Essentially a modernist throughout the first half of his career, Goldsmith made a shift into romanticism with Star Trek. John Williams' success on Star Wars, emphasizing the familiarity rather than strangeness of outer space (postmodernism, rather than modernism), had changed the culture: "I think when I first started talking to Bob [Wise] about the music, he didn't say, 'I want something like Star Wars' or something in that idiom, but it was more or less that that was what was out there and that was very successful... it made sense. ..."