando" (in Italian) and "Jean."
--Lana Cantrell sings "Reach Out & Touch Somebody's Hand" and "Being Alive."
--Jim Bailey (female impersonator, as Peggy Lee) - sings "Why Don't You Do Right," "Manana" and "Fever."
--Jim Baily (as himself) sings "My Life" & "My Way."
Comedy:
--Rodney Dangerfield (comedian) - tells jokes about his wife and kids.
--John Byner (comedian-impressionist) - appears in two segments.
Dance Troupe:
--The Bayanihan Philippine Dancers (traditional music and dances) - appear in two segments.

_______

Rowan & Martin's Laugh-In
Season 4, episode 16
Originally aired January 4, 1971
The Wiki list of guest appearances said:
Wilt Chamberlain, Sammy Davis Jr.

Court is back in session!
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This episode's cocktail party:
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The Mod World of Ethnic Humor:
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Part Two.

More judge.

Sammy vs. Wilt.

This week's Quickies.

Sammy and Edith Ann:
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Sammy and Wolfgang:
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_______

Hawaii Five-O
"Ten Thousand Diamonds and a Heart"
Originally aired January 6, 1971
Wiki said:
A prisoner is broken out of jail by a wealthy gangster so he can mastermind a $10 million robbery of the Honolulu Diamond Exchange.

The prisoner, mastermind Sheldon Orwell (an initially mustached Tim O'Connor--probably faked, as he ditches the 'stache later), is broken out when being taken out for a trip to court, with one of the perpetrators being shot by a guard. Orwell is taken to meet his benefactor, Willard Lennox (Paul Stewart), an old-time mobster who kills the two surviving men involved in the breakout. Lennox declares that he owns Orwell, but Orwell asserts that he's more valuable than that, and that they're now partners. Five-O goes over the car and bodies, finding cigar ashes that don't match Orwell or the dead henchman, Murray. They also find a prescription bottle of nitro with Orwell's name on it.

Orwell and some of Lennox's men are given a detailed briefing about the diamond exchange, complete with diorama, by Edmund Putney, an inside man who's been scoping the place out (Logan Ramsey). After the meeting, Orwell realizes that his nitro is missing, and recruits one of Lennox's men, an ambulance driver named Harding (John McCormick), to go procure some. Five-O are putting Orwell's picture out to pharmacies, and the gun used by Orwell is also identified as a Luger nicknamed Brunhild, which belongs to an unknown party and has been used in various cases going back a decade. Che Fong also turns up marble dust in Murray's earwax. We learn shortly after that there's a sculptor living next door to Lennox, whose dust gets around in the building.

A medical supplier IDs Orwell, in an outing that we didn't see, as having bought another drug--one that simulates the symptoms of a heart attack; and on a hunch Five-O zeroes in on Lennox as one of several suspected Brunhild owners. At the exchange, one of Orwell's men (whose name I didn't catch) displays Barney-like skills by splicing a fake feed into a security camera. Back at Lennox's place, Orwell figures out that the exchange's elevator, needed for the escape, is rigged as a trap. While the planning continues with a modification to rappel down the shaft (despite Putney's reluctance to engage in such activity), Five-O gets a lead on a woman who buys the cigars, who lives in the same building as Orwell...and searching her place, McGarrett finds the marble dust. Hairs are also found that match Orwell and potentially Lennox.

Five-O narrows down several potential heist targets, including the exchange, and have those locations phone in every ten minutes as a precaution. Meanwhile, the heist commences, with Not Barney working on the alarm system and camera feed while Lennox distracts the security guard at the monitor; Putney sweating profusely inside the exchange; and Orwell hanging around the lobby planning to fake a heart attack. While Putney is being let out of the secure room, Not Barney forces his way in and both draw guns. Down in the lobby, Orwell fakes his attack, holding up the elevator in the process. Harding and an accomplice arrive in the ambulance and it seems that Orwell is having a real attack. Not Barney and Putney blow a hole into the shaft and lower themselves down to the elevator car with their loot. McGarrett makes a follow-up call to the security guard with the false feed when he doesn't get his call from the exchange, hears about a guy who just had a heart attack, and the team scouts out escape routes from the exchange. Lennox double-crosses Orwell, leaving him behind as he and the other men switch vehicles...but Five-O swoops in with helicopter support and McGarrett blows out their station wagon's tires. He finds Brunhild and discovers that the bag Lennox took from Orwell has something other than diamonds in it, and that Orwell has disappeared from the back of the ambulance. But McGarrett finds him at a marina that Danno's been staking out based on Orwell's MO. Orwell surrenders peacefully, not wishing to contribute to Steve's drinking habit.

_______

Ironside
"The Quincunx"
Originally aired January 7, 1971
Wiki said:
The sister in a folk trio vanishes without a trace and another young woman is found brutally murdered.

