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The Classic/Retro Pop Culture Thread

Never saw that one either.
Ah, you gotta give that one a go. Christopher Reeve and Jane Seymour in a turn-of-the-century time travel romance...what's not to love? I first saw it at 10 or 11 and it really grabbed me even at that age. And if nothing else, it makes for a great go-to example of a predestination paradox.

I don't remember anything specific about the book at this point, but I recall one of my disappointments was that the prose was rather skeletal and failed to communicate the ambiance of the 1920s.
Keep in mind that when Fitzgerald wrote it, it was his here-and-now.

Very oddly named. Fitzgerald must have had some specific reason for it, some sort of Easter... egg.
"Hello, OSI Research Department...?"

Okay, Groucho wouldn't irritate me. :rommie:
I should've gotten a cap. He didn't have any lines, she was laughing at something we didn't hear him say.

Now that's a great character line.
And typing it out can't do justice to Redford's delivery.

But why...?
Possibly a form of dick-wagging.

I may use that.
Also a noteworthy delivery. She pretty much hissed it.

It all started right here!
Lots of classic TV business originated in period pieces co-starring Robert Redford.

He's at least half right. :rommie:
Well, Redford made Gatsby a character the audience could identify with and invest in. It says something about Redford's acting ability that I could identify with a character played by Robert Redford.

I can dig it. Maybe I'd like the novel better if I read it now. Or maybe I'd hate it more. :rommie:
Or maybe give the movie a try.

While Gatsby's idealistic Romanticism was admirable, the problem was that the object of his love wasn't worth it.
This is true. I was trying to give Farrow benefit of the doubt, but I generally found Daisy pretty annoying. Redford carries my investment in the romance.

He ended up more like the Sad, Pathetic Gatsby than the Great Gatsby.
This might be a glimmer of a recollection from the book, but I think the title is supposed to be ironic.

I don't remember that. I guess I chose apes over monks during that time.
Showtime!
SMDM02.jpg

Oh, I'm sure it's good. I was just being snarky.
One of the episode subtitles is about Edith looking for a job. I wonder if the chocolate factory is hiring...?
 
Ah, you gotta give that one a go. Christopher Reeve and Jane Seymour in a turn-of-the-century time travel romance...what's not to love? I first saw it at 10 or 11 and it really grabbed me even at that age. And if nothing else, it makes for a great go-to example of a predestination paradox.
I like Christopher Reeve and Jane Seymour is okay, so I'm not sure why the movie never interested me. I'll throw it in my Shopping Cart.

Keep in mind that when Fitzgerald wrote it, it was his here-and-now.
Y'know, I remember saying that exact thing to my Brother (he recommended it because he read it for a class). Basically, Fitzgerald assumed his audience to know so much that he left out the details that I was hoping for. I suppose that might make it more timeless, but it just went against my expectations.

"Hello, OSI Research Department...?"
Good to know some doctors still make house calls.

I should've gotten a cap. He didn't have any lines, she was laughing at something we didn't hear him say.
That was probably wise, rather than giving him dialogue.

And typing it out can't do justice to Redford's delivery.
I'll bet.

Possibly a form of dick-wagging.
Yeah, but it seems a little too forced, considering how it came to be important later in the story.

Also a noteworthy delivery. She pretty much hissed it.
Heh. :rommie:

Lots of classic TV business originated in period pieces co-starring Robert Redford.
True.

Well, Redford made Gatsby a character the audience could identify with and invest in. It says something about Redford's acting ability that I could identify with a character played by Robert Redford.
Yeah, he was kind of in a league of his own.

Or maybe give the movie a try.
Mmm....

This is true. I was trying to give Farrow benefit of the doubt, but I generally found Daisy pretty annoying. Redford carries my investment in the romance.
I'm sure she did a good job. That's what I got from the character in the book.

This might be a glimmer of a recollection from the book, but I think the title is supposed to be ironic.
That certainly could be. I never thought of it. I remember getting the impression that I was supposed to be much more impressed with Gatsby than I was, but that may have just been my reading of it.

Sorry, Rudy. :rommie:

One of the episode subtitles is about Edith looking for a job. I wonder if the chocolate factory is hiring...?
That's a crossover that never occurred to me: The Ricardos and the Bunkers. That has possibilities. :rommie:
 


Post-50th Anniversary Viewing



Planet of the Apes

"The Gladiators"
Originally aired September 20, 1974
Edited IMDb said:
Burke and Virdon are faced with having to fight to the death when they are captured by an ape prefect who amuses himself by staging gladiator-style fights between the humans in his charge.

I'll give the series a chance, but my main issue with it is the TV-ification of the Apes premise--humans who talk, are civilized, and go around fully clothed, being depicted not like animals but like a servant class.

While Urko sends his lieutenant, Jason (Pat Renella), to warn local ape prefects of the human astronauts, Burke intervenes in a fight between burly Tolar (William Smith) and his son, Dalton (Marc Singer), not knowing that it's a practice fight. Burke and Virdon have to run when Prefect Barlow (John Hoyt) arrives, and they accidentally drop the magnetic disc with their flight data that Virdon hopes will help them to get home, provided they can both find a computer to run it and build a ship! Barlow finds the disc, so Galen pays him a social visit hoping to swipe it back. Waiting outside, the astronauts decide to steal some horses to make a fast getaway, but are caught in the act by a party of armed apes.

Burke is taken out of the cell they wake up in to fight Tolar, the reigning champion, in the gladiatorial ring where Barlow has his human subjects channel their aggressive nature. Other than the prefect and Galen, the budget-friendly audience consists of Barlow's human subjects. Tolar wears something vaguely resembling a gladiator outfit; and Dalton, who seems squeamish about blood sports, watches the fight uneasily. Jason's arriving to speak to Barlow when Burke, after a lot of back-and-forth with Tolar, actually wins. Barlow tosses Burke a sword to finish off his opponent, but Burke, in family-friendly TV hero fashion, refuses, which causes a little riot among the humans, giving Burke and Galen an opportunity to slip out past the overwhelmed ape guards.

Tolar sulks at home afterward, considering himself disgraced and rightfully dead. Jason tries to interrogate Virdon for info about his friends, but the prefect intervenes, so Jason starts to write up a report about this human-lover, but comes to an agreement with Barlow to put Virdon in the ring as a demonstration of the prefect's methods. Burke and Galen go to Tolar's home for help in finding Virdon, and Dalton insists on helping them against his father's wishes. While Burke's telling an incredulous Dalton about how humans used to rule the Earth, the subject of pacifism comes up, which Dalton, taking after his mother, identifies with. Then the fugitives have to hide when Barlow drops in to announce that he's putting Dalton in the ring for his first fight...against Virdon.

Barlow has a sympathetic talk with Virdon in which he learns what the humans were after and expresses his willingness to have given the disc to them. But when Dalton refuses to fight and announces his intention to spread the word among the other humans that killing is wrong, Barlow has him arrested and put in Virdon's cell. When Tolar learns of this, he helps the others to spring Virdon and Dalton, then runs interference for them while they escape. Jason shoots Tolar, and then takes a bullet himself in a struggle over his gun. Barlow announces that he plans to report that Jason died a hero's death, but he later finds Dalton on the road while the others are hiding, informs him that the games have died with his father, and gives him the disc. Dalton stays behind while the fugitives make their escape with the artifact.



Planet of the Apes
"The Trap"
Originally aired September 27, 1974
Edited Wiki said:
Burke and Urko are forced to work together when they are buried alive underground in an old Bay Area Rapid Transit subway station during an earthquake.

Undeterred by repeated earth tremors, Urko tightens an ape dragnet around the fugitives, who overpower an ape soldier and use his mirror signal device to give the general bad directions. Urko nevertheless zeroes in on their destination--a human village known for harboring fugitives. (Humans with villages? Inconceivable!) At the village, the fugitives are taken in by a man named Miller (John Milford), his wife, Mary (Wallace Earl), and their son, Jick (Mickey LeClair). The Miller daughter, Lisa (Cindy Eilbacher), comes back from an excursion with friends to the ruins of a city, bringing back an artifact of great interest to Virdon--a computer relay device. Against Burke's advice, the party heads for the city. With the help of an old woman who's made to rat on the Millers (Gail Bonney), Urko determines that the fugitives were there and finds the computer component. Knowing his prey well, Urko heads for the city, undeterred by the Millers' attempt to steer him in the wrong direction.

Urko: I always assume a human is lying--makes things easier!​

The apes quickly find the fugitives in what looks more like the post-apocalyptic ruins of Mayberry than Frisco. Horse-riding Urko is lassoing Burke when a quake causes the ground to open underneath the two of them and they fall in. Burke finds that he's in a subway station with conveniently solar-powered lights that still work after over a millennium! When Urko comes to, he attacks Burke, but Burke convinces him that they need to do the Enemy Mine thing to find their way out. Burke tries to describe the purpose of the place to the disbelieving general, including that the trains were nuclear-powered in his time; and confronts the general with advertising evidence of the wondrous human achievements of the 1980s, including nutrient pills and disposable clothing that washes down the drain. (This brings up the question of when the holocaust was supposed to have happened, because Burke seems to recognize everything as being from his time.) All of this sends the ape fundamentalist into a rage, such that Burke has to backpedal and humor Urko's insistence that they're surrounded by artifacts of an earlier ape civilization. (Urko's tendency to fly off the handle makes me wish Nimoy would pop up to chastise his behavior.)

Up on the surface, Virdon and Galen arrange a truce meeting with Urko's lieutenant of the week, Zako (Norm Alden). Virdon gets the idea to establish communication with Burke by tapping Morse code on a girder that's sticking into the re-covered hole. Burke taps back and proves that Urko's still alive by tapping the name of general's wife. While Burke leads Urko in constructing a ladder to help them up to the hole--motivated by the ticking clock of '80s ventilation not being as hardy as '80s electricity--Urko finds a zoo poster showing a caged gorilla being observed by a human family and carefully folds it up and hides it in one gauntlet; while hiding a jagged piece of metal in the other.

