Ok, here's your chance to weigh-in on how you feel about the Emissary, the Prophets and the Pah-wraiths.
Making Sisko the Emissary was a fascinating and risky idea, which was generally handled quite well. Where the writers went off track was when they started taking some of the mystery out of the Emissary and the Prophets -- particularly the plot line that Sisko is the child of his mother and a non-corporeal being. As soon as the writers began to explain the mystery of the Emissary, this plot theme began to lose some of its magic. As for the Pah-wraiths -- (insert raspberry sounds here), come on now, this was Star Trek, not DARK SHADOWS. The Pah-wraiths were a lame idea that got even lamer. The last scene in the Fire Caves where Dukat got the ring of power-- oops, sorry, I meant book -- was copied right out of Tolkein's THE RETURN OF THE KING. It was a sorry supernatural plot that didn't work well. But I loved the mystery of Sisko being chosen to be the Emissary and the slow unfolding hints of what that might mean.
Making Sisko the Emissary was a fascinating and risky idea, which was generally handled quite well. Where the writers went off track was when they started taking some of the mystery out of the Emissary and the Prophets -- particularly the plot line that Sisko is the child of his mother and a non-corporeal being. As soon as the writers began to explain the mystery of the Emissary, this plot theme began to lose some of its magic. As for the Pah-wraiths -- (insert raspberry sounds here), come on now, this was Star Trek, not DARK SHADOWS. The Pah-wraiths were a lame idea that got even lamer. The last scene in the Fire Caves where Dukat got the ring of power-- oops, sorry, I meant book -- was copied right out of Tolkein's THE RETURN OF THE KING. It was a sorry supernatural plot that didn't work well. But I loved the mystery of Sisko being chosen to be the Emissary and the slow unfolding hints of what that might mean.