The episode opens with Team Ironside attending a performance at hip club the Red Frog...a very bohemian coffee house-style venue, but serving alcohol (Ed complaining about the scotch being a running gag throughout the episode). Matthew Roberts (Michael Bodgett) begins by announcing that the trio's female singer and Eve's old college friend, Jan Gaylord (Carla Borelli), "can't make the scene tonight"...though Eve had just spoken to her earlier that day. The audience finger-snaps their approval for Matthew and his brother, Luke (top-billed guest David Carradine), to perform without her, and they proceed into a number apparently called "I Stepped on a Flower," while we see flashes of a struggle and stabbing, and the victim's body being found in a car trunk.

Back at the Cave, the Chief seems to think that the group's scene is a new thing (surely Perry Mason must have done a bohemian coffee house episode at some point), and Mark contrasts the venue's "silent adoration" policy to the Beatles' screaming female fans. Eve tries to get info about Jan on the phone, and ends up paying a visit to Luke, who's sporting a shirt with a Superman symbol on it and comes on to her. When Matthew learns that Luke was talking to a cop, he gets very uptight about it, mentioning an Olivia who's gone and not coming back. Meanwhile, TI goes to the morgue to view a female victim found with multiple knife wounds. She isn't Jan, but they proceed to attempt to identify her. A stylized "LOV" pendant has them searching for a name with the initials LV.

Back at the club, Luke performs a song about Olivia having gone to where the grass is greener, after which he shines a flashlight on Eve and playfully introduces her as the "female fuzz". Meanwhile, the victim's father (Paul Bryer) identifies the body as Lenore Olivia Vogel. Eve goes to see Luke again, and he shows her a letter from Jan indicating that she's in Lake Tahoe. When she's about to leave, Luke gives her a gift...a medallion in the same style as the one found on the victim, with Eve's initials on it. Back at the Cave, the Chief shows great interest in the content of the letter, then goes to question Matthew and uncovers that it was an old letter, which he'd sniffed out based on a reference to a dead jazz musician. Meanwhile, Eve has traced the pendants to a Los Angeles establishment, Barney's Beadery (named after its proprietor, played by David Moody), and learns that both Luke and Matthew were customers.

TI attends another performance, this time with a tape recorder, and the Chief shows interest in a song by Luke about a couple of girls. Back at the Cave, like Adam West studying cryptic clues left by Frank Gorshin, the Chief pores over the lyrics, finding numerical and geographical references of interest...Luke having conspicuously mentioned to Eve that his real talent was a head for numbers. The California cities that he names form a square when they're connected in order on a map (unfortunately just paper, not Lucite). Looking for a missing five in the numerical sequence, the Chief deduces that the locations form a quincunx...when an X (or ten, another number referenced prominently) is drawn between them, the marked spot is the town of Oakley...Annie being the name of a girl in the song. Meanwhile, Eve is paying another visit to Luke, and he freaks out and has a little stabbing-incident flashback when she asks about Olivia and mentions that the girl has been found dead. When the rest of TI gets there, Luke and Matthew have split, man.

The team hits Oakley, showing around a picture of Jan. Ed learns that the guys left Jan, who was in a seemingly catatonic state, at a local sanitarium for alcoholics, run by Laura May Tomer (Mabel Albertson). The guys indicated to Tomer that if Jan came out of it, she might start "screaming bloody murder" and would need to be sedated; and they'd just come to pick her up that morning. We find Luke and Matthew driving off like bats out of hell with Jan (Carla Borelli) still in her state...Matthew talking about disposing of her so she doesn't have a chance to come out of it and reveal what she knows. Their car swerves off the side of the road and down a hillside at a police roadblock that the Chief had set up. Luke doesn't survive, and seeing his body, Jan comes out of it, traumatically remembering the killing. At a hospital, the team finds that Luke had killed Olivia while very high, and Matthew was covering for him. The end of the episode has one more visit to the club, where Jan performs solo to much snapping.

I never caught the name of the trio, even though there was a promotional display of them outside the club, which had their first names written on it. Were they supposed to be "Luke, Matthew and Jan," a play on Peter, Paul and Mary?

_______

The Odd Couple
"They Use Horseradish, Don't They?"
Originally aired January 7, 1971
Wiki said:
Paralyzed with fear during a cooking contest, Felix needs Oscar's help.

Felix plans to win the contest with roast beef and a novel gravy containing beer and mustard. Oscar's more enthusiastic about the fellow contestants that Felix brings over, Sharon and Doria (Francine York and Margot Nelson), who find Felix sexy. At the contest, another contestant, Barbara (Marlyn Mason), who makes the finals with Felix, flirts with Oscar in the audience. Felix isn't happy with Oscar going out with her, as she has a reputation for stealing other contestants' recipes--which has earned her the nickname "Bearnaise Barbara"--and he thinks that she's using Oscar for that purpose.

On his date with Barbara, Oscar does exactly what Felix feared, in an attempt to prove that he trusts her...then catches her having written down the recipe. He informs Felix, who has to pull an all-nighter to come up with a new recipe...then suffers both of his arms locking up from an ongoing issue he's been having. Thus Felix recruits Oscar to do the actual cooking for the finals. At the contest, Barbara apologizes, telling a story about having been motivated by troubles with her boyfriend, and promises not to use Felix's recipe, so he returns to using it. A series of mishaps in Oscar's attempt to play surrogate chef culminate in him mutilating the roast with his electric knife, so Felix changes the plan to beef stew and ends up having Oscar carry him around, raising him high enough that he can use his own hands. Felix wins, but forfeits the prize to Barbara because of his last-minute change of recipe.