After some jostling over authority topside and getting Zako to give his word that the fugitives will be allowed to go, horses are used to lift the large piece of debris covering the hole. With freedom in sight (if completely off camera, as the hole isn't a visible part of the underground set), Urko confronts Burke about the poster and pulls his weapon, but accidentally electrocutes himself unconscious by jabbing it into a light fixture that Burke is holding as a shield. Burke ropes Urko for being hoisted up. Once both are out the hole, a temporarily conscious Urko orders that the fugitives be killed. Zako sends his soldiers to take Urko to safety, then keeps his word by letting the fugitives go.



I like Christopher Reeve and Jane Seymour is okay, so I'm not sure why the movie never interested me. I'll throw it in my Shopping Cart.
Ah, that infinite abyss...

Y'know, I remember saying that exact thing to my Brother (he recommended it because he read it for a class). Basically, Fitzgerald assumed his audience to know so much that he left out the details that I was hoping for. I suppose that might make it more timeless, but it just went against my expectations.
You might get more out of the film, then, which shows the parties, has the cars, costumes, and other trappings, and such.

Good to know some doctors still make house calls.
:D

That's a crossover that never occurred to me: The Ricardos and the Bunkers. That has possibilities. :rommie:
Tonight's episode: "Lucy Encourages Edith to Get a Divorce"
 
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I'll give the series a chance, but my main issue with it is the TV-ification of the Apes premise--humans who talk, are civilized, and go around fully clothed, being depicted not like animals but like a servant class.
Well, two of the movies were like that. The oscillating, wibbly-wobbly future history of the Apes Saga is pretty long and things changed over time. Also, the Marvel B&W POTA magazine, which was out around the same time, had a pretty similar setting.

Dalton (Marc Singer)
Beastmaster. I think he was the guy in V, too.

Prefect Barlow (John Hoyt)
Captain Pike's bartender, who was secretly a Venusian, among a million other things.

the magnetic disc with their flight data that Virdon hopes will help them to get home, provided they can both find a computer to run it and build a ship!
Little do they realize that physical media became obsolete fifty years after their launch.

the astronauts decide to steal some horses to make a fast getaway, but are caught in the act by a party of armed apes.
Yeah, guys, stealing horses is a great way to make a good first impression.

the gladiatorial ring where Barlow has his human subjects channel their aggressive nature.
No social media in the Apes timeline.

Tolar wears something vaguely resembling a gladiator outfit
"See what you can find in the wardrobe closet."

Burke, after a lot of back-and-forth with Tolar, actually wins.
Did they ever mention if the astronauts are military men?

which causes a little riot among the humans, giving Burke and Galen an opportunity to slip out past the overwhelmed ape guards.
"Hey, come to notice it, we outnumber these guys ten to one!"

Jason starts to write up a report about this human-lover, but comes to an agreement with Barlow to put Virdon in the ring as a demonstration of the prefect's methods.
"See, by holding these gladitorial combats, I'm selectively breeding humans to be stronger and more... uh oh."

he's putting Dalton in the ring for his first fight...against Virdon.
That should be exciting, fight fans.

Barlow has a sympathetic talk with Virdon in which he learns what the humans were after and expresses his willingness to have given the disc to them.
Basically a good ape, but what's he gonna do?

But when Dalton refuses to fight and announces his intention to spread the word among the other humans that killing is wrong, Barlow has him arrested
"Send Caiaphas the Orangutan over to lock him up."

When Tolar learns of this, he helps the others to spring Virdon and Dalton
Basically a good human, who comes through in the end.

he later finds Dalton on the road while the others are hiding, informs him that the games have died with his father, and gives him the disc.
And Barlow comes through in the end, too. There was actually a good mix of ape and human personalities here. Like I say, just straightforward adventure, but not bad.

the fugitives, who overpower an ape soldier and use his mirror signal device to give the general bad directions
It didn't take them long to learn ape code. Or did Galen have training in that?

a human village known for harboring fugitives. (Humans with villages? Inconceivable!)
You'd think they would have wiped it out long since.

bringing back an artifact of great interest to Virdon--a computer relay device.
Except this technology would like be at least half a millennium in Virdon's future, according the timeline established in the pilot, and he probably wouldn't even recognize it for what it was.

Against Burke's advice, the party heads for the city.
"At least wear flowers in your hair!"

Urko: I always assume a human is lying--makes things easier!
I do the same thing, Urko.

Horse-riding Urko is lassoing Burke when a quake causes the ground to open underneath the two of them and they fall in.
Uh oh. What happens to the horse?

Burke finds that he's in a subway station with conveniently solar-powered lights that still work after over a millennium!
Well, I guess there's hope they'll find a working spaceship then. :rommie:

Burke tries to describe the purpose of the place to the disbelieving general, including that the trains were nuclear-powered in his time
Ah, yes, the nuclear-powered train fad of 1980, which ended with that terrible accident that destroyed San Francisco, and they could only afford to rebuild as a little town that looked like Mayberry.

disposable clothing that washes down the drain. (This brings up the question of when the holocaust was supposed to have happened, because Burke seems to recognize everything as being from his time.)
Not to mention the question of what people did when it rained.

(Urko's tendency to fly off the handle makes me wish Nimoy would pop up to chastise his behavior.)
That would have been pretty cool, had the show survived.

Urko's lieutenant of the week, Zako
I wonder if there was any pattern to the ape naming. Gorillas seem to have grunting, made-up names, while chimps seem to have human names.

Urko finds a zoo poster showing a caged gorilla being observed by a human family and carefully folds it up and hides it in one gauntlet; while hiding a jagged piece of metal in the other.
So it's established that Urko knows the truth, even though he doesn't like it. I wonder how this would have played out over time.

Urko confronts Burke about the poster and pulls his weapon, but accidentally electrocutes himself unconscious by jabbing it into a light fixture that Burke is holding as a shield.
It's always the right time for a little slapstick. :rommie:

Zako sends his soldiers to take Urko to safety, then keeps his word by letting the fugitives go.
An ape of honor. Urko killed him with his bare stinking paws.

Ah, that infinite abyss...
Practically.

You might get more out of the film, then, which shows the parties, has the cars, costumes, and other trappings, and such.
That's certainly true.

Tonight's episode: "Lucy Encourages Edith to Get a Divorce"
"Lucy, honey... these people are worse than the Mertzes!"
 
Well, two of the movies were like that. The oscillating, wibbly-wobbly future history of the Apes Saga is pretty long and things changed over time. Also, the Marvel B&W POTA magazine, which was out around the same time, had a pretty similar setting.
IMDb pointed out two things in the series premiere that contradicted even the broad strokes of the movie continuity--that Virdon and Burke, who are from 1980, were astonished at talking apes, when Cornelius and Zira were celebrities in 1973; and that an ape child had a dog.

Beastmaster. I think he was the guy in V, too.
Yep.

Captain Pike's bartender, who was secretly a Venusian, among a million other things.
I couldn't tell it was him at all. And he was the Martian, Barney Phillips was the Venusian.

Little do they realize that physical media became obsolete fifty years after their launch.
Sooner than that.

Did they ever mention if the astronauts are military men?
They have the ranks of colonel and major. Probably Air Force.

"Hey, come to notice it, we outnumber these guys ten to one!"
At least.

That should be exciting, fight fans.
Chekhov's friend-vs.-friend death match.

"Send Caiaphas the Orangutan over to lock him up."
Had to look that up.

And Barlow comes through in the end, too. There was actually a good mix of ape and human personalities here. Like I say, just straightforward adventure, but not bad.
It's a very low-rent sci fi show...not a space Western, but a sci fi show on a Western budget.

It didn't take them long to learn ape code. Or did Galen have training in that?
I believe it was Galen who worked the signal.

Except this technology would like be at least half a millennium in Virdon's future, according the timeline established in the pilot, and he probably wouldn't even recognize it for what it was.
Show can't even keep its own continuity straight, never mind that of the films.

Uh oh. What happens to the horse?
I think Urko fell off of it...it didn't go down into the hole with them.

Well, I guess there's hope they'll find a working spaceship then. :rommie:
Maybe they could rig one of those nuclear-powered subway cars...

Ah, yes, the nuclear-powered train fad of 1980, which ended with that terrible accident that destroyed San Francisco,
Somebody peed on the atomic third rail.
and they could only afford to rebuild as a little town that looked like Mayberry.
You're really invested in making this show work, aren't you? :p

Not to mention the question of what people did when it rained.
ORGY!!!

That's certainly true.
As for me, I pulled out the book last weekend and haven't started it yet, but I'm more motivated since I realized that this is its 100th anniversary.

"Lucy, honey... these people are worse than the Mertzes!"
They'd been divorced for a long time by 1974, which is where I was coming from.
 
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IMDb pointed out two things in the series premiere that contradicted even the broad strokes of the movie continuity--that Virdon and Burke, who are from 1980, were astonished at talking apes, when Cornelius and Zira were celebrities in 1973; and that an ape child had a dog.
Yeah, there's really no way to make sense of the Apes timeline except to picture it as an oscillating loop that changes a little every cycle.

I couldn't tell it was him at all. And he was the Martian, Barney Phillips was the Venusian.
Oops.

Sooner than that.
I rounded up. I still buy DVDs. :rommie:

They have the ranks of colonel and major. Probably Air Force.
So they should be able to win most fights with humans.

Chekhov's friend-vs.-friend death match.
:rommie:

Had to look that up.
A fun fact learned from Jesus Christ, Superstar. :rommie:

It's a very low-rent sci fi show...not a space Western, but a sci fi show on a Western budget.
Yeah, which is fine with me.

I believe it was Galen who worked the signal.
Okay, that makes sense.

Show can't even keep its own continuity straight, never mind that of the films.
Changes in the timeline wash over them between episodes. :rommie:

I think Urko fell off of it...it didn't go down into the hole with them.
Whew.

Maybe they could rig one of those nuclear-powered subway cars...
"If we can get it up to 88mph...."

