STII Original Version?

I recently chanced once again upon the story of how Harve Bennett convinced Leonard Nimoy to come back for Star Trek II by offering him the opportunity to die in the first 3rd of the movie, like Janet Leigh in "Psycho." But, as we all know, the story leaked out (thank you, Gene), and they had to rework it to the Kobayashi Maru red-herring and the climactic death scene.
So, when I heard that story this time, it got me thinking. At the time Harve made that pitch, the story, or at least whatever event culminated in Spock's death, must have been fairly different. And I know there are old rough draft scripts floating around of various movies (like the drafts of "Batman" and "Batman Returns" with Robin in them, or the darker early version of "The Truman Show"); it would be interesting to see the early version of STII where Spock died in the first part of the movie. Does anyone know whether such a script, or even just a premise detailing the storyline at that phase of production, exists?

 

As far as the stuff that I have read, the script was never written until after that change took place (ie. they wanted all their cast signed on before fleshing out a full story).

I could be (and probably am) wrong in this matter, though I would have no idea how the story would end, as the dished out it's emotional core earlier way earlier.

I know...ask Therin. He knows EVERYTHING about the TOS movies it seems.

 

Somewhat off-topic... what were the major differences in the earlier drafts of The Truman Show?

 

I figured someone would ask that question. Unfortunately, I only read the first section of it, but even just two key events there can give us a bit of a glimpse into the different direction they were headed. One was Truman hiring a prostitute to pretend to be that girl that he used to like from school (and implying that this was a regular routine they did, going as far as her wearing a wig, I think). The other, in a scene coincidentally reminiscent of Rachel Dawes' first meeting of Batman in "Batman Begins," features Truman coming home late on the subway, and seeing some toughs follow a girl off a train, as if to assault her. Truman timidly goes on his way, ignoring her cries for help. We find out that the producers had fabricated the whole scene (both the toughs and the girl were actors) just let the viewers see how Truman reacts to it.
Given the sharp contrast of those scenes to the finished movie, I'm surprised I wasn't more curious about how that version ended. I might have to hunt down that script again.
The other one I'd really like to read is the earlier conception of "Elf" as a more raunchy adult-type movie in the style of Anchorman or Old School. Not because I like more raunchy, "blue" humor, but my curiosity is piqued at the thought of the movie being so integrally different from the finished product.

But, back on topic, if the above is true, it's a shame...it would be pretty fascinating to see what kind of story Bennett had in mind.

 

Did he then find out she really was that girl and then she fell off a bell-tower to her doom?

Sorry, er... flashes of Vertigo.

A darker Truman might have been interesting stuff. One thing I never quite got, though, was the use of music from Powaqqatsi. There's a whole track that's identical, note for note, to a Glass piece in that film... and I don't remember if they paid royalties to use it or if it was just a knockoff job.

But, ahem, to return to the topic at hand: Fascinating. (arches eyebrow) Susan Sackett inadvertently caused a better movie! Spock's death wouldn't have had half the impact if they killed him off early in the movie rather than as part of the climax.

 

I haven't read it, but I did talk to an fx guy who read it, and said that it, along with the first draft of FROM HELL, were the two best scripts he had read in years. He mentioned that in TRUMAN (which was supposed to feature Gary Oldman, who played Truman in a test scene shot by writer Andrew Niccol), the main character tumbles to the fact he is being monitored and at one point holds a baby over his head, intending to slam it to the ground unless the truth is revealed. Much darker, and probably damned good (though I like the filmed version too.)

 

"Madlyn Rhue had MS, and was confined to a wheelchair, so that character was dropped before her scenes were written."

Oh, it would have been great for McGivers to be in "Wrath".

"Kirk tells him of his promotion to captain of Excelsior"

The first ever on screen scene of "Hikaru" being Sulu first name. Years before "The Undiscovered Country".

proposed man-on-man scene between Khan and Kirk. (It's actually quite bizarre that they never meet in person in ST II.)