In the coda, Oscar tries to cheer Felix up by having Sharon and a friend over to serve him dinner.

Ironically, when Felix talks about how he was the only one in a spelling bee who knew how to spell "zeppelin," the closed captioning twice misspells it "zeplin".

_______

Oh, yeah, it was big. It wasn't really my cup of tea. :rommie:
Did you not bother seeing it, or see it but not like it?
 
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From a mixed Best of,
Sigh. I wonder if full episodes will ever be available.

Holy Toledo. That looks like me standing next to my Nephew. :rommie:

the gun used by Orwell is also identified as a Luger nicknamed Brunhild, which belongs to an unknown party
A guy with a fur hat and horns.

Che Fong also turns up marble dust in Murray's earwax.
Now there's a glamorous job. :rommie:

A medical supplier IDs Orwell, in an outing that we didn't see, as having bought another drug--one that simulates the symptoms of a heart attack;
That sounds like a bad idea for a guy with a heart condition. And where do you get a prescription for something like that? :rommie:

At the exchange, one of Orwell's men (whose name I didn't catch) displays Barney-like skills by splicing a fake feed into a security camera.
Once again, the bad guys resemble the IMF.

Five-O swoops in with helicopter support and McGarrett blows out their station wagon's tires.
A very practical choice for an escape car when you've got a lot of loot, but the other bad guys make fun of you.

He finds Brunhild and discovers that the bag Lennox took from Orwell has something other than diamonds in it, and that Orwell has disappeared from the back of the ambulance.
Haha. Cute.

But McGarrett finds him at a marina that Danno's been staking out based on Orwell's MO. Orwell surrenders peacefully, not wishing to contribute to Steve's drinking habit.
That's a good ending, despite nobody going in the drink.

Luke (top-billed guest David Carradine)
Groovy.

a number apparently called "I Stepped on a Flower,"
So that's where they've all gone.

(surely Perry Mason must have done a bohemian coffee house episode at some point)
As a matter of fact, we watched one just the week before last.

he shines a flashlight on Eve and playfully introduces her as the "female fuzz".
Now that would have been a good name for a show.

Back at the Cave, like Adam West studying cryptic clues left by Frank Gorshin, the Chief pores over the lyrics, finding numerical and geographical references of interest...
That's cool and kind of Mason-like.

Ed learns that the guys left Jan, who was in a seemingly catatonic state, at a local sanitarium for alcoholics, run by Laura May Tomer (Mabel Albertson). The guys indicated to Tomer that if Jan came out of it, she might start "screaming bloody murder" and would need to be sedated; and they'd just come to pick her up that morning.
Were rehabs really that unregulated and unprofessional in those days? :rommie:

I never caught the name of the trio, even though there was a promotional display of them outside the club, which had their first names written on it. Were they supposed to be "Luke, Matthew and Jan," a play on Peter, Paul and Mary?
They should have given her a Biblical name, like Rachel or Sarah.

"They Use Horseradish, Don't They?"
Good one.

and ends up having Oscar carry him around, raising him high enough that he can use his own hands.
I don't remember this, but just the thought of it cracks me up. :rommie:

Ironically, when Felix talks about how he was the only one in a spelling bee who knew how to spell "zeppelin," the closed captioning twice misspells it "zeplin".
That's hilarious. Closed captioning and capsule descriptions on TV are so bad.

Did you not bother seeing it, or see it but not like it?
I didn't see it at the movies. If I ever saw it, it was on TV, but I don't remember.
 
_______

50th Anniversary Viewing (Part 2)

_______

The Brady Bunch
"Where There's Smoke"
Originally aired January 8, 1971
Wiki said:
Greg is coerced by friend Tommy to smoke. Cindy and Jan see this and the news gets back to Mike and Carol. They challenge Greg who insists he didn't like it and won't smoke again. Later Carol sees a packet of cigarettes fall from Greg's jacket and he can't understand how they got there. Tommy's mother, who runs an anti-smoking committee, removes Carol from it because of this. Alice realizes that the jacket with the cigarettes was not Greg's; his has a repaired tear. It is Tommy's jacket, and they were Tommy's cigarettes. Tommy tries to switch the jackets. Greg forces Tommy to admit the truth to Mike and Carol, and Tommy tells his mother himself.

Guest stars: Bobby Cramer as Johnny, Gary Marsh as Phil, Craig Hundley as Tommy Johnson, Marie Denn as Mrs. Johnson

Note: This is the first episode where Greg plays guitar and sings. The song is "Till I Met You", which Barry Williams co-wrote.