Somebody peed on the atomic third rail.
Damn protesters!

You're really invested in making this show work, aren't you? :p
I love these little mental exercises. :rommie:

"I'm singin' in the rain...."

As for me, I pulled out the book last weekend and haven't started it yet, but I'm more motivated since I realized that this is its 100th anniversary.
Wow, that's right.

They'd been divorced for a long time by 1974, which is where I was coming from.
Ah, right. I was thinking about the characters of Lucy and Ricky, and where they might be twenty years later. Although now that I think about it more, they moved to Connecticut, so their chances of meeting the Bunkers would be slim.
 
50 Years Ago This Week


April 13
  • In Lebanon, snipers of the Christian Phalangist Kataeb militia attacked a bus carrying Muslim Palestinians to the inauguration of a new mosque in the Beirut suburb of Ain El Remmeneh, killing 27 and wounding 18. The attack, which came soon after an assassination attempt against Phalangist leader Pierre Gemayel that killed four of his bodyguards, triggered a new civil war that would last for more than 15 years.
  • François (Ngarta) Tombalbaye, 56, who had been President of Chad since 1960, was assassinated in a coup d'état by soldiers led by General Félix Malloum.

April 14
  • "No-frills service" began for airline passengers in the United States, as National Airlines began offering a 35 percent discount off the air fare for passengers who were willing to give up airline food and drink service. Four other airlines--American, Continental, Eastern and Delta--began offering discount service the same day. All five had obtained permission from the Civil Aeronautics Board.
  • The Federal Election Commission, created on October 15, 1974, began operations with the swearing in of six commissioners by U.S. President Ford.
  • A Chorus Line, which would go on to become a long running Broadway musical, was first performed, at the New York Shakespeare Festival.

April 15
  • Karen Ann Quinlan, 21, collapsed after drinking several gin and tonics in addition to having already taken the tranquilizers Valium and Darvon. She would become the subject of a landmark case in the "right to die" movement, In re Quinlan. After a Massachusetts court ruled that a person could be taken off life support in cases where there was no prospect of recovery, she would be removed from the respirator on May 22, 1976. To the surprise of most people, Quinlan was able to breathe on her own, and would live, comatose, for another nine years. She would die on June 11, 1985, at the age of 31.

April 16
  • Air Force Marshal Hosni Mubarak was named as Vice President of Egypt by President Anwar Sadat, replacing Hussein el-Shafei, who had served in the post since 1961. Mubarak would begin a 29-year rule as president after the 1981 assassination of Sadat.

April 17
  • The Cambodian Civil War came to an end when Khmer Rouge guerrillas captured Phnom Penh. That evening the Khmer Rouge directed the residents to leave the city for the countryside.
  • Former U.S. Treasury Secretary John B. Connally was acquitted of all charges by a federal jury in a bribery trial in Washington. Connally, who had been wounded during the assassination of President Kennedy in 1963, then later switched from the Democrats to the Republicans, had been under consideration by Richard M. Nixon as successor to Vice-president Agnew in 1973, but was bypassed in favor of Gerald Ford, who became president upon Nixon's resignation.

April 18
  • The 200th anniversary of the midnight ride of Paul Revere (celebrated in Henry Wadsworth Longfellow's 1860 poem as having occurred "on the eighteenth of April, in Seventy-Five") was observed in Boston's North End neighborhood. U.S. President Ford visited the Old North Church, where two signal lanterns had been placed on April 18, 1775, and lit a third lamp to symbolize the start of "America's third century".
  • Hang Thun Hak, 48, former Prime Minister of Cambodia (1972–1973), was executed by the Khmer Rouge.

April 19
  • Aryabhata, India's first satellite, was launched into orbit from the Soviet Union. The Indian Space Research Organisation would begin launches from India (at the space center in Sriharikota, Andhra Pradesh) in 1980.
  • The Cambodian genocide began two days after the fall of Phnom Penh, as the new Khmer Rouge regime announced that all former government employees, including soldiers, military officers, and policemen, would be required to register with the new local authorities. Those who complied with the order were told that they would be sent for "reeducation" at a camp in Battambang on April 28.
  • South Vietnamese forces withdrew from the town of Xuan Loc in the last major battle of the Vietnam War.


Selections from Billboard's Hot 100 for the week:
1. "Philadelphia Freedom," Elton John
2. "(Hey Won't You Play) Another Somebody Done Somebody Wrong Song," B. J. Thomas
3. "Lovin' You," Minnie Riperton
4. "No No Song" / "Snookeroo", Ringo Starr
5. "He Don't Love You (Like I Love You)," Tony Orlando & Dawn
6. "Supernatural Thing, Part I," Ben E. King
7. "Chevy Van," Sammy Johns
8. "What Am I Gonna Do with You," Barry White
9. "Emma," Hot Chocolate
10. "Before the Next Teardrop Falls," Freddy Fender
11. "Lady Marmalade," Labelle
12. "Walking in Rhythm," The Blackbyrds
13. "L-O-V-E (Love)," Al Green
14. "Shining Star," Earth, Wind & Fire
15. "Long Tall Glasses (I Can Dance)," Leo Sayer
16. "Jackie Blue," The Ozark Mountain Daredevils
17. "I Don't Like to Sleep Alone," Paul Anka w/ Odia Coates
18. "Once You Get Started," Rufus feat. Chaka Khan
19. "Express," B.T. Express
20. "The Bertha Butt Boogie, Pt. 1," The Jimmy Castor Bunch
21. "It's a Miracle," Barry Manilow
22. "Killer Queen," Queen
23. "How Long," Ace
24. "Stand by Me," John Lennon
25. "Poetry Man," Phoebe Snow
26. "Thank God I'm a Country Boy," John Denver
27. "Shoeshine Boy," Eddie Kendricks
28. "Only Yesterday," Carpenters

30. "Amie," Pure Prairie League
31. "Have You Never Been Mellow," Olivia Newton-John
32. "You Are So Beautiful" / "It's a Sin When You Love Somebody", Joe Cocker

34. "Young Americans," David Bowie
35. "Bad Time," Grand Funk
36. "My Eyes Adored You," Frankie Valli
37. "Shaving Cream," Benny Bell
38. "Harry Truman," Chicago
39. "Love Won't Let Me Wait," Major Harris
40. "Shakey Ground," The Temptations

42. "Don't Call Us, We'll Call You," Sugarloaf / Jerry Corbetta
43. "Shame, Shame, Shame," Shirley & Company

45. "Hijack," Herbie Mann
46. "Sister Golden Hair," America

49. "Rainy Day People," Gordon Lightfoot

51. "Sad Sweet Dreamer," Sweet Sensation
52. "When Will I Be Loved," Linda Ronstadt

55. "I'm Not Lisa," Jessi Colter
56. "Bad Luck," Harold Melvin & The Blue Notes
57. "Only Women [Bleed]," Alice Cooper
58. "Cut the Cake," Average White Band
59. "I'll Play for You," Seals & Crofts

61. "Magic," Pilot
62. "Tangled Up in Blue," Bob Dylan

67. "The Last Farewell," Roger Whittaker
68. "Wildfire," Michael Murphey

74. "Bloody Well Right," Supertramp

76. "Get Down, Get Down (Get on the Floor)," Joe Simon
77. "Trampled Under Foot," Led Zeppelin

79. "I Am Love, Pts. 1 & 2," Jackson 5

82. "Sail On Sailor," The Beach Boys

88. "Dynomite, Pt. I," Tony Camillo's Bazuka

95. "The Hustle," Van McCoy & The Soul City Symphony

98. "Love Will Keep Us Together," Captain & Tenille


Leaving the chart:
  • "Black Water," The Doobie Brothers (17 weeks)

Recent and new on the chart:

"The Last Farewell," Roger Whittaker
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(Apr. 5; #19 US; #1 AC; #2 UK)

"I'll Play for You," Seals & Crofts
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(Apr. 5; #18 US; #4 AC)

"Bloody Well Right," Supertramp
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(Apr. 12; #35 US)

"Love Will Keep Us Together," Captain & Tenille
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(#1 US the weeks of June 21 through July 12, 1975; #1 AC; #32 UK; #1 on Billboard's 1975 Year-End Chart of Pop Singles; 1976 Grammy Award for Record of the Year)

"The Hustle," Van McCoy & The Soul City Symphony
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(#1 US the week of July 26, 1975; #2 AC; #3 Dance; #1 R&B; #3 UK)



Timeline entries are quoted from the Wiki page for the month, with minor editing as needed.




Yeah, there's really no way to make sense of the Apes timeline except to picture it as an oscillating loop that changes a little every cycle.
I'm thinking that the TV show shouldn't even be considered part of the same continuity as the movies, timeline changes or no. It seems like its own version of the premise.

So they should be able to win most fights with humans.
Maybe not with somebody as burly as William Smith. But they're TV hero characters.

Wow, that's right.
100th Anniversary Literary Review...?

Ah, right. I was thinking about the characters of Lucy and Ricky, and where they might be twenty years later. Although now that I think about it more, they moved to Connecticut, so their chances of meeting the Bunkers would be slim.
Well, Queens ain't that far away from here. The ex and I used to go into the city all the time.
 
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50 Years Ago This Week


April 13
  • In Lebanon, snipers of the Christian Phalangist Kataeb militia attacked a bus carrying Muslim Palestinians to the inauguration of a new mosque in the Beirut suburb of Ain El Remmeneh, killing 27 and wounding 18. The attack, which came soon after an assassination attempt against Phalangist leader Pierre Gemayel that killed four of his bodyguards, triggered a new civil war that would last for more than 15 years.
  • François (Ngarta) Tombalbaye, 56, who had been President of Chad since 1960, was assassinated in a coup d'état by soldiers led by General Félix Malloum.

