It doesn't look like there's a thread for season 2 already, even though we're several weeks in. Anyway, there are major changes this season due to new showrunners. They pretty much literally blew up the sisters' status quo in the season premiere, destroyed the Book of Shadows, forcibly/magically relocated the Charmed Ones (and their house) to Seattle, stripped them of their witch powers (at least temporarily), dropped the old supporting cast and created a new one, and gave them a secret magic "Command Center" from which they track witches in danger around the world and teleport to save them from the new threat, which seems to be stirring up war between witches and demons and targeting both sides for its own ends. Plus they've added Poppy Drayton as a new regular, a half-demon who looks like she's going to be a reluctant ally against the common threat.
It's the most massive season-2 overhaul of a TV show's format that I've seen since War of the Worlds: The Series (and before that Buck Rogers in the 25th Century), but so far it seems to be shaping up better than either of those two disastrous retools. I'm not crazy about the fact that it's downplaying the sisterly-bond thing in favor of having the characters mainly go off on their own separate exploits and subplots, with more of a focus on the overall plot arc and establishing relationships with the new supporting regulars. But the writing still seems generally okay, the plot is going in some potentially interesting (if darker) directions, and Drayton is an interesting addition to the cast. I'm still undecided about the new direction, but I'm still watching.
The production values are pretty good too. There was a remarkably well-done CGI monster this week, a sort of giant-werewolf-with-antlers demon called a Kyon (two of them, in fact, in separate scenes), which was a more real-looking furred CGI creature than Gorilla Grodd in The Flash.
Also, there was something amazing and virtually unprecedented in last night's episode. There was a scene with a thunderstorm outside -- and the sound editors actually remembered that the thunder sound comes after the lightning!!! I have almost never seen a movie or TV show get that right. They always put the thunder in exact sync with the lightning, even though everyone who's ever been in a thunderstorm knows it doesn't work that way. They even varied the delay in keeping with the lightning strikes being at different distances -- with the closest, brightest, loudest strike coming at the most dramatic moment in the scene, of course, so it served the drama as well as being realistic. Why does nobody else do this?
It's the most massive season-2 overhaul of a TV show's format that I've seen since War of the Worlds: The Series (and before that Buck Rogers in the 25th Century), but so far it seems to be shaping up better than either of those two disastrous retools. I'm not crazy about the fact that it's downplaying the sisterly-bond thing in favor of having the characters mainly go off on their own separate exploits and subplots, with more of a focus on the overall plot arc and establishing relationships with the new supporting regulars. But the writing still seems generally okay, the plot is going in some potentially interesting (if darker) directions, and Drayton is an interesting addition to the cast. I'm still undecided about the new direction, but I'm still watching.
The production values are pretty good too. There was a remarkably well-done CGI monster this week, a sort of giant-werewolf-with-antlers demon called a Kyon (two of them, in fact, in separate scenes), which was a more real-looking furred CGI creature than Gorilla Grodd in The Flash.
Also, there was something amazing and virtually unprecedented in last night's episode. There was a scene with a thunderstorm outside -- and the sound editors actually remembered that the thunder sound comes after the lightning!!! I have almost never seen a movie or TV show get that right. They always put the thunder in exact sync with the lightning, even though everyone who's ever been in a thunderstorm knows it doesn't work that way. They even varied the delay in keeping with the lightning strikes being at different distances -- with the closest, brightest, loudest strike coming at the most dramatic moment in the scene, of course, so it served the drama as well as being realistic. Why does nobody else do this?