Tommy's smoking on the school grounds with his bandmates in the Banana Convention when they stop Greg to recruit him to play a school dance gig with them. Greg succumbs to in-the-moment peer pressure to try a cancer stick for himself, which results in the usual virginal coughing. It seems unlikely that Greg, Jan, and Cindy all attend the same school, but the girls tell Marcia, who initially consults with Alice about whether or not she'd be snitching to tell the folks. She's convinced that she needs to because it's for Greg's own good, but still feels awful about it afterward. The parents confront Greg, he explains how it went down, and Mike admits to having smoked when he was younger. This experience convinces Carol to accept a prior invitation to join Mrs. Johnson's anti-smoking committee, and a meeting is planned at the Brady home. Mrs. Johnson is there dropping off some literature when Greg comes home and the cigarettes fall out of the school jacket that he's been wearing.

Carol believes Greg when he says that he doesn't know how they got there, but Mrs. Johnson is hard-nosed about it, thinking that she's in denial because Greg's her son. Mike also believes Greg, but Greg becomes fixated with figuring out how the cigarettes got there to prove his innocence. While he's consulting Alice, who suggests trying to reconstruct the scene of the crime because that's what they always do on TV, she hands him the jacket and notices that it's not his. Tommy subsequently drops by to bring Greg his jacket, and after he finds out what happened, confesses to his mother when she comes in to get him. Mrs. Johnson apologizes to Greg, and Carol offers to host another meeting.

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Not a bad voice. I wonder if he was playing his own guitar.

TBB06.jpg
"Good morning, Mr. Brady..."

TBB07.jpg

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The Partridge Family
"Mom Drops Out"
Originally aired January 8, 1971
Wiki said:
Reuben books a European tour but there's one condition: the groovy promoter thinks Shirley's too old. She quits the band, but discovers she has fans there after all.

Guest Star: Gino Conforti as Logan Mays

Songs: "Baby I Love Love, I Love You"; "I Can Feel Your Heartbeat"

I don't think we ever got that Hawaii trip. Shirley agrees to leave the band so the kids can see Europe, but doesn't tell the kids why she's really "retiring," claiming that she just wants to be a normal mother again...but the kids are suspicious about her motives and don't want to go on the tour without her. (I'm not sure why she wouldn't be accompanying them anyway...she is their parent and there are very young children in the band.) Keith and Laurie overhear Reuben talking with Mays on the phone and go to confront him about his involvement. They learn the truth, but he forces them into honoring their contract. They then attempt to motivate Shirley to fight for her position by letting her overhear them botching a rehearsal, but she sees through it.

Because the kids have to come up with new arrangements for their material, they have Reuben arrange a small gig for them to try them out, with Mays in attendance. (For once it's not the same ol' dinner theater.) Ironically, the kids' bad new sound appears to be all of the kids actually singing, rather than the usual studio performers. Mays threatens them to get their act together. Each of the kids declares that they're quitting the band, Danny needing some time to think about it. Shirley agrees to rejoin the band after the tour, but insists that they fulfill their contract. They fly to Paris...or at least some stock footage of its landmarks...and their first audience chants for Shirley, who came along after all, so she ends up taking the stage for the usual studio arrangement of "I Can Feel Your Heartbeat"...which sounds like Shirley isn't really on it, of course. Sold on Shirley's audience appeal, Mays tries to convince her to go solo.

_______

That Girl
"Those Friars"
Originally aired January 8, 1971
Wiki said:
Ann's late Uncle Harry wills her an old trunk used during his career in vaudeville. Stars Milton Berle and Danny Thomas show up wanting to buy the old trunk.

Milton and Danny are actually playing themselves in this one. That's...interesting. I wonder who this Danny Thomas's daughter is...?

Ann has to pay for the shipping, has no idea what's in the trunk, and gets Donald to pry it open. Sandy has it written up in the paper as publicity for Ann's career, with emphasis on Ann supposedly being a starving actress. While she and Donald are going through the contents, which include a 1920s-style fur coat, Milton Berle shows up in her building's basement, explaining that he and Uncle Harry were fellow Friars, and offers her $100 for the trunk. Then Danny Thomas pops in and they start a bidding war over it, while Berle gets in various cracks about Thomas's nose. Though the price gets up to $650, Ann doesn't want to sell; but when they start bidding on individual items in the trunk, like Harry's dancing shoes, it gives Ann and Donald the idea that there might be hidden money involved, so they start going through everything.

Milton visits Sandy and explains that he and Danny saw the write-up and thought they'd try to help out Ann, to return the favor of Harry having helped them out when they were younger. They ultimately arrange a memorial dinner for Harry with Ann as guest of honor, hoping it will get her noticed by some of the big stars who are said to be in attendance but not seen, including George Burns, George Jessel, and Jack Benny. She does a comedy routine on stage with Milton and Danny, and participates in the "Metamorphosis" illusion, though there's an obvious camera trick involved. Once Milton has taken her place in the trunk, Ann and Danny go into a song about being together forever that's loaded with fourth wall-breaking affection and double entendre.

"Oh, Donald" count: 8
"Oh, Daddy" count: 3
"Oh, Mr. Berle" count: 2

Mr. Marie shows up at Ann's apartment for one scene with a care package from his customers who saw the write-up.