April 14
  • "No-frills service" began for airline passengers in the United States, as National Airlines began offering a 35 percent discount off the air fare for passengers who were willing to give up airline food and drink service. Four other airlines--American, Continental, Eastern and Delta--began offering discount service the same day. All five had obtained permission from the Civil Aeronautics Board.
  • The Federal Election Commission, created on October 15, 1974, began operations with the swearing in of six commissioners by U.S. President Ford.
  • A Chorus Line, which would go on to become a long running Broadway musical, was first performed, at the New York Shakespeare Festival.

April 15
  • Karen Ann Quinlan, 21, collapsed after drinking several gin and tonics in addition to having already taken the tranquilizers Valium and Darvon. She would become the subject of a landmark case in the "right to die" movement, In re Quinlan. After a Massachusetts court ruled that a person could be taken off life support in cases where there was no prospect of recovery, she would be removed from the respirator on May 22, 1976. To the surprise of most people, Quinlan was able to breathe on her own, and would live, comatose, for another nine years. She would die on June 11, 1985, at the age of 31.

April 16
  • Air Force Marshal Hosni Mubarak was named as Vice President of Egypt by President Anwar Sadat, replacing Hussein el-Shafei, who had served in the post since 1961. Mubarak would begin a 29-year rule as president after the 1981 assassination of Sadat.

April 17
  • The Cambodian Civil War came to an end when Khmer Rouge guerrillas captured Phnom Penh. That evening the Khmer Rouge directed the residents to leave the city for the countryside.
  • Former U.S. Treasury Secretary John B. Connally was acquitted of all charges by a federal jury in a bribery trial in Washington. Connally, who had been wounded during the assassination of President Kennedy in 1963, then later switched from the Democrats to the Republicans, had been under consideration by Richard M. Nixon as successor to Vice-president Agnew in 1973, but was bypassed in favor of Gerald Ford, who became president upon Nixon's resignation.

April 18
  • The 200th anniversary of the midnight ride of Paul Revere (celebrated in Henry Wadsworth Longfellow's 1860 poem as having occurred "on the eighteenth of April, in Seventy-Five") was observed in Boston's North End neighborhood. U.S. President Ford visited the Old North Church, where two signal lanterns had been placed on April 18, 1775, and lit a third lamp to symbolize the start of "America's third century".
  • Hang Thun Hak, 48, former Prime Minister of Cambodia (1972–1973), was executed by the Khmer Rouge.

April 19
  • Aryabhata, India's first satellite, was launched into orbit from the Soviet Union. The Indian Space Research Organisation would begin launches from India (at the space center in Sriharikota, Andhra Pradesh) in 1980.
  • The Cambodian genocide began two days after the fall of Phnom Penh, as the new Khmer Rouge regime announced that all former government employees, including soldiers, military officers, and policemen, would be required to register with the new local authorities. Those who complied with the order were told that they would be sent for "reeducation" at a camp in Battambang on April 28.
  • South Vietnamese forces withdrew from the town of Xuan Loc in the last major battle of the Vietnam War.


Selections from Billboard's Hot 100 for the week:



Leaving the chart:
  • "Black Water," The Doobie Brothers (17 weeks)

Recent and new on the chart:

"The Last Farewell," Roger Whittaker
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(Apr. 5; #19 US; #1 AC; #2 UK)

"I'll Play for You," Seals & Crofts
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(Apr. 5; #18 US; #4 AC)

"Bloody Well Right," Supertramp
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(Apr. 12; #35 US)

"Love Will Keep Us Together," Captain & Tenille
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(#1 US the weeks of June 21 through July 12, 1975; #1 AC; #32 UK; #1 on Billboard's 1975 Year-End Chart of Pop Singles; 1976 Grammy Award for Record of the Year)

"The Hustle," Van McCoy & The Soul City Symphony
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(#1 US the week of July 26, 1975; #2 AC; #3 Dance; #1 R&B; #3 UK)



Timeline entries are quoted from the Wiki page for the month, with minor editing as needed.





I'm thinking that the TV show shouldn't even be considered part of the same continuity as the movies, timeline changes or no. It seems like its own version of the premise.


Maybe not with somebody as burly as William Smith. But they're TV hero characters.


100th Anniversary Literary Review...?


Well, Queens ain't that far away from here. The ex and I used to go into the city all the time.
Four for four on the songs this time. Usually there is one I don't know.
 
"No-frills service" began for airline passengers in the United States, as National Airlines began offering a 35 percent discount off the air fare for passengers who were willing to give up airline food and drink service.
A small price to pay. :rommie:

A Chorus Line, which would go on to become a long running Broadway musical, was first performed, at the New York Shakespeare Festival.
That's a good one. I've seen it twice, at different theaters.

Karen Ann Quinlan, 21, collapsed after drinking several gin and tonics in addition to having already taken the tranquilizers Valium and Darvon. She would become the subject of a landmark case in the "right to die" movement, In re Quinlan. After a Massachusetts court ruled that a person could be taken off life support in cases where there was no prospect of recovery, she would be removed from the respirator on May 22, 1976. To the surprise of most people, Quinlan was able to breathe on her own, and would live, comatose, for another nine years. She would die on June 11, 1985, at the age of 31.
Yeah, that was something. Sometimes there's just no good answer.

The 200th anniversary of the midnight ride of Paul Revere (celebrated in Henry Wadsworth Longfellow's 1860 poem as having occurred "on the eighteenth of April, in Seventy-Five") was observed in Boston's North End neighborhood. U.S. President Ford visited the Old North Church, where two signal lanterns had been placed on April 18, 1775, and lit a third lamp to symbolize the start of "America's third century".
Lots of Bicentennial stuff going on in those days. It was cool to have that as a part of childhood, although I had an interest in the Revolutionary War Era since I was a small kid.

"Black Water," The Doobie Brothers
My favorite Doobie song. Something of a departure for them. Strong nostalgic value.

"The Last Farewell," Roger Whittaker
This is a good one. It always reminds me of my Grandmother. Strong nostalgic value.

"I'll Play for You," Seals & Crofts
A nice song. Moderate nostalgic value.

"Bloody Well Right," Supertramp
Strong nostalgic value... for the early 80s. Another song displaced in time. :rommie:

"Love Will Keep Us Together," Captain & Tenille
Yeah, this was a huge hit and it is a good, catchy song. Strong nostalgic value.

"The Hustle," Van McCoy & The Soul City Symphony
Well, it does have some nostalgic value.

I love how they've assigned a whole alternate universe to the Hostess ads. It's ridiculous, but I like people who put some thought into things. :rommie:


I'm thinking that the TV show shouldn't even be considered part of the same continuity as the movies, timeline changes or no. It seems like its own version of the premise.
There's really no reason to connect the Apes TV series to the Apes movies, any more than any other spinoff series-- for example, it would be impossible to reconcile the Logan's Run movie and series. Nevertheless, for whatever reasons of timing or whatever, I like to think of them as part of the same fluid continuity. Same thing with Marvel's "Sixth Ape Movie," which is an even bigger stretch.

Maybe not with somebody as burly as William Smith. But they're TV hero characters.
I'm thinking of the martial arts training they must have received. It's doubtful that anybody they'll meet in that era could match it.

100th Anniversary Literary Review...?
Aargh. :rommie:

Well, Queens ain't that far away from here. The ex and I used to go into the city all the time.
Hmm. Maybe the Bunkers head to the suburbs for a wedding or something. They could have mutual friends or relatives.
 


Post-50th Anniversary Viewing



Happy Days
"You Go to My Head"
Originally aired October 1, 1974
IMDb said:
Richie finds that he has a problem asking girls out on a date. After reading a book about abnormal psychology, Richie becomes convinced that there's something really wrong with him, and seeks help from a psychiatrist.

After seeing Rebel Without a Cause with Potsie and Ralph, Richie spots Carole Lipton (Christina Hart), a girl from chemistry class known for her brains as well as her beauty, and whom he's interested in, but declines to approach her and ask her out. When this gets back to Fonzie, he teases Richie for being a chicken, then demonstrates how to pick up chicks by acting like James Dean. (Dean is spoken of in the present tense, though Rebel was released after his death. Also, the Dean impersonation comes off very much like Henry Winkler doing him rather than anything Fonzie would do.) When Richie tries to replicate Fonzie's borrowed moves, it goes much more awkwardly for him, causing Carole to engage in a brief assessment of his psychological issues, following which she lends him a text on abnormal psychology. Richie becomes self-conscious of being a middle child, and is disturbed by how much of himself he sees in the book's subject matter; and though Ralph tries to encourage him by holding himself up as an example of a successful, well-adjusted individual, Richie decides that he needs to see a shrink.

Richie tells Dr. Edward Castle (Ivor Francis) that he's there for a school project, and the doctor temporarily plays along. As it becomes more about Richie, he almost walks out when asked his thoughts about a sex; and a word association game invariably turns up the names of celebrities (including the Big Bopper, which would put the episode a few years after RWAC was current). Richie's parents become concerned when he tells them that Castle wants to talk to them. Outside Arnold's, Fonzie encourages Richie to be himself, admitting that he steered him wrong with the James Dean bit. Getting further into Richie's insecurities, Fonzie confesses that there was a time when he was nervous about chicks, and encourages Richie to just jump in and be more aggressive. When a strange girl (Cathey Paine) asks Richie about the bus, with Fonzie's silent encouragement, Richie plants a couple of kisses on her while answering her question. While she thinks he's nuts, Richie feels great afterward.

The Cunninghams are relieved after having seen the doctor, but worry again when they learn what Richie did and why, and then tells them that he's going to spend some time in the closet to address his claustrophobia.

Marion: If he's not out in five minutes, call Fonzie.​
Howard: Does he make house calls?​

Keeping in mind that this is before even the already-viewed Christmas episode, so Fonzie has probably never been in the Cunningham home.



Planet of the Apes
"The Good Seeds"
Originally aired October 4, 1974
Edited Wiki and IMDb said:
Burke, Virdon, and Galen spend two weeks at the farm of an ape named Polar so that Galen's leg can mend. While there, Virdon helps Polar improve crop yields, builds a windmill to pump water from under the ground, introduces the family to such things as butter, and helps deliver a bull calf Polar's eldest son needs to start his own farm.
Let's go, let's go, let's go, let's go,
Down to Polar's farm where I wanna lay low


This is the first episode of the series in production order, the premiere being third. It's also said to be the only episode with no other humans.

