You just replied to a post that's 12 pages back, 8 months old, and to someone who's not been seen in this forum since.
Sorry about that, but it looked interesting.
You just replied to a post that's 12 pages back, 8 months old, and to someone who's not been seen in this forum since.
You just replied to a post that's 12 pages back, 8 months old, and to someone who's not been seen in this forum since.
Stilll. 8. Months. Old.He posts a lot in the tv subsection.
I couldn't agree more. Presto!Not to be all Maurice about it, but I really think that particular tangent needs a new thread.
Very little to do with the specific James Cawley/New Voyages/Studio Tour situation.
Vic ignored it, what makes him special??? Role the dice, Vic didn't seem interested in following those comments from CBS officials.That's your opinion and you're welcome to it.
But I'd advise anyone who thinks it's a good idea to ignore CBS' guidelines, especially about crowdfunding, seek legal counsel first.
And maybe read the comments from an actual CBS official.
Agreed, which is why I think Trekfan-filmmakers should pull the 501(c)(3) status card, and talk to CBS as if that was so convenient. Cawley may have given up on them, but I think it's such a waste of time, money and energy for the supporters of these projects has not seen their work exposed in the light of day.I'm not sure I see much of a difference between the two. Both used Star Trek alumni, crew with professional experience, massive crowdfunding, et cetera. I think Renegades was slightly more egregious, but the only significant difference was the 501(c)(3) status of Trek Continues. Besides, Renegades was sufficiently unique that it could go the "file off the serial numbers" route, whereas that was impossible for STC, so even if Renegades was the target, STC was the only one of the two that suffered.
That's a rather one-dimensional way of looking at it. The more loyal your fans, the more revenue you can derive from their loyalty. Do casual viewers buy props and costumes? Do casual viewers by the series on DVD and Blu-ray? Do casual viewers play Star Trek-related games like Star Trek Online? What about all those Christmas ornaments?
First of all, unless you're just going to arbitrarily cut a film at the 15 minute mark, breaking up a film into two equal sections takes careful planning and writing. Also, if you have separate credits per video, then you basically lost the time it takes to show the second set of credits. This is a totally unnecessary restriction. Just letting people do full 30 minute films would have made a lot more sense, not to mention the fact that every minute of video you have reduces your per minute funding anyways, so you already have a built-in disincentive for long videos.
Secondly, 30 minutes isn't really that long, especially if you can't do serialized content. Just look at the cartoon Justice League. In both seasons of that show, how many one-episode stories were there? ONE. And there were 52 episodes.
There's a big difference between being able to make a film and being able to make your film. Some people prefer the shorter format, and great content can be made for that format, but not everyone wants to tell that kind of story. It's the equivalent of short story writers telling novelists that they could just write short stories and it would be a lot faster and use less paper. The two formats are not equivalent, and the kinds of stories you'd tell in each are not the same. Besides, with regards to full-length and TV-length films, the genie is out of the bottle. People already know what is possible, and by artificially limiting length only serves to tell people who want to make similar long-form content that they're not welcome.
Vic ignored it, what makes him special??? Role the dice, Vic didn't seem interested in following those comments from CBS officials.
Agreed, which is why I think Trekfan-filmmakers should pull the 501(c)(3) status card, and talk to CBS as if that was so convenient. Cawley may have given up on them, but I think it's such a waste of time, money and energy for the supporters of these projects has not seen their work exposed in the light of day.
These projects were already wrapped before the CBS guidelines which doesn't effect CBS' special buddy Vic Mignogna; who made at least 4 more trekfan-films after the guidelines. Even Alec Peters complimented Vic for not following the notes by the hypocrites of CBS. Everyone should have the right to make their own Trekfanfilm however long it maybe and cast who they want because Vic did.
The platform has to be fair, people; CBS shouldn't threaten others for making films in good taste and as long as there isn't a financial gain to it then why not? I'm not saying filmmakers should make faux and redundant TOS stories like Vic had done, but make characters and settings within the Star Trek world where Kirk and Spock and the Enterprise are around but are never seen.
I think pulling the the 501(c)(3) status excuse may be a way to go, and simply drop CBS a call.
Um, no. The platform DOES NOT need to be fair. Why? CBS OWNS THE IP.The platform has to be fair, people; CBS shouldn't threaten others for making films in good taste and as long as there isn't a financial gain to it then why not? I'm not saying filmmakers should make faux and redundant TOS stories like Vic had done, but make characters and settings within the Star Trek world where Kirk and Spock and the Enterprise are around but are never seen.
I think pulling the the 501(c)(3) status excuse may be a way to go, and simply drop CBS a call.
Oh, look, someone with an ax to grind.Vic ignored it, what makes him special??? Role the dice, Vic didn't seem interested in following those comments from CBS officials.