_______

Love, American Style
"Love and the Only Child / Love and the Wig"
Originally aired January 8, 1971

These two segments were actually kept together in the same syndicated episode.

In "Love and the Only Child," Dan and Annie (Ozzie and Harriet Nelson) are preparing to move when their daughter, Ellen (Heather North), shows up to tell them that she left her husband of two months, Marvin. They have to break the news to her that they're getting a divorce. Marvin (Tony Dow) drops in to bring Ellen's things. The matter is discussed while two cab drivers (Bobby Baum and Bill Elliott) look on. The parents have to tell Ellen that they only got married because Annie was pregnant. Then the drivers speak up, with Ellen's driver letting the cat out of the bag that he just brought her from the doctor. Marvin wants to stay with her for the kid, and Dan and Annie back him up. When Ellen points out that they got married for her and are now getting a divorce, they agree to call it off on the spot, motivated to stay together as grandparents. A happy double reconciliation!


"Love and the Wig" has Gen (Mimi Hines) confronting her husband, Leon (Phil Ford), about how he takes her for granted and doesn't pay attention to her anymore. He offers to take her out to drinks and dinner at the less-than-romantic venues of a bowling alley and a cafeteria. Later a bumbling young salesman arrives at the door to bring Gen a blonde wig that she won in a contest that she didn't know she'd entered. She shows up at the bowling alley wearing the wig and sunglasses and Leon, who doesn't recognize her at first, chats with her while talking about his old ball and chain. When he realizes it's her, he backpedals, and is motivated to take her to a real restaurant and a discotheque. But back home when he's ready to hop in the brass bed with her, he's put off by her having taken off the wig for the night, and pretends to be too sleepy for the anticipated activity.

The next morning she's writing a note to Leon that she's leaving him, but sharing her troubles with the milkman (Guy Raymond)--who thinks she's talking about her husband seeing another woman--gives her the idea to quickly make Leon tired of her alter ego by affecting a materialistic persona that involves charging lots of new clothes and accessories. He insists that she goes back to the way she was, divesting her of the wig.

_______

Mission: Impossible
"Cat's Paw"
Originally aired January 9, 1971
Wiki said:
The IMF helps Barney avenge the murder of his older brother by the black Mob.

The episode opens with Barney meeting with his brother, publisher Lawrence Collier (Marc Hannibal), and DA Jimmy Scanlon (Manuel Paul Thomas) about how they're trying to indict police captain David Abbott (Kelly Thordsen) for being on the take for George Corley (Hari Rhodes), head of the ghetto mob. While Barney's leaving, there's a drive-by firebombing of Larry's office. Barney rushes to his brother's side, but it's too late. In the mission briefing, Barney plays the usual "I have no right to get you involved" beat, giving his IMF pals a chance to make their unwavering support clear.

Barney saves Corley's private secretary, Millie Webster (Abbey Lincoln), from what appears to have been a staged attack on the street--probably by Willy, but I couldn't tell, as the night scenes in this episode are very darkly lit. While they're getting to know each other, a henchman named Hamp comes in (Chuck Wood), instantly suspicious of Barney, who disarms him, but Corley enters the room with a gun drawn. Corley and Barney proceeds to have a civil talk in which the prospect of employment comes up. In a follow-up social call on Millie, we learn that Corley's looked into Barney's (fake) underworld employment history. She offers him a job as assistant to Corley's accountant, Goslin (William Wintersole), with the intent of having Barney eventually take his place. This is accomplished quickly with the help of some extra dough that Willy sneaks into a strongbox in Corley's safe. Barney continues to romance Millie, and gets a threatening call from Hamp to stay away from her.

Paris poses as a medium with the cooperation of an actual spiritualist named Wyatt (Morgan Farley), who's cooperating with the IMF in return for a charity donation, with believer Goslin and Dana in attendance. Dana fake-channels Goslin's recently deceased wife, who warns him that Corley wants to off him, and advises him to use information he has on Corley to hurt him. Paris alerts Jim that Goslin's is on his way, and Jim triggers a device that Willy planted in Hamp's room, which releases sleeping gas. Goslin, armed and ready, finds Hamp snoozing and opens the safe to retrieve a coded document, then runs the data through Corley's big-ass room computer, makes a big-ass printout, and leaves. He's intercepted outside by Jim and Willy pretending to be cops, who lean on him for info.

Jim had previously visited Captain Abbott in the guise of a rival mobster interested in buying Abbot's protection for his own racket, at the expense of Corley. He calls Abbot in that guise to discuss a Swiss bank account of Corley's that he's uncovered, and arranges a meeting with Abbot and Hamp, at which he twists their arms for help in using the info to bring down Corley, offering Hamp Corley's position. Abbot then calls Millie to tell her that Goslin's talking to the DA.