Evading pursuit by Urko's "men," Virdon shows Galen the wonders of the compass, which Galen thinks is witchcraft. (Ape tech is wonky...they've got guns, but compasses are magic and windmills are strange contraptions, which would generally put them no later than the Dark Ages?) Galen falls off a small cliff in the dark, injuring his leg. Carrying him on a litter by day, the fugitives come upon the farm of a chimp named Polar (Lonny Chapman), his wife Zantes (Jacqueline Scott), and children Anto (Geoffrey Deuel), Remus (Bobby Porter), and Jillia (Eileen Dietz Elber). Polar's suspicious of an ape with human friends, but his wife, who trained to be a nurse, insists on helping them. While the humans are resting in the stable, Anto aggressively confronts them, feeling that their presence is a bad omen on his pregnant cow delivering the bull calf he's waited years for. Polar agrees to let the humans stay and work for him, and covers for them when a local gorilla patrol ape comes to question him about escaped human laborers. Anto, who wants them to stay away from the cow, plays along but expresses an interest in turning them in for a reward afterward.

Soon the humans--Virdon having grown up on a farm--are showing the apes the wonders of better plowing patterns, better fences, using a pulley for lifting hay, and using the best ears of corn for seed (which is when things get titular); though the apes are skeptical of humans claiming to have owned farms. Anto gets worked up when his cow starts lying down, thinking that the curse is killing her, but Virdon assesses that birth is days away. Anto questions a patrol ape about whether there's a bounty on the humans they're looking for, which the gorilla's superior takes interest in when word gets back to him.

The two factions of gorillas in this episode--some locals and some Urko's apes--are generically billed, so it's hard to tell who's supposed to be who. The cast list is:

Police Gorillas (John Garwood and Fred Lerner)​
Gorilla Officer (Dennis Cross)​
Patrol Rider (Michael Carr)​

The humans go on to build a strange device called a windymill to irrigate the crops, and are at one point spotted by a local patrol ape; while Anto sows suspicion that Galen is stalling so his human friends can cook and eat the cow after it dies from their curse. The cow starts going into what Virdon determines is premature birth, the calf being in the wrong position, and wants to help deliver it, though Anto holds him at pitchfork-point until Remus cooperates in letting Burke pretend to hold him hostage with an unseen knife. With Virdon's aid, the cow gives birth to twin bulls, to Anto's joy.

Meanwhile, Urko and a lieutenant arrive in the area, confer with the local ape police, and Urko suspects that the humans the local patrol ape thinks are escaped slaves are actually the fugitives. They go to the farm, and while the fugitives are hiding, Anto helps cover for them, claiming that the human the patrol ape spotted was him doing his human impersonation, which he demonstrates by putting flour on his face, walking upright, and going after the chickens for meat. (If the apes don't eat meat, it makes me wonder why they have livestock in the first place.) Urko becomes too easily convinced that the patrol ape was mistaken and moves on.

The fugitives also move on that night, and the patrol ape returns to the farm the next day to question the chimps about their strange toy, the windmill. Impressed with how it works, Polar and Remus agree to follow Virdon's advice and plant the best seed.



Four for four on the songs this time. Usually there is one I don't know.
But there were five (not counting the hidden number from A Chorus Line)... :p

That's a good one. I've seen it twice, at different theaters.
I've never seen the show, but my uncle had the cast album; and I'm sure I was familiar with at least "One" from back in the day prior to hearing him playing that.

This is a good one. It always reminds me of my Grandmother. Strong nostalgic value.
I can't say I was at all familiar with this one. It's not bad, though I find the storyline a bit confusing. He's sailing away from somewhere else to go to England to go to war somewhere else still? Anyway, there's an interesting story behind this one on Wiki. Whittaker was hosting a radio show in England and had a thing where listeners could submit their poems and he'd make songs of them, which is how this one came about. Also, it was originally released in '71, but a belated success in the States from initially local radio play.

A nice song. Moderate nostalgic value.
I find this to be unfamiliar and pretty meh.

Strong nostalgic value... for the early 80s. Another song displaced in time. :rommie:
As came up somewhere upthread, the flip side, which wasn't used as the single in the US, is also very familiar.
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Yeah, this was a huge hit and it is a good, catchy song. Strong nostalgic value.
Well, it does have some nostalgic value.
These two I was very definitely hearing in the day. The latter is a substantial step deeper into the disco era.

I love how they've assigned a whole alternate universe to the Hostess ads. It's ridiculous, but I like people who put some thought into things. :rommie:
I hadn't noticed that. I recall reading in a Direct Currents, I think, back in the era, that the DC Hostess ads took place on Earth-H.

There's really no reason to connect the Apes TV series to the Apes movies, any more than any other spinoff series-- for example, it would be impossible to reconcile the Logan's Run movie and series. Nevertheless, for whatever reasons of timing or whatever, I like to think of them as part of the same fluid continuity. Same thing with Marvel's "Sixth Ape Movie," which is an even bigger stretch.
What was that, a theoretical thing they did in the tie-in comics?

When you think of it, it's odd that Marvel got the POTA license, when DC had its legendary thing for apes...

I'm thinking of the martial arts training they must have received. It's doubtful that anybody they'll meet in that era could match it.
Yeah, but they would've been pilots, not special forces.

:whistle:
 
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But there were five (not counting the hidden number from A Chorus Line)... :p
vgxEVgl.gif
 
Also, the Dean impersonation comes off very much like Henry Winkler doing him rather than anything Fonzie would do.
Either they were going for a laugh with the contrast or Henry Winkler just wanted to show off. :rommie:

following which she lends him a text on abnormal psychology.
That means she cares!

Richie becomes self-conscious of being a middle child
Does Chuck still appear at this point?

(including the Big Bopper, which would put the episode a few years after RWAC was current)
The show is set in a bubble universe where "the 50s" exist all at once and forever. Kind of like M*A*S*H and the Korean War.

Fonzie encourages Richie to be himself, admitting that he steered him wrong with the James Dean bit.
"I was wr... I was wrrrr... I was wrrrrrrr...."

Fonzie confesses that there was a time when he was nervous about chicks
!!!!

While she thinks he's nuts, Richie feels great afterward.
And he's got a second opinion.

Let's go, let's go, let's go, let's go,
Down to Polar's farm where I wanna lay low
Polar's talking to an eskimo....

Evading pursuit by Urko's "men,"
:D

(Ape tech is wonky...they've got guns, but compasses are magic and windmills are strange contraptions, which would generally put them no later than the Dark Ages?)
Maybe they're being armed by Klingons. I'm getting the impression that the producers did absolutely no world building at all. :rommie:

Galen falls off a small cliff in the dark, injuring his leg.
And Captain Marvel is long dead. :(

his wife, who trained to be a nurse
I wonder how their medical technology stacks up.

Anto aggressively confronts them, feeling that their presence is a bad omen on his pregnant cow
That's consistent with the Dark Ages. Or today. Whatever.

a local gorilla patrol ape comes to question him about escaped human laborers
Chekhov's escaped human laborers will never be seen-- which is good news for them, I guess.

Soon the humans--Virdon having grown up on a farm--are showing the apes the wonders of better plowing patterns, better fences, using a pulley for lifting hay, and using the best ears of corn for seed
How many thousands of years have apes been in charge? :rommie:

Anto sows suspicion that Galen is stalling so his human friends can cook and eat the cow
It probably crossed their minds. :rommie:

The cow starts going into what Virdon determines is premature birth, the calf being in the wrong position, and wants to help deliver it
"Breech presentation! I'll need to do a manual external version! Boil some water! I'd like a cup of tea!"

Anto helps cover for them, claiming that the human the patrol ape spotted was him doing his human impersonation, which he demonstrates by putting flour on his face, walking upright, and going after the chickens for meat.
So offensive! I mean, really!

(If the apes don't eat meat, it makes me wonder why they have livestock in the first place.)
I'm beginning to think these scripts are the result of a hundred apes in a room with typewriters. :rommie:

Urko becomes too easily convinced that the patrol ape was mistaken and moves on.
"They're only paying me for a one-day shoot. I'm outta here."

The fugitives also move on that night
With Galen taking up the rear this time.

I can't say I was at all familiar with this one. It's not bad, though I find the storyline a bit confusing. He's sailing away from somewhere else to go to England to go to war somewhere else still?
My assumption always was that he's a British sailor in America during wartime, and he's summoned back into service in the middle of a Grand Romance. I'm not sure what war, but the music and lyrics have an archaic feel, so I've always pictured it in the 19th century.

Anyway, there's an interesting story behind this one on Wiki. Whittaker was hosting a radio show in England and had a thing where listeners could submit their poems and he'd make songs of them, which is how this one came about.
Wow, I didn't know that. That show sounds like an intellectual property nightmare. :rommie:

I find this to be unfamiliar and pretty meh.
Can't argue, but I like it okay.

As came up somewhere upthread, the flip side, which wasn't used as the single in the US, is also very familiar.
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Ah, yes, another good one that I associate with the early 80s.

The latter is a substantial step deeper into the disco era.
Yes. :(

I hadn't noticed that. I recall reading in a Direct Currents, I think, back in the era, that the DC Hostess ads took place on Earth-H.
Hah. I never knew about that. :rommie:

What was that, a theoretical thing they did in the tie-in comics?
That's what they were calling the main feature by Doug Moench and Mike Ploog, at least for a while. When it started, I thought they would do that for a few issues, and then do a "7th movie" and so on, but it really just started to meander after a while.

When you think of it, it's odd that Marvel got the POTA license, when DC had its legendary thing for apes...
I wonder if there was a bidding war. :rommie:

Yeah, but they would've been pilots, not special forces.
I assumed everybody got some basic martial arts training.

