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Chapel and Sarek scene in Voyage Home

yosef

Ensign
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I have read descriptions of the cut scene in Voyage Home with Chapel and Sarek, but haven't seen the actual clip anywhere before. From what I can see, there aren't any deleted scenes for the movie on the Blu-ray I have. I searched posts here and elsewhere, so I just wanted to confirm this was true and I wasn't missing anything.

As an aside, I just finished reading Return to Tomorrow about the making of TMP, so I decided to watch TMP with new eyes, but then ended up watching all ten TOS and TNG movies (which got me thinking about this and other cut scenes again). Does anyone else ever put in one movie and then find it hard to resist continuing with the rest?
 
Voyage Home has the least cut matetial of the 6 TOS movies. That Chapel scene is just about it. Otherwise just snips of dialogue here and there.
 
What about the novelization? The books tend to include scripted, but unfilmed scenes in addition to cut scenes.
 
The scene sounds really brief but she is otherwise only in the background. I'd love to see it. It would be her last close up scene of the franchise.

It's a shame that Chapel is so underutilised in the movies. She was starting to look more scientific in TMP. I really wanted her to be in STVI too. I know much of her absence was to do with the politics of Roddenberry being forced back, as she was nearly in TWOK but elected not to appear in solidarity.
 
As per the script...

8 EXT. SAN FRANCISCO BAY AREA - DAY - ILM

The City of the 23rd Century, the Golden Gate Bridge:

PUSH IN to Federation Headquarters.​

9 INT. CORRIDOR - FEDERATION HEADQUARTERS - CLOSE ON FEET

Hurrying over marble floors, as CREDITS CONTINUE. PAN
UP now to reveal SAREK, Spock's father, moving OUT OF
SHOT.
10 INT. CORRIDOR

As we PAN Sarek INTO SHOT with COMMANDER CHAPEL,
Starfleet Medical Officer whose history in Star Trek is
known to all.

CHAPEL​
Thank you for coming. It's not
going well.

SAREK​
Am I to late to testify?

CHAPEL​
I don't know.
Sarek raises an eyebrow, as they start out.
11 INT. FEDERATION COUNCIL CHAMBER - ANGLE ON ENTRY

As Sarek and Chapel enter in semi-darkness, while
events are taking place O.S. They look in wonder at:
12 SPACE - THE ENTERPRISE

As it comes toward us, only to be wrecked and torn
apart by a series of explosions.
13 BACK TO SAREK, CHAPEL

Awed, seeing this for the first time.​
 
Nimoy was very much of the 'what's up on screen is my director's cut' school, and what got deleted was deleted for good reason and not worth putting on disc. Which suited bare-bones Paramount just fine.

Did they cut Sulu running into his ancestor as a kid, or not even film it?

If I remember right, they tried rehearsing the scene and the kid just couldn't get it, so they skipped shooting it altogether.
 
Nimoy was very much of the 'what's up on screen is my director's cut' school, and what got deleted was deleted for good reason and not worth putting on disc. Which suited bare-bones Paramount just fine.



If I remember right, they tried rehearsing the scene and the kid just couldn't get it, so they skipped shooting it altogether.
The kid wouldn't do it. He froze up.
 
They usually don't include a single line or two of dialogue in a deleted section of a movie disc. And that Chapel sarek scene is one of the longer Cuts in the movie as far as dialog goes. So there really wasn't anything from Voyage Home that a reasonable person would want to collect into a deleted scenes.
Star Trek 3 The Search for Spock was the total opposite there are huge chunks taken from all over the movie.
 
The Sarek/Chapel scene appears in the DC Comics adaptation of STIV, BTW. it's literally just a couple of panels. The dialogue is more or less what Maurice quoted above.
 
The Sarek/Chapel scene appears in the DC Comics adaptation of STIV, BTW. it's literally just a couple of panels. The dialogue is more or less what Maurice quoted above.

