Re: David Gerrald finally speaking out about TNG behind-the-scenes
From what I have read Robert Justman seems the only other developer aside from Roddenberry to have a case as co-creator.
According to
WGA rules:
1. "Created by" Credit Determination.
The WGA-determined "Created by" credit also determines the writer's eligibility for separated rights in a series. The "Created by" credit on a series is not determined until there is a series order. There are two ways a writer becomes
eligible to seek "Created by" credit on an original series:
a. a writer writes a format for the series; or
b. a writer receives "Story by" or "Written by" credit on the pilot episode of the series.
To determine the "Created by" credit on an original episodic series, there must first be a final determination of credits on the pilot episode of the series.
Generally, if no format has been written for the series, the "Created by" credit will go to the writer(s) who received the "Story by" or "Written by" credit on the pilot. If a format has been written, a Separation of Rights arbitration may be required following the final credit determination on the pilot.
Now, my understanding is that David Gerrold wrote the first draft of the TNG bible (with input from Roddenberry, Justman, and Fontana), which would entitle him to creator credit under provision
a -- most likely alongside Roddenberry, who also did a draft of the bible. And the credited writers on "Encounter at Farpoint" were D.C. Fontana and Gene Roddenberry, so Fontana could've been eligible for creator credit alongside Roddenberry under provision
b. (Note that every other distinct Trek series -- counting TAS as a continuation of TOS -- gives the creator credit to the writer(s) of the pilot.)
And there are a number of elements in TNG that are recognizable from Gerrold's earlier writings. In
The World of Star Trek, he proposed that the captain should stay on the ship and a dedicated "contact team" should go on away missions. In his 1980 Bantam Trek novel
The Galactic Whirlpool, he mentioned a character named George La Forge (the name of a famous disabled fan) and depicted transporter-based food synthesizers that were basically replicators.
According to
a 1994 letter by Gerrold:
The Guild looked over the matter and said that Gene's rights to the created by credit were protected because the show was a spinoff of Star Trek.
Which is odd, because none of the later Trek series assigned creator credit in that way. They just had a "Based upon
Star Trek Created by Gene Roddenberry" credit along with a distinct credit for the shows' actual developers (DS9: Rick Berman & Michael Piller; VGR: Berman, Piller, and Jeri Taylor; ENT: Berman & Brannon Braga). And I've seen plenty of other spinoffs that had different creator credits from their parent programs. For instance,
Buffy the Vampire Slayer was created by Joss Whedon, while
Angel was created by Whedon and David Greenwalt. And
Stargate SG-1 was developed for television by Jonathan Glassner and Brad Wright, while
Stargate Atlantis and
Stargate Universe were created by Wright and Robert C. Cooper. So the Guild's decision in this case seems anomalous.
I also certainly disagree that even in TNG Season 1, let alone what followed, lacked substance or were greatly stifled.
Compared to commercial TV in general, no. Compared to what writers can do in prose or another format where they can work unfettered? Undoubtedly yes.