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Strange New Worlds review **POSSIBLE SPOILERS**

Amasov

Rear Admiral
Rear Admiral
I was curious to see if any reviews of the series had started to pop up, and as luck would have it, some have.

This one in particular really good my attention. While you can never be too sure about early reviews, I know this much; I didn't read this about Discovery or Picard.

"Strange New Worlds" is, quite simply, the best "Star Trek" show in decades.

On a basic level, a pilot needs to establish the setting, who the characters are, how they relate to one another, and the basic premise of the show. "Strange New Worlds" does this remarkably well. The camera dwells in smaller locations for longer amounts of time (when compared to the swirling, location roulette of "Discovery") allowing viewers to understand the geography of the Enterprise well.

Characters are also allowed to have incidental conversations not pertinent to the plot, giving viewers a better sense of who they are. When we meet characters who are constantly in crisis mode, we don't get to know them too well. "Strange New Worlds" has made great allowances for non-action.

To reiterate: If a "Star Trek" show is going to begin this strongly establishing its setting and characters with the passion and attention to detail of a '90s Trek show, then we will only have better and better things to look forward to.

After several high-profile, big-budget whiffs, "Trek," I'm happy to say, has hit its stride.

This is all fantastic to hear. This is pretty much everything I hoped the show would be.

An NPR review
says my favorite thing so far.

It simply wants to tell Trek stories the way they used to be told — one space battle, one diplomatic summit, one alien virus, one spatial anomaly, one transporter accident at a time.

Never would I ever have predicted that one day I'd be longing to see episodes about transporter accidents. :lol:
 
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A few more, with quotes:

IGN
Star Trek: Strange New Worlds’ premiere takes a classic approach to the franchise, not just in terms of its setting or characters, but also in its storytelling. Standalone tales are the mission statement, presumably on strange new worlds where, you know, new life and new civilizations can be found. But the characters’ ongoing arcs will be the thread that holds the season together, with the already established (and terrific) Anson Mount, Ethan Peck, and Rebecca Romijn leading a group of promising new faces. Funny, inspiring, and kind of amazing, Strange New Worlds is, so far, the best new Trek in years."

Gizmodo
"Sometimes you go meet gods, or go to Ye Olde Timey Planet. That’s Star Trek, it always has been, and Strange New Worlds lovingly carries on that spirit—in many ways, its most comparable counterpart among the current crop of Trek shows is Lower Decks. The animated series is a little more fun about it, but both shows are loving, if gently-mocking, celebrations of how weird and silly Star Trek has been and should be, through the vision of Starfleet officers who absolutely love the hell out of how bizarre their lives can be. Everyone is clearly having a good time, and it’s enough to make you feel like you’re along for that good time too."

Trekmovie
"Like any television series, and certainly a Trek TV show, results from episode to episode very. Strange New Worlds is not perfect by the first half of its first season. Most of the laughs lines and bits land, but some fall a bit flat. Canon is respected, but sometimes it is strained. The commentary is thought-provoking but in at least one case approaches the preachy. But what matters is that Strange New Worlds is always entertaining, exciting, heartwarming, inspiring, and most of all, very worthy of the name Star Trek."

Indiewire
“Star Trek” has become more directly political of late: Stacey Abrams appeared on “Discovery,” and a time-travel plot to the year 2024, complete with ICE as villains, has been central to “Picard” Season 2. But somehow the way “Strange New Worlds” addresses our present moment feels the most effective narrative choice to date. It’s not new that “Star Trek” has portrayed the 21st century as being horrible, a rock-bottom period for humanity from which finally a better world can spring, after any of our lifetimes: Gene Roddenberry was implying as much even on the ’60s show. Somehow it has always been in the DNA of this franchise that things would get worse before they get better. There’s something particularly imaginative about looking at our own time through the lens of people from a much better future. And watching “Strange New Worlds,” a lot of people will wish that future was already here."
 
Heres another review from engadget:
Star Trek: Strange New Worlds' has promise, and the usual frustrations
There's a fun show in there, buried under clanky dialogue and odd plotting.
dims

D. Cooper05.01.22

He says it's has promise. That's a plus.
 
I've been googling reviews too and based on what I've seen and read, I remain cautiously optimistic.

The CNET review, while positive, was a red flag pointing to potential disappointment;

"Following the bold but somewhat divisive departure from the Trek formula in Discovery and Picard, it's tempting to see Strange New Worlds as an olive branch to disgruntled fans.....Cleverly, though, some of these references offer a bait-and-switch to keep you on your toes.

https://www.cnet.com/culture/entert...review-playful-throwback-sets-phasers-to-fun/

Regardless, the positives currently out weight the potential negatives.
 
Early Review: The Future Looks Bright With ‘Star Trek: Strange New Worlds’

... for many fans, this third time will be the charm as the series hits its stated target to bring back beloved elements of classic Star Trek, from both the TOS era and the TNG era. But Strange New Worlds isn’t just an exercise in nostalgia, it is also a very modern series. Additionally, the show doesn’t forget where it came from, as the new series carries over plotlines and character arcs from Star Trek: Discovery season two. In fact, the series kicks off with the USS Enterprise leaving spacedock for the first time following the battle in the Discovery season two finale...

