So I watched Shutter Island over the weekend, which is (temporarily?) on Netflix streaming, and rather liked the first half. Spoilers follow.
So the basic set-up, I was pleasantly surprised to see, has a strong sci-fi vibe: DiCaprio's federal marshall suspects that the asylum's patients are being used as guinea pigs for brainwashing technologies. What's more, the atmospheric touches - an isolated New England area removed from the improvements of modernity, a reclusive society that even loosely-connected others are loathe to discuss, weather disturbances and nightmares - are really quite Lovecraftian. Granted, the trope of evil asylum doctors exploiting their helpless and sometimes innocent charges is an old and hoary one, but the over-the-top direction and references to the HUAC went a long way towards justifying its use.
But eventually The Truth is revealed: DiCaprio really is crazy, the asylum and those that run it actually are as benevolent as they claim to be (if not more), and, though our protagonist is sent off to an (ultimately merciful) lobotomy, the fact that he was all wrong means that society at large lives more or less happily ever after.
What a letdown! I liked the crazy conspiracy story much better than some overcooked psychological mumbo-jumbo with its too-cute anagrams and A Beautiful Mind-like puzzles. Was anyone else similarly disappointed by the story's pivot away from sci-fi-horror?
So the basic set-up, I was pleasantly surprised to see, has a strong sci-fi vibe: DiCaprio's federal marshall suspects that the asylum's patients are being used as guinea pigs for brainwashing technologies. What's more, the atmospheric touches - an isolated New England area removed from the improvements of modernity, a reclusive society that even loosely-connected others are loathe to discuss, weather disturbances and nightmares - are really quite Lovecraftian. Granted, the trope of evil asylum doctors exploiting their helpless and sometimes innocent charges is an old and hoary one, but the over-the-top direction and references to the HUAC went a long way towards justifying its use.
But eventually The Truth is revealed: DiCaprio really is crazy, the asylum and those that run it actually are as benevolent as they claim to be (if not more), and, though our protagonist is sent off to an (ultimately merciful) lobotomy, the fact that he was all wrong means that society at large lives more or less happily ever after.
What a letdown! I liked the crazy conspiracy story much better than some overcooked psychological mumbo-jumbo with its too-cute anagrams and A Beautiful Mind-like puzzles. Was anyone else similarly disappointed by the story's pivot away from sci-fi-horror?
