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Well, the great majority of films in that genre aren't written by Neil Freakin' Simon. Imagine if they were.Agreed! "The Goodbye Girl" is a very good film--a very well-deserved Oscar for Richard Dreyfuss; it's one of the best films he's ever done. It's a pity that the great majority of that genre can't even come close to being that good.
I don't like films based around organized crime. The Untouchables (1987) was an exception.
Romantic Comedies.
Christ on a cracker. If I have to sit through one more stupid meet-cute scene, one more shallow, moronic plot where one sentence from a character would've corrected the whole problem.... but oh no, we can't do that---we have to drag out the simple misunderstanding or apology for another hour and 20 minutes because of "movie logic"---ARGH. The women, no matter how accomplished and educated, are somehow nothing without a man and men are portrayed as morons who are afraid of women.
There are a few good romantic comedies, where a few excellent writers and actors put together a nice film. However, the vast majority of movies in the genre are just horribly stupid, sexist drivel.
My appreciation for screwball comedies is also fairly limited. A FISH CALLED WANDA's a definite exception, assuming it qualifies. If the trailers kept out some of their funniest lines I might see more film comedies.
My avoidance of noir, for me, makes the 1940s the dullest general decade in my view, but there are still great major thrillers and dramas present. My least favorite year is 1952 (no offense to HIGH NOON or SINGIN' IN THE RAIN).
Westerns, especially John Wayne Westerns. I can't stand the man in movies. High Noon and Shane are my two favorites, except for Kid Flash in Shane. That kid could get to town faster than men on horseback.
Does Steel Magnolias count as a RomCom? I do like that movie.
Generally not real fond of spoofs, at least or especially when I like the movies being made fun of, Scary Movie and Spaceballs and (if it counts) Young Frankenstein are big exceptions.
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