I meant to respond to this that I could get into it more if the cinematography in the show was more like that in the opening credits, where everyone's dramatically posing in front of the sun.
Well, there's the episode where Burke and Virdon work as glamour models for food.
 
Either they were going for a laugh with the contrast or Henry Winkler just wanted to show off. :rommie:
Definitely seemed more like the latter. He was literally slipping out of his Fonzie voice to do it.

Does Chuck still appear at this point?
Generally, yes, but they handwaved his absence from this episode as being due to a basketball game away from home.

The show is set in a bubble universe where "the 50s" exist all at once and forever. Kind of like M*A*S*H and the Korean War.
It was reminding me of what I saw of The Goldbergs...when it was coming on after AOS, IIRC.

"I was wr... I was wrrrr... I was wrrrrrrr...."

!!!!
We may need a whole new initialism for this...EFW. Imagine an entire season and a half of shouty Spock.

Polar's talking to an eskimo....
:D

Maybe they're being armed by Klingons. I'm getting the impression that the producers did absolutely no world building at all. :rommie:
It seems like what they're going for is roughly Native Americans in Westerns. There was even talk of displeasing the spirits in this one. I suppose we could rationalize that they scavenged all of their firearms and ammo from the ruins of human civilization. "That is the Forbidden Zone, where no ape may venture...except for the sporting goods stores."

And Captain Marvel is long dead. :(
Is he...? :shifty:

I wonder how their medical technology stacks up.
Well, she didn't pull out leeches...

That's consistent with the Dark Ages. Or today. Whatever.
It is easy to see at least one side of the political spectrum in the apes' willful ignorance.

Chekhov's escaped human laborers will never be seen-- which is good news for them, I guess.
They served their purpose in the plot.

It probably crossed their minds. :rommie:
"I ain't gonna lie, I could sure go for a good, juicy hamburger about now...!"

I'm beginning to think these scripts are the result of a hundred apes in a room with typewriters. :rommie:
They actually did a brief gag on that premise in an earlier episode, about how if you put enough humans in a room, they'd eventually duplicate the great works of art. IIRC, that was Hoyt's character in the gladiator episode.

With Galen taking up the rear this time.
He was getting back on his feet, with the help of a wondrous device known as a crutch! Nah, they didn't make a big deal about the crutch. Or maybe they did and I blinked.

My assumption always was that he's a British sailor in America during wartime, and he's summoned back into service in the middle of a Grand Romance. I'm not sure what war, but the music and lyrics have an archaic feel, so I've always pictured it in the 19th century.
Seems like he's leaving a tropical island. Maybe Jamaica or something.

Hah. I never knew about that. :rommie:
That Captain Marvel ad was pretty bonkers beyond the Twinkies. Everyone's using spaceships on Earth for no particular reason except that it's Captain Marvel. And his Nega-Bands are being colored out in favor of a big honkin' wrist communicator.

That's what they were calling the main feature by Doug Moench and Mike Ploog, at least for a while. When it started, I thought they would do that for a few issues, and then do a "7th movie" and so on, but it really just started to meander after a while.
Did it literally pick up the storyline somewhere after the last film had left off?

Well, there's the episode where Burke and Virdon work as glamour models for food.
They've just established in the next episode that photography is unknown to the apes...so I won't be surprised if that happens.
 
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Definitely seemed more like the latter. He was literally slipping out of his Fonzie voice to do it.
It was early on. He probably wouldn't have done that later in the show.

It was reminding me of what I saw of The Goldbergs...when it was coming on after AOS, IIRC.
I'm not familiar with The Goldbergs, but I noticed it happening in That 70s Show.

We may need a whole new initialism for this...EFW. Imagine an entire season and a half of shouty Spock.
It just occurred to me that it must have been McCoy who finally got his dosage right.

It seems like what they're going for is roughly Native Americans in Westerns. There was even talk of displeasing the spirits in this one. I suppose we could rationalize that they scavenged all of their firearms and ammo from the ruins of human civilization. "That is the Forbidden Zone, where no ape may venture...except for the sporting goods stores."
That's a good line of thought. The Apes may have a specific cult or something that is allowed to raid the Forbidden Zone, but is prohibited from interacting with general society-- like Sin Eaters or Executioners in other societies.

Is he...? :shifty:
Well, Billy Batson, anyway.

Well, she didn't pull out leeches...
:rommie:

It is easy to see at least one side of the political spectrum in the apes' willful ignorance.
At least. :rommie:

They served their purpose in the plot.
To keep the budget down.

"I ain't gonna lie, I could sure go for a good, juicy hamburger about now...!"
I'll bet they think that a lot. :rommie:

They actually did a brief gag on that premise in an earlier episode, about how if you put enough humans in a room, they'd eventually duplicate the great works of art. IIRC, that was Hoyt's character in the gladiator episode.
Ah, that's funny. :rommie:

He was getting back on his feet, with the help of a wondrous device known as a crutch! Nah, they didn't make a big deal about the crutch. Or maybe they did and I blinked.
They should have invented a wheelchair.

Seems like he's leaving a tropical island. Maybe Jamaica or something.
Yeah, that definitely works.

That Captain Marvel ad was pretty bonkers beyond the Twinkies. Everyone's using spaceships on Earth for no particular reason except that it's Captain Marvel. And his Nega-Bands are being colored out in favor of a big honkin' wrist communicator.
They all seemed to be like that-- just arbitrary comic book cliches that had nothing to do with the real characters. I never paid them any attention, so I was pretty surprised when the Internet came along and so many people remembered them fondly.

Did it literally pick up the storyline somewhere after the last film had left off?
Yeah, but not directly. Like the TV show, it was set centuries or millennia in the future, with intelligent humans and civilized apes. There were the usual ruins of 20th-century civilization around. The cultural and technological level was similar to the TV show, but Apes and Humans were on somewhat friendlier terms-- the main characters were an Ape and a Human who were best buds. The conflict was growing, though, as there was a KKK-inspired hate group dedicated to eradicating Humans.
 


Post-50th Anniversary Viewing



Happy Days
"R.O.T.C."
Originally aired October 8, 1974
IMDb said:
When the commanding officer of his high school ROTC group makes him squad leader, Richie finds that there's more to leadership than just shouting orders.

When the guys goof off during drill exercises, Lt. Col. Binicky (Dave Ketchum) fires Charlie Talbott (Richard Kuller) from his position as squad leader and, going down the line, selects a reluctant Richie for the position. Potsie and Ralph think they've got it made and take the squad for a panty raid of the girls' locker room. Richie goes to his father for an excuse to get out, but Mr. C, a former mess sergeant, thinks it's a great leadership opportunity, and advises Richie to make his men love him. Richie thus tries buttering up Ralph and Potsie at Arnold's, but they tune him out when he talks about the need for discipline on the field. Richie then goes to Binicky, who gives Richie the opposite advice, that he has to make his men hate him. Thus Richie tries being stricter on the field, threatening to put the guys on report if they don't fall in line, but he's weak about it and they all take an opportunity to run off behind his back.

Back at Arnold's, Pots and Ralph make a show of giving Richie the cold shoulder. Richie's next source of advice is the Fonz, who's working on his bike outside. Fonzie demonstrates on Wendy, the recurring carhop (Misty Rowe), how to get what he wants by playing it cool; but Fonzie becomes angry when he learns that Rich put his friends on report, accusing him of being a fink. Back at home, Howard advises Richie to stick it out. (A reference to The Caine Mutiny gives Tom Bosley an opportunity to engage in his Bogie impersonation.) That night, Richie has a Gilligan's Island-style dream sequence in which the Fonz, acting as judge and prosecutor, puts him on trial for being a fink. Richie's family and friends, all in uniform, testify against him (Joanie briefly sporting a Groucho disguise in association with a reference to wanting to watch one of his movies in an earlier scene). Even Wendy is in the dream, which ends with Richie facing a whipped cream firing squad.

Back on the school field, Richie tears up the report and levels with the guys about what he's been going through. A shamed Potsie and Ralph speak for the others in agreeing to put in a good performance at a review ceremony, following which Richie promises to quit. The squad comes through, but Richie's moment is ruined when he lets the applause divert his attention from directing their marching, resulting in Chekhov's Row of Sprinklers Running in the Background also coming through.

In the soda shop coda, Fonzie congratulates Richie for fouling up, and Potsie announces that he's been made the new squad leader, giving Richie the opportunity to join Ralph in proactively giving him the cold shoulder.



Planet of the Apes
"The Legacy"
Originally aired October 11, 1974
Wiki said:
While exploring the ruins of Oakland, California, Virdon and Burke find a filmed message from scientists from an earlier time which may help them discover what happened to their civilization.

The fugitives are trekking through the California hills when they spot Postapocalyptic Mayberry for what turns out to be the first time in production order.

Burke: I've forgotten what a city looks like.​

This version has some human squatters living in the ruins, including another dog. Conveniently, the first building nameplate one of the fugitives dusts off is that of the Oakland Science Institute, which Virdon takes great interest in. Inside, they open a powered vault door to find what looks like either a computer bank or a vintage Coke machine. It projects a hologram of a scientist (Jon Lormer) made when the destruction of civilization was imminent. The futuristically robed figure tells of scientific knowledge having been preserved in vaults in various cities, but the projector runs out of juice before he can divulge where the Oakland vault is. (Note that here, the astronauts describe the tech as being way ahead of their time.) To Galen's bewilderment, the humans get to work gathering materials to construct a battery and are spotted and pursued by an ape patrol. After they split up, Virdon injures himself running through the rubble and attempts to take refuge with a young woman under a stairway (Arn [Zina Bethune]); but he's ratted on by a boy who spotted him and offers the info for food (Jackie Earle Haley pretending to be Kraik).