I've always felt that way too.

"Judson Scott (Joachim) once told me that there were some scenes written for him and Ricardo Montalban to rehearse with, which identified their quasi father/son relationship,"

I thought Joachim and Khan were son and father while I was in the theater, watching the film for the first time.

Don't get me started on McGivers' and Khan's child. :cry:

When I saw "The Mask of Zorro", I thought, "Mmm...this reminds of something."

Oh, dang, now I gotta read the novelization, the Khan Trilogy, and the DC comix. again. ttfn. :thumbsup:

 

Unless anything is actually written into a treatment, you can't really say what was "originally intended".

It takes a lot less time to write outlines than drafts of scripts. I tend to look at any story elements offered in early treatments as part of the process to getting to the actual storyline -- obviously disposable.

--Ted

 

Glass wrote the score for the movie, and even appeared in the film as the composer for the show itself. He wrote very little original music for the film, though; most of the film's soundtrack is taken from Powaqqatsi and Anima Mundi (along with pieces composed by Chopin and Mozart).

 

I recall reading that one of Soward's actual first script drafts had Spock's death at about the 40-minute mark. Seem to recall that Spock was serving with a Captain Baker on the Enterprise. I think it was in an Allan Asherman "behind the scenes of Khan book" where I read it, but cannot swear to it this late in the game.

Sir Rhosis

 

Thanks for that. Only Powaqqatsi was ever called to my attention, by someone who was passing by, heard me watching the DVD, and assumed I was watching The Truman Show... when I didn't get the reference, that person showed me the segment of that film with the identical track.

Seems kind of uncharacteristically lazy of Glass. I mean, all his music is the same anyway. But seriously, he did pretty good scores for Mishima, Kundun, and even direct to home video affairs like the 1931 Dracula or the French Beauty and the Beast... so what's the deal with Truman?

(Sorry to go so conspicuously off-topic)

 

I've always assumed that most of the Ceti Alpha V survivors (except Khan) were children of the original Botany Bay crew. How else do you explain the fact that only Khan looks to be the right age? The rest look to be teen-agers or early 20's, with a couple of exceptions. Joachim could easily have been Khan and McGiver's son.

Having Madlyn Rhue in the movie would have been genius. The fact that she was confined to a wheelchair would have injected even more pathos into her character. Her early death scene, showing her mind and body ravaged by the Ceti Eels, would have given Khan even more fuel for his rage against Kirk.

I, for one, did not want to see a face-to-face between Kirk and Khan. What, another fight scene between two geezers? That would have been too easy. Khan lifts Kirk up, Kirk beats Khan with a plastic tube.

Mostly, I wanted to see Khan's explanation to Terrell about his origins done as a "flash-back" scene, utilizing some footage from Space Seed. It would have been great to see some genuine TOS on "the big screen".

 

Actually, Burkhart Dallwitz has always been credited for writing the music for TRUMAN SHOW, but there were other pieces (the best ones IMO) that were existing cues from other folks, such as Glass. I'm guessing that his TRUMAN score just didn't measure up for the director, or maybe the director was in love with his temp cues and couldn't part with the Glass.

 

Thanks for that. I was pretty baffled when I noticed the different composer credited. Interesting if he preferred the temp tracks that he still kept his composer partly on, rather than, say, dumping him altogether like Alex North and 2001. It wsa a fairly good movie, yet I like Powaqqatsi better (though I think the qatsi trilogy is a classic case of diminishing returns).

To return to the topic at hand, I think it was a good call not to use Rhue. It might have been very difficult to shoot her scenes given her condition, and having her already dead gives the villain motivation without him seeming overly sympathetic (a lot of scenes with Khan fussing over his disabled wife and I suspect people might begin to root for him). I've always liked thinking that she kissed his gloved hand before she died, that's why it never came off... though we know the real reason was that it was an arbitrarily created 'mystery' by Nick Meyer.

 

And this, exactly, is why Trek lit authors shouldn't try to explain some things.