
We open at a grave-side ceremony being held where Dr. Crusher is delivering a eulogy for the deceased, her grandmother, she speaks fondly of her grandmother, the life she lived, and healing she offered on the colony before biding her a farewell. An alien pastor (or equivalent) comes up and gives the closing comments as "Nana's" coffin is lowered into the grave. The funeral attendees leave the graveside, tossing fistfuls of dirt onto the coffin as they pass, one man tossing down a flower. Beverly, standing nearby, looks up and see that it was from a young, handsome, man.
The colony is the results of an early terraforming project and now serves as a Scottish colony where residents dress in traditional Scottish clothing, have traditional Scottish architecture, the look and environment of the place Picard says feels like the real Scottish Highlands and the colonists even go so far as to act and behave in offensive Scottish stereotypes.
Beverly asks Troi if she had noticed the young man at the service and mentions how he tossed down one of her grandmother's favorite flowers. Troi suspects he may have just been a close friend. Beverly points out it'd be a very personal gesture; but quickly dismisses the incident and asks Troi to join her back to her grandmother's house to finish cleaning it out.
Picard walks with the "pastor" from earlier who turns out to be the colony's governor/head who inquires on when Picard and the Enterprise plan on leaving. Picard says it'll be in a few hours, but the governor asks if they can stay a bit longer to inspect some of the colony's aging technology to ensure everything is in working order. Picard thinks it'll be fine if they remain for a few more days to ensure the colony's technology is okay.
Picard notes the governor isn't Scottish (or human) and asks how he came to be part of the colony, the alien recounts a time when his family visited Scotland on Earth and he was so en-rapt by the culture there he felt as if he had come home. He felt the need to be a part of this colony and to adopt a comical Scottish accent in order to seal the deal. (Or the Universal Translator has an odd sense of humor.)
Beverly and Troi arrive at Nana's home to look over things, Beverly tends to -sigh- a fire in the fireplace while Troi looks at some artifacts around the home, noting a framed picture of Beverly with her grandmother. Troi notes Nana's striking green eyes, something Beverly says all Howard (her maiden name) women have; except for Beverly and her mother.
So.... not all Howard women at all, I guess.
Troi asks some questions about Beverly's mother (who apparently died when Beverly was young) before noticing a handled candlecup burning noting how beautiful the unremarkable piece of tin is. Beverly says it's a generations-old family heirloom and remembers sitting with her Nana, only it burning, and being told ghost stories. (Because, see, candlelight, and the Scottish.)
Troi leaves Crusher to her thoughts and emotions. Beverly, sitting in a chair by the fireplace, paws through some items on the end table and picks up her grandmother's journal and glances inside where her grandmother apparently wrote in perfect elvish script. She wraps herself in a shawl and walks upstairs while reading the journal. Just as she's not even half-way up the steps a colonist walks in through the front door with a scowl and an almost half-pedo mustache. I think we're supposed to take him as something of a villain.
He scans the room and notices the candlecup and picks the thing up with his bare hand cupping the base of it and blows it out. Apparently his puff of air was a bit loud because Beverly calls from upstairs, "Who's there?" She rushes downstairs and takes the candlecup from the man's hands and he...
Sigh.
He says a series of things through a very, very thick Scottish accent. Mike Meyers playing his character's father in "So, I Married an Axe Murderer" thick. I dunno, maybe it's really his accent and this is how people native to Scotland really talk but it doesn't come across well here. It comes across as sort of stereotypical. Anyway, he seems to think he has more right to be in this home than Beverly does since he's a colonist here and she's just the granddaughter of recently deceased colonist here to grieve the lost loved one and recover her things. Come on, Beverly!
He argues with her over his relationship to Beverly's grandmother, saying he knew her quite well, even though Nana didn't ever mention him to Beverly. He seems insistent on getting rid of the candlecup but Beverly refuses and insists he leaves the house. He continues his caricature, saying how stubborn Howard women are and that he washes his hands of them, that candle has been a curse on the home for a long time and he wants nothing more to do with them.