Hamp goes back to Corley's lair with a shotgun to confront Barney and Corley; but Millie shows up with the info from Abbot. Hamp's going to shoot her with them when Willy snipes him with a tranquilizer. Corley's upset that Millie was trying to save Barney, not him. Jim and Willy nab Corley outside and say that they'll take him to Abbot, but he insists that they take him to the DA instead. Millie wants to run into hiding with Barney, but he tips her off that it was all a setup, and tells her who he really is. He makes it clear that she'll be facing time, but he'll try to have it reduced for good behavior.

Barney visits Scanlon to be told that Corley and either Goslin or Abbot are spilling the beans about each other. Barney goes out to the car, Mission: Accomplished.

This was one of those episodes where after a point, I wasn't sure who thought what and how it was motivating them, and it shows in the write-up. Another viewing might clear things up somewhat, but it seemed overly complicated with too many details to try to keep track of. Bottom line, the IMF was employing their usual MO of turning the bad guys against each other. Also, the personal angle of Barney avenging his brother kind of got lost when it turned into just another convoluted scheme...resurfacing briefly at the end when Barney "unmasked" himself with Millie.

_______

Adam-12
"Log 115: Gang War"
Originally aired January 9, 1971
Wiki said:
A robbery suspect eludes Reed on foot, but is found later after getting food poisoning from his haul. A priest (Trini Lopez) calls Malloy and Reed in to stop a burgeoning gang war, which succeeds at first but ends up breaking out later and resulting in one death.

The officers get called to a service station where a 211 has occurred. While talking to them, the attendant sees the perp across the street fleeing from a market and points him out. Reed goes after him on foot and Malloy tries to find them in the car, calling for help. He eventually finds Reed walking out to meet him, having lost the suspect in an apartment complex. They go back to talk to the attendant and the proprietor of the market, which was also robbed.

After dark they get a call to see Father Xavier Rojas (Trini López) at the site of an impending pow-wow between rival gangs the Verdugos, led by Pepe Romero (Rafael Campos), and the Eagle Rocks, led by Salvador Cabo (Ron Henriquez). The officers call for backup before revealing their presence to the armed gang members, who are slowly advancing on them when another unit arrives to give them pause. Father Rojas tries to talk, and when Pepe advances on him threateningly, shows he knows how to handle himself even without a hammer, getting Pepe in a hold and making the others drop their weapons. Malloy orders them to clear the premises.

Next the officers are called to look into a 415 family dispute. The caller, Edna Danhart (Allison McKay), is drinking and sporting a black eye, while her husband, Willard (John Dennis), is heard moaning in the bedroom, saying that he's sick. The officers bust in with her permission, and it turns out he's the robber, ill from the sour cream blitzes that were part of his market haul.

Finally, the officers respond to an all-units call for a 415 juvenile gang fight in the same location as the pow-wow. Shots are fired before they get there, and the participants scatter as the units rush in with sirens on. Pepe is found badly wounded from buckshot. Father Rojas administers rites at the hospital, after which Malloy tries to question Pepe, but he remains defiant to the "pigs," insisting that his boys will handle the one who shot him before succumbing to his wounds. Malloy learns from Reed that the others were apprehended and it was determined that Cabo did it. Father Rojas, in expressing his regrets in the hall, hammers home the point that warring adults aren't that much different from the gang members, before going off to find Pepe's family.

_______

The Mary Tyler Moore Show
"Party Is Such Sweet Sorrow"
Originally aired January 9, 1971
Wiki said:
Mary is offered a job to produce her own show at another television station.

Mary gets a call at WJM by Bob Freelander of WKS (Richard Clair), who wants to see her on her lunch hour. Mary doesn't want to take the job that he offers out of loyalty to Lou and the others, but Phyllis and Rhoda persuade her to play hardball with Mr. Grant to give her a raise to stay. Lou already knows about the offer but was unable to get a raise for her from the general manager. He feels that taking the job is the right move for Mary, but grumblingly admits that he doesn't want her to go because he'll miss her.

For her last day, Lou does what would normally be Mary's job in organizing a farewell party for her. John Amos makes his second appearance as weatherman Gordy Howard, one of the attendees. Ted makes an on-air announcement about Mary's departure, mispronouncing her surname. But Mary is hours later returning from lunch than expected, and comes in obviously drunk, having drowned herself in the congratulatory drinks that were offered to her by unclear parties because she couldn't face leaving WJM. After multiple crying spells and an attempt to quietly slip out, Lou takes Mary into his office and offers to fight for her raise by threatening to quit himself.

Mary: You'd quit for me?
Lou: Nooo...but the general manager doesn't know that.​

Lou then gets Freelander on the phone and Mary turns down the job, to a round of cheers out in the newsroom. In the coda, Ted leans on Mary to chip in for her own going-away party, since she didn't actually go away.

_______

Holy Toledo. That looks like me standing next to my Nephew. :rommie:
Are you Sammy or Wilt?

Now there's a glamorous job. :rommie:
He's forensics, he loves that shit.

Once again, the bad guys resemble the IMF.
Sorta, but I think the resemblance to other heist schemes is more direct.

A very practical choice for an escape car when you've got a lot of loot, but the other bad guys make fun of you.
:lol: In this case, a lot of heisters.