Here it is:

SDO3gq7.jpg
 
What about the novelization? The books tend to include scripted, but unfilmed scenes in addition to cut scenes.
From the novelization:

Sarek of Vulcan stepped from the transporter center into the cool, damp brightness of earth. He could have beamed directly to Federation headquarters, but he preferred to make his way on foot. On any world where conditions permitted, he chose to walk in the open air and on the open ground. In this way he could make himself familiar with a new environment. This was something Amanda had taught him. He often wondered why Vulcans did not habitually do the same thing, for it was quite logical.
Sarek had expected never to return to diplomatic service after his retirement. He had never expected to visit earth again. But now, two journeys in three months disarranged his contemplative existence. He had made his first voyage to accuse James Kirk. He made this voyage to defend him.
The planetary government of Vulcan had come perilously close to forbidding the second voyage. Sarek had to delve deep into his reserves of logic and persuasion to win their agreement. Many members of the government claimed no interest in James Kirk’s fate; they offered Sarek the hypothesis that since Kirk had neutralized a series of events that he himself had begun, a balance had been reached. Kirk must face the consequences of his actions alone. If Vulcans acted, the balance would be destroyed.
Perhaps, Sarek thought, the charge Representative T’Pring made is correct. Perhaps I have spent too much time on earth. I have certainly, in the eyes of other Vulcans, spent too much time in the company of human beings, or at any rate in the company of one human being. Yet I cannot imagine following any other path for my life, and, at the end of our debate, even the flawlessly logical sword-edged blade of T’Pring’s mind finally turned to my persuasion. She argued on my behalf.
As he walked, he reaccustomed himself to earth’s low gravity and weather conditions. Fog, gathering beneath the catenaries of the Golden Gate Bridge, crept through the streets and flowed around the hills. Sarek drew his cloak around him, marring the fine pattern of condensation that collected on the heavy fabric.
Sarek arrived at Federation headquarters moments before he was scheduled to speak. In the foyer, Commander Christine Chapel hurried to meet him.
“Sarek, thank you for coming.”
“I left Vulcan as soon as I was able after your message arrived. Do the findings of the inquiry still go against James Kirk and his shipmates?”
“It isn’t going well for him. For any of them.” She sounded worried. “He’s made a lot of friends in his career. But a lot of enemies as well. There are people—outside the Federation, and in it too—who would like to see him brought down.”
“But he saved Spock’s life, and the life of Lieutenant Saavik,” Sarek said. “Furthermore, he acted on my behalf and at my request. It is preposterous that he should be punished.”
“Sir,” Chapel said, “you’ve made enemies too.”
“It is illogical,” Sarek said. “But it is true.”
“Mr. Ambassador, has Spock recovered?”
“He is recovering. However, the experience is not without effect. He has undergone changes, but he is Spock.”
“I’m glad,” she said.
Sarek followed Chapel into the surprising darkness of the council chamber.
 
As Chapel and Sarek enter the chamber, we should have glimpsed the ushers.


Efrosian Usher
by Ian McLean, on Flickr

This pic was in the "Star Trek IV Sourcebook" (FASA), as an example of an Efrosian (coined by Kirk Thatcher, the Punk on the Bus and Associate Producer, who named the race for Mel Efros, Unit Production Manager), and for a long time, I assumed the white makeup markings on his face may have been artistic licence for the RPG. We had already seen an Efrosian (below) in the earlier Saratoga scenes (and later another as the UFP President in ST VI) but FASA had caught this young usher from ST IV publicity stills.


Efrosian on the Saratoga
by Ian McLean, on Flickr

Brief glimpse of a human usher in the movie:


ST IV Usher
by Ian McLean, on Flickr

What I had noticed was that the Efrosian usher's costume had repurposed a Federation translator's uniform from "The Motion Picture". During the "It's a Wrap!" auctions on eBay, I helped out on a query, confirming that the green uniform with contrasting trim, advertised as "an usher's uniform from the court martial scenes" of ST IV, had previously been one of the white and yellow Federation translator's uniform in TMP (below left). It had been dyed, and a contrasting fabric segment placed on the sleeve to cover up the hole left by the removal of the translator device.


Costumes of Star Trek
by Ian McLean, on Flickr

For the 50th anniversary, the Roddenberry website uploaded this great, previously unseen, pic (below) of the Efrosian usher. And yes, he had his white face markings!


ST IV Human and Efrosian ushers
by Ian McLean, on Flickr
 
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Thank you all for your knowledgeable replies! When I first saw the movies in this past decade, I don't think I had any expectations that Chapel (or Rand) would appear, so it was nice to see them in this one.
 
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