Agreed, which is why I think Trekfan-filmmakers should pull the 501(c)(3) status card, and talk to CBS as if that was so convenient. Cawley may have given up on them, but I think it's such a waste of time, money and energy for the supporters of these projects has not seen their work exposed in the light of day.
These projects were already wrapped before the CBS guidelines which doesn't effect CBS' special buddy Vic Mignogna; who made at least 4 more trekfan-films after the guidelines. Even Alec Peters complimented Vic for not following the notes by the hypocrites of CBS. Everyone should have the right to make their own Trekfanfilm however long it maybe and cast who they want because Vic did.
The platform has to be fair, people; CBS shouldn't threaten others for making films in good taste and as long as there isn't a financial gain to it then why not? I'm not saying filmmakers should make faux and redundant TOS stories like Vic had done, but make characters and settings within the Star Trek world where Kirk and Spock and the Enterprise are around but are never seen.
I think pulling the the 501(c)(3) status excuse may be a way to go, and simply drop CBS a call.
Let's not make snide comments about people's motivations that add little to the conversation. At best, it's a dismissal that's irrelevant to the conversation, and at worst it's an ad hominem attack meant to stifle the conversation.Oh, look, someone with an ax to grind.
Sorry, what?Let's not make snide comments about people's motivations that add little to the conversation.
This is just an "everybody's doing it" argument.The post I quoted isn't itself conducive to conversation.
He doesn't say "rules" in what you quoted, so I assume you mean the Guidelines. Vic himself said in an interview, "We violate the Fan Film Guidelines in almost every way." Trek Continues released four episodes after the Guidelines were published. You can quibble about whether that constitutes "ignoring", but that's just debating semantics. Trek Continues clearly did not conform to the Guidelines.It makes insinuations and unsupported allegations of the parties involved, CBS/Paramount and Star Trek Continues, accusing STC on the one hand of ignoring rules and C/P on the other hand of playing favorites.
The two are not theoretically connected. Vic can, in theory, "ignore" the Guidelines while CBS can choose to give him special consideration at the same time. They are not mutually exclusive. Now, I would argue that STC was perhaps a unique situation, and that Vic worked with CBS to avoid problems, but I can understand STEPhon IT's point of view, even if I don't necessarily agree with it.If CBS/Paramount are playing favorites, then it's not credible that what's happening is that Vic et al are simply flagrantly "ignoring" guidelines, not that that means that what's happening is that C/P are playing favorites.
I don't think you made that point in the first place, I don't think it's exactly clear that he's making a specific allegation of wrongdoing so much as calling it as he sees it, and while you can disagree with his logic, it's his logic that you should have been addressing in the first place.My point is that is that it is a clear sign of bias to malign the parties involved with allegations of wrongdoing that are completely unsupported, especially when the allegations don't even make sense.
Sorry, pal, no.This is just an "everybody's doing it" argument.
CBS never went into detail why Vic got a pass, so we don't really know why they didn't hit Vic with legal stuff. Vic's fantastic production value and having former Trek professionals running it behind the curtains and exploiting the franchises most popular characters and using CBS IP was a huge violation to the guidelines. There's nothing in the guidelines states a fan-production get a pass because one already had funding.Vic simply finished films that had already been funded for and promised and shut down without completing the additional episodes he had originally planned to do. That is why CBS left him alone. If he had gone back to crowdfunding for the last 2 films then there is a good chance CBS would have asked him to cease.
NOBODY has a right to make fan films period because you do not own the copyright to it. You are playing in somebody else's sandbox and so have to behave by their rules and just because they didn't throw one person out of the sandbox doesn't mean they won't throw you out.
I fully expect we are going to see some fan production try to just completely ignore every rule and claim 501c3 or this or that and get themselves a C&D from CBS. What happens after that will be interesting.
Then it should be ignored or pull the 501(c)(3) status card and roll the dice.Um, no. The platform DOES NOT need to be fair. Why? CBS OWNS THE IP.
That means:
- They set the rules for gaining a License (which is how they make their money from the IP.)
- They get to decide who will be allowed to use the IP and dictate EXACTLY how they want it to be used in a particular instance.
The Guidelines specifically state they give up no rights whatsoever (nor do they grant any implicit rights by posting the Guidelines). If CBS decides they want to sue you for doing a fan film - EVEN IF you followed all the Guidlines to the letter - THEY STILL CAN.
They are not actively looking to sue anyone and everyone who makes a fan film; and if you don't follow the Guidlines it's not a guarantee that this means CBS will either be issuing you a C&D or filling a lawsuit.
If they hear about a fan production and feel it crosses a line in some aspect they feel will affect their profit from the IP; or their ability to market products based on the IP - and you made said fan production; you'll probably get sued.
But again: They (CBS) OWN the Star Trek IP. They can set up whatever rules they like as to how they will allow it to be used. 'Fairness' doesn't enter into the equation here at all. If you don't like the rules and conditions, don't attempt to get a license to market/produce something 'Star Trek' related.
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