As a matter of fact, we watched one just the week before last.
Was it "The Case of the Jaded Joker"? Found that one pretty quick with a bit of Googling. 1959? Yeah, that's a real new scene, Bob.

They should have given her a Biblical name, like Rachel or Sarah.
The only association I can think of is "Mary Jane". But they could've just used Jane.

I don't remember this, but just the thought of it cracks me up. :rommie:
TOC02.jpg

That's hilarious. Closed captioning and capsule descriptions on TV are so bad.
Don't even ask about the little whatever-place spelling bee trophy that I still have with my name spelled wrong on it...
 
She's convinced that she needs to because it's for Greg's own good, but still feels awful about it afterward.
That's because she's a dirty rotten snitch.

Mike admits to having smoked when he was younger.
Dear god. How did this get past the Brady censors? :eek:

Mrs. Johnson apologizes to Greg, and Carol offers to host another meeting.
Lighten up, ladies, over on Room 222 they're dealing with LSD.

Not a bad voice. I wonder if he was playing his own guitar.
The Partridge Family has nothing to worry about. Well, they do, but not from Greg Brady.

(I'm not sure why she wouldn't be accompanying them anyway...she is their parent and there are very young children in the band.)
I'm sure Reuben would take very good care of them. Haha. Just kidding.

Sold on Shirley's audience appeal, Mays tries to convince her to go solo.
Shouldn't they have beat up on Reuben for agreeing to the thing in the first place?

Milton and Danny are actually playing themselves in this one. That's...interesting. I wonder who this Danny Thomas's daughter is...?
Ann Marie. It's a long, sordid tale of out-of-wedlock pregnancy, abandonment, and adoption. And now he thinks he can make up for it by buying an old trunk for a hundred bucks. :mad:

but when they start bidding on individual items in the trunk, like Harry's dancing shoes, it gives Ann and Donald the idea that there might be hidden money involved, so they start going through everything.
Ann comes up with an ugly old amulet with a sticker on the back. "What's the Eye of Agamotto?" she asks, seconds before they're both sucked into the Dark Dimension.

When Ellen points out that they got married for her and are now getting a divorce, they agree to call it off on the spot, motivated to stay together as grandparents. A happy double reconciliation!
Yay! Nobody loves each other. :rommie:

The next morning she's writing a note to Leon that she's leaving him, but sharing her troubles with the milkman
Did they really still have milkmen in 1971?

He insists that she goes back to the way she was, divesting her of the wig.
Another less-than-inspiring vignette. This must have been LAS's Very Special Episode on Cynicism. :rommie:

In the mission briefing, Barney plays the usual "I have no right to get you involved" beat, giving his IMF pals a chance to make their unwavering support clear.
At least he didn't go off half-cocked, necessitating the gang going after him.

Corley's upset that Millie was trying to save Barney, not him.
"You like him better! I saw you in the closet together!"

Also, the personal angle of Barney avenging his brother kind of got lost when it turned into just another convoluted scheme...resurfacing briefly at the end when Barney "unmasked" himself with Millie.
Another Sam Kirk.

Father Rojas, in expressing his regrets in the hall, hammers home the point that warring adults aren't that much different from the gang members, before going off to find Pepe's family.
Meanwhile, all those kids are signing up for the 'Nam to avoid jail time.

He feels that taking the job is the right move for Mary, but grumblingly admits that he doesn't want her to go because he'll miss her.
Awww, Mr Grant.

But Mary is hours later returning from lunch than expected, and comes in obviously drunk, having drowned herself in the congratulatory drinks that were offered to her by unclear parties because she couldn't face leaving WJM.
I don't remember drunk Mary. That must have been fun. :rommie:

Mary: You'd quit for me?
Lou: Nooo...but the general manager doesn't know that.​
:rommie:

Are you Sammy or Wilt?
Now I'm Sammy. Forty years ago, I was Wilt.

He's forensics, he loves that shit.
Sometimes literally.

Was it "The Case of the Jaded Joker"? Found that one pretty quick with a bit of Googling. 1959? Yeah, that's a real new scene, Bob.
That's exactly the one. The scene in the coffee house with Perry talking to the frowny-faced Beatnik was hilarious.

I love it. :rommie:

Don't even ask about the little whatever-place spelling bee trophy that I still have with my name spelled wrong on it...
The teacher is probably now employed as a Closed-Captionist.
 
Dear god. How did this get past the Brady censors? :eek:
Being anti-smoking was the new thing then.

Lighten up, ladies, over on Room 222 they're dealing with LSD.
(Shoulda saved the Carol screencap for that...)

The Partridge Family has nothing to worry about. Well, they do, but not from Greg Brady.
I'd say they would if all those kids were actually singing and playing their own instruments.

Shouldn't they have beat up on Reuben for agreeing to the thing in the first place?
That's not how it went down. Ultimately it was Shirley's choice.

Ann Marie. It's a long, sordid tale of out-of-wedlock pregnancy, abandonment, and adoption. And now he thinks he can make up for it by buying an old trunk for a hundred bucks. :mad:
There ya go!

