I should think if you were a Bond fan you would. It's got pussy galore.
Don't quit your day job!

I should think if you were a Bond fan you would. It's got pussy galore.
Because it's clear from the gender-swap that the concept of a "patriarch" itself is considered unacceptable to the feminist-leaning Hollywood these days. Any preexisting work of art, no matter how acclaimed, is going to now be modified like this. Judi Dench being herself the gender-swapped M is an all too obvious casting choice. So on its face, it's fine, but the obvious ideological rationale for doing it breaks the 4th wall like so much of modern entertainment.
I'm curious - why is Old Deuteronomy's sex so important, such a fixed, immutable detail? I don't recall it being so vital that a matriarch, with appropriate lyric tweaks if deemed needed, couldn't work as well as a patriarch. Also, to address an earlier comment on the subject, since Dame Judi was cast as Grizabella in the very first production (only for a snapped tendon to dash things), a character who sings the rafter-rattling torch song Memory, I doubt vocal power is something she lacks.
If I have one sad note, it's that sweet-voiced Jemima doesn't seem to be in this version. Could just be that IMDB don't have the full cast list yet, though.
There is no main song. There are at least 3 very memorable songs and the 'epic ballad' in the trailer is the strongest mopey song (most of them aren't mopey, or all the rest).heard the main song many times
In general, a lot of negative opinions about this come from people that don't get the original musical itself..
There is no main song. There are at least 3 very memorable songs and the 'epic ballad' in the trailer is the strongest mopey song (most of them aren't mopey, or all the rest).
In general, a lot of negative opinions about this come from people that don't get the original musical itself. There's also a recent internet movement of homophobes that laugh at anything that reminds them of fursuits, which are part of the original musical.
It must be hard feeling this threatened all the time.
The reason, at least for me, that Deuteronomy's sex is important is because, as I said in my original post, one of the main fan theories is that Grizabella is the mother of many of the other cats, by Deuteronomy. If both characters are female, that dynamic changes drastically.
As far as Jemima* is concerned, that's a name change for the 1995 revival they made a film out of. The character sings all of Bombalurina's parts. Some of the characters, not many, I hope, get their names changed for a variety of reasons, usually location (as in not the US).
*Veerle Casteleyn. What an adorable woman. I could drown in those eyes.
I am very familiar with the original musical. Which is why I’m so aghast at some of the creative decisions.
As to Jemima, a name change from who? Bombalurina's in the film version, singing many things. Regardless, this does rather explain things, and yes, the actress who played her is quite delightful. :-)
Well, Jemima is a name change from Bombalurina, of course. That's why she's singing Bombalurina's songs. Since Bombalurina is in this movie, I think it would be safe to assume that Jemima, as established, won't be, and if they have a Jemima character, she'll be background.
Because it's clear from the gender-swap that the concept of a "patriarch" itself is considered unacceptable to the feminist-leaning Hollywood these days. Any preexisting work of art, no matter how acclaimed, is going to now be modified like this. Judi Dench being herself the gender-swapped M is an all too obvious casting choice. So on its face, it's fine, but the obvious ideological rationale for doing it breaks the 4th wall like so much of modern entertainment.
Care to elaborate? And what approach would you have taken?
Don’t have a preference. I’ve seen enough adaptations to know that either way can work.
Hell, I’ve seen versions that have made it into Cosette’s coming of age tale. Or a historical piece that mostly operates to give a snapshot of France in that time period, rather than being character-focused.
Or a spectacle-driven musical, that basically gets by on cliff-noting a solid story and kicking you in the feels.
Generally, other adaptations seem less concerned about changing the source material to fit their vision. Presumably because they adapt the book, and know changes are gonna be inevitable anyway. Whereas Hooper seemed to be trying to cram a round peg (the musical’s book) into a square hole.
There’s obviously far less faithful versions of Les Mis, but I’ve never seen one that seemed so...at odds with itself.
Very much this. And I'd pay good money to avoid James Corden.It is not that I do not get it - I known nothing about it and I can only go off the trailer.
It looks like a stinker - both creepy and silly and with cast members like James Cordon who are an instant red flag from me.
I really enjoy Cats as a stage musical and I'm very familiar with the songs, but those red flags are there for me too. Cordon, Rebel Wilson. It doesn't necessarily spell disaster (Sacha Baron Cohen turned out to be perfectly cast in Les Mis) but the trailer is not sitting well with me. The CGI boobcats are just weird. The silliness level seems to have been dialed up to eleven, and while it is hardly a super dramatic peice, it has an internal reality which gives a poignancy to it. I know, trailer =/= film. But it is supposed to make me want to see the film, and it really doesn't.It is not that I do not get it - I known nothing about it and I can only go off the trailer.
It looks like a stinker - both creepy and silly and with cast members like James Cordon who are an instant red flag from me.
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