...From the first episode, you get the sense this series has a lighter tone. While taking the job of exploring space seriously, this series remembers to have some fun along the way and to maintain a healthy level of optimism and even wonderment. Each episode also finds its own balance, allowing for variety. You see this too with the style of each episode. While the pilot strikes a middle ground, following a somewhat standard get-the-band-back-together for a vital mission structure with plenty of action and adventure, follow-ups vary including one episode that plays as an intense submarine-style cat and mouse thriller, and the next turns to an almost slapstick character comedy, but it works...

...Strange New Worlds does not shy away from making commentary on important issues. As is traditional with Star Trek, the show uses alien drama to explore contemporary issues, with varying degrees of subtlety, not unlike TOS. What shines through each episode are the essential Star Trek themes of a hopeful future, cooperation, scientific curiosity, and family. Speaking of which, this is a show that can be shared by the whole family...

...Each member of this ensemble feels unique, and each has their own quirks and issues. Some of the issues they struggle with can be quite serious, notably Captain Pike himself has his arc dealing with learning his eventual fate through a time crystal (as seen in Discovery season two). And while the various backstories can be tragic, and even downright horrifying in one case, these are not broken dysfunctional characters wallowing in their pain and overindulging in their problems. Each is a dedicated professional, who is good at what they do. This comes through starting with the pilot episode which spends just as much time showcasing the crew as it does telling a first contact story and contemporary allegory. Like the other modern Trek shows, this strong ensemble is enabled by an exceptional group of actors, each perfectly cast for their roles...
Like any television series, and certainly a Trek TV show, results from episode to episode very. Strange New Worlds is not perfect by the first half of its first season. Most of the laughs lines and bits land, but some fall a bit flat. Canon is respected, but sometimes it is strained. The commentary is thought-provoking but in at least one case approaches the preachy. But what matters is that Strange New Worlds is always entertaining, exciting, heartwarming, inspiring, and most of all, very worthy of the name Star Trek.

IOW, Star Trek.
 
Hm, I was given an embargo until midnight tonight. It's fun, and episode 5 will be a fan favourite or I'll be very surprised.
 
The fact the first review cites several criticisms / complaints held against NuTrek before expressing

... however unbelievable it might be ... legitimately good once again. No qualifications are needed any longer. "Strange New Worlds" is, quite simply, the best "Star Trek" show in decades.

and more, is very, very encouraging.
 
What if you like the "high profile, big budget whiffs"?

Well, you're covered with two of those already! :bolian:

I do love all our streaming shows in their own ways, but I gotta say, "Characters are also allowed to have incidental conversations not pertinent to the plot" is just about the most exciting thing I could hear. That's been one great loss of the ludicrously high stakes of Disco and Picard, it really sacrifices character building.

This bit is also particularly thrilling:

"follow-ups vary including one episode that plays as an intense submarine-style cat and mouse thriller, and the next turns to an almost slapstick character comedy..."

One of the great things about this universe is that it can be anything. DS9 did it best, with their steady rotation of sub-genre every week. (Sci-fi war drama! Sci-fi rom com! Sci-fi horror movie! Sci-fi comedy! Sci-fi sports movie! etc). Disco and Picard have left so much unused potential on the table by deciding to be just one thing all the time. Thank god they are finally deciding to tap back into the expansiveness of the universe in this way.
 
Well, you're covered with two of those already! :bolian:

I do love all our streaming shows in their own ways, but I gotta say, "Characters are also allowed to have incidental conversations not pertinent to the plot" is just about the most exciting thing I could hear. That's been one great loss of the ludicrously high stakes of Disco and Picard, it really sacrifices character building.

This bit is also particularly thrilling:

"follow-ups vary including one episode that plays as an intense submarine-style cat and mouse thriller, and the next turns to an almost slapstick character comedy..."

One of the great things about this universe is that it can be anything. DS9 did it best, with their steady rotation of sub-genre every week. (Sci-fi war drama! Sci-fi rom com! Sci-fi horror movie! Sci-fi comedy! Sci-fi sports movie! etc). Disco and Picard have left so much unused potential on the table by deciding to be just one thing all the time. Thank god they are finally deciding to tap back into the expansiveness of the universe in this way.
Hear, hear.
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What strikes me is how Strange New Worlds seems to very much be a return to the Trek of the last century (weird to say that) and these reviews treat it like it's unusual. Going from a submarine cat and mouse plotline to something more light-hearted the following week is exactly how past Trek shows have done it when they weren't telling a season-long story arc. Maybe I'm just thinking in an old-fashioned way, but, I see nothing wrong with this. Star Trek doesn't have to conform to the story structure of modern television.

Short of approaching it Trek in a comical way, I had been saying since this was announced that Lower Decks, to me, seems to be a good indication of what Strange New Worlds may be like. I feel vindicated that I might be right. :hugegrin:
 
I do love all our streaming shows in their own ways, but I gotta say, "Characters are also allowed to have incidental conversations not pertinent to the plot" is just about the most exciting thing I could hear. That's been one great loss of the ludicrously high stakes of Disco and Picard, it really sacrifices character
That just gives me flashbacks to the kind of tripe Enterprise was putting out, where Archer trying to get a cake for Malcolm was the A-plot and awesome sinister CG aliens were pushed to the B-plot.

It can be done right, but will it?
 
That just gives me flashbacks to the kind of tripe Enterprise was putting out, where Archer trying to get a cake for Malcolm was the A-plot and awesome sinister CG aliens were pushed to the B-plot.

It can be done right, but will it?
It won't.

People will watch anyway.
 
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