Ann comes up with an ugly old amulet with a sticker on the back. "What's the Eye of Agamotto?" she asks, seconds before they're both sucked into the Dark Dimension.
Liked the other one better.

Yay! Nobody loves each other. :rommie:
Another less-than-inspiring vignette. This must have been LAS's Very Special Episode on Cynicism. :rommie:
But doesn't the message of both of these stories boil down to "love the one you're with"?

I don't remember drunk Mary. That must have been fun. :rommie:
It was cute. She didn't overdo it, but you could tell when she walked in.

Sometimes literally.
I wasn't gonna go there...

That's exactly the one. The scene in the coffee house with Perry talking to the frowny-faced Beatnik was hilarious.
I should scope that out when I have the chance...Perry Mason is on All Access.
 
50th Anniversary Viewing Special

Justice for All
Unaired pilot
Taped September 29, 1968

Those Were the Days
Unaired pilot
Taped February 16, 1969

I bought the first season of All in the Family on iTunes for viewing purposes, and it included two documentaries and both of the unaired series pilots...all of which I watched in preparation for viewing the series premiere, "Meet the Bunkers," on the 50th anniversary of its original broadcast last night.

This is going to be a challenging series to review here. It says something about how cutting edge the show was in its day that its content is perhaps more controversial by modern standards than it was 50 years ago, when it was pushing the boundaries of what was allowed on television.

Both of the pilots, which were filmed for ABC, bear a "Suggested for the Mature Audience" warning under the title card. Reportedly, the ABC executives loved it both times, but felt that television wasn't ready for it. This warning wasn't present in the series, though CBS did famously show a more detailed disclaimer before the credits played, which isn't included in the iTunes version.

Each pilot featured a different early version of the opening credits song, "Those Were the Days". Both pilot versions feature an additional verse and are played at a more jaunty tempo. This has the effect of making it seem like more of a celebration of how things used to be than the wistful recollection of the final version.

Both pilots tell the same story as "Meet the Bunkers". The most evident changes in story were in the final broadcast version: a couple of noteworthily boundary-pushing sequences that were in both pilot versions were excised; and the character who would become Mike Stivic was in both pilots named Richard--didn't catch a surname--and of Irish rather than Polish heritage. Archie more commonly referred to him by the slur for Irish Americans...the nickname "Meathead" first appearing at the very end of the second pilot.

Both pilots had the family's surname as Justice rather than Bunker, hence the original intended series title. It's easy to see why they changed the title...people scanning the TV listings would have thought it was a court show.

Carroll O'Connor and Jean Stapleton were locked into their roles as Archie and Edith from the first pilot, and both are pitch perfect from the get-go. The only distraction in that department is that O'Connor was apparently sporting a piece for the first pilot.

Our first Richard was Tim McIntire, who wasn't as underwhelming here as he was playing Caine's long-sought brother on Kung Fu. His Richard was presented as more of a straight-up hippie than Mike, wearing a puffy-sleeved shirt and beads; and while he looked more boyish than Rob Reiner, he played well against O'Connor, and had good chemistry with Kelly Jean Peters, whose Gloria came off as more of a city girl than Sally Struthers's final version.

Chip Oliver and Candy Azzara were very weak as Richard and Gloria in the second pilot. They both had such poor delivery and screen presence that O'Connor and Stapleton might as well have been playing against cardboard standups. They had zero chemistry with each other, which caused the scene in which Richard coaxes Gloria up into the bedroom to fall completely flat. And Oliver's Richard came off as more of a dumb jock type than a hippie...he may have been cast to better fill Archie's description of Richard as a "big, dumb [ethnic slur]".

For contrast, D'Urville Martin was pretty good as Lionel in both pilots, and his performance notably improved in the second one...though it was wasted playing against Richard Mk II.

The house is pretty similar in layout to the final version in both pilots, but with noticeable differences...most notably an open kitchen. An interesting bit of business I read about on the series's Wiki page is that Norman Lear originally wanted to film the show in black and white like the British series that it was based on, Till Death Us Do Part. Neither ABC nor CBS would have that, so he had the Justice/Bunker home decorated in very mute tones to suggest sepia.

The two noteworthy bits of business mentioned above that were in both pilots but didn't make it into the broadcast version:
  • When Archie and Edith come home from church earlier than expected, Richard and Gloria come down from the bedroom, while not quite finished putting their clothes back on. In "Meet the Bunkers," Mike is caught carrying Gloria out of the kitchen where they'd been making out, with the intention of taking her up to the bedroom.
  • When Archie burns his hand grabbing the spout of the coffee pot, he exclaims "goddamn," and a comical discussion ensues between him and Edith over his use of the swear. In "Meet the Bunkers," he just cries out in pain and the swear is neither used nor discussed.

Norman Lear had to play hardball with CBS to have them air "Meet the Bunkers" as the first episode. They wanted to ease the audience in with the second episode, about Mike and Archie writing to President Nixon. Lear felt very strongly that the first episode needed to jump all the way in..."You can't get wetter than wet."
 
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