Time travel. Black stars. Chicken soup. Poor photography. Another problem. Computed dear.
Captain John Christopher gets a look at the future, and it doesn't involve Tripods taking over the Earth. An act of mercy from the Enterprise crew lands the interceptor pilot in hot temporal waters as he resists adapting to his new home aboard the United Earth Space Probe Agency vessel currently orbiting a world which would happily blow it out of the sky with missiles, possibly nuclear. We know what atomic devices can do the the Enterprise, and it ain't pretty. Spock clearly remembers.
It's not that the good Captain is ungrateful for the rescue. He is ungrateful, actually. He can't stand these people who insist they're from his future, whose Captain has a grudge against Google Assistant's voice, and want to keep him with them for the rest of his life. He doesn't know about timelines and temporal integrity, and really can't be bothered to learn. He's just this pilot who wants to get back on the ground and report what he's seen and heard. Yeah. That'll go over well. Especially when corroborated by his wing camera evidence. Hmm. So tractor beams don't fog film. That's useful to know...
He also wants to get back because he's going to plant a space seed which will grown into a son who helps explore Saturn. Gee, I hope he isn't assigned to the Valley Forge.
Captain Christopher, grinning like a loon, relaxes a little when he learns he's to be released, somehow. Either that or he's high from the dope McCoy gave him to relieve the pain from Captain Kirk's duranium fist.
A mission to retrieve evidence is mounted and goes predictably sideways. Honestly, why do they think the airbase has regular office hours? Did Captain Christopher provide them with crappy intelligence? Of course they're compromised by blue uniforms, and Kirk gets left behind.
A bewildered security officer is accidentally beamed to the ship and treated with kind hospitality by the reliable Lieutenant Kyle. A food dispenser has been installed in the transporter room, replacing the vending machine out of shot that dispensed Cokes and Marlboros.
The evidence is examined by Spock, who observes "poor photography" before McCoy bitches at him to show his usual genius self and save the Captain. I can't agree with Spock on this one. The film of the Enterprise in the atmosphere rising slowly to return to her usual black velvet jewel case among the stars is freaking gorgeous. Academy Award nominee for Best Cinematography goes to...THE UNITED STATES AIR FORCE!
An expedition to retrieve Captain Kirk is successful, largely in part to the Vulcan Neck Pinch. Perhaps Captain Christopher should have spent less time executing his escape, and more time learning about Vulcans and how you just can't turn your back on them.
Back in the briefing room a plan is hatched to return the Captain and the guard as the crew themselves get back to their own time. It involves another crazy fast trip around the sun and some slingshot stuff. Good thing this happened in the Sixties. Another twenty years on and they might collide with a borrowed Klingon Bird of Prey with H.M.S. Bounty markings.
The engines are engaged and the Captain and guard are dropped off before their initial encounters with the crew. No mention is given if the computer tape and photographic evidence are also returned. Wouldn't they also have to be reinserted in the timeline to prevent contamination or reset? I don't know. I'm still trying to figure out how the plan works. I can sort of see the sense of it. But I'm with Janeway on this one. Temporal mechanics is headache inducing.
The Enterprise returns to Earth in her present day. Starfleet Commodores are probably asking what the ship's doing here when it's supposed to be in deep space. And do tell us all about this time warp travel capability you just experienced...
Meanwhile, Spock is fascinated at how the computer doesn't giggle anymore.
"Tomorrow Is Yesterday" is a story I can watch any day. Original or Remastered.
Captain John Christopher gets a look at the future, and it doesn't involve Tripods taking over the Earth. An act of mercy from the Enterprise crew lands the interceptor pilot in hot temporal waters as he resists adapting to his new home aboard the United Earth Space Probe Agency vessel currently orbiting a world which would happily blow it out of the sky with missiles, possibly nuclear. We know what atomic devices can do the the Enterprise, and it ain't pretty. Spock clearly remembers.
It's not that the good Captain is ungrateful for the rescue. He is ungrateful, actually. He can't stand these people who insist they're from his future, whose Captain has a grudge against Google Assistant's voice, and want to keep him with them for the rest of his life. He doesn't know about timelines and temporal integrity, and really can't be bothered to learn. He's just this pilot who wants to get back on the ground and report what he's seen and heard. Yeah. That'll go over well. Especially when corroborated by his wing camera evidence. Hmm. So tractor beams don't fog film. That's useful to know...
He also wants to get back because he's going to plant a space seed which will grown into a son who helps explore Saturn. Gee, I hope he isn't assigned to the Valley Forge.
Captain Christopher, grinning like a loon, relaxes a little when he learns he's to be released, somehow. Either that or he's high from the dope McCoy gave him to relieve the pain from Captain Kirk's duranium fist.
A mission to retrieve evidence is mounted and goes predictably sideways. Honestly, why do they think the airbase has regular office hours? Did Captain Christopher provide them with crappy intelligence? Of course they're compromised by blue uniforms, and Kirk gets left behind.
A bewildered security officer is accidentally beamed to the ship and treated with kind hospitality by the reliable Lieutenant Kyle. A food dispenser has been installed in the transporter room, replacing the vending machine out of shot that dispensed Cokes and Marlboros.
The evidence is examined by Spock, who observes "poor photography" before McCoy bitches at him to show his usual genius self and save the Captain. I can't agree with Spock on this one. The film of the Enterprise in the atmosphere rising slowly to return to her usual black velvet jewel case among the stars is freaking gorgeous. Academy Award nominee for Best Cinematography goes to...THE UNITED STATES AIR FORCE!
An expedition to retrieve Captain Kirk is successful, largely in part to the Vulcan Neck Pinch. Perhaps Captain Christopher should have spent less time executing his escape, and more time learning about Vulcans and how you just can't turn your back on them.
Back in the briefing room a plan is hatched to return the Captain and the guard as the crew themselves get back to their own time. It involves another crazy fast trip around the sun and some slingshot stuff. Good thing this happened in the Sixties. Another twenty years on and they might collide with a borrowed Klingon Bird of Prey with H.M.S. Bounty markings.
The engines are engaged and the Captain and guard are dropped off before their initial encounters with the crew. No mention is given if the computer tape and photographic evidence are also returned. Wouldn't they also have to be reinserted in the timeline to prevent contamination or reset? I don't know. I'm still trying to figure out how the plan works. I can sort of see the sense of it. But I'm with Janeway on this one. Temporal mechanics is headache inducing.
The Enterprise returns to Earth in her present day. Starfleet Commodores are probably asking what the ship's doing here when it's supposed to be in deep space. And do tell us all about this time warp travel capability you just experienced...
Meanwhile, Spock is fascinated at how the computer doesn't giggle anymore.
"Tomorrow Is Yesterday" is a story I can watch any day. Original or Remastered.
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