And I need a drink.
We cut to... space?! An a spaceship orbiting a planet?! What's this nonsense doing in my Scottish Ghost Story Romance?!
Data and Geordi are giving the colony leader their assessments of the planet's various systems and, generally, seem to think everything is in good working order though they do find some problems in the planet's climate-control systems. Data reports that there's a storm system developing on the planet, the leader is shocked to hear that they'll have rain in the middle of Summer...... Um. The area of the planet we've seen looks very, very, green and sorta damp. Seems to me that implies a good deal of rain and, I dunno, are Summers known for being dry in Scotland?
Data offers to investigate the problem further and Geordi assures the leader they'll have everything fixed soon, the leader hopes so because there's a caber-toss scheduled for the following afternoon. (That Scottish sport where they chuck short telephone poles. Because, see, Scottish. And you won't believe they're Scottish unless you're given clues and reminders as often as possible!)
Beverly walks with Picard through a corridor talking about.... Sigh.
:drinks:
About...
:drinks:
Okay... Beverly talks about how she's been reading through her grandmother's journals (Hey! She's dead, whom does hurt?!) and they revealed that her grandmother at 100 apparently had a very active romantic life. Picard smiles a bit and notes that Howard women seem to have very active libidos, Beverly just hopes she can get laid as much when she's a centenarian. Particularly to a handsome man in his 30's.
We're watching a Star Trek episode where we're seeing characters talking about 100-year-old people fucking.
"30's?" Picard inquires.
Beverly says that the journals spoke of the young man who was at Nana's grave earlier. Picard, sensibly, seems to see the oddity in a man in his 30's nailing a woman in her 100's.
Beverly says that Nana and "Ronin" met soon after Beverly's great-grandmother died and the two spent a lot of time together, Nana, however; never mentioned him in her personal correspondence with Beverly. Because granddaughters love to read about their grandmothers getting it on with a man a third their age. Picard informs her that they'll be at the colony for a few more days, giving Beverly a chance to find out more.
We cut to Beverly sleeping in her bed, one of her grandmother's journals open and cradled in her arm, and the candlecup flickers to life a little bit (not setting off the ship's fire suppression systems) the covers over Beverly pull back a bit, as well as the shoulder of her nightgown. Beverly stirs and moans erotically a bit before springing awake with a start.
Flash to sometime the following morning where Beverly and Troi are talking in Ten-Forward and Bev is speaking of her odd experiences the night before. She talks about how she felt a "presence" in her dream, but not really a person. The "presence" called out her name -in a man's voice- and caressed her skin, knowing exactly how Beverly liked to be touched. Troi raises her brow in surprise, I reach for a drink.
Beverly says the sensations felt real, and was the most erotic dream she's ever had, and how aroused it made her. Troi says she's envious.
Okay, I've been hard on this scene. It's out of place for a Star Trek episode a bit but it's actually kind of interesting in a way. I mean, I suspect women can gather around and talk about their arousals, sexual needs and dreams, how their boobs are firming up and such. I mean it makes sense. It doesn't belong in an show about space exploration, but the scene more or less makes sense in that, I guess, this is how two women talk about their near middle-aged wet-dreams together.
Then, Crusher says she'd just finished reading a particularly detailed and erotic section of her grandmother's journal.
You know how in comedies when you have a man with an erection in some sexy situation and then something fantastically un-sexy will happen then we hear a slide-whistle and see evidence of his erection deflating? Whatever the female equivalent of that happens here. A shot of, I dunno, a faucet going off? A towel soaking up a patch of water? The sound of a toilet flushing or a drain gurgling? Troi's face drops a bit and she quickly tries to change the subject to the personnel reviews. How many damn personnel reviews do these people do anyway?! But to make it clear, Troi and Crusher were talking about eroticism with enthusiasm and then Crusher mentions getting feisty over her grandmother's erotic journal and Troi decides she'd rather do work.