Urko and Zaius arrive to question Virdon, and argue over methods. Either Gorilla Captain (Robert Phillips) or Gorilla Sergeant (Wayne Foster) recruits the boy to be put in a makeshift cell (the interior of a ruined building with loosely barred but high windows) with Virdon and Arn to gather intel about where the other fugitives are. (He's not stuck in there with them...) While Virdon becomes suspicious that he's being kept alive for a reason, Zaius, marveling at a photo of Virdon's family that the colonel had on him, reasons that Virdon will come to see the woman and boy as his own family.

Virdon befriends the boy, who shares his name and doesn't understand baseball metaphors. (Harry Truman doesn't come up.) Virdon convinces him that their food has to be rationed equally and with enough to spare for the next day. When Virdon alludes to his friends, Kraik too-eagerly asks questions, but Virdon stays mum on the subject for the boy's own good. Virdon carves a model airplane and tells Kraik about where he comes from. When Kraik boasts of his food-scrounging abilities, Virdon lets on some about what he's after. Then Arn starts asking questions about the things Virdon's been talking about, which motivates Virdon to spill more info about what he found and where it's at. After Virdon confronts Kraik about having stolen the model, the boy smashes it and runs away screaming in timeless angry child fashion, then slips out and offers the gorillas his info.

All the while, obeying orders from before they split up, the other fugitives have been back at the institute, where Burke's been building the battery.

When the boy returns, Arn tells him that Virdon built the now-repaired plane for him, and Kraik confesses to what he did. Virdon figures that his friends wouldn't be at the institute anymore, but fears that the apes will find the message, so he enlists Kraik's aid in busting out...taking out a gorilla with his superior TV hero pilot fighting skills. Zaius figures that the other fugitives would have left something behind to tell Virdon where to go and is taken to the institute. Virdon & surrogate family get there first and Virdon starts to play the message, but has to turn it off and hide as the apes arrive. Zaius fiddles with the now-exposed machine and activates the recording, which tells of how the vault is hidden in a railway station. Kraik knows a way to get there quicker underground while Zaius's party has to navigate the debris-strewn streets.

Meanwhile, the other fugitives are already there, Burke turning on various computer machines that are still powered and still using reel-to-reel tapes. Virdon arrives and painfully insists that they have to abandon their informational gold mine. The apes find the blinky machines spewing out printer paper, but Zaius insists that this forbidden knowledge has to be destroyed as it threatens their civilization. We cut from the paper being burned as it continues to spew to the place going up like it ran over a pothole in Hawaii.

Virdon drops off his cellmates at a farm where Arn used to live but had been avoiding since the death of her rebel husband, and the fugitives hit the road again.



All in the Family
"Lionel the Live-In"
Originally aired October 12, 1974
Wiki said:
Lionel stays with the Bunkers after an argument with his father and Archie is anxious for him to leave.

The Bunkers are awoken after midnight by a loud argument at the Jeffersons'. Archie threatens out the window to call the cops, disturbing the Stivics in turn. Soon after things quiet down, Lionel rings the doorbell, wanting to borrow money from Mike for a hotel because his father's been giving him a hard time about Jenny. Louise and George soon follow separately in robes, the former insisting that Lionel come home while the latter persists in his assault.

George: I don't want no daughter-in-law that's a zebra!​
Louise: Why not? She don't mind a father-in-law who's a jackass!​

Against Archie's wishes, Edith offers them coffee. When Archie tries to set an example for George by claiming that he considers Mike to be a son, George dares him to tell Mike--who's standing nearby in his pajamas eating a cold bowl of leftover spaghetti--that he loves him, and Mike teases Archie about staying silent. Gloria suggests that Lionel stay on the Bunkers' couch, and Archie finds himself maneuvered into insisting that Lionel can when George argues that Archie would never let him.

Over breakfast, Archie becomes concerned about Lionel's impact on the grocery bill. Lionel offers to find a hotel, but Edith insists that he stay, an idea that Louise agrees with, wanting a few days to straighten George out. Archie sits Lionel down and tries to make a point about where his old man is coming from by telling a story about Al Jolson's situation with his old man in The Jazz Singer. Lionel does his usual bit of playing dumb while letting Archie make an ass of himself; and asks if he can call Archie his uncle.

George later comes over with a suitcase and money for a hotel, wanting to get Lionel out of the Bunkers', but Louise takes the money. George suggests to Louise that can try having another son.

Louise: You'd better call parcel post...'cause I've stopped makin' deliveries!​
Archie: I don't wanna hear this!​

Archie makes a ploy by claiming that he's planning to keep Lionel in the attic and adopt him. This actually works in getting George to talk to Lionel and ultimately apologize. After Archie makes a comment about striped children, Lionel's happy to accept the offer to return home. After the Jeffersons leave, Archie explains to Edith that what he did was an example of diplomacy.

Archie: That's when you get somebody to do somethin' he don't wanna do by promisin' him to do somethin' that you ain't got no intention of doin'.​

However, Archie takes religious-based exception when Edith likens him to Kissinger (Archie slipping in the H-word).

EGW appears to be over, as Sherman Hemsley's found his character's voice.



It just occurred to me that it must have been McCoy who finally got his dosage right.
TRANQUILIZERS, FULL INTENSITY!!!!!

That's a good line of thought. The Apes may have a specific cult or something that is allowed to raid the Forbidden Zone, but is prohibited from interacting with general society-- like Sin Eaters or Executioners in other societies.
The thing is, in the series the apes freely roam around and set up shop in ruined cities.

Well, Billy Batson, anyway.
He could be hanging around in that abandoned subway tunnel with a long, white beard.

I'll bet they think that a lot. :rommie:
"Ever tried monkey meat...?"

They should have invented a wheelchair.
Special Guest Ape: Raymond Burr

In the audience with Banshee and Prof. X: Len Wein, Dave Cockrum, and Phantom Girl.
GSXM1.jpg
 


Post-50th Anniversary Viewing



Happy Days
"R.O.T.C."
Originally aired October 8, 1974


When the guys goof off during drill exercises, Lt. Col. Binicky (Dave Ketchum) fires Charlie Talbott (Richard Kuller) from his position as squad leader and, going down the line, selects a reluctant Richie for the position. Potsie and Ralph think they've got it made and take the squad for a panty raid of the girls' locker room. Richie goes to his father for an excuse to get out, but Mr. C, a former mess sergeant, thinks it's a great leadership opportunity, and advises Richie to make his men love him. Richie thus tries buttering up Ralph and Potsie at Arnold's, but they tune him out when he talks about the need for discipline on the field. Richie then goes to Binicky, who gives Richie the opposite advice, that he has to make his men hate him. Thus Richie tries being stricter on the field, threatening to put the guys on report if they don't fall in line, but he's weak about it and they all take an opportunity to run off behind his back.

Back at Arnold's, Pots and Ralph make a show of giving Richie the cold shoulder. Richie's next source of advice is the Fonz, who's working on his bike outside. Fonzie demonstrates on Wendy, the recurring carhop (Misty Rowe), how to get what he wants by playing it cool; but Fonzie becomes angry when he learns that Rich put his friends on report, accusing him of being a fink. Back at home, Howard advises Richie to stick it out. (A reference to The Caine Mutiny gives Tom Bosley an opportunity to engage in his Bogie impersonation.) That night, Richie has a Gilligan's Island-style dream sequence in which the Fonz, acting as judge and prosecutor, puts him on trial for being a fink. Richie's family and friends, all in uniform, testify against him (Joanie briefly sporting a Groucho disguise in association with a reference to wanting to watch one of his movies in an earlier scene). Even Wendy is in the dream, which ends with Richie facing a whipped cream firing squad.

Back on the school field, Richie tears up the report and levels with the guys about what he's been going through. A shamed Potsie and Ralph speak for the others in agreeing to put in a good performance at a review ceremony, following which Richie promises to quit. The squad comes through, but Richie's moment is ruined when he lets the applause divert his attention from directing their marching, resulting in Chekhov's Row of Sprinklers Running in the Background also coming through.

In the soda shop coda, Fonzie congratulates Richie for fouling up, and Potsie announces that he's been made the new squad leader, giving Richie the opportunity to join Ralph in proactively giving him the cold shoulder.



Planet of the Apes
"The Legacy"
Originally aired October 11, 1974


The fugitives are trekking through the California hills when they spot Postapocalyptic Mayberry for what turns out to be the first time in production order.

Burke: I've forgotten what a city looks like.​

This version has some human squatters living in the ruins, including another dog. Conveniently, the first building nameplate one of the fugitives dusts off is that of the Oakland Science Institute, which Virdon takes great interest in. Inside, they open a powered vault door to find what looks like either a computer bank or a vintage Coke machine. It projects a hologram of a scientist (Jon Lormer) made when the destruction of civilization was imminent. The futuristically robed figure tells of scientific knowledge having been preserved in vaults in various cities, but the projector runs out of juice before he can divulge where the Oakland vault is. (Note that here, the astronauts describe the tech as being way ahead of their time.) To Galen's bewilderment, the humans get to work gathering materials to construct a battery and are spotted and pursued by an ape patrol. After they split up, Virdon injures himself running through the rubble and attempts to take refuge with a young woman under a stairway (Arn [Zina Bethune]); but he's ratted on by a boy who spotted him and offers the info for food (Jackie Earle Haley pretending to be Kraik).

Urko and Zaius arrive to question Virdon, and argue over methods. Either Gorilla Captain (Robert Phillips) or Gorilla Sergeant (Wayne Foster) recruits the boy to be put in a makeshift cell (the interior of a ruined building with loosely barred but high windows) with Virdon and Arn to gather intel about where the other fugitives are. (He's not stuck in there with them...) While Virdon becomes suspicious that he's being kept alive for a reason, Zaius, marveling at a photo of Virdon's family that the colonel had on him, reasons that Virdon will come to see the woman and boy as his own family.

