After seeing its release date pushed back several times over the past year, The Road, based on the novel by Cormac McCarthy (No Country for Old Men), finally opens in North American cinemas this week.
Fortunately, I didn't have to wait this long -- I saw it in September at this year's Toronto International Film Festival.
So, how is the film? I thought it was great. Very powerful, very moving, and depressing as hell. Make no mistake, this is not an "entertaining" movie -- it's bleak and uncompromising. Not an enjoyable picture, but one well worth seeing.
The film follows a father (Viggo Mortensen) and his son (Kodi Smit-McPhee) as they travel the wasteland of America after some unspecified catastrophe has caused civilization to collapse and left most of the population dead. Every day is a struggle to stay alive: food is scarce and many of the survivors have become violent and desperate -- some have even turned to cannibalism. The two head south towards the coast, hoping to find a land of safety and stability, but will they make it? And if they do, will they even find anything?
Mortensen does his usual sterling work here as a man who will do anything to protect his son -- including killing the boy if it looks like there is no escape from the thieves, murderers, rapists, and cannibals around them. His son is everything to him; in fact, one of the things I found most interesting about the character is the implication that the boy is the only link he has left to his own humanity. It is only because of his son that he shows any kindness or decency to anyone else. Others may have a different impression, but I couldn't help but wonder if the man would still be so far removed from the dangerous individuals they encounter if his son wasn't around.
Young Kodi Smit-McPhee does an admirable job in the role of the son -- he and Mortensen are in almost every scene in the movie, and they both deserve great acclaim for the physical and emotional endurance that must have required. There are a few times when the kid kind of grates (particularly when he keeps shouting "Poppa! Poppa!"... although it may just be me), but overall, his performance is solid.
Charlize Theron plays Mortensen's late wife (who appears in several flashbacks); her role, as someone who, unlike her husband, has given up on life, is brief but effective. Plus, I personally thought there was a bit of a facial resemblance between her and Smit-McPhee, so that was a believable bit of casting there. Other performers of note include Robert Duvall and Guy Pearce (the latter of whom I almost didn't recognize).
I admired John Hillcoat's direction -- the grimy and chilly atmosphere serves the story well, and there is almost a strange sort of twisted beauty in the desolated landscape. I must confess, I don't remember the score too vividly, but I think it was effectively haunting.
Quibbles: the film does get a little bogged down in its own heaviness at times. It's hard to explain, but it occasionally seemed like the filmmakers were trying too hard to make the movie poignant and meaningful. I guess one could say that it just felt a little calculated in certain parts.
Nevertheless, I heartily recommend The Road -- I found it to be a well-crafted and emotionally gripping film. If you see this at the cinema, it will not be a fun experience, but it might very well be a rewarding one.
Grade: A-
The Road at IMDB
The Road at Rotten Tomatoes
Fortunately, I didn't have to wait this long -- I saw it in September at this year's Toronto International Film Festival.

So, how is the film? I thought it was great. Very powerful, very moving, and depressing as hell. Make no mistake, this is not an "entertaining" movie -- it's bleak and uncompromising. Not an enjoyable picture, but one well worth seeing.
The film follows a father (Viggo Mortensen) and his son (Kodi Smit-McPhee) as they travel the wasteland of America after some unspecified catastrophe has caused civilization to collapse and left most of the population dead. Every day is a struggle to stay alive: food is scarce and many of the survivors have become violent and desperate -- some have even turned to cannibalism. The two head south towards the coast, hoping to find a land of safety and stability, but will they make it? And if they do, will they even find anything?
Mortensen does his usual sterling work here as a man who will do anything to protect his son -- including killing the boy if it looks like there is no escape from the thieves, murderers, rapists, and cannibals around them. His son is everything to him; in fact, one of the things I found most interesting about the character is the implication that the boy is the only link he has left to his own humanity. It is only because of his son that he shows any kindness or decency to anyone else. Others may have a different impression, but I couldn't help but wonder if the man would still be so far removed from the dangerous individuals they encounter if his son wasn't around.
Young Kodi Smit-McPhee does an admirable job in the role of the son -- he and Mortensen are in almost every scene in the movie, and they both deserve great acclaim for the physical and emotional endurance that must have required. There are a few times when the kid kind of grates (particularly when he keeps shouting "Poppa! Poppa!"... although it may just be me), but overall, his performance is solid.
Charlize Theron plays Mortensen's late wife (who appears in several flashbacks); her role, as someone who, unlike her husband, has given up on life, is brief but effective. Plus, I personally thought there was a bit of a facial resemblance between her and Smit-McPhee, so that was a believable bit of casting there. Other performers of note include Robert Duvall and Guy Pearce (the latter of whom I almost didn't recognize).
I admired John Hillcoat's direction -- the grimy and chilly atmosphere serves the story well, and there is almost a strange sort of twisted beauty in the desolated landscape. I must confess, I don't remember the score too vividly, but I think it was effectively haunting.
Quibbles: the film does get a little bogged down in its own heaviness at times. It's hard to explain, but it occasionally seemed like the filmmakers were trying too hard to make the movie poignant and meaningful. I guess one could say that it just felt a little calculated in certain parts.
Nevertheless, I heartily recommend The Road -- I found it to be a well-crafted and emotionally gripping film. If you see this at the cinema, it will not be a fun experience, but it might very well be a rewarding one.
Grade: A-
The Road at IMDB
The Road at Rotten Tomatoes
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