What I mean is we have not really seen him basically kick but as Superman in away were your basically awed at just how cool he is.
Well, they just gave him his own show where he'll have plenty of opportunities to do that, so why are you still complaining?
Besides, Clark Kent has already had four live-action TV series, four solo animated series, two theatrical serials, two feature film series, and numerous direct-to-DVD animated movies in which he had a starring role and quite a few others where he was a supporting character. He's not exactly starved for attention.
Superman has never had that moment that sort of shows you why people almost think of the man as a God.
What a bizarre notion. Superman would recoil at that thought. He's not a god. That's missing the entire point of who and what he is. He's just a farmboy helping his neighbors. With all his power, he has never once tried to place himself above other people, to act like he's better than anyone else. What makes him so extraordinary is not that he can lift a mountain -- it's that
even though he can lift a mountain, he is endlessly in awe of
us, of ordinary human beings and the extraordinary potential he sees in every one of us. The greatest Superman moment ever written was not about showing off his might and power -- it was about
helping someone else have faith in her own strength. Superman's greatest power is that
he believes in
us. That's what makes him special in a universe where a lot of beings have "godlike" physical power. And that's an aspect that
Supergirl has captured as well as any adaptation ever has.
My concern is that he is not nearly as strong as he should be, and this also applies to Supergirl, who the writers have also written poorly. Both characters should be stronger in terms of power.
As I think I said before, that's just the needs of storytelling. It's a common concern in writing superheroes that's hardly limited to just this show. You don't
want your heroes to be too powerful, because it makes things too easy for them. It's more dramatic, more exciting, if the heroes are underdogs, if the odds are stacked against them. So iwhen the hero is the most powerful character in the story, that creates a storytelling problem. It's always been an issue with stories about Superman, the Flash, and other extraordinarily powerful characters. It's something Superman writers have been wrestling with for generations, with many creators (e.g. Dennis O'Neill and Elliot Maggin in the '70s, John Byrne in the '80s, Bruce Timm et al. in
Superman: TAS) choosing to restrict Superman's powers so that he'd be more vulnerable and the threats he faced would be more of a challenge -- while other writers have given him effectively "godlike" powers yet still not had him use them consistently.