With modern eyes it almost seems that Samantha is the victim in an abusive relationship: an intelligent, cultured woman with greater abilities than her partner forced to self-mutilate (because for her not using magic for something as simple as household chores would be like asking me to clean the floor of a house by doing it with a toothbrush held in my mouth) and play the role of the Stepford Wife. When her friends and relatives come to check on her, they are greeted with hostility by her husband if not explicitly chased away. A woman with many more years and experience than him is infantilized and diminished by him, forbidding her not only from showing that she is better than him, but not even equal to him. Only total inferiority and subjection is acceptable.
One might say “It was a different time.” The problem is that the episodes with the same plot went on until 1972, after the sexual revolution and in full second feminist wave.
It's one reason it was cancelled.
Audiences preferred edgier sitcoms like All in the Family, Maude, and Sanford and Son that dealt more with contemporary issues (i.e., divorce, abortion, women's liberation, civil rights). High-concept fantasy sitcoms like Bewitched and I Dream of Jeannie were seen as being outdated.
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