Virdon befriends the boy, who shares his name and doesn't understand baseball metaphors. (Harry Truman doesn't come up.) Virdon convinces him that their food has to be rationed equally and with enough to spare for the next day. When Virdon alludes to his friends, Kraik too-eagerly asks questions, but Virdon stays mum on the subject for the boy's own good. Virdon carves a model airplane and tells Kraik about where he comes from. When Kraik boasts of his food-scrounging abilities, Virdon lets on some about what he's after. Then Arn starts asking questions about the things Virdon's been talking about, which motivates Virdon to spill more info about what he found and where it's at. After Virdon confronts Kraik about having stolen the model, the boy smashes it and runs away screaming in timeless angry child fashion, then slips out and offers the gorillas his info.

All the while, obeying orders from before they split up, the other fugitives have been back at the institute, where Burke's been building the battery.

When the boy returns, Arn tells him that Virdon built the now-repaired plane for him, and Kraik confesses to what he did. Virdon figures that his friends wouldn't be at the institute anymore, but fears that the apes will find the message, so he enlists Kraik's aid in busting out...taking out a gorilla with his superior TV hero pilot fighting skills. Zaius figures that the other fugitives would have left something behind to tell Virdon where to go and is taken to the institute. Virdon & surrogate family get there first and Virdon starts to play the message, but has to turn it off and hide as the apes arrive. Zaius fiddles with the now-exposed machine and activates the recording, which tells of how the vault is hidden in a railway station. Kraik knows a way to get there quicker underground while Zaius's party has to navigate the debris-strewn streets.

Meanwhile, the other fugitives are already there, Burke turning on various computer machines that are still powered and still using reel-to-reel tapes. Virdon arrives and painfully insists that they have to abandon their informational gold mine. The apes find the blinky machines spewing out printer paper, but Zaius insists that this forbidden knowledge has to be destroyed as it threatens their civilization. We cut from the paper being burned as it continues to spew to the place going up like it ran over a pothole in Hawaii.

Virdon drops off his cellmates at a farm where Arn used to live but had been avoiding since the death of her rebel husband, and the fugitives hit the road again.



All in the Family
"Lionel the Live-In"
Originally aired October 12, 1974


The Bunkers are awoken after midnight by a loud argument at the Jeffersons'. Archie threatens out the window to call the cops, disturbing the Stivics in turn. Soon after things quiet down, Lionel rings the doorbell, wanting to borrow money from Mike for a hotel because his father's been giving him a hard time about Jenny. Louise and George soon follow separately in robes, the former insisting that Lionel come home while the latter persists in his assault.

George: I don't want no daughter-in-law that's a zebra!​
Louise: Why not? She don't mind a father-in-law who's a jackass!​

Against Archie's wishes, Edith offers them coffee. When Archie tries to set an example for George by claiming that he considers Mike to be a son, George dares him to tell Mike--who's standing nearby in his pajamas eating a cold bowl of leftover spaghetti--that he loves him, and Mike teases Archie about staying silent. Gloria suggests that Lionel stay on the Bunkers' couch, and Archie finds himself maneuvered into insisting that Lionel can when George argues that Archie would never let him.

Over breakfast, Archie becomes concerned about Lionel's impact on the grocery bill. Lionel offers to find a hotel, but Edith insists that he stay, an idea that Louise agrees with, wanting a few days to straighten George out. Archie sits Lionel down and tries to make a point about where his old man is coming from by telling a story about Al Jolson's situation with his old man in The Jazz Singer. Lionel does his usual bit of playing dumb while letting Archie make an ass of himself; and asks if he can call Archie his uncle.

George later comes over with a suitcase and money for a hotel, wanting to get Lionel out of the Bunkers', but Louise takes the money. George suggests to Louise that can try having another son.

Louise: You'd better call parcel post...'cause I've stopped makin' deliveries!​
Archie: I don't wanna hear this!​

Archie makes a ploy by claiming that he's planning to keep Lionel in the attic and adopt him. This actually works in getting George to talk to Lionel and ultimately apologize. After Archie makes a comment about striped children, Lionel's happy to accept the offer to return home. After the Jeffersons leave, Archie explains to Edith that what he did was an example of diplomacy.

Archie: That's when you get somebody to do somethin' he don't wanna do by promisin' him to do somethin' that you ain't got no intention of doin'.​

However, Archie takes religious-based exception when Edith likens him to Kissinger (Archie slipping in the H-word).

EGW appears to be over, as Sherman Hemsley's found his character's voice.




TRANQUILIZERS, FULL INTENSITY!!!!!


The thing is, in the series the apes freely roam around and set up shop in ruined cities.


He could be hanging around in that abandoned subway tunnel with a long, white beard.


"Ever tried monkey meat...?"


Special Guest Ape: Raymond Burr

In the audience with Banshee and Prof. X: Len Wein, Dave Cockrum, and Phantom Girl.
View attachment 45954
Is that Len Wein in the front row?
 
Is that Len Wein in the front row?
The blond one in back next to Banshee.

That Marvel Database lists Wein and Cockrum as appearing in the issue, but also Glynis Wein. Assuming they mean the girl in that panel, sure looks like Phantom Girl to me...keeping in mind that Cockrum had recently come off of his Legion stint and that was his new look she's sporting.
 
Potsie and Ralph think they've got it made and take the squad for a panty raid of the girls' locker room.
Kind of risque for early Happy Days.

Mr. C, a former mess sergeant, thinks it's a great leadership opportunity, and advises Richie to make his men love him.
"Learn to cook. The way to a man's heart is through his stomach."

Richie thus tries buttering up Ralph and Potsie at Arnold's, but they tune him out when he talks about the need for discipline on the field.
Is ROTC mandatory? Why are they even doing this?

Thus Richie tries being stricter on the field, threatening to put the guys on report if they don't fall in line, but he's weak about it and they all take an opportunity to run off behind his back.
He should have tried his James Dean impersonation.

the Fonz, who's working on his bike outside
We must still be in the keep-Fonz-near-his-bike days.

Wendy, the recurring carhop (Misty Rowe)
She was around a lot in those days.

(A reference to The Caine Mutiny gives Tom Bosley an opportunity to engage in his Bogie impersonation.)
As Howard or Tom? :rommie:

That night, Richie has a Gilligan's Island-style dream sequence
That's cool.

A shamed Potsie and Ralph speak for the others in agreeing to put in a good performance at a review ceremony, following which Richie promises to quit.
Pretty much the opposite of the homespun message I expected from Happy Days.

Burke: I've forgotten what a city looks like.
"But not what Burger King tastes like."

they open a powered vault door to find what looks like either a computer bank or a vintage Coke machine.
In the future, data will be encoded in carbonated bubbles suspended in a liquid.

It projects a hologram of a scientist (Jon Lormer) made when the destruction of civilization was imminent.
The Hari Seldon of the Apesverse.

(Note that here, the astronauts describe the tech as being way ahead of their time.)
A few thousand years, based on the pilot.

To Galen's bewilderment, the humans get to work gathering materials to construct a battery
Got lithium?

Virdon injures himself running through the rubble
The spirit of Captain Marvel is alive, at least.

attempts to take refuge with a young woman under a stairway
I've done that.

Urko and Zaius arrive to question Virdon
Zaius gets out of the office.

Zaius, marveling at a photo of Virdon's family that the colonel had on him
Did Virdon get the picture back? Wait a minute, Virdon has a family? I guess he wasn't on a one-way trip like Taylor and those other guys.

taking out a gorilla with his superior TV hero pilot fighting skills.
Taking out a gorilla is pretty good, even with martial arts training and TV hero skills.

Virdon starts to play the message, but has to turn it off and hide as the apes arrive.
FF to the good parts, Virdon!

the vault is hidden in a railway station.
Of course it is. :rommie:

Kraik knows a way to get there quicker underground
Just take the Red Line to the Green Line.

Burke turning on various computer machines that are still powered and still using reel-to-reel tapes.
Hey, vinyl came back.

Virdon arrives and painfully insists that they have to abandon their informational gold mine.
Just take the tapes, like you did the disk.

The apes find the blinky machines spewing out printer paper
Nice. :rommie:

Virdon drops off his cellmates at a farm
Virdon seems like a really weird name for this character. I wonder how they came up with it. It would have made a better Ape name.

George: I don't want no daughter-in-law that's a zebra!
Louise: Why not? She don't mind a father-in-law who's a jackass!
It's kind of odd that the scenario hinges on Lionel and Jenny, but Jenny is nowhere to be seen. The plot here is thin enough.

an idea that Louise agrees with, wanting a few days to straighten George out.
Even a spinoff won't do that. :rommie:

and asks if he can call Archie his uncle.
What does Archie have to say about that? :rommie:

George suggests to Louise that can try having another son.
Ouch.

Archie: That's when you get somebody to do somethin' he don't wanna do by promisin' him to do somethin' that you ain't got no intention of doin'.
Not his best Archie-ism.

EGW appears to be over, as Sherman Hemsley's found his character's voice.
And it's a loud one. :rommie:

TRANQUILIZERS, FULL INTENSITY!!!!!
:rommie:

The thing is, in the series the apes freely roam around and set up shop in ruined cities.
Do they even mention a Forbidden Zone on the show? This could all be taking place in what will become a Forbidden Zone in the future. But the Forbidden Zone that we know and love is actually on the opposite coast. Are there Forbidden Zones everywhere, like Combat Zones? Perhaps low-level fallout is slowly killing the environment and Forbidden Zones are all around, spreading like the brown spots on a banana.

He could be hanging around in that abandoned subway tunnel with a long, white beard.
Perhaps he's become one of the Elders and the magic word is now SHAZAMB.

"Ever tried monkey meat...?"
Now I'm thinking of that scene in Temple of Doom.

Special Guest Ape: Raymond Burr
Woodenside.

In the audience with Banshee and Prof. X: Len Wein, Dave Cockrum, and Phantom Girl. View attachment 45954
"Sorry, Phantom Girl, you're not a mutant."
 
That Marvel Database lists Wein and Cockrum as appearing in the issue, but also Glynis Wein. Assuming they mean the girl in that panel, sure looks like Phantom Girl to me...keeping in mind that Cockrum had recently come off of his Legion stint and that was his new look she's sporting.
I wonder if he based his Phantom Girl on Glynis.
 
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