Crusher doesn't take the hint and insists on going on about the journal and her dream, she wonders if she'll have another dream that night. Troi bites that she'd read two chapters and immediately turns back to sticking her stylus on her PADD.... (Dammit! It's catching on!)
That night, in the foggy, damp-looking, totally not-raining Summer of Scottish Colony VIII; Crusher visits her grandmother's grave (awww. We missed the caber toss!) with a small bouquet of flowers. They look like lilies or something, not her grandmother's favorite flower mentioned earlier. Troi finds a man brushing the fresh mound of dirt forming the grave like he's an ump sweeping homeplate. The man is the one she had an encounter with earlier.
She mends fences with him, saying she knows how much he meant to her grandmother after reading her journals. She offers him the chance to stay in the house once she leaves (does she think he doesn't have a home of is own? Does he just walk around the colony all night sweeping graves and stealing candles?) He declines, saying he'll never step into the house again and he warns her to not either as well as to not relight the candle.
Beverly is confused and tries to reason with the man, but he dismisses her rational thought and speaks of, instead, ghosts, spirits and curses. He warns her that if she lights the candle she'll continue the curse on her family. He even dismisses that the storms and such being caused by the malfunctioning weather system and as being due to these spirits. Just as he leaves a storm springs up, and Nana's grave is now covered in flowers when moments before it was just dirt. I *think* Beverly notices and finds this odd but she doesn't give it too much reaction. She seems to be more reacting to the storm's thunder, wind and lightning.
And, okay, she's dealing with this man who thinks that Howard women are cursed, that this house is cursed and evil things are a foot.
Keep in mind, he's not a grounds-keeper on a 19th century plantation or even at a 21st century hotel. He's a man living on a planet 200 lightyears away from Earth, he lives in a world with faster-than-light travel, the ability to turn matter into energy in order to relocate it, or to turn energy into virtually any needed object; and a world where the very planet he's living on was constructed in order to be habitable.
All of these things have existed for centuries.
And he's spouting off concerns about ghosts and hauntings rather than thinking there's a technological or alien explanation to things.
The Enterprise detects the strengthening storm and continues to look into options in fixing the failing weather-control system.
Beverly enters her grandmother's house, turns on a light, and shows some shock when she sees a bunch of flowers now scattered around the main living area of the house. She hears a noise (which, to me, just sounded like the house settling or a noise related to the storm, but I'll take her word for it that it was out of place) she calls out to the noise, wondering who is there.
There's a few more creaks and noises, and she notices a small mirror rattling on the wall, she goes to fix it and when she looks into the mirror again she sees Ronin standing behind her in the mirror, but he's not there in the physical space. She begins calling out warnings for whomever to reveal himself or she'll call for Enterprise security. She reaches for her combadge but before being able to activate it she begins twitching in... eroticism? Pain?
She wonders what is happening as she continues to convulse, "Ronin" asks if she remembers him from the night before but she insists it was a dream and continues to twitch. Ronin tells her that he's a spirit who attached itself to her family in Glasgow on Earth in the 17th century; he's followed Howard women ever since, even out into the galaxy. She doesn't believe in ghosts and continues to resist him, but he insists the two of them will be together soon. Beverly still has an orgasm... or a stroke.
In orbit the Enterprise is phasering the storm away... or maybe a power transfer to the weather-control station.
Troi pops into Crusher's quarters wanting to know if she's coming to Klingon Tai Chi but Beverly declines. Troi picks up on Crusher's aloofness and wonders if she had another granny-porn wet dream. Crusher, coyly, says no. Troi senses Beverly's deceptions and eventually finds out Crusher is seeing Ronin. She mostly seems okay with this but warns that the two of them finding a connection in the wake of the loss of a shared loved one is a poor foundation for a relationship. I'd say just the fact he piped her grandmother is reason enough but, yeah, the death thing makes it weird too.
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